Giulio Romano – artist and architect

Painter from Rome left his mark on Mantua

Titian's portrait of Giulio Romano, painted
between 1536 and 1540

Giulio Romano, who was the principal heir to the artist Raphael and one of the most important initiators of the Mannerist style of painting, died on this day in 1546 in Mantua.

He is most remembered for his masterpiece, the Palazzo del Te, built on the outskirts of Mantua as a pleasure palace for the Gonzaga family, which was designed, constructed and decorated entirely by him and his pupils.

The artist had been born in Rome some time in the 1490s and was given the name, Giulio di Pietro di Filippo de’ Gianuzzi. He was known originally as Giulio Pippi, but later was referred to as Giulio Romano because of where he was born.

Giulio was apprenticed to Raphael when still a child and worked on the frescos in the Vatican loggias to designs by Raphael. He also collaborated with him on the decoration of the ceiling in the Villa Farnesina.

He became so important in the workshop that on Raphael’s death in 1520 he was named as one of the master’s chief heirs and he also became his principal artistic executor, completing a number of Raphael’s works, including the Transfiguration.

Romano's 1523 painting The Stoning of St Stephen

His own works from this time, such as the Madonna and Saints and the Stoning of St Stephen, both completed in 1523, show he had developed a highly personal, anticlassical style of painting.

The following year, at the invitation of the Gonzaga family, Giulio left Rome for Mantua, where he remained until his death, completely dominating the artistic affairs of the duchy.

In Mantua he worked on the rebuilding of the ducal palace and his decorations in the Sala de Troia are thought to foreshadow the Baroque style.

He also sculpted the figure of Christ that is positioned above Castiglione’s tomb in the Church of Santa Maria delle Grazie just outside Mantua.

Romano's Palazzo del Tel is 

Giulio’s studio became a popular school of art in Mantua and many of his pupils later achieved fame as artists themselves.

Drawings by Giulio that are still in existence are treasured by collectors and contemporary prints of them, engraved by Marcantonio Raimondi, made a significant contribution to the spread of Italian style throughout Europe.

The architect built a house for himself in Mantua, which was a Mannerist version of Raphael’s house in Rome. He started rebuilding the city’s cathedral the year before his death, in 1546.

Giulio Romano was buried in the Church of San Barnaba in Piazza Giuseppe Bazzani in Mantua.

The Palazzo Ducale in Mantua was the seat
of the ruling Gonzaga family

Travel tip:

Mantua is an atmospheric, old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. Giulio Romano was well paid by the Gonzaga family and could afford to build his own residence in Via Carlo Poma. He reconstructed it from existing buildings, creating an elegant stone façade with arched windows on the upper floor. It still stands as an example of his genius and has some of his original frescos inside. 

The Palazzo del Te was designed as a pleasure palace
considered to be Giulio Romano's masterpiece

Travel tip:

Palazzo del Te, designed for Federico Gonzaga as a summer residence, is a fine example of the Mannerist school of architecture and is considered to be Giulio Romano’s masterpiece. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed in about 1535, a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

More reading:

The outstanding legacy of Mannerist painter Parmigiano

Why Bronzino is regarded as the master of the Mannerist movement

Salomone Rossi and the enlightenment of the Mantua court

Also on this day:

1512: Michelangelo's Sistine Chapel ceiling revealed

1596: The birth of painter and architect Pietro da Cortona

1757: The birth of sculptor Antonio Canova



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Luca Marenzio – composer

Madrigal writer influenced Monteverdi

Luca Marenzio is believed to have been a
singer employed by the Gonzaga family

Luca Marenzio, a prolific composer of madrigals during the late Renaissance period, died on this day in 1599 in the garden of the Villa Medici on Monte Pincio in Rome.

Marenzio wrote at least 500 madrigals, some of which are considered to be the most famous examples of the form, and he was an important influence on the composer Claudio Monteverdi.

Born at Coccaglio, a small town near Brescia in 1553, Marenzio was one of seven children belonging to a poor family, but he received some early musical training at Brescia Cathedral where he was a choirboy.

It is believed he went to Mantua with the maestro di cappella from Brescia to serve the Gonzaga family as a singer.

Marenzio was then employed as a singer in Rome by Cardinal Cristoforo Madruzzo and, after the Cardinal’s death, he served at the court of Cardinal Luigi d’Este.

He travelled to Ferrara with Luigi d’Este and took part in the wedding festivities for Vincenzo Gonzaga and Margherita Farnese.

While he was there he wrote two books of madrigals and dedicated them to Alfonso II and Lucrezia d’Este.

Marenzio's first book of madrigals was published in 1580

Marenzio went on to establish an international reputation as a talented composer of madrigals and he was also an expert lutenist. He was much admired in England and his madrigals were printed in N Yonge’s Musica Transalpina, published in 1588, a collection of music that stimulated the composition of English madrigals.

After the death of Luigi d’Este, Marenzio entered the service of Ferdinando I de’ Medici in Florence, where he formed friendships with composers Piero Strozzi and Antonio de Bicci.

On his return to Rome he entered the service of Virginio Orsini, nephew of the Grand Duke of Tuscany, and he lived in the Orsini palace. Another important patron was Cardinal Cinzio Aldobrandini, nephew of the reigning pope, Clement VIII, who assigned him an apartment in the Vatican.

Marenzio then travelled to Poland to be maestro di cappella at the court of Sigismund III Vasa in Warsaw. He wrote and directed sacred music there, which unfortunately has since been lost.

The visit to Poland affected his health and he did not live long after his return to Rome. While his brother was looking after him, he died in the garden at the Villa Medici on August 22, 1599.

Marenzio was buried in the Church of San Lorenzo in Lucina in Rome.

Vineyards near Coccaglio, which is on the edge of the
Franciacorta wine-making area, near Brescia

Travel tip:

Coccaglio, Marenzio’s birthplace, is a town in Lombardy, about 32km (20 miles) west of Brescia and 35km (22 miles) southeast of Bergamo.  The municipality is located in the southern edge of Franciacorta, the area famous for its sparkling wine of the same name, which is known as the Italian answer to Champagne, being produced using the same method as the classic French bubbly, as opposed to the faster fermentation process used in the popular Prosecco.

The Villa Medici has been the home of the
French Academy in Rome since 1803

Travel tip:

The Villa Medici, where Marenzio died, is on the Pincian Hill next to the church of Trinità dei Monti in Rome, at the head of the Spanish Steps. The villa, built in 1554 in the Mannerist style to a design by Bartolomeo Ammanati, has housed the French Academy in Rome since 1803. In ancient times the site of the Villa Medici was part of the gardens of Lucullus. Behind the Villa Medici stretches out the vast park and gardens of the Villa Borghese.

More reading:

The genius of Claudio Monteverdi

Federico II Gonzaga, the ruler of Mantua who spent his childhood as a political hostage

How Eleonora Gonzaga became Holy Roman Empress

Also on this day:

1849: History's first air raid hits Venice

1914: The death of the progressive Bishop Giacomo Radini-Tedeschi

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Salomone Rossi - violinist and composer

Leading Jewish musician of the late Renaissance 

Salomone Rossi's talent with the violin
earned him work for the Mantuan court

The composer and violinist Salomone Rossi, who became a renowned performer at the court of the Gonzagas in Mantua in the late 16th and early 17th centuries and is regarded as the leading Jewish musician of the late Renaissance, is thought to have been born on this day in 1570.

Jews had periodically been the subject of persecution in the Italian peninsula for hundreds of years. At around the time of Rossi’s birth, Pope Pius V expelled all Jews from all but two areas of the papal states and Florence established a ghetto, in which all Jews within the city and the wide Grand Duchy of Tuscany were required to live.

The Mantua of Rossi’s day was much more enlightened than many Italian cities, however. Jews were not only tolerated but they were often allowed to mix freely with non-Jews. The liberal atmosphere allowed Jewish writers, musicians and artists to have an important influence on the culture of the day.

The court of Mantua was not only renowned for its royal luxury but as a centre of artistic excellence. At the end of the 15th century the duchess Isabella d’Este Gonzaga actively sought out the finest musicians in Italy, bringing them to Mantua to compose new music and perform it for the entertainment of the royal family.

Vincenzo I was the first duke of
Mantua to employ Salomone Rossi

The duke Gugliemo Gonzaga, in the second half of the 16th century, established a resident musical ensemble within the castle walls and his successor, Vincenzo I Gonzaga, at the turn of the 17th century, had on his payroll composers of the quality and standing of Claudio Monteverdi, Giovanni Gastoldi and Lodovico Vladana, to provide music for banquets, wedding feasts, musical-theatre productions and chapel services.

Rossi had come to the court’s attention as a talented violinist and he entered the service of duke Vincenzo I in 1587 as a singer and viola player.

Soon he was given the title of concertmaster as the leader of the duke’s instrumental ensemble, tasked with entertaining the ducal family and their esteemed guests. He was so well thought of that he was excused from wearing the yellow badge that was still required of Jews in Mantua, despite the enlightened atmosphere that prevailed. The privilege was renewed in 1612 by the new duke, Francesco IV.

Nonetheless, it is not thought that he could have enjoyed a permanent salaried position at the court, a privilege almost exclusively reserved for Christian musicians.  He would have been paid by the court on an individual basis for his performances at court events and for his vocal and instrumental compositions.

There is evidence that he also played for Paolo Adreasi, the Count of Rhodes, Fredrico Rossi, the Count of San Secundo, and Alessandro Pico, Prince of Mirandola. He also had support and protection from two prominent Jewish figures in Mantua: Moses Sullam, who provided him with financial support, and Rabbi Leone da Modena, who offered guidance and protection. Rossi was also heavily involved in Mantuan theatrical life.

The opening pages to a Rossi score for a madrigal
played in Venice in 1628

As a composer, Rossi applied his creative talents to a new fashion in music known as monadic song, with one leading solo voice supported by a fundamental bass. He is considered the pioneer of these new Baroque forms which include the trio sonata and suite.

His first published work in 1589 was a collection of 19 canzonettes - short, dance-like compositions for a trio of voices with lighthearted, amorous lyrics.

Rossi also composed more serious madrigals, combining the poetry of the greatest poets of the day with his melodies. In 1600, in the first two of his five madrigal books, Rossi published the earliest continuo madrigals, an innovation which marked the beginning of the Baroque era in music.

As a Jewish musician, his lasting contribution is his Ha-Shirim Asher li-Shelomo, 33 settings for three to eight voices of Hebrew texts, edited by Rabbi Leone.

Rossi's name as a violist appears on the ducal payrolls in Mantua until 1622.

The death of the last Gonzaga duke and the sack of Mantua by the Austrian army (1628-30) ended the golden age of Mantuan court music. Many of Mantua’s Jews fled to the ghetto in Venice, where they joined the Jewish musical Accademia degli Impediti. 

It is not known whether Rossi himself was still alive and active in the Accademia. Some historians believe he died during the invasion of Austrian troops, who destroyed the Jewish ghetto in Mantua, or in a subsequent plague which ravaged the area.

Rossi's sister, Madama Europa, who was an opera singer at the court in Mantua and possibly the first Jewish woman to be professionally engaged in that field, also disappeared after the end of the Gonzaga court and subsequent sack of the ghetto.

The facade of the Palazzo Ducale in Mantua, which was
the palace of the Gonzagas between 1328 and 1707

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The ampoules that allegedly contain drops
of the blood of Christ, mixed with soil

Travel tip:

In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, two ampoules containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

More reading:

The Gonzaga duke who spent his childhood as a political hostage

Andrea Mantegna - master of perspective

The genius of Claudio Monteverdi

Also on this day:

1580: The death of Antonio Palladio, the world's favourite architect

1957: The birth of former azzurri football coach Cesare Prandelli


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