Francesco Primaticcio - painter, sculptor and architect

Italian who had major influence on French art 

A woodcut  portrait of Francesco
 Primaticcio from about 1648

The Mannerist painter, architect and sculptor Francesco Primaticcio, who played an important role in shaping the artistic landscape of France during the 16th century, was born on this day in 1504 in Bologna.

Primaticcio spent almost two thirds of his life in France, where he rose to be superintendent of works at the Château de Fontainebleau, the former medieval castle that was turned into an opulent Renaissance-style palace by François I of France.

Primaticcio trained as an artist in Bologna under Innocenzo da Imola before moving to Mantua to study with Giulio Romano, a former pupil of Raphael whose style helped define Mannerism.

He assisted Romano in his work on the decorations of the Palazzo del Te in Mantua, a project that refined his skills in fresco painting and architectural ornamentation.

Romano’s trust and belief in Primataccio’s talent was such that when François I invited Romano to assist in the redecoration of his expanded Fontainebleau palace in 1532, seeking to enrich the artistic grandeur of his court, Romano sent Primaticcio in his place.

Primaticcio soon became one of the leading artists at Fontainebleau, where he worked alongside Giovanni Battista di Jacopo, the Florentine painter also known as Rosso Fiorentino.

Following Fiorentino's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, overseeing the decoration of its grand halls and galleries.

His work at Fontainebleau was characterized by stucco reliefs, elaborate frescoes, and mythological themes, which became hallmarks of the French Mannerist style. Niccolò dell'Abbate, a Mannerist painter from Modena, was one of his team.

The Château de Fontainebleau, southeast of Paris,
where Primaticcio spent much of his working life

Primataccio’s compositions featured elongated figures, dynamic movement, and intricate detailing, influencing generations of French artists to follow.

He returned to Rome for a couple of years to purchase artworks for François I. He also took casts of the best Roman sculptures in the papal collections, some of which were recreated in bronze to decorate the parterres at Fontainebleau.

Primaticcio’s crowded compositions and graceful figures set a precedent for French painting. His masterpiece, the Salle d’Hercule, occupied him and his team for decades, showcasing his ability to blend classical mythology with courtly elegance.

Other notable works at Fontainebleau included scenes from the Life of Alexander the Great, for the bedchamber of the duchesse d’Étampes, and eight mythological scenes for the ceiling of the Galerie d’Ulysse. He is noted as one of the first artists in France to replace religious themes with those of classical mythology.

Primataccio’s design for the ceiling of the chapel of the Hotel de Guise in Paris, executed in 1557, was his last major work. For the last decade of his life, he worked with the sculptor Germain Pilon on the tomb of Henri II in the abbey church of Saint-Denis near Paris.  He designed the Valois Chapel at Saint-Denis, which was completed after his death. 

After the death of François I in 1547, Primaticcio remained a court painter under Henri II and François II, continuing to shape the artistic direction of France. His stylistic innovations influenced the development of French Mannerism, to which he introduced a quiet French elegance. 

Primaticcio died in 1570 in Paris. His contributions to the School of Fontainebleau cemented his reputation as a master of Mannerism. His ability to merge Italian Renaissance techniques with French artistic traditions ensured his place among the most influential artists of the 16th century.

Mantua's Palazzo del Te was considered
to be Giulio Romano's greatest work

Travel tip:

The Palazzo del Te in Mantua, where Primaticcio worked for part of his time in the city, was designed for Federico Gonzaga as a summer residence. It is a fine example of the Mannerist school of architecture and is considered to be Giulio Romano’s masterpiece. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed in about 1535, a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

The porticoed square adjoining the Basilica
di Santa Maria dei Servi in Bologna

Travel tip:

In his youth, Primaticcio trained in Bologna, his home city, in the workshop of Innocenzo di Pietro Francucci da Imola, a painter and draughtsman generally known as Innocenzo da Imola. Visitors to Bologna can see some of Innocenzo's work in the Basilica of Santa Maria dei Servi, a great example of Gothic architecture that stands on Strada Maggiore, a street in central Bologna that is part of the Roman Via Emilia. It runs, with its porticoes between medieval houses, buildings and churches, from Piazza di Porta Ravegnana to Porta Maggiore. The church also houses a Madonna enthroned with the Child and angels by Cimabue.

Also on this day:

1306: The birth of Andrea Dandolo, Doge of Venice

1885: The birth of composer Luigi Russolo

1888: The birth of architect Antonio Sant’Elia

The feast day of Pope Saint Pius V (d:1572)

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Renata Viganò - writer and partisan

Resistance-inspired novel hailed as masterpiece

Renata Viganò's later writing career was
coloured by her time in the Resistance

The writer and partisan Renata Viganò, whose 1949 novel L’Agnese va a morire - Agnes Goes to Die - was considered a masterpiece among literary works inspired by the heroics of the Italian Resistance movement in World War Two, died on this day in 1976 in her home city of Bologna.

L’Agnese va a morire, Viganò’s second novel, won the Viareggio Prize, a prestigious literary award, and was translated into 14 languages and subsequently turned into a film.

Viganò, who had volumes of poetry published as a teenager and became a prolific contributor to the news and editorial pages of a number of newspapers, wrote L’Agnese va a morire from the viewpoint of a newspaper reporter, which placed it in the neorealist genre that became popular with film-makers in the postwar years.

Born in Bologna in 1900, Viganò’s father, Eugenio, was a socialist from Reggio Emilia but ran his own business. Her mother, Amelia, hailed from a wealthy family and they were initially comfortably off. 

A talented writer from a young age, she had volumes of poetry published at the ages of 13 and 16 and went to a classical liceo - high school - with dreams of becoming a doctor.

However, the economic consequences of Italy’s involvement in the First World War caused Eugenio’s business to collapse. With the family suddenly poor, Renata had to give up high school in order to contribute to the household’s income, finding work in local hospitals, first as a janitor but eventually as a nurse.

Viganò with her husband, Antonio Meluschi,
with whom she shared her wartime experience

She continued to write. Her first novel was published in 1933 and her involvement in literary circles in Bologna led her to meet another writer, Antonio Meluschi. They married in 1937 and their home - at via Mascarella 63 -  became a meeting point for writers and intellectuals, including Pier Paolo Pasolini, Luciano Serra, Enzo Biagi, Giorgio Bassani and Achille Ardigò.

As World War Two began, her politics became increasingly influenced by the left and with Italy’s formal surrender to the Allies in 1943 she and her husband decided to take a more active role in fighting fascism by joining the Resistance movement.

Under the name of Contessa, she was a courier and nurse in a partisan brigade commanded by Meluschi, first in Romagna and then in the wetlands and lagoons of the Valli di Comacchio, where she directed what could be described as a partisans' health service. 

Unlike many of their fellow fighters, Viganò and her husband survived the war and it was soon afterwards that she began working on L’Agnese va a morire.

Heavily autobiographical, set in the Valli di Comacchio during the eight months of German occupation of Italy that preceded the country’s liberation, the protagonist is Agnese, a middle-aged washerwoman, who responds to the death of her husband, Palita, at the hands of the Germans, by beginning to collaborate with the partisans as a liaison officer.

The novel came to the attention of Natalia Ginzburg, herself destined to become an award-winning writer, who was then an editor at Einaudi, and was identified by the renowned literary critic Maria Corti as one of the finest works on the Resistance. 

Viganò in later life; she invariably had
a cat for company as she worked

In 1976, L'Agnese va a morire was made into a film, released internationally under the title of And Agnese Goes to Die, directed by Giuliano Montaldo, with a screenplay by Nicola Badalucco and Giuliano Montaldo and music by Ennio Morricone. It starred Ingrid Thulin in the role of Agnese and Massimo Girotti in that of Palita, with a cast that also included Michele Placido and Aurore Clement. Sadly, Viganò died shortly before the film was released

Among Viganò's subsequent works were other books on the battle for Italy’s freedom, including Donne della Resistenza (1955) and Matrimonio in brigata (1976).

She also established herself in the years after the war as one of Italy’s most incisive voices during the country’s reconstruction, her contributions from the pages of l'Unità, the official Communist Party newspaper, reaching a wide audience of not only women. 

Two months before her death at the age of 75, she was recognised by the city of Bologna for her contribution to journalism.

Bologna dedicated a garden to her with a small monument in the Savena district, while the municipalities of San Lazzaro, Pontecchio and Ferrara named streets after her.

The marshes of the Valli di Comacchio are
attractive to walkers and birdwatchers

Travel tip:

The marshes of the Valli di Comacchio, while reduced in size by land reclamation in recent years, are still one of the largest lagoon systems in Italy. They cover an area of more than 11,000 hectares between Comacchio and the river Reno and are connected to the sea via canals. They form an environment of rare beauty within the Po Delta Park, the stretches of water in some places divided by embankments and ancient sandbars. The area is one of rich birdlife, both resident and migratory, and visitors are attracted by walks along the banks, excursions by boat and birdwatching.

The Porta Mascarella, where Via Mascarella ends,
is one of 10 remaining gates in Bologna's outer wall

Travel tip:

Via Mascarella, where Renata Viganò lived with her husband in Bologna before they moved out of the city to fight with the Resistance movement in World War Two, is an historic thoroughfare that dates back at least until the early 13th century. Stretching from Via delle Belle Arti to Piazza di Porta Mascarella, it is the only road leading to one of the city’s outer gates that is completely outside the Cerchia del Mille, the second of the three circles of ancient walls built to enclose the city at various points in history. The oldest walls of which visible remains remain today are those of the Cerchia di Selenite, built following the barbarian invasions, at the time of the decline of the Western Roman Empire in the third century and discovered only in the 1920s. These walls enclosed an area of only about 20 hectares. The Cerchia dei Mille was erected probably in the 11th century with the expansion of the city and the growth of new villages outside the original walls. Construction of the third ring began 200 years later. Much of this circle was demolished at the start of the 20th century to make way for a ring road, although thankfully 10 of the 12 gates were preserved.

Also on this day:

1554: The death of poet Gaspara Stampa

1857: The birth of opera composer Ruggero Leoncavallo

1939: The birth of Mafia boss Stefano Bontade

1964: The birth of conductor Gianandrea Noseda

2021: The death of singer and actress Milva

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Anna Caterina Antonacci – soprano

Acclaimed performer has perfected her portrayal of Rossini heroines

Anna Caterina Antonacci's vocal 
skills were largely self-taught

Italian opera singer Anna Caterina Antonacci, who is considered one of the finest sopranos of her generation, was born on this day in 1961 in Ferrara in Emilia-Romagna.

Particularly known for her roles in Rossini’s operas, Antonacci has been awarded many prizes and honours during her career. In 2021, she was elected as one of the ‘Accademici Effettivi’, by the panellists of the General Assembly of the Accademia Nazionale di Santa Cecilia, one of the oldest, and most prestigious, musical institutions in the world.

After studying in Bologna, Antonacci entered the chorus at the Teatro Comunale di Bologna in 1981. She made her solo debut in 1984 in Pistoia as the Contessa di Ceprano, in Rigoletto, by Giuseppe Verdi. In 1986, in Arezzo in Tuscany, she sang the role of Rosina, the heroine of Gioachino Rossini’s comic opera The Barber of Seville.

Eight years later, she made her debut at the Royal Opera House in Covent Garden in London as Elcia in Mosè in Egitto, another opera by Rossini. In 2006, Antonacci appeared at the Royal Opera House again, this time singing with the German-Austrian tenor, Jonas Kaufman.

Among her many operatic performances, the majority have been as a mezzo-soprano playing Rossini heroines, such as Dorliska in Torvaldo e Dorliska, Ninetta in La gazza ladra, Semiramide in Semiramide, Ermione in Ermione, Elisabetta in Elisabetta, regina d'Inghilterra, Elena in La donna del lago, Zelmira in Zelmira, Elcia in Mosè in Egitto, Anaï in Moïse and Angelina in La Cenerentola.  

She has also appeared in La Voix Humaine, a one act opera for a soprano and orchestra, composed by Francis Poulenc, at the Opera-Comique in Paris in 2013.

Anna Caterina Antonacci (right, foot on stool) in
a scene from Bizet's Carmen on stage in Paris

The soprano was married to the Italian water polo player, Luca Giustolisi, who won a bronze medal in the 1996 summer Olympics in Atlanta in the USA, and they had a son, Gillo.

Sadly, Antonacci was widowed in 2023 after Luca Giustolisi died of cancer at the age of 53, and she went to live in Paris. She has been recognised by the French Government with the award of the Chevalier de l’Ordre National de la Legion d’honneur, the highest national distinction anyone can receive in France.

She has won many prizes and awards during her career and has produced some acclaimed recordings of her operatic roles.

This summer (2025), Antonacci will be performing at Teatro Fenice in Venice, in the role of Madame de Croissy in Poulenc’s Dialogues des Carmélites. 

She is now based at Verbier in Switzerland. 

The Castello Estense in Ferrara sits at
the heart of the historic city

Travel tip:

Ferrara, where Anna Caterina Antonacci was born, is a city in Emilia-Romagna, about 50 kilometres to the north east of Bologna. It was ruled by the Este family between 1240 and 1598 and they built an enormous castle for themselves to live in and to impress their guests. Building work on the magnificent, moated castle, which is in the centre of the city, began in 1385 and it was added to and improved by successive rulers of Ferrara until the end of the Este line. Parts of Ferrara have remained untouched in modern times and you can still see the narrow, mediæval streets to the west and south of the city centre, between the main thoroughfares of Via Ripa Grande and Via Garibaldi, which were part of the original core of the city in the middle ages. The impressive Este Castle was eventually purchased for 70,000 lire by the province of Ferrara in 1874, to be used as the headquarters of the Prefecture. Today, it is still  the highlight of the city for tourists to visit.

Pistoia's duomo, originally built in the
10th century, has a Romanesque facade

 

Travel tip:

Pistoia, where Anna Antonacci made her solo debut, is a pretty, mediæval walled city in Tuscany to the north west of Florence. The city developed a reputation for intrigue in the 13th century and assassinations in the narrow alleyways were common, using a tiny dagger called the pistole, which was made by the city’s ironworkers, who also specialised in manufacturing surgical instruments. The Cathedral of Saint Zeno, or the Duomo of Pistoia, is in the Piazza del Duomo in the centre of the city. Originally built in the 10th century, the cathedral has a façade in Romanesque style. Set around the Piazza del Duomo are the octagonal Battistero di San Giovanni in Corte, and the Palazzo dei Vescovi, an 11th-century palace. The palace was bought and restored by the Cassa di Risparmio di Pistoia, a regional bank, in the late 20th century and it now houses a museum complex. 

Also on this day:

1498: The birth of condottiero Giovanni dalle Bande Nere

1521: The birth of architect Francesco Laparelli

1622: The birth of mathematician and scientist Vincenzo Viviani

1801: The birth of philosopher and politician Vincenzo Gioberti 

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Coronation of Emperor Charles V

Imperial ceremony in Bologna staged on birthday

Spanish artist Juan de la Corte's 17th century painting
of the procession that followed the ceremony

Charles V was crowned as Holy Roman Emperor in the Basilica di San Petronio in Bologna by Pope Clement VII on this day in 1530.

Considered the greatest of all the Habsburg emperors, Charles V was also King Carlos 1 of Spain. By the time he was 19, his grandfather and his father were both dead and he had become master of more parts of Europe than anyone since the emperors of ancient Rome.

He chose the day for his coronation because it was his birthday. Although he had been Holy Roman Emperor for more than ten years, Charles decided to receive his crown on his 30th birthday and elected to hold his coronation in the cathedral in Bologna because Rome was still in ruins, having been sacked by his own troops.

He was crowned by the same Pope he had held prisoner during his attack on Rome, Clement VII, who was formerly Giulio de’ Medici.

Charles V was the last emperor to be crowned by a Pope for almost 300 years, until the Emperor Napoleon forced another Pope to crown him as King of Italy in the Duomo in Milan.

Charles and Clement VII had agreed to the imperial coronation as a means of healing the political and religious conflicts that had been dividing Italy and Europe.

They were hoping for a universal peace in the Christian world that would enable countries to provide a more effective defence against Turkish aggression.

German painter Barthel Beham's
portrait of Charles V, executed in 1535

But preparations for the coronation encountered delays, because the Pope was reluctant to agree to some of Charles’s plans.

Clement VII would have preferred Rome as the location for the coronation, but Charles had chosen Bologna because he knew that many Romans blamed him for the damage to their city which had been carried out by his troops three years earlier.

There was a lot of activity in 1529 ahead of the ceremony in Bologna. Clement VII travelled through Italy to arrive in Bologna in October 1529, where he received a splendid reception. Charles travelled by sea from Barcelona to Genoa and then made his way over land to reach Bologna in November the same year.

Pope Clement and Charles V both stayed in rooms in a palazzo in Bologna, that is known now as Palazzo d’Accursio, or Palazzo Comunale (Municipal Palace).

They agreed that on February 24, the date of the Emperor’s birthday, the coronation would take place in the Basilica di San Petronio, the biggest religious building in the city.

Two days before the coronation, Charles received the Iron Crown of Lombardy, crowning him King of Italy, from the Pope, in a chapel in the palace, which is now called the Farnese Chapel.

Ahead of the coronation ceremony, a 250-feet long bridgeway was erected to connect the palace with San Petronio.

After a long Mass in San Petronio, Charles knelt before the Pope and received the imperial golden crown, watched by aristocrats and representatives from all the Italian States.

A 17th century depiction of a scene from the
coronation by Il Perugino (Luigi Scaramuccia)

At the end of the ceremony there was a procession on horseback through the streets of Bologna. Afterwards the Pope and his retinue returned to Palazzo d’Accursio, while Charles and his supporters continued to Basilica San Domenico in the city, where the Emperor removed his new crown and prayed.

Five years earlier, on Charles’s 25th birthday, the date February 24 had acquired even more significance for him, when a French army of about 30,000 men, commanded by King Francois I of France, was besieging the town of Pavia.

To the relief of residents of Pavia, a smaller Habsburg army arrived on February 24 to relieve the garrison and launch a counter attack, firing on the French cavalry, and annihilating the rest of the French army. Francois I was himself captured and had to spend more than a year as a prisoner in Madrid.

From that date onwards, Spain was to dominate the Italian peninsula, paving the way for Charles V to be crowned King of Italy on February 22, and Holy Roman Emperor two days later.

The Basilica of San Petronio in Bologna with
its unfinished marble facade

Travel tip:

San Petronio Basilica is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest brick-built Gothic church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The marble facade was designed by Domenico da Varignana and started in 1538 by Giacomo Ranuzzi. However, it remains unfinished to this day. This was because the construction was largely financed by the citizens of Bologna, and not by the Catholic Church, and the project became too costly to complete. The main doorway, the Porta Magna, was decorated by Jacopo della Quercia of Siena. Above this, the facade is of unadorned brick. Despite being Bologna’s most important church, San Petronio is not the city’s cathedral. This is the Duomo di San Pietro, which stands nearby on Via Indipendenza.

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The Palazzo d'Accursio, where both
Charles V and Pope Clement VII stayed

Travel tip: 

Palazzo d’Accursio, also known as Palazzo Comunale or the Municipal Palace, is also in Piazza Maggiore. It began life in the 13th century as the residence of the jurist Accursius. Over time, it was expanded and attached to adjacent buildings to house civic offices. In 1336 it became the seat of the Anziani - Elders - the highest magistrates of the city, and then it became the city's seat of government. In the 15th century it was refurbished under the designs of the architect Fioravante Fioravanti, who added the clock tower, Torre d'Accursio. The bell in the tower was installed by Gaspare Nadi, a builder who became famous for the diaries he kept, which have enabled historians to learn about life in Bologna in the 15th century.

Bologna hotels from Hotels.com  

Also on this day:

1607: Monteverdi’s opera. L’Orfeo, premieres in Mantua

1896: The birth of restaurateur Cesare ‘Caesar’ Cardini

1934: The birth of soprano Renata Scotto

1934: The birth of politician Bettino Craxi

1990: The death of Italian president Sandro Pertini

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Nicola Rizzoli - football referee

Third Italian to take charge of World Cup Final

Nicola Rizzoli retired in 2017 after
15 years refereeing top-level matches

The football referee Nicola Rizzoli, who in 2014 became the third Italian to take charge of a men’s World Cup Final, was born on this day in 1971 in Mirandola, a town in Emilia-Romagna about 35km (22 miles) north of Modena.

Rizzoli, who had refereed the UEFA Champions League Final in 2013, followed Sergio Gonella (1978) and Pierluigi Collina (2002) in being handed the ultimate honour for football officials.

It was his responsibility to referee the match between Germany and Argentina in the Maracana stadium in Rio de Janeiro to decide the winners of the 2014 tournament, hosted by Brazil. 

At the age of 42, he was the same age as Collina had been when he refereed the Brazil-Germany final in 2002, but three years younger than Gonella was when given charge of hosts Argentina against the Netherlands in 1978.

Germany, who had famously humbled the 2014 hosts by a stunning 7-1 margin in the semi-finals, beat Lionel Messi’s Argentina 1-0 in the 2014 final, thanks to a goal in extra time by the substitute, Mario Götze. 

Rizzoli was commended for his handling of the match, between two of international soccer’s biggest rivals, which passed with no controversial decisions. He was praised for alerting the Germany bench after their midfield player Christoph Kramer began to show the effects of concussion following a blow to the head. Kramer played on for several minutes after the injury but then alarmed Rizzoli by twice asking him if he was playing in the final.

Although born in Mirandola, Rizzoli grew up in Bologna, the home city of his idol among referees, the renowned Collina.

Rizzoli took charge of the
2014 World Cup Final

Like most young Italian boys - and many girls - he had dreams of being a player, but his youth games in the Bologna area were often notable for his arguments with referees. In an interview in May, 2024 with the newspaper, Gazzetta di Modena, he explained that he took up refereeing after a friend suggested that, rather than contest decisions, he should study the rules of the game.

Alongside football, he decided at the age of 13 that he wanted to be an architect. He told the Gazzetta di Modena that, as well as enjoying drawing as a pastime, he ‘loved the smell of paper that you breathed in stationery shops’.

He obtained a degree in architecture at the University of Florence and began to develop a career while simultaneously working his way up the refereeing ladder, from club matches around Bologna to the lower divisions of the Italian professional leagues.

Trying to do both was not without problems. He recalled that a missed flight after refereeing a Serie D match in Calabria led him to question what he was doing and that an offer to join a studio in Milan tempted him to give up his whistle. 

He procrastinated long enough, however, to make the breakthrough he had craved in football when he was given his first Serie A match, between Venezia and Perugia, in April, 2002. 

In the event, he continued to work as an architect for another 10 years, stopping only when his international match commitments began to take up too much of his time. He takes pride in his achievements in the architectural field, too, not least the completion of the Pediatric Oncology building at Sant'Orsola Hospital in Bologna, which he built in 2001.

As an architect, Rizzoli designed the Pediatric
 Oncology unit at Bologna's Sant'Orsola Hospital

In addition to the 2014 World Cup Final and the 2013 Champions League decider, contested between Borussia Dortmund and Bayern Munich at Wembley Stadium in England, Rizzoli officiated in the inaugural UEFA Europa League Final in 2010, as Atlético Madrid defeated Fulham 2–1, and was on the list of referees chosen for both the 2012 and 2016 European Championships.

He refereed in Serie A between 2002 and 2017, achieving his ambition of taking charge in more than 200 top-division matches before he retired. Among his honours, he was named Serie A referee of the year by the Italian Football Federation for seven consecutive seasons between 2011 and 2017 and “world’s best referee” by the International Federation of Football History and Statistics twice, in 2014 and 2015. He was inducted to the Italian Football Hall of Fame in 2018.

After retirement, he became Head of Refereeing for Serie A and more recently was appointed Technical Refereeing Advisor for Concacaf, the FIFA-affiliated governing body for football in North and Central America and the Caribbean.

Rizzoli still lives in Bologna but maintains strong connections with the area around Modena, where his extended family still live.

The restored Castello dei Pico is among the main
sights in Rizzoli's home town of Mirandola

Travel tip:

Mirandola, the town of 22,000 people where Nicola Rizzoli was born, originated as a Renaissance city-fortress. For four centuries it was the seat of an independent principality and a possession of the Pico family, whose most famous member was the polymath Giovanni Pico della Mirandola (1463–94).  Besieged in 1510 by Pope Julius II and in 1551 by Pope Julius III, it was taken over by the Duchy of Modena in 1710 but went into decline after its castle - the Castello dei Pico - was partially destroyed in 1714. The castle has recently been restored and is open to the public. Other notable buildings include the 1468 Gothic-style Palazzo del Comune and the Church of Santa Maria Maggiore, which also dates from the late 15th century. The Church of San Francesco, which houses the tombs of the Pico family, collapsed when a 5.8 magnitude earthquake hit the area in 2012, killing 17 people, injuring many others, and damaging the homes of 14,000 inhabitants.

Piazza Maggiore, dominated by the Basilica of
San Petronio, is at the heart of the city of Bologna

Travel tip:

The city of Bologna, where Nicola Rizzoli grew up and was registered as a referee, has seen its city centre undergo substantial restoration since the 1970s. It is one of the largest and best preserved historical centres in Italy, characterised by 38km (24 miles) of walkways protected by porticoes.  At the heart of the city is the beautiful Piazza Maggiore, dominated by the Gothic Basilica of San Petronio, which at 132m long, 66m wide and with a facade that touches 51m at its tallest, is the 10th largest church in the world and the largest built in brick.  The history of Bologna, one of Italy's oldest cities, can be traced back to 1,000BC or possibly earlier, with a settlement that was developed into an urban area by the Etruscans, the Celts and the Romans.  The University of Bologna, the oldest in the world, was founded in 1088. Bologna’s football club made history in 2024 by qualifying for the UEFA Champions League for the first time.

Also on this day:

1658: The birth of Mary of Modena

1712: The birth of painter Francesco Guardi

1928: The birth of painter Alberto Sughi

2014: The death of racing driver Andrea De Cesaris

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The Gregorian Calendar

Why a 16th century Pope decreed that 10 days would not happen

The cover page of the first printed
edition of the calendar, in 1582

The Gregorian Calendar, which is used today by every country in the world with just four exceptions, was introduced by Pope Gregory XIII on this day in 1582.

The calendar replaced the Julian calendar, which had been implemented by Julius Caesar in 46 BC but which was based on a miscalculation of the length of the solar year and had gradually fallen out of sync with the seasons.

The Catholic Church wanted to make the change because the actual spring equinox - one of the two days in each year when the sun appears directly above the equator - was drifting further away from the ecclesiastical date of the equinox, which in turn determines the date of Easter. 

In Christian tradition, Easter marks the resurrection of Jesus three days after his crucifixion, which historical evidence suggests occurred around the time of the spring equinox, nominally dated as March 21. 

The miscalculation in the Julian calendar seems tiny, an assumption that the average solar year was exactly 365.25 days when the reality is 365.2422 days. Yet even after the inclusion of the supposedly corrective leap year every four years, the error meant that over the 1,628 years of the calendar’s use, the gap between the actual equinox and the date of the equinox in the ecclesiastical year had grown to 12.7 days.

Aloysus Lilius, one of a number of Italian scientists invited by Pope Gregory XIII to submit proposals for how the calendar might be reformed, realised that the addition of a leap year on an unvarying four-year cycle still made the calendar slightly too long. 

Lilius - sometimes called Luigi Lilio or Luigi Giglio - came up with a variation that adds leap days in years divisible by four, unless the year is also divisible by 100. If the year is also divisible by 400, a leap day is added regardless. 

A bust of the scientist
Aloysus Lilius

The German mathematician, Christopher Clavius, described as the architect of the Gregorian calendar, made slight modifications but largely adopted the Lilius formula as presented.

The formula did not completely correct the problem, but reduced the drifting apart of the solar equinox and the ecclesiastical equinox to just a few seconds per year, which means it will take until 4909 for the solar year and the Gregorian calendar year to be just one day out of sync. 

The more dramatic part of the change came in correcting the cumulative effect of the Julian calendar’s miscalculation so that re-alignment could happen immediately. To make this happen, 1582 was shortened by 10 days.

Thus when midnight was reached on Thursday, October 4, the date of the next day was changed to Friday, October 15.

The Gregorian calendar also renumbered the leap day as February 29, ending the practice in the Julian Calendar by which every four years February 24 lasted 48 hours rather than 24.

Nowadays, only four countries in the world - Afghanistan, Iran, Ethiopia and Nepal - do not use the Gregorian calendar, although its acceptance when first introduced was by no means universal and it was several hundred years before it became recognised as the world’s calendar.

Pope Gregory XIII had a
reputation as a reformer

The countries and colonies of Spain, Portugal, France, the Polish-Lithuanian Commonwealth, Italy, the Catholic Low Countries and Luxembourg instituted it immediately.

However, the Protestant countries largely rejected the change at first because of its introduction by a Catholic pontiff. It was not until 1700 that Protestant Germany switched over, while Great Britain and its colonies - including at that time much of what would become the United States of America - remained faithful to the Julian calendar until 1752.

Another 121 years had passed before Japan made the change in 1873, China did not come on board until 1912 and Saudi Arabia - the last country to make the switch - not until just seven years ago, in 2016.

Many countries - including most of Western Europe - also agreed to standardise New Year’s Day as January 1 with the introduction of the Gregorian calendar. Until 1752, the start of a new year in Great Britain had been March 25 - the Feast of the Annunciation, also known as Lady Day.

The Piazza Maggiore, pictured at dusk, is the
heart of the city of Bologna

Travel tip:

Pope Gregory XIII was born Ugo Boncompagni in Bologna in 1502. Bologna is one of Italy's oldest cities, with a history that can be traced back to 1,000BC or possibly earlier, with a settlement that was developed into an urban area by the Etruscans, the Celts and the Romans.  The University of Bologna, the oldest in the world, was founded in 1088.  Bologna's city centre, which has undergone substantial restoration since the 1970s, is one of the largest and best preserved historical centres in Italy, characterised by 38km (24 miles) of walkways protected by porticoes.  At the heart of the city is the beautiful Piazza Maggiore, dominated by the Gothic Basilica of San Petronio, which at 132m long, 66m wide and with a facade that touches 51m at its tallest, is the 10th largest church in the world and the largest built in brick.

The rugged hill-top town of Cirò in Calabria.
the birthplace of Aloysius Lilius

Travel tip:

Aloysius Lilius, a doctor, astronomer, philosopher and chronologist, was born in Cirò, in Calabria, a rugged hill town about 40km (25 miles) north of the port city of Crotone, on the Ionian Sea coast, of which it offers commanding views. The site of a settlement since the Bronze Age, the town became an important regional centre between about 1300 and 1500, with a castle that has now fallen into disrepair. The town’s economy is based on agriculture, with the production of oil, wine, cereals and citruses as well as cattle breeding. Cirò is famous for the production of Calabria's most important wine, marketed simply as Cirò, a red wine made from Gaglioppo grapes, sometimes described as ‘Calabria’s Barolo’. On the coast below, Cirò Marina is a town of 14,000 inhabitants that has become a popular resort which has been awarded Blue Flag status for the quality of its sea water. Archaeological finds unearthed locally provide evidence of the area’s importance at the time of Magna Graecia.

Also on this day:

1633: The birth of physician Bernardino Ramazzini

1657: The birth of painter Francesco Solimena 

1720: The birth of printmaker Giovanni Battista Piranesi

1994: The birth of tenor Ignazio Boschetto

The Feast Day of Saint Francis of Assisi 

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Lavinia Fontana – artist

Mother of 11 was Italy’s first female professional painter

A detail from Fontana's Self-Portrait at the
Clavichord with a Servant, painted in 1577

Bolognese Mannerist artist Lavinia Fontana, who became famous for her portraits, died on this day in 1614 in Rome. She has come to be regarded as the first female professional painter in both Italy and throughout western Europe because her family lived on her income from commissioned works. Her husband worked as her assistant and agent and helped her bring up their 11 children.

Lavinia was born in Bologna in 1552 and baptised at the Basilica di San Petronio in the city. Her father, Prospero, was a prominent artist of the Bolognese school and trained Lavinia to follow in his footsteps. This allowed her to become an artist at a time when women were not widely accepted in the profession.

Her earliest known work, Child of the Monkey, was painted in 1575 when she was 23, but is now lost. Another early painting, Christ with the Symbols of the Passion, which was painted in 1576, is now in the El Paso Museum of Art in Texas.

Bologna society was largely supportive of Lavinia’s career, providing opportunities that were not given to women artists in other areas of Italy. She is thought to be the first woman artist working within the same sphere as her male counterparts to live outside a court or a convent.

Lavinia began working professionally by painting small devotional pictures on copper, which had popular appeal as papal and diplomatic gifts. By the 1580s she was in demand as a portrait painter of Bolognese noblewomen, who competed for her services and paid large sums of money for her work because of her close attention to detail. 

Mancini's Christ with the Symbols of
Passion, at the El Paso Museum of Art

She displayed the wealth of the sitter by not neglecting any fashionable detail and by using bright colours for their clothes and jewellery. She also painted portraits of important people connected with the University of Bologna. As her career developed, she began creating large-scale paintings with religious or mythological themes. Among her most famous works are her large altarpieces for churches in Bologna.

Lavinia married another painter, Gian Paolo Zappi, in 1577, at the age of 26, and continued to paint professionally, adding the name Zappi to her signature.

Her husband helped her take care of the household and worked as her painting assistant and agent. He would paint minor elements of her canvases, such as draperies. Lavinia attended Bologna University and was listed as one of the city’s ‘donne addotrinate’, women with doctorates, in 1580.

In 1589, Lavinia painted the altarpiece Holy Family with the Sleeping Christ Child for El Escorial in Madrid.

At the invitation of Pope Clement VIII, Lavinia and her family moved to Rome in 1604 and she was appointed Portraitist in Ordinary at the Vatican. Pope Paul V was later among her sitters.

In 1604, Lavinia painted her largest work, The Martyrdom of St Stephen, an altarpiece for San Paolo Fuori le Mura - Saint Paul Outside-the-Walls - in Rome.

Among the honours she received was a bronze portrait medallion of herself cast by sculptor and architect Felice Antonio Casoni in 1611. She was also elected into the Accademia di San Luca of Rome, which was rare for a woman.

Minerva Dressing (1613), thought to be
the first female nude painted by a woman 

Lavinia died in Rome on 11 August 1614 and was later buried in Santa Maria sopra Minerva, one of the major Dominican churches in the capital.

One of Lavinia’s masterpieces is considered to be the Self-Portrait at the Clavichord with a Servant, which she painted as a gift to the Zappi family before her wedding, describing herself as a virgin in the signature. She also stated that she painted it while looking at herself in a mirror as a testament to it being an accurate depiction of her.

Over 100 of her works have been documented, but only 32 signed and dated are still known today. Another 25 have been attributed to her, giving her the largest collection of works by any female artist before 1700.

Lavinia’s religious and mythological paintings sometimes featured nude figures. Her painting, Minerva Dressing, for Cardinal Scipione Borghese, nephew to Pope Paul V, is believed to be the first female nude executed by a woman in Italy.  This can be seen in the Galleria Borghese in Rome. It has also been claimed Lavinia was the first female artist to paint mythological subjects.

Lavinia was immortalised by being the subject of Portrait of a Woman by Paolo Veronese, painted in 1595, when she was 43. She was the only woman to be featured in the 17th century book Considerazioni sulla pittura - Considerations on Painting - written by the physician and art collector Giulio Mancini, where the beauty of her paintings was likened to her own physical attractions by the writer.

It was rare for a woman painter to achieve such success and to profit from her talent during the Renaissance period. Some experts would argue that, to this day, Lavinia Fontana remains insufficiently appreciated as an artist.

The Basilica of San Petronio in Bologna
is the sixth largest church in Europe

Travel tip:

The Basilica di San Petronio, where Lavinia Fontana was baptised, dominates Bologna’s Piazza Maggiore. Standing 47m (154ft) tall, 132m (144yds) long and 60m (66yds) wide, it is the sixth largest church in Europe and is seen as a symbol of the city. Strangely,  it was not consecrated as a church until 1954 - 574 years after it was built. It was constructed as a civic temple and not transferred from the city to the diocese until 1929.  It is notable for its unfinished facade, the red and brick marble of Domenico da Varignana’s design abandoned when it had barely reached one third of the building’s height, following the intervention of Pope Pius IV, who considered the project too expensive and ambitious.

The Basilica of St Paul Outside-the-Walls is
one of Rome's four major Papal Basilicas

Travel tip:

St Paul Outside-the-Walls is one of the four major Papal Basilicas in Rome, along with St John in the Lateran (San Giovanni in Laterano), St Peter’s (San Pietro in Vaticano) and St Mary Major (Santa Maria Maggiore). Originally built in the fourth century, it was founded by the Roman emperor Constantine I over the burial place of St Paul. It was damaged and rebuilt after Saracen raids in the ninth century and an earthquake in the 14th century and almost completely destroyed by a fire in 1823, after which Pope Leo XII ordered it to be reconstructed to exactly resemble the original, consecrated in 324, although this turned out to be an unrealistic ambition. The new basilica bears only a general resemblance to the original. The tomb of St Paul is below a marble tombstone in the basilica’s crypt.

Also on this day:

1492: The election of Rodrigo Borgia as Pope Alexander VI

1902: The birth of cycling champion Alfredo Binda

1967: The birth of football coach Massimiliano Allegri 

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The death of Giosuè Carducci – poet

National poet’s work inspired the fight for a united Italy

Carducci's funeral procession drew
huge crowds on to the streets of Bologna

The poet Giosuè Carducci, who was the first Italian to win the Nobel prize in Literature, died on this day in 1907 in Bologna.

Aged 71, he passed away at his home, Casa Carducci, near Porta Maggiore, a kilometre and a half from the centre of the Emilia-Romagna city. He had been in ill health for some time and was not well enough to travel to Stockholm to receive his prize, awarded in 1906, which was instead presented to him at his home.

His funeral at the Basilica di San Petronio in Piazza Maggiore followed a procession through the streets that attracted a huge crowd.

Carducci had been one of the most influential literary figures of his age and was professor of Italian literature at Bologna University, where he lectured for more than 40 years.

The Italian people revered Carducci as their national poet and he was made a senator for life by the King of Italy in 1890.

Carducci was born in 1835 in the hamlet of Val di Castello, part of Pietrasanta, in the province of Lucca in Tuscany and he spent his childhood in the wild Maremma area of the region.

After studying at the University of Pisa, Carducci was at the centre of a group of young men determined to overthrow the prevailing Romanticism in literature and return to classical models.

Carducci's poetry became an inspiration
to patriots fighting for a united Italy

Carducci was attracted to Greek and Roman authors and also studied the works of Italian classical writers such as Dante, Torquato Tasso and Vittorio Alfieri.

The poets Giuseppe Parini, Vincenzo Monti and Ugo Foscolo were influences on him, as is evident from his first book of poems, Rime, produced in 1857.

In 1863, Carducci showed both his great power as a poet and the strength of his republican, anticlerical feelings in his Inno a Satana - Hymn to Satan - and, in 1867, in his Giambi ed epode - Iambics and Epodes - inspired by the politics of the time.

The best of Carducci’s poetry came in 1887 with Rime nuove - New Rhymes - and Odi Barbare - Barbarian Odes - which evoke the landscape of the Maremma and his childhood memories, the loss of his only son, and also recall the glory of Roman history.

Carducci’s enthusiasm for the classical led him to adapt Latin prosody to Italian verse and to imitate Horace and Virgil. His poetry was to inspire many Italians fighting for independence and for a united Italy.

The poet became the first Italian to receive the Nobel Prize for Literature in 1906. According to the Swedish Academy this was awarded ‘not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style and lyrical force, which characterise his poetic masterpieces’.

Carducci also wrote prose prolifically in the form of literary criticism. biographies, speeches and essays and he translated works by Goethe and Heine into Italian.

After his funeral on 19 February he was laid to rest at the Certosa di Bologna, the city’s monumental cemetery.

Pietrasanta's Cattedrale
di San Martino

Travel tip:

Pietrasanta, the town where Carducci was born, is on the coast of northern Tuscany, to the north of Viareggio. It had Roman origins and part of a Roman wall still exists. The medieval town was built in 1255 upon the pre-existing Rocca di Sala fortress of the Lombards and the Duomo (Cathedral of San Martino) dates back to the 13th century. Pietrasanta grew in importance in the 15th century due to its marble, the beauty of which was first recognised by the sculptor, Michelangelo.

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Leonardo Bistolfi's monument to Giosuè Carducci
in the garden of the Casa Carducci in Bologna

Travel tip:

The Museum of the Risorgimento in Bologna is now housed on the ground floor of the house where Carducci died in Piazza Carducci in the centre of the city. The museum has exhibits and documents that chronicle the history of the Risorgimento from the Napoleonic invasions of Italy to the end of the First World War. The museum was first inaugurated in 1893 and moved to Casa Carducci, the last home of the poet, in 1990.  In the garden, there is an imposing monument to Carducci by the sculptor Leonardo Bistolfi.

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More reading:

How the revolutionary Ugo Foscolo expressed Italian sentiment in verse

Why Dante Alighieri remains in exile from his native Florence

The nobleman whose poetry inspired the oppressed

Also on this day:

1740: The birth of type designer Giambattista Bodoni

1918: The birth of designer Achille Castiglioni

1935: The birth of vocalist Edda Dell’Orso

1970: The birth of footballer Angelo Peruzzi

1979: The birth of motorcycle world champion Valentino Rossi

(Picture credits: Pietrasanta cathedral by Stephencdickson; Bologna monument by Nicola Quirico; via Wikimedia Commons)

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