Manuela Di Centa - Olympic skiing champion

Friulian won five medals at a single Winter Games

Manuela Di Centa in action at the 1994 Winter
Olympics in Norway, where she won five medals

The Olympic skier, mountaineer and former politician Manuela Di Centa was born on this day in 1963 in the small town of Paluzza in the mountainous north of the Friuli-Venezia Giulia region, less than five miles (8km) from the Austrian border.

Di Centa made history at the 1994 Winter Olympics in Lillehammer, Norway, when she won a total of five medals, including two golds - the only cross-country skier to accumulate so many medals at a single Games.

Three times Italy’s national fell running champion, Di Centa went on to become the first Italian woman to climb Mount Everest when she scaled the world’s highest peak in 2003, planting the five-ringed Olympic flag at the summit.

A member of the International Olympic Committee from 1999 to 2010, Di Centa has also represented her region as a politician, sitting in the Italian Chamber of Deputies for the Forza Italia and People of Freedom parties between 2006 and 2013.

Born and raised in the beautiful surroundings of the Carnia region of Friuli, Di Centa grew up in a family of Nordic skiers and took to skis almost as naturally as learning to walk.

Di Centa on her ascent
of Mount Everest

After some impressive displays in youth level skiing, she made her debut for the Italy national team at the age of 17 in 1980, contested her first World Championships events in 1982 and competed in her first Winter Olympics in Sarajevo in 1984.

She won her first medals in either competition at the 1991 World Championships on home territory in Val di Fiemme in the Dolomites, when she won silver in the four by 5km relay - alongside Bice Vanzetta, Gabriella Paruzzi and Stefania Belmondo - and individual bronze over 5km and 30km.  The 5km relay team repeated their bronze medal success at the Olympics at Albertville in France the following year.

Di Centa pocketed a World Championship 30km silver and a medal of the same colour in the four by 5km relay at Falun in Sweden in 1993 but it was at the Olympics in Lillehammer the following February that she hit her peak.

She medalled in all five cross-country events in which she competed, winning golds over 15km and 30km, silver in the 5km and pursuit, and a second bronze in the four by 5km relay. 

No cross-country skier - male or female - has won five medals at a single Winter Olympics before or since. Another relay bronze at the 1998 Games in Nagano in Japan raised her career total Olympic medal haul to seven, after which she announced her retirement from competition.

Her World Championship medal haul was also seven - including four silvers but no gold. She twice won her sport’s prestigious World Cup, finishing first in 15 events all told and being crowned overall champion in 1994 and 1996.

Di Centa's official photograph as a
member of the Chamber of Deputies

An accomplished fell runner as well as a skier - winning the Italian championships in 1985, 1989 and 1991 - Di Centa then turned her knowledge of mountainous terrain into more achievement.

Having revealed that she had two childhood dreams - to compete at the Olympics and to climb the world’s highest mountain - she achieved the latter on May 23, 2003 by becoming the first Italian woman to reach the 8,848m summit of Mount Everest. 

She needed supplementary oxygen for the final 1,500m but was determined to complete the climb - 50 years after Sir Edmund Hillary and Sherpa Tenzing Norgay conquered it for the first time in 1953.  Di Centa celebrated by planting the Olympic and Italian flags at the summit.

Di Centa has also enjoyed a successful career as a television presenter, mainly in programmes dedicated to her beloved mountains, and successfully ran for election to the Chamber of Deputies in 2006 as a Forza Italia candidate for Friuli-Venezia Giulia, and in 2008 for Trentino Alto-Adige as a member of Il Popolo della Libertá - the People of Freedom.

Married to the mountaineer and cross-country skier Fabio Meraldi, Manuela di Centa is the sister of another Olympic cross-country skiing gold medallist, Giorgio Di Centa, and the cousin of long distance runner Venanzio Ortis, who was European 5,000m champion in 1978.

Giorgio Di Centa won Olympic gold in the 50km and four by 10km events at the Turin Olympics in 2006, where Manuela was one of the flag bearers and, in her role as Italian representative on the IOC, presented her brother with one of his golds.

Manuela and Giorgio’s maternal grandmother, Irma Englaro, served with distinction as a Carnic Porter during the First World War, one of a legion of local women who helped Italy’s war effort along the Carnia front by transporting supplies and ammunition in their back-borne panniers.

Carnia, the region in which Paluzza is situated, 
 is an area of outstanding natural beauty 

Travel tip:

Manuela Di Centa’s place of birth, Paluzza - Paluce in Friulian dialect - is a small town of around 2,200 inhabitants situated about 120km (75 miles) northwest of Trieste and approximately 50km (31 miles) northwest of Udine, in the historic Carnia region of Friuli, close to the border with Austria. It is best known today as a ski resort, famed for its cross-country ski runs, but historically it was a key strategic defensive position where a castle - Castrum Moscardum - was built in the 13th century to guard the valley against invaders from the north. One tower of the castle remains standing today. The valley in which Paluzza sits - the Val Bût or Canale di San Pietro - is one of five that make up the picturesque Carnia region, which includes 27 municipalities. Carnia is thought to take its name from the Germanic Carni tribe who are thought to have migrated south from around 400 BC, reaching the area through the Plöcken Pass.

The Loggia del Lionello is a feature of Udine's
beautiful main square, Piazza della Libertà

Travel tip:

Udine, the nearest city to Di Centa’s home town, is an attractive and wealthy provincial city and the gastronomic capital of Friuli-Venezia Giulia. Udine's most attractive area lies within the mediæval centre, which has Venetian, Greek and Roman influences. The main square, Piazza della Libertà, features the town hall, the Loggia del Lionello, built in 1448–1457 in the Venetian-Gothic style, and a clock tower, the Torre dell’Orologio, which is similar to the clock tower in Piazza San Marco - St Mark's Square - in Venice.  The city was part of the Austrian Empire between 1797 and 1866 and retains elements of a café society as legacy from that era, particularly around Piazza Matteotti, known locally as il salotto di Udine - Udine's drawing room.  Long regarded as something of a hidden gem, Udine does not attract the tourist traffic of other, better-known Italian cities, yet with its upmarket coffee shops, artisan boutiques and warm, traditional eating places in an elegant setting, it has much to commend it.

Also on this day:

1788: The death of royal exile Charles Edward Stuart

1857: The birth of architect Ernesto Basile

1888: The death of Saint Don Bosco

1925: The birth of fashion designer Mariuccia Mandelli

1933: The birth of Mafia boss Bernardo Provenzano

1942: The birth of actress Daniela Bianchi

1951: Final of the first Sanremo Music Festival

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Michele Novaro - composer

Patriot who wrote music for Italian national anthem

Michele Novaro was an opera
singer as well as a composer

The composer and singer Michele Novaro, who wrote the music that accompanies Goffredo Mameli’s words in Italy’s national anthem, was born on this day in 1818 in Genoa.

While not as actively involved in the Risorgimento movement as Mameli, who took part in various insurrections and died fighting alongside Giuseppe Garibaldi in the battle for a unified, independent Italy, Novaro was a patriot nonetheless.

A committed liberal in his politics, he was a supporter of the cause of independence and composed the music for several patriotic songs in addition to Mameli’s Il canto degli Italiani - The Song of the Italians - which is also known as Fratelli d'Italia (Brothers of Italy) and L’inno di Mameli (Mameli’s hymn).

The oldest of five children, Novaro was born into a theatrical background. His father, Gerolamo, was a stagehand at the Teatro Carlo Felice, the Genoa opera house. His mother, Giuseppina Canzio, was the sister of a well-known painter, scenographer and impresario, Michele Canzio.

Novaro attended singing school and achieved a respectable standard as an opera singer. He was good enough to sing in the Genoese premiere of Gaetano Donizetti's opera Gianni di Calais.

He spent three seasons in Vienna as the second resident tenor at Vienna’s Porta Carinthia theater, returning to Italy to take up a post as second tenor and choirmaster at the Teatro Regio and Teatro Carignano in Turin.

Goffredo Mameli, who was killed
fighting alongside Garibaldi

Novaro willingly gave his services in the cause of independence by writing music to patriotic songs, as well as organising fundraisers in support of Garibaldi. 

He and Mameli, who was also from Genoa, were friends and in 1847 after Mameli had written the words for the song that would earn him immortality it was Novaro he sought out to write a suitable score. 

Novaro is said to have received the text of Mameli’s poem at the Turin home of the patriotic writer, Lorenzo Valerio. He immediately sketched out a first draft of the music, which he then completed on his return to his home, staying up late into the night to perfect it.

The writer Anton Giulio Barrili, another friend of Novaro, later wrote about the birth of Il canto degli Italiani, quoting what Novaro had told him following his first sight of the song at Valerio’s home.

‘I sat at the harpsichord, with Goffredo's verses on the music stand, and I strummed, I murdered that poor instrument with my convulsed fingers, always with my eyes on the hymn, putting down melodic phrases, one on top of the other, but a thousand miles away from the idea that they could adapt to those words. 

‘I got up, dissatisfied with myself; I stayed a little longer at Valerio's house, but always with those verses before my mind's eye. I saw that there was no remedy; I took my leave, and ran home. 

‘There, without even taking off my hat, I threw myself at the piano. The tune I had strummed at Valerio's house came back to my mind: I wrote it down on a sheet of paper, the first that came to hand: in my agitation I turned the lamp over on the harpsichord, and consequently also on the poor sheet of paper: this was the original of the hymn "Fratelli d'Italia".’

Friends paid for a memorial for 
Novaro in Staglieno cemetery

Despite leaving his mark on Italian history, Novaro never achieved fame or fortune.

Such money as he did make, he ploughed into setting up a free choral school in Genoa, to which he devoted his later years.  Struggling with declining health and financial difficulties, he died in October, 1885.

His former students arranged for a funeral monument to be erected to him in his hometown in the Monumental Cemetery of Staglieno, next to the tomb of Giuseppe Mazzini, another major Risorgimento figure who was among his heroes.

Although Il canto degli Italiani was very popular during Italian unification and the following decades, it was not until a century later that it became Italy’s national anthem.

At the time the Kingdom of Italy came into being in 1861, the republican and Jacobin connotations of Fratelli d'Italia were difficult to reconcile with the new state's constitution as a monarchy rather than the republic that Mazzini and his supporters craved. 

The new kingdom instead adopted Marcia Reale (Royal March), the House of Savoy's official anthem, written by Napoleone Giotti and set to music in 1831 by Giuseppe Gabetti. 

Italy finally became a republic after World War Two, following a referendum that rejected the monarchy. On October 12, 1946, it chose Il canto degli Italiani as a provisional national anthem. It retained its de facto status until December 2017, when it was at last recognised as the Italian anthem by law.

The Teatro Carlo Felice in Genoa, where
Novaro's father worked as a stagehand

Travel tip:

The port city of Genoa (Genova), where Michele Novaro was born, is the capiital of the Liguria region. Once a powerful trading centre, the city’s wealth was built on its shipyards and steelworks, but it also boasts many fine buildings, many of which have been restored to their original splendour.  The Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy. At the time of Novara’s birth, the City Architect was Carlo Barabino, a prominent Neoclassicist who designed the Teatro Carlo Felice Opera, the Palazzo dell'Accademia, and the facades of several other buildings. The theatre opened in 1828. 

The Palazzo Reale - Royal Palace - in Turin is
a reminder of the wealth of the Savoy family

Travel tip:

The Savoy dynasty left a significant mark on Turin, shaping its architecture, culture, and overall identity. The Royal Palace served as the opulent official residence of the Savoy kings for centuries. Its lavish interiors, including the Throne Room and the Royal Apartments, offer a glimpse into the grandeur of the dynasty. Housed within the Royal Palace, the Royal Armoury is now a museum boasting an impressive collection of weapons and armour. Also located inside the Royal Palace, the Savoy Gallery houses a remarkable collection of paintings by Italian and European masters, including works by Rubens, Van Dyck, and Canaletto.  Beyond the city, a network of Savoy palaces, villas, and castles is scattered throughout Piemonte. The city’s Duomo - the Cattedrale di San Giovanni Battista - was built between 1491 and 1498 in Piazza San Giovanni. The Chapel of the Holy Shroud, where the Turin Shroud is kept, was added in 1668. Some members of the House of Savoy are buried in the Duomo while others are buried in the Basilica di Superga on the outskirts of the city.

Also on this day: 

1573: The birth of Baroque artist Giovanni Battista Crespi

1896: The birth of writer Giuseppe Tomasi di Lampedusa

1916: The birth of film director Dino Risi

1956: The birth of racing driver Michele Alboreto

1967: The birth of model and singer Carla Bruni

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Alessandro Antonelli – Architect

The creator of Turin’s striking Mole 

Turin at dusk, with the Alps in the background and
Antonelli's Mole towering above the skyline

Alessandro Antonelli, who became famous for designing what has become Turin’s most iconic building, died on this day in 1888 in the Piedmont capital.

Antonelli was the architect of the Mole Antonelliana, which was named after him. The Mole now houses the National Museum of Cinema. At 167.5 metres (550ft), it remains the tallest unreinforced brick building in the world, and is believed to be the tallest of any construction to house a museum.

Mole is an Italian word that is used to describe a building of monumental proportions. Turin’s impressive Mole is represented on the obverse side of the Italian two euro cents coin, which is the side that displays the nationality of the country that has issued the coin.

Antonelli was born in Ghemme, a town near Novara in Piedmont, in 1798. His father was a notary and he was one of 11 children. He studied architecture in Milan and Turin before taking a job in the state territorial planning offices. But after winning an architecture competition he moved to Rome in 1828 to study geometry.

Antonelli was renowned for the
ambitious nature of his projects

He developed a functional ideal of architecture, which inspired him to draw up an ambitious plan for the renovation of Turin’s historical centre.

Antonelli returned to his native city in 1836 and became a professor at the Albertina Academy, which was an institute of higher education in Turin. He also became a deputy in the Kingdom of Sardinia’s parliament and served as a councillor in both Turin and Novara.

Among the many villas, churches, and public buildings Antonelli designed during his career, he is particularly remembered for Novara Cathedral. ll Cattedrale di Santa Maria Assunta, or Duomo di Novara, was designed in neoclassical style by Antonelli and was built between 1863 and 1869 to replace the original 11th century church that had previously occupied the site. The cathedral incorporated the original mosaic floor of the presbytery and a chapel dedicated to Saint Syrus from the structure that preceded it. 

Antonelli also designed the dome of the Basilica of San Gaudenzio in Novara, a 75m (246ft) structure which brought the total height of the basilica to 121m (397ft), dwarfing the adjoining campanile, built earlier to designs by Benedetto Alfieri.  It was a highly ambitious project that had to be modified and reinforced to stop it collapsing under its own weight, yet it survived and dominates the Novara skyline as the Mole does in Turin.

The Orphan’s Hospice at Alessandria, a villa at Romagnana Sesia, and churches in Bellinzago Novarese and Borgo Lavezzarro are other buildings designed by Antonelli.

However, Antonelli’s most famous work was undoubtedly the 167.5m (550ft) Mole Antonelliano, which has become the symbol of the city of Turin. 

The cupola of the Basilica of San
Gaudenzio in Novara

It was begun in 1863 as a Jewish synagogue and was not finished until after Antonelli had died, construction having been halted in 1876 because Antonelli’s frequent modifications meant that costs had risen well beyond his original estimates and the Jewish community decided they could no longer afford to fund the project.

It was completed after the city’s municipal authorities agreed to finance the remaining work, compensating the Jewish community by building another synagogue elsewhere.

Work was finished in 1897 with the exception of the statue of a winged angel with which Antonelli planned to top the spire. This was added after his death but has since been replaced after the original was twice dislodged by storms.

From 1908 until 1938, the Mole housed the city’s Museum of the Risorgimento. Although the uppermost part of the spire was destroyed during a burst of violent weather in 1953, it was rebuilt in 1961, according to Antonelli’s original drawings. The building has been home to the Museo Nazionale del Cinema since 2000.

Following Antonelli’s death in 1888, his body was taken to Maggiora in the province of Novara to be buried in his family’s tomb.

Ghemme DOCG
is a renowned wine

Travel tip:

Ghemme, where Antonelli was born, is a town of just over 3,000 inhabitants in the province of Novara situated on the River Sesia, about 80 km (50 miles) north east of Turin and about 25 km (16 miles) north west of Novara. The small town’s main attraction is the Ricetto Castle, which dates back to the 11th century.  It was there in 1467 that a peace treaty was signed between the Duchy of Milan and Duchy of Savoy, ending several years of conflict. The the town is also famous for its red wine, Ghemme DOCG, which is produced in the surrounding Colli Novaresi. Ghemme’s wine was awarded DOC status in 1969 and was classified DOCG in 1997. The wine is made primarily from the Nebbiolo grape and it has to be aged for at least three years. Ghemme is also synonymous with the production of honey, being home to more than 600 bee hives. The town's acacia honey is regarded as one of the finest honeys produced in all of Italy.

The facade of the Palazzo Madama was designed,
like the Basilica di Superga, by Filippo Juvarra

Travel tip:

Much of the architecture of Turin illustrates its rich history as the home of the Savoy Kings of Italy. In the centre of the city, Piazza Castello, with the royal palace, royal library, and Palazzo Madama, which used to be where the Italian senate met, showcases some of the finest buildings in ‘royal’ Turin. Some members of the House of Savoy are buried in Turin’s Duomo in Piazza San Giovanni, which is also famous for being the home of the Turin shroud. Many people believe that the cloth now preserved in the Chapel of the Holy Shroud was the actual burial shroud of Jesus Christ. As well as the Mole Antonelliana, Turin is home to another architectural wonder in the Filippo Juvarra's magnificent Basilica di Superga, which sits on a hill above the city topped by another colossal dome, rising to 75m (246 feet). 

Also on this day:

1634: The birth of painter Luca Giordano

1833: The birth of entrepreneur Cristoforo Benigno Crespi

1933: The birth of racing driver Ludovico Scarfiotti

1969: Caravaggio masterpiece stolen in Palermo

Feast Day of Luke the Evangelist

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Mercurino Arborio di Gattinara – politician and cardinal

Lawyer and strategist dreamt of a united Europe ruled by the Emperor

As adviser to future Emperor Charles V,
Gattinara wielded huge influence

Influential statesman and political adviser Mercurino Arborio di Gattinara was born on this day in 1465 in Gattinara in Piedmont.

Gattinara became Grand Chancellor to the Holy Roman Emperor Charles V and, despite being a layman who had never been ordained as a priest, he was created a cardinal.

He was one of the most important men active in politics of his time and he set out to centralise power in Germany and make the Holy Roman Empire a moral and political arbiter for all the kingdoms and principalities in Europe.

Born in his family’s home in Gattinara, he was the eldest son of Paolo Arborio di Gattinara and Felicità Ranzo, who was from an important family in Vercelli.

After his father’s death, Gattinara had to interrupt his studies for financial reasons and went to Vercelli to practise with his father’s cousin, who was a notary.

He was able to resume his law studies at the University of Turin after marrying Andreetta Avogadro and using her dowry to pay for his studies. After obtaining his doctorate, he practised law in Turin.

In 1501, he became adviser to Duchess Margherita of Hapsburg, the daughter of Emperor Maximilian 1 of Hapsburg. Margherita was married to Duke Philibert II of Savoy and the work he did for her enabled her to obtain for the rest of her life the administration of Romont, Villars and Bresse. The Duchess appointed Gattinara as tax lawyer and president of Bresse.

Charles V was crowned
Emperor in 1530

When King Philip of Castile died, he left six young children, among whom was the future Emperor Charles V. Margherita, who was their aunt, asked Gattinara to organise their education on behalf of their grandfather, the Emperor Maximilian. 

Margherita was also given the task of governing Burgundy by Emperor Maximilian and on her behalf, Gattinara began negotiations that would lead to the formation of the League of Cambrai.

He also wrote an operetta dedicated to the young Charles, in which he presented his theories on universal monarchy.

After Charles became King of Castile and Aragon, he appointed Gattinara as his adviser. When the Emperor Maximilian I died, Gattinara ensured Charles had support from the prince electors for his accession to the imperial throne.

Gattinara was the adviser to Charles V during the Italian Wars between 1521 and 1526 and he reorganised the imperial army and its finances. He wrote a treatise on good government and was created a cardinal in 1529, despite having no background in the church. 

After Charles V was crowned emperor in the Basilica of San Petronio in Bologna in 1530, Gattinara left Italy to attend the Diet of Augsburg, which was convened on the emperor’s behalf to quell growing religious tensions in Europe.

Gattinara died in Innsbruck while he was on the way to Augsburg on June 5, 1530.  His remains were taken to Gattinara and buried in the parish church of San Pietro.

He had worked up to 18 hours a day to fulfil his vision of a united Europe and he could express himself in Italian, Spanish, French, German and Dutch, skills which were particularly appreciated at the court of the Emperor Charles V. 

The Torre delle Castelle
overlooks Gattinara

Travel tip:

Gattinara is a small town in the province of Vercelli in Piedmont, about 35km (22 miles) northwest of the city of Novara, whose province it borders. Situated in the lower part of the picturesque Valsesia, it has an historic centre where the Church of San Pietro, the last resting place of Mercurino di Gattinara, is situated. The church dates back to 1147. The town is known for its prestigious red wine, Gattinara, which has been given the status of DOCG (Denominazione di Origine Controllata e Garantita). The town is overlooked by the massive Torre delle Castelle, all that remains of an ancient mediaeval fortified complex built around the 11th century, which tops a hill to the northwest of the town. The tower has become a symbol of the town.

The Mole Antonelliana is an unmissable feature
of the skyline of Piedmont's capital, Turin

Travel tip:

The University of Turin, where Mercurino di Gattinara studied for his degree, is one of the oldest universities in Europe, founded in 1406 by Prince Ludovico di Savoia. The main university buildings are in Via Giuseppe Verdi, close to Turin’s famous Mole Antonelliana, an architectural landmark first conceived as a synagogue, before being bought by the city and declared a monument to national unity. Designed and started by architect Alessandro Antonelli in 1863, but not completed until 1889, it rises to a height of 167.5m (550ft). A lift, which was originally installed in 1961 during celebrations to mark the centenary of the Italian Unification and renovated in 1999, allows visitors to reach a panoramic terrace 85m (279ft) above the ground to take in extraordinary views of the city and the surrounding Alps.

Also on this day: 

1918: The death of writer and composer Arrigo Boito

1940: Italy enters World War Two

1959: The birth of football coach Carlo Ancelotti

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Carlo Maria Martini – Cardinal

Liberal leanings prevented scholar’s elevation to the papacy

Carlo Maria Martini, a liberal within the Catholic
Church, lost out to papal rival Joseph Ratzinger 

Carlo Maria Martini, who was once a candidate to become pope, was born on this day in 1927 in Orbassano in the province of Turin.

As Cardinal Martini, he was known to be tolerant in areas of sexuality and strong on ecumenism, and he was the leader of the liberal opposition to Pope John Paul II. He published more than 50 books, which sold millions of copies worldwide.

Martini, who expressed views in his lifetime on the need for the Catholic Church to update itself, was a contender for the papacy in the 2005 conclave and, according to Vatican sources at the time, he received more votes than Joseph Ratzinger in the first round. 

But Ratzinger, who was considered the more conservative of the candidates, ended up with a higher number of votes in subsequent rounds and was elected Pope Benedict XVI.

Martini had entered the Jesuit order in 1944 when he was 17 and he was ordained at the age of 25, which was considered unusually early.

His doctoral theses, in theology at the Gregorian University and in scripture at the Pontifical Biblical Institute, were thought to be so brilliant that they were immediately published.

After completing his studies, Martini had a successful academic career. He edited scholarly works and became active in the scientific field, publishing articles and books. He had the honour of being the only Catholic member of the ecumenical committee that prepared the new Greek edition of the New Testament. He became dean of the faculty of scripture at the Biblical Institute, was rector from 1969 to 1978, and then rector of the Gregorian University. 

In his later years, suffering from Parkinson's
disease, Martini moved to Jerusalem

In 1979, he was appointed Archbishop of Milan, which was considered unusual, as Jesuits are not normally named bishops. He was made a cardinal in 1983. 

He started the so-called ‘cathedra of non-believers’ in 1987, an idea he conceived with philosopher Massimo Cacciari. He held a series of public dialogues in Milan with agnostic, or atheist, scientists, and intellectuals about the reasons to believe in God.

He was presented with an honorary doctorate from the Russian Academy of Sciences in 1996 and an award for Social Sciences in 2000. In the same year, Martini was admitted as a member of the Pontifical Academy of Sciences.

In 2012, Pope Benedict XVI was considering retirement, but was being urged against it by some of his confidants. By then, Martini was himself suffering from Parkinson’s disease and he encouraged the Pope to go ahead with his decision to retire.

After his own retirement, Martini moved to Jerusalem to continue his work as a biblical scholar. 

He died in Gallarate in the province of Varese in 2012. More than 150,000 people passed before his casket in the Duomo di Milano. The Italian Government was represented by Prime Minister Mario Monti and his wife. Martini was buried in a tomb on the left side of the cathedral facing the main altar.

Piazza Umberto I in Orbassano, overlooked by
the parish church of San Giovanni Battista

Travel tip:

Orbassano, the comune (municipality) where Martini was born, is about 13km (8 miles) southwest of Turin, falling within the Piedmont capital's municipal area. It can trace its history back to the Roman conquest of Cisalpine Gaul because two imperial era tombstones were found there in the 19th century. The Indian politician, Sonia Gandi, was brought up in Orbassano, although she was born near Vicenza. While studying at Cambridge, Sonia met Rajiv Gandi, who she married in 1968. The couple settled in India and had a family but he was assassinated in his home country in 1991.  Orbassano has a pleasant central square, the Piazza Umberto I, the site of the town's two main churches, the parish church of San Giovanni Battista and the Baroque church of the Confraternita dello Spirito Santo, in which the artworks include a Pentecost by Giovanni Andrea Casella from 1647 and a Madonna and saints by Michele Antonio Milocco from 1754.

Book your stay in Orbassano with Booking.com

Liberty-style villas built by architect Carlo Moroni
and his partner, Filippo Tenconi, abound in Gallarate 

Travel tip:

Gallarate, where Martini died after he spent his final years living in a Jesuit house, is a small city in the province of Varese, about 42km (26 miles) northwest of Milan. It has a Romanesque church, San Pietro, which dates from the 11th century. In Piazza Garibaldi, where there is a statue of Giuseppe Garibaldi, there is an historic pharmacy, Dahò, where members of the Carbonari used to hide out during the 19th century.  Founded by the Gauls and later conquered by the Romans, Gallarate enjoyed prosperity under Visconti control in the 14th and 15th centuries, when the area's textile industry began to develop and grow. By the 19th and 20th centuries, it was an important industrial city, where thousands of workers were employed in Liberty-style factory buildings. The heavy industry has largely gone now, with high-tech businesses a features of the city's modern economy, but the architectural echoes remain. Piazza Garibaldi also features Casa Bellora, a Stile Liberty mansion commissioned by the local captain of industry, Carlo Bellora, who had factories in Gallarate, Somma, Albizzate, and in the Bergamo area, who hired the architect Carlo Moroni to build a house for his family.  Moroni and the engineer Filippo Tenconi combined to build numerous villas in what is known as the 'Liberty district' between Corso Sempione and the railway. 

Find accommodation in Gallarate with Booking.com

More reading:

How the first railway line in northern Italy sparked 19th century boom

Karol Wojtyla - the first non-Italian pope for 455 years

Carlo Maria Viganò, the controversial archbishop who shocked Catholic Church

Also on this day:

1564: The birth of astronomer and physicist Galileo Galilei

1898: The birth of comic actor Totò

1910: The birth of circus clown Charlie Cairoli

1944: Monte Cassino Abbey destroyed in WW2 bombing raid

(Picture credits: Main picture by Mafon1959; older Carlo Martini by RaminusFalcon; Piazza Umberto I by Simoneislanda; via Wikimedia Commons)

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Vittorio Emanuele - Prince of Naples

Heir to the last King of Italy spent his life in exile

Vittorio Emanuele, Prince of Naples, the only
son of Italy's last monarch, died at the age of 86

Prince Vittorio Emanuele of Savoy, the only son of Umberto II, the last King of Italy, was born on this day in 1937 in Naples.

He had to leave Italy when he was nine years old following the constitutional referendum held in Italy after World War II. The referendum affirmed the abolition of the monarchy and the creation of the Italian republic in 1946.

Umberto II had been King of Italy for just over a month and was afterwards nicknamed the May King. He had been de facto head of state since 1944, after his father, King Victor Emmanuel III, had transferred most of his powers to him.

Umberto lived for 37 years in exile in Cascais on the Portuguese Riviera. He never set foot in his native Italy again as he, and all his male heirs, were banned from Italian soil.

His only son, Vittorio Emanuele, spent most of his life exiled from Italy and living in Switzerland. He married a Swiss heiress and world-ranked water skier, Marina Doria, in 1971.  They had one son, Prince Emanuele Filiberto of Savoy, Prince of Venice, who was born in 1972.

Umberto II was King of Italy for just
over a month before being exiled

Vittorio Emanuele also used the title Duke of Savoy and claimed to be head of the House of Savoy, although this claim was disputed by supporters of his third cousin, Prince Amedeo, Duke of Aosta, and his son, Almone. 

During his exile from Italy, Vittorio Emanuele was tried for murder in France after an incident on his yacht while it was in French waters. He claimed he had fired his gun at a burglar, but the shot accidentally killed someone on another yacht. He was cleared of unlawful killing but convicted of a firearms offence. 

Vittorio Emanuele was also once arrested on charges of criminal association, racketeering, conspiracy, corruption, and exploitation of prostitution, but was acquitted on all charges after a trial started in Potenza.

He was finally able to return to Italy in 2002 after the law barring members of the royal family from entering Italy was repealed. Along with his wife and son, he had a 20-minute audience with Pope John-Paul II at the Vatican.

Vittorio Emanuele died in Geneva on 3 February 2024 at the age of 86. His funeral was held on 10 February at Turin Cathedral and was attended by representatives of other European royal families, including Queen Sofia of Spain and Prince Albert of Monaco.

His ashes were interred in the royal crypt at the Basilica of Superga, the traditional burial place of the House of Savoy.

His heir is Emanuele Filiberto, Prince of Venice, who announced last year that he intends to renounce his claim to the throne of Italy in favour of his eldest daughter, Princess Vittoria of Savoy.

Palazzo Madama, once home of the Turin senate,
is one of the palaces at the heart of 'royal' Turin

Travel tip:

Turin, the capital city of the region of Piedmont, has some fine architecture, which illustrates its rich history as the home of the Savoy Kings of Italy. Piazza Castello, with the royal palace, royal library, and Palazzo Madama, which used to house the Italian senate, are at the heart of ‘royal’ Turin.  Turin’s Duomo - the Cattedrale di San Giovanni Battista - was built between 1491 and 1498 in Piazza San Giovanni, on the site of an old Roman theatre. Some members of the House of Savoy are buried in the Duomo, which is most famous as the home of the Turin Shroud - believed by many to be the actual burial shroud of Christ - which is kept in the Chapel of the Holy Shroud, added in 1668. 

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Filippo Juvarra's magnificent Basilica di Superga
looks down on Turin from the top of a hill 

Travel tip:

The Basilica of Superga, where Vittorio Emanuele’s ashes are interred, was designed by Filippo Juvarra, the Baroque architect from Sicily who built or contributed to many churches in Turin. Construction at Superga began in 1717 and the basilica, commissioned by Victor Amadeus II of Savoy, the future king of Sardinia, was consecrated in 1731, fulfilling a pledge Victor Amadeus had made to mark his victory over the French in the Battle of Turin, during the War of the Spanish Succession. The basilica’s elevated position on top of Superga hill, with a colossal dome rising to 75m (246 feet), means that it often sits serenely in sunlight while mist shrouds the city below. It can be reached by a steep railway line, the journey taking about 20 minutes.  Superga, sadly, has a modern association with tragedy for the people of Turin after a plane carrying virtually the entire Torino football team, who were champions of Italy at the time, crashed into a wall at the back of the basilica in May 1949, killing all 31 people on board.

More reading:

Valentino Mazzola, an Italian great who perished at Superga

The 16th century Duke who made Turin the capital of Savoy

Filippo Juvarra, the Baroque designer who influenced the look of 'royal' Turin

Also on this day: 

1602: The birth of painter Michelangelo Cerquozzi

1799: The death of scientist Lazzaro Spallanzani

1923: The birth of film and opera director Franco Zeffirelli

1944: The birth of actress and singer Claudia Mori

(Picture credits: Palazzo Madama by Lurens; Basilica di Superga by M Klueber; via Wikimedia Commons)

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Alessandro Cruto - inventor

Produced light bulb hailed as better than Edison’s

Alessandro Cruto was always
fascinated by science

The inventor Alessandro Cruto, whose attempts to create artificial diamonds instead led him to develop a light bulb that outperformed that of his contemporary, Thomas Edison, was born on this day in 1847 in Piossasco, a village near Turin.

Younger than his American counterpart by just three months, Cruto hit upon his idea after attending a conference held by Galileo Ferraris, the pioneer of alternating current, where Edison’s attempts to find a suitable filament for incandescent light bulbs were discussed.

Cruto eventually opened a factory that eventually made up to 1,000 light bulbs per day but quit the company after seven years to return to his first love, inventing.

The son of a construction foreman, Cruto enrolled at the University of Turin to study architecture but was more interested in attending physics and chemistry lectures, eager to advance his knowledge. It was after attending one of these lectures that he hit upon the idea that he could produce artificial diamonds by crystallising carbon.

In 1872, he opened a small workshop in his home village. In the September of the following year, his experiments resulted in him creating a dense carbon material that was hard enough to scratch glass. But it did not resemble anything that could be recognised as a synthetic diamond.

An example of the light
bulbs created by Cruto

He continued to study this material for many years. In 1879, on his 32nd birthday, he attended the conference hosted by Ferraris and realised the graphite he had created might be a suitable material for an effective filament for an electric light bulb.

Cruto's process resulted in the deposition of graphite on thin platinum filaments in the presence of gaseous hydrocarbons. Subjected to high temperatures, this created thin filaments of super-pure graphite. 

In 1882, he attended the Electricity Expo at Munich, where his graphite filaments, which produced a strong, white light, outperformed Edison’s carbon-coated bamboo filaments, which gave off a rather less effective yellow light and burnt out more quickly. 

The following year, Cruto’s bulbs illuminated the centre of Piossasco, enabling his home village to claim to be the first in Italy to be illuminated by electricity, rather than by the dim gas lamps that until then were the sole source of light in Italy’s towns and cities once the sun had gone down.

After exhibiting again at the Turin Expo in 1884, he generated sufficient interest that he decided to produce bulbs on a commercial scale.

Cruto established a manufacturing plant in order
to make light bulbs on a commercial scale

A year later, having found a suitable site for a production facility a short distance from Piossasco at Alpignano, he opened his factory under the name of A Cruto and Company.

With limited financial backing, the odds against his company becoming the dominant player in the light bulb market even in Italy were long. With much more financial muscle, the Italian Edison Company was too big a competitor. Edison installed a thermo-electric power station in Milan and supplied the bulbs for all the properties it served.

Cruto remained at the helm of his business until 1889 and only when its output hit 1,000 light bulbs a day did he take a step back. In 1893, after some major disagreements with managers he had appointed in his place, he resigned in order to return to his workshop to focus on new inventions.

The factory was sold a number of times, went bankrupt and was eventually acquired by Philips in 1927.  The Cruto name remained in use for some years after Alessandro had ceased to be involved, with examples in existence that were manufactured as late as 1902.

Cruto spent the rest of his days dividing his time between his family and his workshop. He died in 1908, his important contribution to the development of artificial light largely forgotten.

The Church of San Vito dominates the parish
of the same name in Piossasco

Travel tip:

Piossasco, where Alessandro Cruto was born and opened his first workshop, is a town not far from Turin, halfway between Turin and the beautiful and elegant town of Pinerolo, famous for being the ‘home’ of panettone and other enriched breads. A village when Cruto was growing up, it has expanded into a town of more than 18,000 people. Situated about 20km (12 miles) southwest of the Piedmont capital, Piossasco overlooks the beautiful Parco Naturale del Monte San Giorgio, and has some notable historic buildings such as the Castello Ai Nove Merli di Piossasco, which has medieval origins and occupies a panoramic position commanding sweeping views of the Pinerolese and Valsusa areas. The San Vito parish of Piossasco is notable for the church of the same name, which evolved from a former monastery and was largely built at the end of the 16th century with a Baroque facade added in the 19th century.

Turin is famous for its Savoy palaces, 
including the 16th century Palazzo Reale

Travel tip:

The city of Turin, once the capital of Italy and traditionally seat of the Savoy dynasty, is best known for its royal palaces but tends to be overlooked by visitors to Italy, especially new ones, who flock first to Rome, Florence, Venice and Milan. Yet as an elegant, stylish and sophisticated city, Turin has much to commend it, from its many historic cafés to 12 miles of arcaded streets and some of the finest restaurants in Piedmont. To enjoy Turin’s café culture, head for Via Po, Turin’s famous promenade linking Piazza Vittorio Veneto with Piazza Castello, or nearby Piazza San Carlo, one of the city’s main squares. In the 19th century, these cafès were popular with writers, artists, philosophers, musicians and politicians among others, who would meet to discuss the affairs of the day.

Also on this day:

1494: The birth of painter Jacopo Carucci da Pontormo

1671: The birth of Gian Gastone de' Medici, the seventh and last Grand Duke of Tuscany

1796: The birth of Charles Emmanuel IV, King of Sardinia

1949: The birth of film producer and football club owner Aurelio De Laurentiis

1981: The birth of celebrity chef Simone Rugiati

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Carlo Mollino - architect and polymath

A Renaissance man of the mid-20th century

Carlo Mollino's talent was
nurtured by his engineer father

The multi-talented architect Carlo Mollino, who designed buildings, interiors and furniture but whose talents also ran to writing and photography, racing car design, aerobatic flying and downhill skiing, was born on this day in 1905 in Turin.

Mollino, whose style has been described as an eclectic fusion of the modern and the surreal, was responsible for several notable public buildings, including the Turin Chamber of Commerce and the headquarters of the Horse Riding Club of Turin, as well as several striking private residences and apartment buildings.

He also designed the extraordinary Lago Nero Sled Station, at Sauze d'Oulx, the winter resort 50km (31 miles) north of Turin, and rebuilt the interior of the Teatro Regio opera house in Turin 40 years after a catastrophic fire left little behind the the 18th century facade intact.

Never married in his 68 years, Mollino also had a deeply secretive side, which manifested itself in a number of apartments he kept, the whereabouts of which he disclosed to no one, not even his closest friends and acquaintances.

One of these, in a 19th century villa overlooking the Po river in the centre of Turin, which he preserved as a kind of idealistic shrine, filled with his favourite objects but where it is thought he never actually lived, is now a museum, the Casa Mollino.

Mollino was raised in comfortable surroundings in a 19th-century neo-Gothic villa in Rivoli, about 20km (12 miles) west of Turin. His father, Eugenio, was an important civil engineer who, over the course of his career, built more than 300 buildings in Turin.  His father’s work was evidently something that captured the imagination of the young boy, who astonished his teachers at the age of just six by drawing a detailed cross section of a car engine and an illustration of an imaginary town drawn with accurate perspective.

Mollino's Lago Nero Sled Station,
which he called a "flying chalet"

An only child, Mollino grew up in an environment populated mainly by women, the house being home to three great aunts and two female housekeepers as well as his mother, Jolanda. After high school, he studied engineering at the Polytechnic of Turin he attended the Royal Superior School of Architecture, making friends with students at the Academy of Fine Arts, to which it was attached.

After graduating, he worked in Eugenio’s studio, from which he pursued his own projects as well as helping his father. The first major work to bear his own stamp was the offices of the Farmers’ Federation in Cuneo, a city about 100km (62 miles) south of Turin, the commission for which was a prize in a competition. The building, which had influences of metaphysical art, immediately identified Mollino as an architect eager to challenge conventions.

At the same time, Mollino was devoting much of his energy to writing. His novel, the Life of Oberon, in which the main character was an architect called Oberon, was published in several instalments in the architecture magazine, Casabella. The novel, seen to be ahead of its time in its protagonist’s description of nature and history as the environments in which architects work, and of the capacity of designs to tell a story, has been interpreted as a personal manifesto.

Mollino's foyer of the Teatro Regio
opera house in Turin

Mollino’s first acknowledged architectural masterpiece was the headquarters of the Società Ippica Torinese - the Horse Riding Club of Turin - which he completed in 1940. The building combines elements of surrealism and metaphysical art with modernism in an innovative design.

War interrupted Mollino’s architectural career. He escaped being sent away to fight after a friend gave him a job as a technician at an aeronautical construction company.  

Mollino was by then living in an apartment in Turin but left the city because of Allied bombing and returned to live in the family villa in Rivoli. During the war years, he wrote books on photography and skiing, at which he was so proficient he qualified as an instructor. His Il Messaggio dalla Camera Oscura was the first compendium on the history of photography to be published in Italy. 

The years after the war were his most productive as as an architect, during which he built the Lago Nero Sled Station on behalf of the car designer Piero Dusio, owner of the Cisitalia company, which resembled a traditional log ski chalet suspended on concrete trusses, the Casa del Sole apartment building in Cervinia, a new Monumental Cemetery on the outskirts of Turin, the interior of Turin’s RAI Auditorium and the Casa Cattaneo, a rationalist villa overlooking Lago Maggiore.

The dining room from one of Mollino's
apartments illustrated his interior design work

The death of his father in 1953 pushed Mollino into a personal crisis, during which he almost abandoned architecture. His consuming interests were photography, latterly of an increasingly erotic nature as he sought to highlight what he saw as the aesthetic qualities of the female form, car design - his Bisiluro racing car, built in 1955, competed at the 24 Hours of Le Mans - and aerobatic flying, by which he became excited after obtaining his pilot’s license in 1956.  It was during this time that his one serious relationship, with the sculptress Carmelina Piccolis, came to an end.

His focus on architectural projects returned in the late 1950s and continued until his death in 1953 from cardiac arrest. By then, he had sealed his legacy with the Chamber of Commerce building in Turin, the design of which allowed for large functional spaces free from columns, and the Teatro Regio opera house, the interior of which saw Mollino create a spectacular elliptical auditorium with a shell-like roof and lightning that resembled icicles, and a labyrinthine foyer based on the enormous subterranean vaults imagined by the 18th century artist, Giovanni Battista Piranesi.

After his death in 1973, it was discovered that he had created in his secret apartment in Via Napione between 1961 and 1970 a collection of different rooms, each lavishly decorated in individual style, one of which was furnished with a boat-shaped bed on a blue carpet, surrounded with symbols of ancient funeral rituals and some of his personal treasures and photographs. It is thought this was the room in which he intended to spend his final hours, although in the event he was working in his studio when he died.

The museum, which can be visited by private appointment, is now maintained by Italian design expert Fulvio Ferrari and his son Napoleone.

Juvarra's unfinished facade
of the Castle of Rivoli

Travel tip:

The town of Rivoli, where Mollino grew up, is notable for the Castle of Rivoli, probably built in the 9th–10th centuries and acquired by the House of Savoy in the 11th century.  In 1273 King Edward I of England visited the castle en route from the Crusades and the castle was the first place of public veneration of the Shroud of Turin, the length of cloth claimed to have been wrapped around the body of Christ after the crucifixion. Work on the current Baroque structure began in the 17th century and was redesigned but never finished by the architect Filippo Juvarra in the 18th century. Since the late 20th century it has been home to a permanent collection of 20th-century Italian art.

Mollino's elliptical auditorium at the Teatro
Regio Torino, with its icicle lighting

Travel tip:

The Teatro Regio Torino, which was Mollino’s last major work, can be found in Piazza Castello close to the Palazzo Reale in the centre of Turin. The theatre has had of a chequered history. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but limped into the 20th century only to be burnt down in the catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973. The rebuilt theatre, with Mollino’s striking contemporary interior design hidden behind the original facade, was inaugurated with a production of Verdi's I vespri siciliani directed by Maria Callas and Giuseppe Di Stefano.

Also on this day:

1527: The Sack of Rome

1895: The birth of silent movie star Rudolph Valentino

1963: The birth of ballerina Alessandra Ferri

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