Isabella d’Este – Marchioness of Mantua

‘The First Lady of the world’

Titian's portrait of Isabella d'Este, housed
at the Kunsthistorisches Museum, Vienna

Isabella d’Este, who was a leading cultural and political figure during the Renaissance, died on this day in 1539 in Mantua.

She had been a patron of the arts, a leader of fashion, a politically astute ruler and a diplomat. Such was her influence that she was once described as ‘the First Lady of the world’.

Her life is documented by her correspondence, which is still archived in Mantua. She received about 28,000 letters and wrote about 12,000. More than 2000 of her letters have survived.

Isabella grew up in a cultured family in the city of Ferrara. Her father was Ercole I d’Este, Duke of Ferrara, and her mother was Eleanor of Naples.

She received a classical education and had opportunities to meet famous scholars and artists. She was reputed to have frequently discussed the classics and affairs of state with ambassadors who came to the court.

When Isabella was just six years old she was betrothed to Francesco, the heir to the Marquess of Mantua.

At the age of 15 she married him by proxy. He had succeeded his father and become Francesco II and she became his Marchioness.

A charcoal sketch of Isabella by Leonardo for
a portrait that was never completed

In 1493 Isabella gave birth to a daughter, Eleonora, the first of her eight children.

About 12 years into her marriage, Lucrezia Borgia, who had married Isabella’s brother, Alfonso, became the mistress of Isabella’s husband, Francesco, yet Isabella continued to bear Francesco’s children throughout their long affair.

After Francesco was captured during battle in 1509 and held hostage in Venice, Isabella took control of Mantua’s forces and held off the invaders until his release in 1512.

She was hostess at the Congress of Mantua, held to settle questions concerning Florence and Milan. Francesco was said to have been humiliated by his wife’s superior political ability and their marriage broke down.

After Francesco's death, Isabella ruled Mantua as regent for her son, Federico II. She played a part in getting Mantua promoted to a Duchy, had another son, Ercole, made a Cardinal and negotiated skilfully with Cesare Borgia.

Many of the famous artists of the time worked for her, most notably Giovanni Bellini, Giorgione, Leonardo da Vinci, Andrea Mantegna, Raphael, Titian and Michelangelo.

She was in contact with many writers, including Ludovico Ariosto, Pietro Bembo and Baldassare Castiglione. She sponsored musicians and employed woman as professional singers at her court.

As a ruler, Isabella followed the
principles of Machiavelli

Isabella’s style of dressing, wearing caps and displaying plunging décolletage, was imitated throughout Italy and at the French court.

She worked hard as a devoted head of state following the principles in Niccolò Machiavelli’s book, The Prince, and was respected by the people of Mantua.

In retirement, she made Mantua a centre for culture, started a school for girls and turned her apartments into a museum containing the finest art treasures.

When she was in her mid-sixties she returned to political life and ruled Solarolo in the Romagna until her death at the age of 64.

She was buried with her husband, Francesco II, in the Gonzaga Pantheon in the Church of Santa Paola in Mantua.

Pietro Bembo once described Isabella as ‘one of the wisest and most fortunate of women,’ while diplomat Niccolò da Correggio called her ‘The First Lady of the World.’

The home of the State Archives of Mantua, where Isabella's
surviving letters are preserved in digital format

Travel tip:

It is possible to view Isabella d’Este’s letters, which are preserved in digital format, at the Archivio di Stato di Mantova in Via Robertó Ardigo, Mantua. The building, previously a Jesuit convent, also houses the Gonzaga archive, which is one of the most complete archives belonging to a family that has governed in the modern age, and the Castiglioni archive acquired by the descendants of Baldassare Castiglione, including parchments, maps, drawings and documentation of the noble Mantuan family from the 13th to the 20th century. For more information on the Isabella d’Este Archive visit www.archiviodistatomantova.beniculturali.it.

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The Church of Santa Paola in Mantua. where Isabella and
Francesco are buried in the Gonzaga Pantheon

Travel tip:

The 14th century Church of Santa Paola in Mantua, where Isabella d’Este was buried is in Piazza Quazza Romolo. The church and adjoining monastery were built according to the wishes of Paola Malatesta, wife of Gianfresco Gonzaga, to accommodate a group of Poor Clares. Isabella and Francesco’s daughter, Livia, who became prioress there, commissioned frescoes for the interior after her mother’s burial. Giulio Romano later painted scenes for the funeral of Isabella’s son, Federico II, of which some traces remain.

More reading:

Machiavelli's premise that 'the ends justify the means'

Lucrezia Borgia - the notorious beauty who inspired poets and painters

Titian, the giant of Renaissance art

Also on this day:

1571: The death of the sculptor and goldsmith Benvenuto Cellini

1816: Fire destroys the Teatro di San Carlo opera house in Naples

1912: The birth of poet Antonia Pozzi

1960: The birth of football referee Pierluigi Collina

(Picture credits: State Archives building and Church of Santa Paolo by FranzK via Wikimedia Commons)

(Paintings: Da Vinci's sketch of Isabella is in The Louvre in Paris; Santi di Tito's portrait of Machiavelli, Palazzo Vecchio collection, Florence)

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Salomone Rossi - violinist and composer

Leading Jewish musician of the late Renaissance 

Salomone Rossi's talent with the violin
earned him work for the Mantuan court

The composer and violinist Salomone Rossi, who became a renowned performer at the court of the Gonzagas in Mantua in the late 16th and early 17th centuries and is regarded as the leading Jewish musician of the late Renaissance, is thought to have been born on this day in 1570.

Jews had periodically been the subject of persecution in the Italian peninsula for hundreds of years. At around the time of Rossi’s birth, Pope Pius V expelled all Jews from all but two areas of the papal states and Florence established a ghetto, in which all Jews within the city and the wide Grand Duchy of Tuscany were required to live.

The Mantua of Rossi’s day was much more enlightened than many Italian cities, however. Jews were not only tolerated but they were often allowed to mix freely with non-Jews. The liberal atmosphere allowed Jewish writers, musicians and artists to have an important influence on the culture of the day.

The court of Mantua was not only renowned for its royal luxury but as a centre of artistic excellence. At the end of the 15th century the duchess Isabella d’Este Gonzaga actively sought out the finest musicians in Italy, bringing them to Mantua to compose new music and perform it for the entertainment of the royal family.

Vincenzo I was the first duke of
Mantua to employ Salomone Rossi

The duke Gugliemo Gonzaga, in the second half of the 16th century, established a resident musical ensemble within the castle walls and his successor, Vincenzo I Gonzaga, at the turn of the 17th century, had on his payroll composers of the quality and standing of Claudio Monteverdi, Giovanni Gastoldi and Lodovico Vladana, to provide music for banquets, wedding feasts, musical-theatre productions and chapel services.

Rossi had come to the court’s attention as a talented violinist and he entered the service of duke Vincenzo I in 1587 as a singer and viola player.

Soon he was given the title of concertmaster as the leader of the duke’s instrumental ensemble, tasked with entertaining the ducal family and their esteemed guests. He was so well thought of that he was excused from wearing the yellow badge that was still required of Jews in Mantua, despite the enlightened atmosphere that prevailed. The privilege was renewed in 1612 by the new duke, Francesco IV.

Nonetheless, it is not thought that he could have enjoyed a permanent salaried position at the court, a privilege almost exclusively reserved for Christian musicians.  He would have been paid by the court on an individual basis for his performances at court events and for his vocal and instrumental compositions.

There is evidence that he also played for Paolo Adreasi, the Count of Rhodes, Fredrico Rossi, the Count of San Secundo, and Alessandro Pico, Prince of Mirandola. He also had support and protection from two prominent Jewish figures in Mantua: Moses Sullam, who provided him with financial support, and Rabbi Leone da Modena, who offered guidance and protection. Rossi was also heavily involved in Mantuan theatrical life.

The opening pages to a Rossi score for a madrigal
played in Venice in 1628

As a composer, Rossi applied his creative talents to a new fashion in music known as monadic song, with one leading solo voice supported by a fundamental bass. He is considered the pioneer of these new Baroque forms which include the trio sonata and suite.

His first published work in 1589 was a collection of 19 canzonettes - short, dance-like compositions for a trio of voices with lighthearted, amorous lyrics.

Rossi also composed more serious madrigals, combining the poetry of the greatest poets of the day with his melodies. In 1600, in the first two of his five madrigal books, Rossi published the earliest continuo madrigals, an innovation which marked the beginning of the Baroque era in music.

As a Jewish musician, his lasting contribution is his Ha-Shirim Asher li-Shelomo, 33 settings for three to eight voices of Hebrew texts, edited by Rabbi Leone.

Rossi's name as a violist appears on the ducal payrolls in Mantua until 1622.

The death of the last Gonzaga duke and the sack of Mantua by the Austrian army (1628-30) ended the golden age of Mantuan court music. Many of Mantua’s Jews fled to the ghetto in Venice, where they joined the Jewish musical Accademia degli Impediti. 

It is not known whether Rossi himself was still alive and active in the Accademia. Some historians believe he died during the invasion of Austrian troops, who destroyed the Jewish ghetto in Mantua, or in a subsequent plague which ravaged the area.

Rossi's sister, Madama Europa, who was an opera singer at the court in Mantua and possibly the first Jewish woman to be professionally engaged in that field, also disappeared after the end of the Gonzaga court and subsequent sack of the ghetto.

The facade of the Palazzo Ducale in Mantua, which was
the palace of the Gonzagas between 1328 and 1707

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The ampoules that allegedly contain drops
of the blood of Christ, mixed with soil

Travel tip:

In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, two ampoules containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

More reading:

The Gonzaga duke who spent his childhood as a political hostage

Andrea Mantegna - master of perspective

The genius of Claudio Monteverdi

Also on this day:

1580: The death of Antonio Palladio, the world's favourite architect

1957: The birth of former azzurri football coach Cesare Prandelli


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Federico II Gonzaga – Duke of Mantua

Ruler received a valuable education at the papal court

Federico Gonzaga, aged about 10, painted
by Francesco Francia

Federico Gonzaga, who became the ruler of Mantua and Montferrat, was born on this day in 1500 in Mantua.

He spent his childhood living as a political hostage, first at the court of Pope Julius II in Rome and then at the court of Francis I of France.

It wasn’t perhaps an ideal start in life, but historians believe the political, social and cultural education he received in the company of popes, cardinals, and kings helped shape him as a future ruler.

Federico was the son of Francesco II Gonzaga and Isabella d’Este. His godfather was Cesare Borgia, Machiavelli’s model for the ideal Renaissance Prince.

His father, Francesco, was captured by the Venetians during battle and held hostage for several months. While he was absent, his wife, Isabella, ruled Mantua.

Francesco managed to secure his own release only by agreeing to send his son, Federico, to be a hostage at the papal court.

After the death of Pope Julius II in 1513, Federico was sent to the court of the new King of France, Francis I, where he became a favourite, as he had interests in common with the King.

Titian's 1525 portrait of Federico as an adult
can be seen at the Prado museum in Madrid

After the death of his father in 1519, Federico returned to rule Mantua and established Isabella Boschetti as his mistress there.

He was later created Duke of Mantua by the Emperor Charles V and did not intervene when the Imperial Troops passed through his territory in 1527 on their way to lay siege to Rome.

He married Margaret of Montferrat in 1531 and when the last male heir to Montferrat died, Federico became Marquess of Montferrat, a title his descendants held until the 18th century.

He commissioned Palazzo Te to be built as a summer palace just outside Mantua.

Federico had long suffered from syphilis and died of the disease in 1540.

His son, Francesco, briefly held the title of Duke of Mantua before dying while still a teenager. His second son, Guglielmo, became Duke of Mantua and Marquess of Montferrat and carried on the line.

The Palazzo Ducale was the seat of the Gonzaga family

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico III Gonzaga and his family, who ruled Mantua for 34 years in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The Palazzo Te was designed for Federico as a summer
residence just outside the walls of Mantua

Travel tip:

Palazzo Te, designed for Federico as a summer residence, is a fine example of the Mannerist school of architecture and is the masterpiece of the architect Giulio Romano. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

Also on this day:

1510: The death of Renaissance artist Sandro Botticelli

1963: The birth of motorcycle world champion Luca Cadalora

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