Edmondo De Amicis - writer and journalist

Author whose most famous work became a staple text in Italian schools

Edmondo De Amicis's first writing
drew on his service in the Italian Army

The writer, journalist and former soldier Edmondo De Amicis, famous as the author of Cuore, his imagined diary of a schoolboy in Turin, was born on this day in 1846 in Oneglia, now part of modern Imperia in Liguria.

Through its daily diary entries by the book’s central character, Enrico, interspersed with uplifting stories told by one of his teachers, Cuore - published for the first time in 1886 - came to be seen as something of a moral compass for young people growing up in post-unification Italy.

At a time when the newly-formed Italian State was keen to impose its authority over a Catholic Church that had vehemently opposed unification and still refused to recognise the new Kingdom of Italy, Cuore’s emphasis on values such as patriotism, compassion, diligence, and respect for authority, resonated deeply with the new secular government, reflecting exactly the moral and civic ideals it wished to be at the heart of society.

It became a staple in Italian public schools, remaining so for the best part of a century. Moreover, its appeal extended well beyond the borders of the fledgling Italian nation and was adapted and translated into at least 25 languages, earning De Amicis international acclaim.

Although Cuore - Heart - was by some way the biggest success of his literary career, De Amicis also won praise for the travel books he wrote while working as a foreign correspondent for the Rome newspaper La Nazione. 

One of these - Constantinople (1877) - was seen as the best description of the Turkish city now known as Istanbul to be published in the 19th century. A new edition of the book was published in 2005.

In addition to Cuore, De Amicis, who was a member of Italy’s Chamber of Deputies for the Italian Socialist Party between 1906 and his death in 1908, wrote a number of later novels that reflected his interest in such matters as social reform, education, and workers’ rights.

De Amicis himself had been born into a wealthy family. His father, Francescso, was a royal banker in the salt and tobacco sector. His original home in Oneglia and the one to which the family moved in Cuneo, Piedmont, when he was two years old, were both spacious and elegant properties.

Cuore became staple reading for
generations of Italian schoolchildren

Growing up in Cuneo, he initially looked destined for a military career. After studying at the Candellero military college in Turin, he enrolled at the Military Academy of Modena at age 16, graduating with the rank of second lieutenant.

This experience, shaped as it was by Italy’s turbulent path towards unification, profoundly influenced his destiny. As an officer in the Royal Italian Army, he participated in the Third War of Independence and fought in the Battle of Custoza in 1866. Italy’s defeat by Austria left De Amicis deeply disillusioned, leading him to resign from military service and turn to writing.

At first, it was as a military journalist, moving to Florence to edit L'Italia militare, the official publication, for whom he wrote military sketches, later collected in a book entitled La vita militare - Military Life. His vivid portrayals of army life were well received and became the launch pad for his new career. 

De Amicis soon became a news journalist and travel writer, journeying across Europe, North Africa, and the Near East. Travel books such as Spagna (1873), Olanda (1874), and the aforementioned Costantinopoli (1878) were celebrated for their rich descriptions and cultural insights, blending reportage with literary flair.

It was Cuore, however, that was the turning point of his literary life. Its themes promoted a strong sense of national identity, emphasising loyalty to Italy, respect for its institutions and admiration for its heroes, especially those who made the ultimate sacrifice on the battlefield. 

The stories told by young Enrico’s teacher, meanwhile, taught virtues such as honesty, courage, humility and compassion, while often featuring children from different regions of Italy, reinforcing unity through shared values.

De Amicis entered Italian politics
towards the end of his life

The book caused some controversy, too, by making no reference to religion. The nuns, priests or other religious mentors that featured in other moral tales were conspicuous by their absence. This upset the Catholic Church, already reeling from the capture of the Papal States and Rome in 1870, which completed unification and reduced the pope to a mere spiritual leader, having previously been effectively the monarch of his domain.

De Amicis ultimately returned to Piedmont, with homes in Turin and Pinerolo. It was the school life of his sons Furio and Ugo, students at the Boncompagni Elementary School in Turin, that inspired him to write Cuore. 

His last years were overshadowed by sadness, at the death of his mother, his fractious relationship with his wife and ultimately the suicide of Furio, his eldest son. It prompted him to leave Turin soon after the turn of the century, thereafter leading a nomadic existence that included time in Florence and Catania, in Sicily.

He died during a stay in Bordighera, in Liguria, where he suffered a cerebral haemorrhage while resident at the then Hotel Regina, which he had chosen as his base because George MacDonald, a Scottish poet he admired, had lived there a few years earlier. The building, at Via Vittorio Veneto 34, has commemorative plaques to them both. 

De Amicis was laid to rest in the family tomb, in the monumental cemetery of Turin.

Piazza Dante is a the central square in the part 
of Imperia that makes up the former Oneglia

Travel tip:

Oneglia, where De Amicis was born, was a town about 120km (75 miles) from Genoa along the western coast of Liguria. It was joined to Porto Maurizio in 1923 by Fascist ruler Benito Mussolini to form the municipality known as Imperia. The area has become well known for cultivating flowers and olives and there is a Museum of the Olive in the part of the city that used to be Oneglia. One of Italy’s most famous olive oil producers and connoisseurs, Filippo Berio, was born in Oneglia in 1829.  The Porto Maurizio area is characterised by steep, narrow streets and loggias with an elevated position offering views across the Ligurian Sea, while the Oneglia part of Imperia is on the whole a modern town, one exception being the streets behind the Calata Cuneo in the port area. Today, Imperia is part industrial port and part tourist resort.  What used to be Oneglia is at the eastern end of Imperia, around Piazza Dante, which is at the centre of a long shopping street, Via Aurelia.

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Picturesque side streets are part
of the charm of Bordighera

Travel tip:

Bordighera, where De Amicis died, is a small, picturesque town on Italy’s western Riviera, just 20km (12 miles) from Italy’s border with France. It is famous for its flower industry and was a popular holiday destination for the British during Queen Victoria’s reign. Being situated where the Maritime Alps meet the sea, it enjoys the benefit of a climate that invariably produces mild winters. It was the first town in Europe to grow date palms. Its seafront road, the Lungomare Argentina - named in honour of a visit to the town by Evita Peron in 1947 - is 2.3km (1.4 miles) long and is said to be the longest promenade on the Italian Riviera. Queen Margherita of Savoy - wife of Umberto I - had a winter palace, Villa Margherita, in the town.  Bordighera was the scene of a meeting in 1941 between Italy’s Fascist leader, Benito Mussolini, and his Spanish counterpart, Francisco Franco, to discuss Spain’s entry to World War Two on the side of Italy and Germany, although in the end Spain remained nominally neutral.

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More reading:

Maria Montessori and the launch of what became a worldwide network of schools

How the first free public school in Europe opened in Frascati, just outside Rome

A soldier-turned-writer who fought alongside unification hero Garibaldi

Also on this day:

1581: The birth of Baroque master Domenichino 

1898: The birth of Prince Amedeo, Duke of Aosta

1928: The birth of anarchist Giuseppe Pinelli, inspiration for Dario Fo play

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Stefano D’Arrigo – writer

Author’s greatest work took him 17 years to complete

Stefano d'Arrigo wrote a novel
considered a literary masterpiece

The Sicilian poet, writer, and art critic Stefano D’Arrigo, who once made a small appearance in a Pier Paolo Pasolini film, was born Fortunato Stefano D’Arrigo on this day in 1919 in Alì Terme, a comune of Messina.

He became famous for his novel, Horcynus Orca (Killer Whale) which was published in 1975 and was considered a masterpiece of 20th century Italian literature.

The action in the book takes place in the aftermath of World War II and follows the journey of a Sicilian fisherman as he returns home to his village after serving in the Italian Navy during the war.

The reader experiences the fisherman’s encounters with the transformed landscape and people and sees through his eyes the impact of war on the traditional ways of life in Sicily.

D’Arrigo left Alì Terme after completing elementary school when he was ten years old. He moved with his family to Milazzo, a municipality of Messina.

When war broke out, he attended the officer cadet course in Udine in the region of  Friuli-Venezia Giulia and was then assigned to Palermo. In the summer of 1943, he was transferred to Messina where he witnessed the clashes on the Strait of Messina between the Germans and the Allies.

While D’Arrigo was still serving in the army he graduated in Messina with a thesis on the German poet Friedrich Holderlin.

D’Arrigo moved to Rome in 1946 to work for newspapers such as La Tribuna del Popolo, Il Progresso d'Italia, and Il Giornale di Sicilia. As a newspaper writer and art critic he mixed with painters and sculptors in Rome and began writing poetry. He also met his future wife, Jutta Bruto, and married her in 1948.

A collection of 17 of his poems, Codice Siciliano, was first published in 1957, but was republished with additions by Mondadori in 1975.

D'Arrigo's 1257-page epic sold some
80,000 copies when published in 1975

D’Arrigo worked on Horcynus Orca from 1957 to 1975. The novel was 1257 pages long and, on its release, it immediately sold 80,000 copies. Subsequent paperback editions sold another 45,000 copies.

It addressed the theme of the wandering hero that has been present in literature from Homer’s Odyssey to James Joyce’s Ulysses. The novel also put such a focus on the culture and literature of the sea that some scientists suggested D’Arrigo should be awarded an honorary degree in oceanography.

His epic work took so long for him to finish that the title was changed along the way. Later, a first version was made available to readers under the earlier title, I fatti della fera, which was a shorter book but contained more of the writer’s original ‘Sicilianisms’.

D’Arrigo also wrote three other novels and a theatre script and he played the part of an examining magistrate in the 1961 film, Accatone, which was written and directed by Pier Paolo Pasolino.

Stefano D’Arrigo died in Rome in May 1992.

The coast around  Alì Terme features many long
stretches of flat, pebbly beach

Travel tip:

Alì Terme is a tranquil town on Sicily’s northeastern Ionian coast, nestled between the sea and the Peloritani Mountains, about 20km south of Messina. It is best known for its thermal springs, which have been prized since ancient times for their therapeutic properties. The sulphur-rich waters feed several spas, including the renowned Terme di Alì.  The area features long pebble beaches and a relaxed promenade ideal for swimming, sunbathing and evening strolls. The Chiesa di San Rocco is the town's main church, dedicated to its patron saint, who was adopted several centuries ago after the discovery of a statue of him in a box on the beach. San Rocco is celebrated with a procession through the town on August 16. Alì Terme, a popular base for hikers as well as sun-seekers, has a station on the Messina-Catania railway line and is easily accessible via the A18 motorway.

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The Strait of Messina, at its narrowest just 3.1km
wide, separates Messina from the Italian mainland

Travel tip:

Messina is a city in the northeast of Sicily, separated from mainland Italy by the Strait of Messina. It is the third largest city on the island and is home to a large Greek-speaking community. The 12th century cathedral in Messina has a bell tower which houses one of the largest astronomical clocks in the world, built in 1933. Originally built by the Normans, the cathedral, which still contains the remains of King Conrad, ruler of Germany and Sicily in the 13th century, had to be almost entirely rebuilt following the earthquake in 1908, and again in 1943, after a fire triggered by Allied bombings. The city’s history stretches back to Greek colonists in the 8th century BC, while the Fountain of Orion in Piazza Duomo and the nearby church of the Annunziata dei Catalani reflect layers of Byzantine, Arab, and Baroque influence. As a university city, Messina has a youthful energy and many cultural events.

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More reading:

The prince whose novel became a classic of Sicilian literature

Sicily’s Nobel Prize-winning poet, known for his lyrical and existential verse

A novelist whose work focuses on Sicilian politics, Mafia influence and moral ambiguity

Also on this day:

70BC: The birth of the Roman poet Virgil

1764: The moment that inspired Edward Gibbon’s epic Roman history

1785: The birth of painter Giovanni Migliara

1905: The birth of footballer Angelo Schiavio

1964: The birth of astronaut Roberto Vittori

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Giuseppe Cesare Abba – writer and soldier

Patriotic revolutionary took notes during historic expedition with Garibaldi

Abba as a young man in the
uniform of Garibaldi's army

Giuseppe Cesare Abba, an Italian writer who volunteered to fight alongside Giuseppe Garibaldi during his campaign to unify Italy, was born on this day in 1836 in Cairo Montenotte in Liguria, which was then part of the Kingdom of Sardinia.

Abba took part in most of the battles that led to the dissolution of the Kingdom of the Two Sicilies and he made notes during the 1860 campaign. 

His major work, Noterelle d’Uno dei Mille was published in 1880, thanks to a recommendation by Giosuè Carducci, the Italian writer and poet who won a Nobel prize in Literature.

While attending a college in Liguria, Abba became enthusiastic about the work of patriotic romantic poets and writers such as Ugo Foscolo, Giovanni Prati, and Aleardo Aleardi. He went on to study at the Academy of Fine Arts in Genoa, but left in 1859 to voluntarily enrol in a cavalry regiment in Pinerolo, a comune - municipality - of Turin. 

The following year he moved to Parma where he joined up with Garibaldi and his volunteers.

The literary career he was to follow later was inspired by his memories of his revolutionary experiences during the campaign to unite Italy.

He left Liguria for Sicily, where he had a baptism of fire fighting in the Battle of Calatafimi.  He also played his part in the taking of Palermo and earned himself an honourable mention in the Battle of Volturno.

Afterwards, he retired to live as a civilian in Pisa and then later moved back to his native town in Liguria, where he was elected as mayor.

Abba’s first attempt at writing was a romantic poem in five canti under the title, Arrigo. Then, as a keen follower of the novelist Alessandro Manzoni, he embarked on an historical novel, Le rive della Bormida nel 1794 - The Banks of the Bormida in 1794 - which used ideas from the notes he had taken during the 1860 Spedizione dei Mille - the Expedition of the Thousand.

Abba pictured around the time his
Notorelle were published

In 1880, he used the same notes to produce Noterelle di Uno dei Mille, edite dopo vent’anni - Notes by One of the Thousand, 20 Years Later. It was only in 1891 that this work was given its final title, Da Quarto al Volturno: noterelle d’uno dei mille - From Quarto to Volturno: Notes by One of the Thousand.

Yet Abba’s magnum opus may never have been published had it not been for the support of Giosuè Carducci. One of Abba’s former revolutionary compatriots had urged him to send his manuscript to Carducci who was considering writing a book about the life of Garibaldi and had been encouraging survivors of the campaign to send him their historical testimonies.

After Carducci had read Abba’s work, he passed it on to the publishers, Zanichelli, because he regarded it so highly. He also told Abba that he might not now go ahead with his own biography of the Italian hero, Garibaldi.

Abba became famous after the publication of his Noterelle. He went on to write a Life of Nino Bixio, the soldier who helped to organise Giuseppe Garibaldi’s Expedition of the Thousand, and took part in the capture of Rome in 1870, which completed the unification process for Italy.

He also wrote a History of the Thousand and other works based on his experiences with Garibaldi, and some poetry and short stories. But none of his other books became as popular as his Noterelle.

In later life, he was appointed first teacher at the secondary school in Faenza in Emilia-Romagna and principal of the technological institute of Brescia in Lombardy. 

Abba was nominated as a senator in June 1910, but he died in Brescia in November 1910 at the age of 72 and was laid to rest in the cemetery at Cairo Montenotte. 

A commemorative plaque to Abba can be seen on a wall of the Palazzo Martinengo Colleoni di Pianezza in Corso Matteotti in Brescia, while the Italian destroyer Giuseppe Cesare Abba was named in his honour.

Porta Soprana, one of the ancient
gateways into Cairo Montenotte

Travel tip:

Cairo Montenotte, where Abba was born and is buried, is a comune in the province of Savona in Liguria, located about 50km (31 miles) west of Genoa and 20km (12 miles) northwest of Savona.  Archaeological finds indicate that Cairo Montenotte - which now has a population of around 12,500 - was inhabited in the Neolithic age and was conquered by the Romans more than 100 years before the birth of Christ. Roman artefacts and the remains of a villa from the Imperial period have been found there. The name Cairo is thought to have come from the ancient Ligurian word Carium, which is used to refer to the comune in a document from the tenth century. There is a legend that Francis of Assisi went through the town in the 13th century on his way to Spain but there is no evidence for this. King Victor Emmanuel II authorised Cairo to add Montenotte to its name in memory of a 1796 battle fought there, with a royal decree issued in 1863. Among the many interesting sites in the comune are a ruined castle and Porta Soprana, with its 15th century quadrangular tower.

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Piazza della Loggia, the elegant square at the
heart of the beautiful Lombardy city of Brescia

Travel tip:

Brescia, where Abba taught in later life and died in 1910, is the second city in Lombardy, after Milan, and has Roman remains and well-preserved Renaissance buildings.  Brescia became a Roman colony before the birth of Christ and you can still see remains from the forum, theatre, and a temple. The town was fought over by different rulers in the middle ages but came under the protection of Venice in the 15th century. There is a distinct Venetian influence in the architecture of the Piazza della Loggia, an elegant square in the centre of the town, which has a clock tower similar to the one in Saint Mark’s square in Venice. Next to the 17th century Duomo is an older cathedral, the unusually shaped Duomo Vecchio, also known as la Rotonda, which is open to the public. The Santa Giulia Museo covers more than 3,000 years of Brescia’s history, housed within the Benedictine Nunnery of San Salvatore and Santa Giulia in Via Musei. The nunnery was built over a Roman residential quarter, but some of the houses, with their original mosaics and frescoes, have now been excavated and can be seen by visitors looking round the museum.

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More reading:

The Expedition of the Thousand and what it achieved

Victory at the Battle of Calatafimi

Nino Bixio - the patriotic general who helped unite Italy

Also on this day:

1888: The birth of wartime nurse Saint Maria Bertilla Boscardin

1935: The birth of champion wrestler Bruno Sammartino

1943: The birth of football coach Ottavio Bianchi

1943: The massacre of civilians in Lanciano, Abruzzo

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Giovanni Comisso - writer

Novelist and journalist with distinctive literary voice

Giovanni Comisso spent much of his 
writing life travelling abroad

The writer Giovanni Comisso, one of Italy’s most distinctive literary voices of the 20th century, was born on this day in 1895 in Treviso in the Veneto region.

He was acclaimed for his novel Giorni di guerra - Days of War - which drew on his experiences serving as a telegraph engineer in the First World War. Comisso’s work won critical praise for being deeply attuned to the emotional and philosophical currents of his time.

For much of his life, Comisso led a peripatetic career as a journalist and art dealer, as well as a writer. He traveled extensively across Europe, North Africa, and the Far East, taking work as a correspondent for Italian newspapers such as Corriere della Sera and La Gazzetta del Popolo.  For a while, he lived in Paris with the Italian painter Filippo De Pisis, leading what he described as a “disorderly and frenetic” existence within the city’s bohemian postwar artistic community.

Comisso was born into a comfortable, middle-class household, the son of an agricultural merchant. He attended the Antonio Canova classical high school in Treviso but failed his final exams and signed up for military service, taking a telegraph engineering course in Florence. By that time he had met Arturo Martini, a Trevisan sculptor six years his senior, with whom he developed a strong friendship.  Martini helped him find a publisher for his first collection of poems, also painting his portrait for the cover.

In common with so many young Italian men, the course of Comisso's life abruptly changed with the outbreak of World War One. His service with the Telegraph Corps of Engineers took him to the front line in the war against Austria-Hungary. He took part in the Battle of Caporetto, a disastrous defeat for the Italians in November 1917, and the Battle of the Piave River in June 1918, a decisive victory that was probably the beginning of the end for Austria-Hungary.

Following the armistice, he was transferred to Fiume - the city that is now Rijeka in Croatia but to which Italy felt they had an historic claim. He was there in September, 1919, when a rebel army led by the Italian Army officer Gabriele D'Annunzio occupied the city in a response to what Italians perceived as the unfairness of post-war division of territory by their allies. 

Comisso deserted and joined the rebel troops, an experience that deepened his fascination with rebellion and individualism. The occupation was short-lived but Fiume subsequently became part of Italy under the 1924 Treaty of Rome.

Giorni di guerra, the novel that
drew on Comisso's war experience

While in Fiume, he enjoyed sailing in the Adriatic, which inspired his first novel, The Port of Love, published in 1924.

In the same year, Comisso completed the studies he had abandoned before WW1 and obtained a degree in law at the University of Siena. He never practised, instead combining travelling with writing, earning a living as a correspondent for a number of Italian newspapers and magazines. At different times, he ran a bookshop in Milan and was an art dealer in Paris. 

Among his varied experiences, his time aboard a sailing ship based in Chioggia, at the southern end of the Venetian Lagoon, led him to write Gente di Mare - Seafarers - which won him the Bagutta Prize in 1929.

In December of that year, as a special correspondent for Corriere della Sera, he made the Grand Tour of the Far East, visiting China, Japan, Siberia, and Russia, which he travelled across to reach Moscow. His trip lasted seven months. 

Back in Italy, he published his great wartime novel, Giorni di guerra, which initially caused him some problems with the Fascist regime, who were unhappy that it portrayed the Italian military in a raw, unheroic light. 

Comisso used the money he had earned from his newspaper work and literature to buy a house and some land in Zero Branco, a town in the Treviso area, about 14km (nine miles) to the southwest of the city.

He published books of his writings in Paris and the Far East, although his travelling was not finished. The Gazzetta del Popolo, based in Turin, sent him on a tour of the entire Italian peninsula, from which he reported his observations, and then to East Africa to document the birth of the new Fascist Empire.

Comisso's final home in the village of Santa Maria
del Rovere, on the outskirts of Treviso

World War Two had devastating consequences for Comisso, whose family home in Piazza Fiumicelli was destroyed when Treviso was bombed in April 1944, although his mother and her housekeeper had been evacuated to Zero Branco.  

Meanwhile, his companion, Guido, with whom he shared his own home, was arrested by the Fascists, then released on condition that he joined a combat unit of the new Italian Social Republic, from which he deserted only to be shot dead by partisans, who suspected him of spying.

Comisso’s writing continued to be honoured. He won the Viareggio Prize in 1952 with Capricci italiani - Italian whims - and the Strega Prize in 1955 with Un gatto attraversa la strada - A Cat Crosses the Road - two collections of short stories.

After the deaths of his mother and both Arturo Martini and Filippo De Pisis, Comisso left Zero Branco to rent an apartment in Treviso, but moved again, to a house in Santa Maria del Rovere, on the outskirts of Treviso, where he continued to write.

His final work, a collection of stories entitled Attraverso il tempo - Through Time - was published just a few months before his death, in hospital in Treviso, in January 1969.

Comisso’s writing, distinguished by its lyrical prose, existential undertones, and a tension between rootedness and escape, left an indelible mark on Italian literature.

The pretty Piazza dei Signori is the 
square at the heart of Treviso

Travel tip:

For many visitors to Italy, Treviso is no more than the name of the airport at which they might land en route to Venice, yet it is an attractive city worth visiting in its own right, rebuilt and faithfully restored after the damage suffered in two world wars. Canals are a feature of the urban landscape – not on the scale of Venice but significant nonetheless – and the Sile river blesses the city with another stretch of attractive waterway, lined with weeping willows. The arcaded streets have an air of refinement and prosperity and there are plenty of restaurants, as well as bars serving prosecco from a number of vineyards. The prime growing area for prosecco grapes in Valdobbiadene is only 40km (25 miles) away to the northeast. Treviso’s main sights include its historic squares, medieval walls, unique fountains, and art-filled museums.  Piazza dei Signori is the heart of Treviso’s historic centre, a 13th-century square lined with elegant cafés, boutiques, and civic buildings.  The city’s well-preserved walls date back to the 15th century and once protected the city. The Porta San Tomaso entrance to the city is a grand marble city gate from the 16th century, adorned with ornate carvings and the winged lion of Venice.

Hotels in Treviso from Hotels.com

The National Theatre in Rijeka, where the
architecture bears a heavy Italian influence

Travel tip:

Rijeka is a vibrant port city on Croatia’s northern Adriatic coast, yet between 1924 to 1947, it was known as Fiume and part of the Kingdom of Italy. During this period, Italian was the official language, and many public buildings, schools, and cultural institutions reflected Italian styles and values. Architecture flourished, with neoclassical and rationalist designs still visible today, especially in the city centre, while the Italian community thrived, contributing to Rijeka’s literary, musical, and culinary traditions. After World War II, the city was ceded to Yugoslavia, and many Italians left or were expelled. Yet traces of Italian heritage remain in street names and inscriptions, while many buildings still bear Italian influence.  The city’s dual identity is reflected in its cuisine, blending Mediterranean and Central European flavours.

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Also on this day: 

The minister who persuaded Italy to switch sides in WW1

A poet who drew inspiration from the landscapes of the Veneto

How Gabriele d’Annunzio influenced Mussolini

Also on this day:

1808: The birth of record-breaking Palio jockey Francesco Bianchini

1858: The birth of actress Eleonora Duse

1938: The birth of world champion boxer Alessando Mazzinghi

1941: The birth of bass-baritone star Ruggero Raimondi

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Bernardo Accolti – poet and politician

Writer rose to become a duke but died in poverty

Bernardo Accolti became one of the most
popular love poets of the Renaissance

One of the most popular and well-known Italian love poets of the late Renaissance, Bernardo di Benedetto degli Accolti, was born on this day in 1458 in Arezzo In Tuscany.

Referred to as ‘Unico Aretino’ because of his noble origins and his ability to express himself in verse, Accolti lived at many of the Italian courts and had platonic relationships with some of the most important noblewomen of his time, including Lucrezia Borgia, Isabella d’Este and Elisabetta Gonzaga.

Although born into a noble family, Accolti always had ambitions to acquire more social status for himself, and he eventually managed to accumulate enough money to purchase a Duchy to rule over.

While he was growing up, Accolti had lived with his family in Florence, where he received a humanist education. After moving to Rome when he was a young man, he started writing poetry.

One of his most well-known works, which has survived to this day, is his comedy in verse, Virginia, which was based on a story from Boccaccio’s Decameron and was composed for a wedding in Siena.

But the poet was then exiled from Florence for reasons that are not known and so he returned to Rome, where he was given work as a writer of papal bulls by Pope Alexander VI.

After receiving a pardon by Florence, he returned to the city, but he was exiled again in 1497. Always loyal to the Medici, he was accused of financing the attempt made by Piero Il Fatuo to conquer the city.

Accolti had lent him 200 florins to carry out a plot against Girolamo Savanorala, who was then head of the Florentine Republic. The main conspirators were caught and beheaded and Accolti was exiled permanently.

The painter Raphael painted Accolti as
one of the figures in his Parnassus fresco

But after he returned to Rome, he found his popularity as a poet had grown and he was sought after by many of the Italian courts.

Accolti travelled to Milan, Mantua, Urbino, and Naples, where he would sing his own verses and accompany them on the lute, or lira da braccio, a Renaissance stringed instrument.

He had close relationships with many of the noble ladies he encountered, but it is thought his true love was revealed in his verses to Elisabetta Gonzaga, Duchess of Urbino. He also dedicated two sonnets to Lucrezia Borgia, but there is no evidence that he was ever her lover.

After Giovanni de’ Medici became Pope Leo X in 1513, Accolti was given high office because of his previous loyalty to the Medici family.

The first printed editions of his works were published at this time, Virginia in 1512, and a few years later, a collection of his verses.

By then he had amassed enough wealth to buy the Duchy of Nepi from the Pope, an ancient city now in the province of Viterbo in Lazio. He moved into the fortress that had been built there by the Borgias and he built a new residential wing on to it with a motto over the entrance.

But he proved to be a poor administrator and sometimes took violent reprisals against people who opposed him in the Duchy. In 1523, there was a revolt against him by the locals but he managed to suppress it with the help of the Pope’s Swiss Guards.

After being expelled from Nepi three times, Accolti was unable to gather the funds to reconquer it for a fourth time.

Pope Paul III, who had been his protector until then, revoked his title of Duke, as he was intending to give the Duchy to his own illegitimate son. Nepi was later incorporated into the Duchy of Castro.

Accolti returned to Rome, poor and desperate He died there in February 1535, leaving two illegitimate children, Alfonso Maria and Virginia.

A definitive collection of his work was published in Venice by Nicolo d’Aristotele in 1530 and it was reprinted in the year of Accolti’s death.

In 1996, a full collection of his verses was published, which included 58 previously unpublished poems that had been kept in the Vatican archives.

Accolti appears as a character in some passages of Baldassare Castiglione’s The Book of the Courtier, and he was a close friend of Pietro Aretino, who was also a poet from Arezzo.

The beautiful Piazza Grande in Arezzo, the sloping
square, paved in red brick, at the heart of the city

Travel tip:

Arezzo is one of the wealthiest cities in Tuscany. Despite its medieval centre suffering massive damage during the Second World War, targeted for its strategic importance on the Italian rail network, many monuments, churches and museums survived or were reconstructed. Its main sights include the Basilica di San Francesco, with its beautiful History of the True Cross fresco cycle by Piero della Francesca, the central Piazza Grande, with its sloping pavement in red brick, the Medici Fortress, the duomo and a Roman amphitheatre. The original duomo was built on the nearby Pionta Hill, over the burial place of Donatus of Arezzo, who was martyred in 363. In 1203 Pope Innocent III had the cathedral moved within the city's walls, to the current site in another elevated position a short walk from Piazza Grande.  The construction of the current structure started in 1278 and continued in phases until 1511, although the façade visible today, designed by Dante Viviani, was not completed until 1914, replacing one left unfinished in the 15th century.  The interior contains several notable artworks, including a relief by Donatello, entitled Baptism of Christ, and a cenotaph to Guido Tarlati, lord of Arezzo until 1327, said to be designed by Giotto, near to which is Piero della Francesca's Mary Magdalene.  

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The Rocca - or Castello Borgia - casts an imposing
shadow over the town of Nepi in northern Lazio

Travel tip:

Nepi, the town that Accolti acquired when he bought the Duchy of Nepi, can be found 50km (31 miles) north of Rome, about 20km (12.4 miles) from Lago Bracciano. It is in the area known as ancient Etruria, having been a pre-Roman settlement before the Romans arrived and established a stronghold in 383 BC and eventually conquered the entire region. Throughout the Renaissance era, it was the feudal domain of the noble families of Lazio and passed successively from the Orsini to the Colonna and then the Borgia. The Rocca - the 15th-century Borgia Castle that was once the property of Lucrezia Borgia - dominates the skyline making it an imposing presence.  Accolti's coat of arms was discovered in a residential extension of the castle, dating it between September 1521 and the beginning of 1535. A graceful monumental aqueduct looks Roman but was built in more recent history to carry spring water. Acqua di Nepi mineral water is bottled and distributed nationwide. The ancient Porta Roman was the main gate, and is still the primary entry to the historic centre. Other attractions include the Palazzo Comunale, a Renaissance style villa built by Sangallo the Younger for Duke Pier Luigi Farnese, which has in front of it a fountain presumed to have been the world of Gian Lorenzo Bernini. 

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Also on this day:

1522: The birth of naturalist Ulisse Aldrovandi

1871: The birth of adventurer Scipione Borghese

1920: The birth of partisan Manrico Ducceschi 

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Fernanda Pivano - writer and translator

Played key role in popularising American literature in Italy

Fernanda Pivano, pictured in 1979 with Allan Ginsberg.
one of the Beat Generation writers she so admired

The writer and translator Fernanda Pivano, who became an important figure in Italian literary circles for translating and writing about the greats of 20th century American literature, from Ernest Hemingway to the so-called Beat Generation, died in Milan on this day in 2009.

She was 92, having enjoyed a literary career spanning half a century. Her final article in the Milan daily Corriere della Sera was published only a month before her death.

As well as Hemingway, with whom she developed a close friendship after meeting him for the first time in 1949, Pivano - whose first name was usually shortened to Nanda - translated into Italian works by classic American writers such as F Scott Fitzgerald, William Faulkner and Dorothy Parker.

In the 1950s, she became fascinated by the culture and ideals of what became known as the Beat Generation, introducing Italy to the works of writers such as Allen Ginsberg, Jack Kerouac and William S Burroughs from a movement characterised by a rejection of the materialism and conformity of postwar America.

Born in Genoa in 1917, Pivano came from a well-to-do family. Her father, Riccardo Newton Pivano, was a banker of partial Scottish heritage. Her mother, Mary, was the daughter of Francis Smallwood, an Englishman who was one of the founders of the Italian Berlitz language school. 

Pivano was educated initially at a Swiss school before her family moved to Turin when he was a teenager, where she attended the Liceo classico Massimo d'Azeglio.

Pivano in 1949, the year she married
the celebrated designer, Ettore Sottsass

There, she was introduced to American literature by her teacher, the writer Cesare Pavese, who had already translated some American fiction into Italian.  Among her classmates was Primo Levi, who would become famous later for writing about his survival of the Auschwitz death camp. 

Pivano graduated with a thesis on Herman Melville’s Moby-Dick, which also won a prize from the Centre for American Studies in Rome. She also graduated in philosophy.

She and Pavese, who was in his 20s when he was her teacher, met again some years later, after he returned to Turin from a three-year exile in Calabria imposed for alleged anti-Fascist activity. Their relationship developed into intimacy and he is said to have twice proposed marriage but was turned down by Pivano, who went on to marry the celebrated architect and designer, Ettore Sottsass. 

During that time, Pavese gave her several books in English by American authors, which would launch her career as a translator. Among them were the Spoon River Anthology, by the poet Edgar Lee Masters, which was her first published work, and Hemingway’s A Farewell to Arms. 

Pivano was arrested herself during World War Two, along with her brother, Franco, after a raid by the Fascist authorities on the Einaudi publishing house discovered the contract - mistakenly addressed to Franco - to publish A Farewell to Arms, which Mussolini’s government banned on the grounds that it was disrespectful to the honour of the armed forces. 

The novel was based on Hemingway’s experiences serving with the Red Cross in Italy in World War One.  He described the catastrophic Italian defeat at the Battle of Caporetto in some detail. Fortunately she and her brother were released after interrogation.

Pivano in 2006, still championing young
American writers at the age of 89

After marrying Sottsass in 1949, Pivano made the first of several visits to the United States in the mid-50s. She had a deep admiration for American culture, especially its ideals of freedom and democracy, which she contrasted with the fear and repression of Fascist Italy.  

Her first awareness of the Beat Generation of writers came when she read a poem by Allen Ginsberg, entitled Howl, in 1957, in an issue of the Evergreen Review.  She regarded the poem's innovative language and counterculture themes as a powerful expression of the freedom she so admired. 

She wrote her first article about the Beat Generation in the Italian culture and philosophy magazine aut aut (either or) in 1959 and set out to meet as many of the movement’s writers as she could. She met Ginsberg in Paris in 1961 and became friends with Kerouac, Burroughs and Gregory Corso, not only as their translator but confidante.

Her promotion of their work through her own writings encouraged a generation of young Italian poets and writers, including Gianni Milano and Antonio Infantino.

Two important documentaries preserved the history of Pivano’s life. She collaborated with the psychoanalyst and film director Ottavio Rosati, a close friend since the 1970s, on Generations of Love - The Four Americas of Fernanda Pivano, and with Luca Facchini on A Farewell to Beat.

Her work can be researched at the Riccardo and Fernanda Pivano Library in Corso di Porta Vittoria in Milan. The library, which includes her father’s collection, was inaugurated in 1998. It contains published and unpublished examples from the writer’s literary career.

Pivano, who was divorced from Ettore Sottsass in the 1990s, died at the Don Leone Porta clinic in Milan. Her funeral was held at the Basilica of Santa Maria Assunta di Carignano in Genoa. After cremation, her remains were buried at the port city's Staglieno Cemetery, next to her mother.

Via Alessandro Manzoni, the fashionable street
in Milan where Pivano lived with her husband

Travel tip:

Nanda Pivano and Ettore Sottsass shared a large apartment on Milan’s fashionable Via Manzoni during their marriage, their home at times welcoming many of the American writers for whom Pivano’s work did much to make them appreciated by Italian readers. Via Manzoni leads from the Piazza della Scala northwest towards Porta Nuova and Piazza Cavour, with notable buildings that include the Museo Poldi Pezzoli, which specialises in Northern Italian and Netherlandish/Flemish artists, and the Grand Hotel et de Milan, where the opera composer Giuseppe Verdi died in 1901. Part of the street forms the one boundary of the quadrilatero della moda, Milan’s up-market fashion district. The street commemorates the 18th century writer, Alessandro Manzoni, born in Milan, whose epic novel The Betrothed, is regarded as one of the great works of Italian literature. 

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The Basilica di Santa Maria Assunta in Carignano, the
church in Genoa where Pivano's funeral was held

Travel tip:

The Basilica di Santa Maria Assunta in Carignano in Genoa, where Fernanda Pivano’s funeral took place, is a stunning example of Renaissance architecture and one of the city's major religious landmarks. Located in a residential area on the hills above the city centre, work on the church began in 1522 but was not completed until the 19th century. It follows a Greek cross plan with four symmetrical façades. Built in Renaissance style, it has later Neoclassical additions, including a monumental façade featuring Corinthian pilasters and statues by Claude David. It boasts five domes and originally has four bell towers, now reduced to two, giving it a commanding presence. The art treasures that can be seen inside the church include St Francis of Assisi receives stigmata by Guercino, the celebrated 17th century Baroque painter from Ferrara.

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Also on this day:

1497: The birth of lutenist and composer Francesco Canova da Milano

1750: The birth of composer Antonio Salieri

1943: The birth of footballer and politician Gianni Rivera

1954: The birth of astronaut Umberto Guidoni

1985: The birth of ex-model-turned-journalist Beatrice Borromeo

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Lorenzo Del Boca – journalist and writer

Author of Polentoni says north of Italy was betrayed by the Risorgimento

Lorenzo Del Boca had a long career working as
a journalist for the Turin-based daily La Stampa

The author Lorenzo Del Boca, whose books and essays about Italian history and politics have been translated into several languages, was born on this day in 1951 in Romagnano Sesia in the province of Novara in Piedmont.

Del Boca has become known outside Italy following the publication of his book Polentoni in 2011, which puts forward his opinions about how and why the north of the country was betrayed by the unification of Italy in 1861.

But he refutes the idea that Polentoni is in any way a riposte to the book Terroni, published in 2010 by the author and journalist Pino Aprile, who is from Puglia in the south of Italy and expresses the opinion that the south was betrayed by the north as a result of the Risorgimento. 

Del Boca points out on the back cover of Polentoni that in the 1990s he had already written two books that have been interpreted as ‘irreverent’ about the wealthy Savoy family.  

The first King of the united Italy, Victor Emmanuel II, was a descendant of the family, as were all the monarchs who succeeded him. Del Boca also says that he has been quoted extensively by Aprile as a bibliographic reference. 

Polentoni argues that Risorgimento was
a betrayal of the north as well as the south

The title of his book, Polentoni, is an offensive term sometimes used by people in southern Italy to describe northern Italians. It alludes to the northern Italian habit of eating polenta, which is a type of yellow or white ground cornmeal that can be served creamy, as a slice from a loaf of polenta, or fried.

After graduating in Philosophy from the University of Turin, Del Boca was involved for a time with local newspapers before going to work for La Stampa, the sixth most widely distributed Italian daily newspaper, which is based in Turin.

He became a professional journalist in 1980, working first as a court reporter and then as chief reporter at Stampa Sera. He went on to become a special correspondent at La Stampa, writing mainly about events connected with terrorism.

Del Boca has also specialised in writing about pseudo-history, about information that claims to be history, but is often based on theories that have been formed, which fall outside the rules and conventions followed by historians. 

His writing about the House of Savoy is characterised by a lack of reverence towards the famous family and he uses as sources articles and publications that do not accept the traditional version of the history of the Risorgimento.

He argues that while the south was ‘stripped, robbed and massacred’,  the Risorgimento was a shameful period in history in which there were no winners among ordinary Italians, with many northern people persuaded to fight and even die for the cause with a promise of better lives that was never delivered.

Other scholars and historians have criticised some of Del Boca’s ideas. but he has also received many awards for his writing.

Del Boca was president of the National Council of the Order of Journalists from 2001 to 2010, and was the first president to have been elected for a third consecutive term to be the head of the collective body that represents professional journalists in Italy.  

The Castello del Valentino is one of Turin's
historic former residences of the Savoy family

Travel tip:

Lorenzo Del Boca was born in Piedmont, which is the second largest region of Italy after Sicily. Piedmont, in the northwest of Italy, borders France, Switzerland and the Italian regions of Lombardy, Liguria, Val d’Aosta, and a small part of Emilia-Romagna. The territory was first acquired by Otto of Savoy in 1046 and its capital was established at Chambery, which is now in France. The Savoy territory became the Duchy of Savoy in 1416 and the seat of the Duchy was moved to Turin in 1563 by Duke Emanuele Filiberto. After Victor Amadeus II became King of Sardinia in 1720, Piedmont became part of the Kingdom of Sardinia and Turin grew in importance as a European capital city. Victor Emmanuel II was already the King of Sardinia-Piedmont before he was crowned King of the newly united Italy.  Much of the architecture of Turin illustrates its rich history as the home of the Savoy Kings of Italy. In the centre of the city, Piazza Castello, with the royal palace, royal library, and Palazzo Madama, which used to be where the Italian senate met, showcases some of the finest buildings in ‘royal’ Turin. Other notable cities in Piedmont - Piemonte in Italian - include Novara, Alessandria and Asti. With a population of just over 850,000, Turin is the fourth largest city in Italy, after Rome, Milan and Naples.

The Torre del Pretorio
dates back to the 1400s

Travel tip:

Romagnano Sesia, the town and municipality where Lorenzo del Boca was born, is in the province of Novara in Piedmont. It is located about 80km (50 miles) northeast of Turin and about 25km (16 miles) northwest of Novara. Visitors to Romagnano are attracted by the Church of San Silvano and Abbazia di San Silvano, which form a complex is notable for its historical and artistic significance, including a 5th-century Paleochristian sarcophagus, the 15th century tower Torre del Pretorio, the Piazza Libertà, the town’s central square surrounded by arcades, and the remains of a medieval bridge that once spanned the Sesia river before it was diverted to protect the town from its force.  Romagnano stages a Good Friday procession, known as the Sacred Representation, which began in 1729 and has evolved into a large-scale theatrical performance. It involves more than 300 actors often drawn from the community, who dress in period costumes to recreate the scenes of Jerusalem.

Also on this day:

1859: The Battle of Solferino

1866: The Battle of Custoza

1940: The birth of cinematographer Vittorio Storaro

1963: The birth of architect Benedetta Tagliabue

1993: The birth of tenor Piero Barone, a singer with Il Volo

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Renata Viganò - writer and partisan

Resistance-inspired novel hailed as masterpiece

Renata Viganò's later writing career was
coloured by her time in the Resistance

The writer and partisan Renata Viganò, whose 1949 novel L’Agnese va a morire - Agnes Goes to Die - was considered a masterpiece among literary works inspired by the heroics of the Italian Resistance movement in World War Two, died on this day in 1976 in her home city of Bologna.

L’Agnese va a morire, Viganò’s second novel, won the Viareggio Prize, a prestigious literary award, and was translated into 14 languages and subsequently turned into a film.

Viganò, who had volumes of poetry published as a teenager and became a prolific contributor to the news and editorial pages of a number of newspapers, wrote L’Agnese va a morire from the viewpoint of a newspaper reporter, which placed it in the neorealist genre that became popular with film-makers in the postwar years.

Born in Bologna in 1900, Viganò’s father, Eugenio, was a socialist from Reggio Emilia but ran his own business. Her mother, Amelia, hailed from a wealthy family and they were initially comfortably off. 

A talented writer from a young age, she had volumes of poetry published at the ages of 13 and 16 and went to a classical liceo - high school - with dreams of becoming a doctor.

However, the economic consequences of Italy’s involvement in the First World War caused Eugenio’s business to collapse. With the family suddenly poor, Renata had to give up high school in order to contribute to the household’s income, finding work in local hospitals, first as a janitor but eventually as a nurse.

Viganò with her husband, Antonio Meluschi,
with whom she shared her wartime experience

She continued to write. Her first novel was published in 1933 and her involvement in literary circles in Bologna led her to meet another writer, Antonio Meluschi. They married in 1937 and their home - at via Mascarella 63 -  became a meeting point for writers and intellectuals, including Pier Paolo Pasolini, Luciano Serra, Enzo Biagi, Giorgio Bassani and Achille Ardigò.

As World War Two began, her politics became increasingly influenced by the left and with Italy’s formal surrender to the Allies in 1943 she and her husband decided to take a more active role in fighting fascism by joining the Resistance movement.

Under the name of Contessa, she was a courier and nurse in a partisan brigade commanded by Meluschi, first in Romagna and then in the wetlands and lagoons of the Valli di Comacchio, where she directed what could be described as a partisans' health service. 

Unlike many of their fellow fighters, Viganò and her husband survived the war and it was soon afterwards that she began working on L’Agnese va a morire.

Heavily autobiographical, set in the Valli di Comacchio during the eight months of German occupation of Italy that preceded the country’s liberation, the protagonist is Agnese, a middle-aged washerwoman, who responds to the death of her husband, Palita, at the hands of the Germans, by beginning to collaborate with the partisans as a liaison officer.

The novel came to the attention of Natalia Ginzburg, herself destined to become an award-winning writer, who was then an editor at Einaudi, and was identified by the renowned literary critic Maria Corti as one of the finest works on the Resistance. 

Viganò in later life; she invariably had
a cat for company as she worked

In 1976, L'Agnese va a morire was made into a film, released internationally under the title of And Agnese Goes to Die, directed by Giuliano Montaldo, with a screenplay by Nicola Badalucco and Giuliano Montaldo and music by Ennio Morricone. It starred Ingrid Thulin in the role of Agnese and Massimo Girotti in that of Palita, with a cast that also included Michele Placido and Aurore Clement. Sadly, Viganò died shortly before the film was released

Among Viganò's subsequent works were other books on the battle for Italy’s freedom, including Donne della Resistenza (1955) and Matrimonio in brigata (1976).

She also established herself in the years after the war as one of Italy’s most incisive voices during the country’s reconstruction, her contributions from the pages of l'Unità, the official Communist Party newspaper, reaching a wide audience of not only women. 

Two months before her death at the age of 75, she was recognised by the city of Bologna for her contribution to journalism.

Bologna dedicated a garden to her with a small monument in the Savena district, while the municipalities of San Lazzaro, Pontecchio and Ferrara named streets after her.

The marshes of the Valli di Comacchio are
attractive to walkers and birdwatchers

Travel tip:

The marshes of the Valli di Comacchio, while reduced in size by land reclamation in recent years, are still one of the largest lagoon systems in Italy. They cover an area of more than 11,000 hectares between Comacchio and the river Reno and are connected to the sea via canals. They form an environment of rare beauty within the Po Delta Park, the stretches of water in some places divided by embankments and ancient sandbars. The area is one of rich birdlife, both resident and migratory, and visitors are attracted by walks along the banks, excursions by boat and birdwatching.

The Porta Mascarella, where Via Mascarella ends,
is one of 10 remaining gates in Bologna's outer wall

Travel tip:

Via Mascarella, where Renata Viganò lived with her husband in Bologna before they moved out of the city to fight with the Resistance movement in World War Two, is an historic thoroughfare that dates back at least until the early 13th century. Stretching from Via delle Belle Arti to Piazza di Porta Mascarella, it is the only road leading to one of the city’s outer gates that is completely outside the Cerchia del Mille, the second of the three circles of ancient walls built to enclose the city at various points in history. The oldest walls of which visible remains remain today are those of the Cerchia di Selenite, built following the barbarian invasions, at the time of the decline of the Western Roman Empire in the third century and discovered only in the 1920s. These walls enclosed an area of only about 20 hectares. The Cerchia dei Mille was erected probably in the 11th century with the expansion of the city and the growth of new villages outside the original walls. Construction of the third ring began 200 years later. Much of this circle was demolished at the start of the 20th century to make way for a ring road, although thankfully 10 of the 12 gates were preserved.

Also on this day:

1554: The death of poet Gaspara Stampa

1857: The birth of opera composer Ruggero Leoncavallo

1939: The birth of Mafia boss Stefano Bontade

1964: The birth of conductor Gianandrea Noseda

2021: The death of singer and actress Milva

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