Francesco Primaticcio - painter, sculptor and architect

Italian who had major influence on French art 

A woodcut  portrait of Francesco
 Primaticcio from about 1648

The Mannerist painter, architect and sculptor Francesco Primaticcio, who played an important role in shaping the artistic landscape of France during the 16th century, was born on this day in 1504 in Bologna.

Primaticcio spent almost two thirds of his life in France, where he rose to be superintendent of works at the Château de Fontainebleau, the former medieval castle that was turned into an opulent Renaissance-style palace by François I of France.

Primaticcio trained as an artist in Bologna under Innocenzo da Imola before moving to Mantua to study with Giulio Romano, a former pupil of Raphael whose style helped define Mannerism.

He assisted Romano in his work on the decorations of the Palazzo del Te in Mantua, a project that refined his skills in fresco painting and architectural ornamentation.

Romano’s trust and belief in Primataccio’s talent was such that when François I invited Romano to assist in the redecoration of his expanded Fontainebleau palace in 1532, seeking to enrich the artistic grandeur of his court, Romano sent Primaticcio in his place.

Primaticcio soon became one of the leading artists at Fontainebleau, where he worked alongside Giovanni Battista di Jacopo, the Florentine painter also known as Rosso Fiorentino.

Following Fiorentino's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, overseeing the decoration of its grand halls and galleries.

His work at Fontainebleau was characterized by stucco reliefs, elaborate frescoes, and mythological themes, which became hallmarks of the French Mannerist style. Niccolò dell'Abbate, a Mannerist painter from Modena, was one of his team.

The Château de Fontainebleau, southeast of Paris,
where Primaticcio spent much of his working life

Primataccio’s compositions featured elongated figures, dynamic movement, and intricate detailing, influencing generations of French artists to follow.

He returned to Rome for a couple of years to purchase artworks for François I. He also took casts of the best Roman sculptures in the papal collections, some of which were recreated in bronze to decorate the parterres at Fontainebleau.

Primaticcio’s crowded compositions and graceful figures set a precedent for French painting. His masterpiece, the Salle d’Hercule, occupied him and his team for decades, showcasing his ability to blend classical mythology with courtly elegance.

Other notable works at Fontainebleau included scenes from the Life of Alexander the Great, for the bedchamber of the duchesse d’Étampes, and eight mythological scenes for the ceiling of the Galerie d’Ulysse. He is noted as one of the first artists in France to replace religious themes with those of classical mythology.

Primataccio’s design for the ceiling of the chapel of the Hotel de Guise in Paris, executed in 1557, was his last major work. For the last decade of his life, he worked with the sculptor Germain Pilon on the tomb of Henri II in the abbey church of Saint-Denis near Paris.  He designed the Valois Chapel at Saint-Denis, which was completed after his death. 

After the death of François I in 1547, Primaticcio remained a court painter under Henri II and François II, continuing to shape the artistic direction of France. His stylistic innovations influenced the development of French Mannerism, to which he introduced a quiet French elegance. 

Primaticcio died in 1570 in Paris. His contributions to the School of Fontainebleau cemented his reputation as a master of Mannerism. His ability to merge Italian Renaissance techniques with French artistic traditions ensured his place among the most influential artists of the 16th century.

Mantua's Palazzo del Te was considered
to be Giulio Romano's greatest work

Travel tip:

The Palazzo del Te in Mantua, where Primaticcio worked for part of his time in the city, was designed for Federico Gonzaga as a summer residence. It is a fine example of the Mannerist school of architecture and is considered to be Giulio Romano’s masterpiece. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed in about 1535, a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

The porticoed square adjoining the Basilica
di Santa Maria dei Servi in Bologna

Travel tip:

In his youth, Primaticcio trained in Bologna, his home city, in the workshop of Innocenzo di Pietro Francucci da Imola, a painter and draughtsman generally known as Innocenzo da Imola. Visitors to Bologna can see some of Innocenzo's work in the Basilica of Santa Maria dei Servi, a great example of Gothic architecture that stands on Strada Maggiore, a street in central Bologna that is part of the Roman Via Emilia. It runs, with its porticoes between medieval houses, buildings and churches, from Piazza di Porta Ravegnana to Porta Maggiore. The church also houses a Madonna enthroned with the Child and angels by Cimabue.

Also on this day:

1306: The birth of Andrea Dandolo, Doge of Venice

1885: The birth of composer Luigi Russolo

1888: The birth of architect Antonio Sant’Elia

The feast day of Pope Saint Pius V (d:1572)

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Giulio Romano – artist and architect

Painter from Rome left his mark on Mantua

Titian's portrait of Giulio Romano, painted
between 1536 and 1540

Giulio Romano, who was the principal heir to the artist Raphael and one of the most important initiators of the Mannerist style of painting, died on this day in 1546 in Mantua.

He is most remembered for his masterpiece, the Palazzo del Te, built on the outskirts of Mantua as a pleasure palace for the Gonzaga family, which was designed, constructed and decorated entirely by him and his pupils.

The artist had been born in Rome some time in the 1490s and was given the name, Giulio di Pietro di Filippo de’ Gianuzzi. He was known originally as Giulio Pippi, but later was referred to as Giulio Romano because of where he was born.

Giulio was apprenticed to Raphael when still a child and worked on the frescos in the Vatican loggias to designs by Raphael. He also collaborated with him on the decoration of the ceiling in the Villa Farnesina.

He became so important in the workshop that on Raphael’s death in 1520 he was named as one of the master’s chief heirs and he also became his principal artistic executor, completing a number of Raphael’s works, including the Transfiguration.

Romano's 1523 painting The Stoning of St Stephen

His own works from this time, such as the Madonna and Saints and the Stoning of St Stephen, both completed in 1523, show he had developed a highly personal, anticlassical style of painting.

The following year, at the invitation of the Gonzaga family, Giulio left Rome for Mantua, where he remained until his death, completely dominating the artistic affairs of the duchy.

In Mantua he worked on the rebuilding of the ducal palace and his decorations in the Sala de Troia are thought to foreshadow the Baroque style.

He also sculpted the figure of Christ that is positioned above Castiglione’s tomb in the Church of Santa Maria delle Grazie just outside Mantua.

Romano's Palazzo del Tel is 

Giulio’s studio became a popular school of art in Mantua and many of his pupils later achieved fame as artists themselves.

Drawings by Giulio that are still in existence are treasured by collectors and contemporary prints of them, engraved by Marcantonio Raimondi, made a significant contribution to the spread of Italian style throughout Europe.

The architect built a house for himself in Mantua, which was a Mannerist version of Raphael’s house in Rome. He started rebuilding the city’s cathedral the year before his death, in 1546.

Giulio Romano was buried in the Church of San Barnaba in Piazza Giuseppe Bazzani in Mantua.

The Palazzo Ducale in Mantua was the seat
of the ruling Gonzaga family

Travel tip:

Mantua is an atmospheric, old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. Giulio Romano was well paid by the Gonzaga family and could afford to build his own residence in Via Carlo Poma. He reconstructed it from existing buildings, creating an elegant stone façade with arched windows on the upper floor. It still stands as an example of his genius and has some of his original frescos inside. 

The Palazzo del Te was designed as a pleasure palace
considered to be Giulio Romano's masterpiece

Travel tip:

Palazzo del Te, designed for Federico Gonzaga as a summer residence, is a fine example of the Mannerist school of architecture and is considered to be Giulio Romano’s masterpiece. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed in about 1535, a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

More reading:

The outstanding legacy of Mannerist painter Parmigiano

Why Bronzino is regarded as the master of the Mannerist movement

Salomone Rossi and the enlightenment of the Mantua court

Also on this day:

1512: Michelangelo's Sistine Chapel ceiling revealed

1596: The birth of painter and architect Pietro da Cortona

1757: The birth of sculptor Antonio Canova



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