Marco Malvaldi – crime writer and chemist

Author has mastered the science of detective fiction

Marco Malvadi began his writing
career with La briscola in cinque

Novelist Marco Malvaldi, who has written a prize-winning mystery featuring the real-life 19th century Italian culinary expert Pellegrino Artuso as his fictional sleuth, was born on this day in 1974 in Pisa.

Malvaldi, who is a graduate in chemistry from Pisa University, has also written a travel guide about his home town with the title Scacco alle Torre (Checkmate to the Tower), which has been presented at the Pisa Book Festival. In the book, he writes a story about a nocturnal walk through the city entitled Finalmente soli (Finally Alone), which was inspired by an image taken by a professional photographer, Nicola Ughi, a fellow Pisan, who has become his official portraitist. 

He began his writing career in 2007 with a mystery novel, La briscola in cinque (Game for Five), published by Sellerio Editore. The novel’s protagonist, Massimo, a barista, and the owner of a bar named BarLume, which is a play on the Italian word barlume, which means 'flicker of light', is forced into the role of investigator in the fictional seaside resort town of Pineta on the Tuscan coast.  

Other books in the series followed and three have been translated into English: Il gioco delle tre carte (Three-card Monte), Il re dei giochi (The King of Games) and La carta più alta (The Highest Card).

In 2011, Malvaldi’s novel, Odore di chiuso (The Scent of Must) was published by Sellerio Editore and later published in English under the title, The Art of Killing Well. It featured Pellegrino Artusi, a renowned 19th century gastronomist from the Romagna region, as his fictional detective. The novel was awarded the Isola d’Elba Award and the Castiglioncello Prize. 

Malvadi's novel The
Art of Killing Well

Malvaldi published a thriller in 2012, Milioni di milioni (Millions of Millions), which is set in the fictional Tuscan town of Montesodi Marittimo, and features a university geneticist and an archivist, who form an unusual team of amateur investigators. In 2013, Malvaldi was awarded the literary prize, Premio Letterario La Tore Isola d’Elba - two of five literary honours his books have won.

After graduating, Malvaldi also did research in the department of pharmacy at Pisa University and he has written several books about science. His book, Le due teste del tiranno: metodi matematici per la Libertà (The Two Heads of the Tyrant: Mathematic Methods for Freedom), published in 2017, won a 2018 Asimov award, for the best book in scientific dissemination published in Italy.

Malvaldi, whose birthday today is his 50th, has also co-authored books with Roberto Vacca, Dino Leporini, journalist and poet Ernesto Ragazzoni among many others. 

Malvaldi’s partner is Samantha Bruzzone, who is also a chemist and passionate about detective fiction. Together, they have written two children’s books and in 2022 the novel, Chi si ferma e perduto (Who Stops is Lost).

Pisa's leaning tower began to 
tilt soon after it was built

Travel tip:

Pisa is world famous for its leaning tower, which Malvaldi writes about in his book Scacco alle Torre (Checkmate to the Tower). Work began on the construction of a freestanding bell tower for the Cathedral in Pisa in 1173. The tower’s famous tilt began during the building process and is believed to have been caused by the laying of inadequate foundations on ground that was too soft on one side to support the weight of the structure. The tilt got worse over the years until work had to be carried out to correct it in the 20th century. At its most extreme, the tower leaned at an angle of 5.5 degrees but since the restoration work carried out between 1990 and 2001 the tower leans at about 3.99 degrees. The tower was reopened to the public in 2001, when it was declared that it would be stable for another 300 years.

The picturesque harbour at the port of Portoferraio
on the island of Elba off the Tuscan coast

Travel tip:

The Tuscan coast, which Malvaldi fictionalises in some of his books, has a long stretch of sandy beaches that include holiday destinations such as Viareggio, Forte dei Marmi, Catiglioncello, Follonica, Castiglione della Pescaia, Porto Ercole, Talamone, and many others. Off the coast is the island of Elba, a popular destination for holidaymakers who arrive by ferry at Portoferraio, where there is an old port and a modern seafront with hotels. The west coast of the island has sandy beaches, but the east coast is more rugged with high cliffs. Inland there are olive groves and vineyards producing the wine, Elba DOC. You can visit Napoleon’s two residences while he was in exile on the island, Palazzina Naopleonica, a modest house built around two windmills in Portoferraio, and Villa San Martino, his country house, further inland at San Martino and decorated inside with Egyptian-style frescoes.

Also on this day:

98: Trajan becomes Emperor of Rome 

1861: Italy elects its first parliament

1881: The birth of mobster Frank Nitti

1901: The death of composer Giuseppe Verdi

1927: The birth of writer and novelist Giovanni Arpino

1962: The birth of musician Roberto Paci Dalò

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Vincenzo da Filicaja – poet

Patriotic writer was inspired by victory against the Turks

Da Filicaja earned comparisons
with the great poet Petrarch

Vincenzo da Filicaja, a writer and a politician whose poetry has been compared with that of the great Italian poet Petrarch, died on this day in 1707 in Florence.

Da Filicaja’s six celebrated odes inspired by a famous battle victory led to scholars placing him on a level with some of the greatest Italian poets.

He was also a respected politician and was named governor of Volterra and Pisa by Cosimo III, the Grand Duke of Tuscany, who later appointed him to serve in the Tuscan Senate.

Born into an aristocratic family in Florence in 1642, Da Filicaja was educated by Jesuits before going to Pisa University to study law. In Pisa, he was inspired by the historical associations he saw that were linked with the former glory of the republic of Pisa.

The banners and emblems of the Order of St Stephen, which had its seat in Pisa, had great significance for the young student, who knew that the navy of this military order, created by Cosimo I de’ Medici, formed the main defence of his country and its commerce against Turkish, Algerian and Tunisian corsairs.

After returning to Florence, Da Filicaja married Anna Capponi in 1673, the daughter of a senator and marquis, and he went to live in the Tuscan countryside, where his main interest was writing Italian and Latin poetry.

Da Filicaja earned comparisons
with the great poet Petrarch

He became a member of the Accademia della Crusca, a society for scholars of Italian linguistics and philology, which is now the oldest linguistic academy in the world.

Other scholars and writers he met there, such as the poet Francesco Redi, helped him to gain access to Medici court patronage.

Da Filicaja’s imagination was fired by the deliverance of Vienna from the Turks in 1683 and he composed six odes to celebrate the victory.  Redi showed Da Filicaja’s verses to his own royal patron and sent them to the foreign princes whose noble deeds were praised in them. The quality of Da Filicaja’s odes celebrating the victory of John III Sobieski in the Battle of Vienna is what made many scholars consider him to be on a level with some of the greatest Italian poets.

Christina, the ex Queen of Sweden, contacted Da Filicaja from her exile in Rome, offering to pay for the education of his two sons and to keep the generous gesture a secret. And in 1691, Da Filicaja became a member of the Academy of Arcadia, a literary academy founded in Rome.

Cosimo III made the poet the commissioner of official balloting and governor of Volterra, where Da Filicaja tried to improve public morality. He was also made governor of Pisa in 1700 and he became so popular that when he left office the inhabitants of both cities petitioned to have him brought back.

Cosimo III made him a Senator in Florence, where he spent the last years of his life. After he died, at the age of 64, he was buried in the family vault of the Church of San Pietro in Florence and a monument was erected in his memory in the Basilica di Santa Croce in the city by his only surviving son, Scipione Filicaja.

The Palazzo della Carovana, which was built
by Vasari for the Knights of St Stephen

Travel tip:

Pisa’s most popular tourist attraction by a long way is the Campo dei Miracoli, site of the famous Leaning Tower, which features a beautiful Romanesque cathedral and an equally impressive baptistry. For many visitors, the Campo dei Miracoli is all they come to see, yet there is much more to Pisa than the Leaning Tower. The University of Pisa remains one of the most prestigious in Italy, while the student population ensures a vibrant cafe and bar scene. There is also much to see in the way of Romanesque buildings, Gothic churches and Renaissance piazzas. Interesting churches include Santa Maria della Spina, which sits next to the Arno river, while Piazza dei Cavalieri is notable for the Palazzo della Carovana, built by Giorgio Vasari in 1564 as the headquarters for the Knights of St Stephen.

The magnificent facade of the Basilica di
Santa Croce, a Florence highlight

Travel tip:

The Basilica of Santa Croce, consecrated in 1442, is the main Franciscan church in Florence and the burial place among others of Michelangelo, Galileo, Machiavelli, the poet Ugo Foscolo, the philosopher Giovanni Gentile, the composer Gioachino Rossini and the nuclear physicist Enrico Fermi.  It houses works by some of the most illustrious names in the history of art, including Canova, Cimabue, Donatello, Giotto and Vasari. The construction of the current church, to replace an older building on what was once marshland outside the city wall, began in 1294, paid for by some of the city's wealthiest families. It is the largest Franciscan church in the world.  The floorplan is an Egyptian or Tau cross - a symbol of St Francis - 115 metres in length with a nave and two aisles separated by lines of octagonal columns, with 16 chapels. It stands proudly over the Piazza Santa Croce, one of the most famous and beautiful squares in the city.

Also on this day:

1501: The birth of doctor and mathematician Girolamo Cardano

1934: The birth of Princess Maria-Pia of Bourbon-Parma

1954: The birth of footballer Marco Tardelli

1955: The birth of businessman Ricardo Illy

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Filippo Mazzei – physician

Liberal thinker was praised by John F Kennedy

Filippo Mazzei contributed to the wording
of America's Declaration of Independence

Globe-trotting doctor Filippo Mazzei, who was a close friend of the American president, Thomas Jefferson, died on this day in 1816 in Pisa in Tuscany.

During the American Revolutionary War, Mazzei had acted as an agent for Jefferson, purchasing arms for Virginia.

President John F Kennedy paid tribute to Mazzei’s contribution to the Declaration of Independence in his book, A Nation of Immigrants.

Mazzei was born in 1730 in Poggio a Caiano in Tuscany. He studied medicine in Florence and then practiced in both Italy and Turkey. He moved to London in 1755 and set himself up in business as an importer, while also working as an Italian teacher.

In London he met both Benjamin Franklin and Thomas Jefferson, who would become two of America's Founding Fathers, and came up with the idea of importing Tuscan products, such as wine and olive trees, to the New World.

In 1773 Mazzei boarded a ship from Livorno to Virginia, taking with him plants, seeds, silkworms and farmers from Lucca.

He visited Jefferson at his estate in Virginia and was given a large piece of land to start an experimental plantation.

Thomas Jefferson and Filippo Mazzei
shared similar political values

Mazzei and Jefferson started what was to become the first commercial vineyard in Virginia. They were both interested in politics and discovered they shared similar liberal values, becoming good friends.

After Mazzei returned to Italy in 1779 he became a secret agent for the state of Virginia, buying and shipping arms to them.

He also travelled through Europe promoting Republican ideals, writing a political history of the American Revolution, which he published in Paris in 1788.

While in the Polish Lithuanian commonwealth, Mazzei became attached as a Privy Councillor to the court of King Stanislaus II. The King then sent him to be Poland’s representative in Paris.  After Poland was partitioned between Russia and Prussia in 1795, Mazzei was given a pension by Russia.

While in France, Mazzei became active in the politics of the French Revolution under the Directorate, but when Napoleon overthrew that Government, Mazzei returned to Pisa, where he died in 1816. He was buried in the Pisa Suburbano cemetery.

It has been claimed that Jefferson had a falling out with George Washington over a letter he had sent to Mazzei in Italy that criticised Washington’s administration. The letter was eventually published overseas and in the US.

A plaque marks the house in Via Giordano Bruno in Pisa
where Filippo Mazzei died on March 19, 1816

But John F Kennedy acknowledges Mazzei’s contribution to the Declaration of Independence in his book: A Nation of Immigrants. He states: ‘The great doctrine ‘All men are created equal’ and incorporated into the declaration of Independence by Thomas Jefferson was paraphrased from the writing of Philip Mazzei, an Italian-born patriot and pamphleteer, who was a close friend of Jefferson.’

Kennedy said in his book that scholars try to discredit Mazzei as the creator of this statement but he insists that it was written in Italian in Mazzei’s own hand several years before the Declaration was written.

Kennedy writes: ‘No one man can take complete credit for the ideals of American democracy.’

In 1980 a 40-cent US airmail stamp was issued to commemorate the 250th anniversary of Mazzei’s birth. The World War II Liberty Ship SS Filippo Mazzei was also named in his honour.

Mazzei lived his final years in a house in Via Giordano Bruno in Pisa, which is identified to visitors by a plaque on the wall. He was said to have been a regular visitor to the Caffè dell’Ussero, a coffee house frequented by intellectuals that occupies the ground floor of the Palazzo Agostini, a striking four-storey Gothic building by the river on Lungarno Antonio Pacinotti.

The Villa Medici at Poggio a Caiano, where visitors can
view apartments used by the Medici family

Travel tip:

Poggio a Caiano, where Filippo Mazzei was born, is a town and comune in the province of Prato in Tuscany. It lies nine kilometres south of the provincial capital of Prato. One of the most famous sights in the area is the Villa Medici, designed by Giuliano da Sangallo in around 1480. Today it is a public building housing a museum and the historic apartments where members of the Medici family used to stay.

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Pisa's Torre Pendente - the leaning tower -
is a monument recognised all over the world

Travel tip:

Pisa, where Filippo Mazzei died and was buried, is famous for its leaning tower, Torre Pendente, which is one of the four buildings that make up the cathedral complex in the Field of Miracles (Campo dei Miracoli). The Duomo was the first to be constructed and then the Baptistery was added. While work on the tower was being carried out, a cemetery (Campo Santo) was added. During the summer the tower is open to visitors from 08.30 to 22.00. Tickets to climb the tower are limited and booking in advance is recommended if you want to avoid queuing. For more details, visit www.towerofpisa.org/tickets.

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Francesco Algarotti - writer and art collector

Francesco Algarotti was a man of many talents
with a colorful love life

Philosopher and polymath with a playboy lifestyle

The multi-talented writer, philosopher and art connoisseur Francesco Algarotti, one of the most prominent and colourful individuals in 18th century intellectual society, died in this day in 1764 in Pisa.

Algarotti, who wrote many essays and a number of books, was something of a polymath in his breadth of knowledge on a wide number of subjects, including architecture and music as well as art. He was also a charismatic figure who became friends with most of the leading authors of his day, including Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens and Pierre-Louis de Maupertuis.

His urbane manner and suave good looks, combined with his considerable intellect, led him to acquire admirers of both sexes. Indeed, at one time he is said to have found himself at the centre of a colourful bisexual love triangle involving John Hervey, the English peer and politician, and Lady Mary Wortley Montagu, the aristocratic travel writer, who became infatuated with Algarotti at the same time as Hervey, her one-time lover.

Algarotti was often engaged by the courts of European monarchs to acquire or commission paintings and other decorative artworks, or to advise on architectural projects, but also amassed a considerable collection of his own.  He commissioned works by Tiepolo, Pittoni, Piazzetta, Castiglione, Panini and Balestra among others, while helping to further the careers of Giuseppe Nogari, Bernardo Bellotto and Francesco Pavona.

Lady Mary Wortley Montagu is said to have
become infatuated with Algarotti

Giovanni Paolo Panini’s famous view of the interior of the Pantheon in Rome, painted in around 1734, was commissioned by Algarotti.

One painting thought to have been in his collection, Sebastiano Ricci’s Vision of St Bruno, sold at auction in the United States for $500,000 after turning up in a warehouse in Texas in 2008.

Algarotti was born in Venice in 1712. His father, a wealthy merchant, was an art collector and it was expected he would join his older brother, Bonomo, in the family business.

Instead, he went Rome to for a year, and then studied natural sciences and mathematics at Bologna and Florence. At age of 20, he went to Paris, where he became friendly with Voltaire and, in 1737, published Newtonianesimo per le dame, ovvero Dialoghi sopra la luce e i colori (Newtonianism for Ladies, or Dialogues on Light and Colour), a work on Newtonian optics, in which he had a particular expertise.

He spent time in London, where he met Lord Hervey, who would later become Lord Privy Seal in the government led by Robert Walpole. Hervey, who is known to have had many affairs with both men and women, was drawn towards his sophistication and physical attractiveness, but at the same time Algarotti attracted the attention of Lady Mary Wortley Montagu, who became so enamoured of him that she left her husband and proposed that they live together in Italy.

Algarotti's tomb, paid for by Frederick
the Great, at Campo Santo in Pisa

The relationship came to nothing, however, after Algarotti received an invitation to go to Berlin from Frederick the Great of Prussia, and stayed there for more than nine years as court chamberlain.

A member of the Royal Society, Algarotti was popular in many European courts. Frederick the Great made him a Prussian count.  Augustus III of Poland also honored him with the title of Councillor.

In 1754, he returned to Italy, living in Bologna, Venice and then Pisa, where he died from tuberculosis ten years later at the age of 51. In his memory, Frederick the Great erected a monument to him on the Campo Santo in Pisa.

Algarotti's writings include several studies on classical themes and a series of treatises on language, opera, architecture, the poet Horace, painting and on influences on national character. He is credited with introducing the genre of essay-writing into Italy.

His 1745 book Il congresso di Citera, which was published in English as The Modern Art of Love, was a lighthearted comparison of English, French, and Italian attitudes toward love.

Panini's painting of the interior of
The Pantheon in Rome

Travel tip:

The Pantheon in Piazza della Rotonda in Rome is considered to be Rome’s best preserved ancient building. It was built in AD 118 on the site of a previous building dating back to 27 BC. It was consecrated as a church in the seventh century and many important people are buried there, including Victor Emmanuel II, his son, Umberto I, and his wife, Queen Margherita.  It was as much a tourist attraction in Panini’s day as it is today and Panini manipulated the proportions and perspective to include more of the interior that is actually visible from any one vantage point.

The Campo Santo is part of the Piazza dei Miracoli complex,
the most famous landmark of which is the Leaning Tower

Travel tip:

The Campo Santo, also known as Camposanto Monumentale, is a huge oblong Gothic cloister at the northern edge of the Piazza dei Miracoli in Pisa. Designed by Giovanni di Simone, who began work on it in 1278, it was the fourth and final structure erected in the piazza, following the cathedral, the baptistery and the campanile - the leaning tower. It is thought the building was not meant to be a cemetery, but a church called Santissima Trinità (Most Holy Trinity), but the project changed during construction.  It is called Campo Santo, which literally means ‘holy field’, because it is said to have been built on sacred soil from Calvary, or Golgotha, the site outside the walls of Jerusalem where the Gospels say Christ was crucified, which had been brought back to Pisa from the Third Crusade by Ubaldo Lanfranchi, archbishop of Pisa.


More reading:

Panini's eye for capturing scenes of Rome

Tiepolo's legacy to Venice

How 18th century Venetian playwright Carlo Goldoni reinvigorated commedia dell'arte

Also on this day:

1461: The birth of patron of the arts Cardinal Raffaele Riario

1469: The birth of statesman and diplomat Niccolò Machiavelli

1815: Austria defeats Napoleon's troops at the Battle of Tolentino


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Guido Menasci - poet, librettist and biographer

Respected writer and historian who found fame from an opera

Guido Menasci (right) with fellow librettist Giovanni
Targioni-Tozzetti, flanking composer Pietro Mascagni

The writer Guido Menasci, who is best known as a co-author of the libretto for composer Pietro Mascagni’s successful opera Cavalleria rusticana but was also a respected historian, was born on this day in 1867 in the Tuscan port of Livorno.

Menasci, a law graduate from the University of Pisa and briefly a prosecutor at the Court of Appeal in Lucca, wrote for a number of literary magazines in Italy and beyond and produced a biography of the German poet and playwright Johann Wolfgang Goethe that is considered a definitive work.

Fluent in French as well as Italian, he published books and gave lectures in Paris, often on the subject of art history, which was another of his fascinations.

Yet he was most famous for his work with Mascagni and his fellow librettist, Giovanni Targioni-Tozzetti, whom he met through his involvement with literary and cultural societies in Livorno, where all three grew up.

They collaborated on a number of operas, the most famous of which by some way was Cavalleria rusticana, which was performed for the first time in 1890, at the Teatro Costanzi in Rome.

The tenor Roberto Stagno and soprano
Gemma Bellincioni in the premiere
of Cavalleria rusticana in Rome

Based on a novella of the same name by Giovanni Verga, Cavalleria Rusticana is a simple story of betrayal and revenge involving two men and two women in a Sicilian village. Its success turned Mascagni, a modest music teacher, into a composer of international fame, not least for the beautiful intermezzo that has become a popular piece standing alone from the opera.

Menasci inherited his gift for writing from his father, who was a shopkeeper but also a published author of a number of books of verse and was a councillor in Livorno involved with education.

He began to write poetry at the same time as he was studying law, amusing his fellow students by composing summaries of lectures in verse.

Soon, his poetry was appearing regularly in the pages of publications such as Lettere e arti, a well-known Bolognese magazine founded by Enrico Panzacchi, others in Italy and in foreign periodicals such as the French daily Le Siècle , the Austrians Neue Freie Presse and Neue Wiener Tagblatt, and the English monthly The English Illustrated Magazine.

His collaboration with Targioni-Tozzetti, whose father, Ottaviano, had taught him literary studies at high school, began in 1899 and included the libretti for several other operas in addition to Cavalleria rusticana, including I Rantzau and Zanetto, also by Mascagni, and Umberto Giordano’s Regina Diaz. He and Targioni-Tozzetti also edited an Italian version of Werther by Jules Massenet.

At the same time, Menasci was working independently for other composers, such as the Germans August Scharrer and Ignaz Brüll. During a lengthy stay in Germany he compiled his biographical study of Goethe (1899), which was considered remarkable even among the many works dedicated to the German poet.

Menasci devoted much time to the study of other German writers and to figures in French literary and civil history. He wrote elegantly in French and was able to address conferences and deliver lectures in Paris with full confidence in his command of the language.

His versatility extended to writing stories for children and numerous studies devoted to the history of art.

In his later years, he returned to Livorno and became a professor at the prestigious Naval Academy. He died in Livorno in 1925 after a period of declining health.

Livorno's elegant promenade Terrazza Mascagni was
named after the composer Pietro Mascagni

Travel tip:

The port of Livorno is the second largest city in Tuscany after Florence, with a population of almost 160,000. Although it is a large commercial port with much related industry, it has many attractions, including an elegant sea front – the Terrazza Mascagni - an historic centre – the Venetian quarter – with canals, and a tradition of serving excellent seafood.  The Terrazza Mascagni is named after the composer Pietro Mascagni, who was born in Livorno. Menasci is commemorated rather less grandly in the name of a fairly nondescript street in a residential area close to the city’s main railway station.

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The Teatro Costanzi, in Via del Viminale, a short distance from
Piazza della Repubblica, is now known as Teatro dell'Opera

Travel tip:

Known today as the Teatro dell'Opera di Roma - Rome’s main opera house - the Teatro Costanzi was built in 1879-80. Financed by Domenico Costanzi, a contractor, it was designed by the Milanese architect Achille Sfondrini, a specialist in the building and renovation of theatres. Built on the site of the house of the Roman emperor Elagabalus, the theatre was inaugurated in November 1880 with a performance of Semiramide by Gioachino Rossini.  Sfondrini paid particular attention to the acoustics of the theatre, the dome of which was adorned with frescoes by Annibale Brugnoli. As well as the world premiere of Cavalleria rusticana, the theatre staged the first production of Tosca by Giacomo Puccini in January 1900 and introduced Roman audiences to Puccini’s La fanciulla del West, Turandot and Il trittico, Richard Wagner’s Parsifal and Modest Mussorgsky’s Boris Godunov among other compositions that would become famous.

More reading:

How one opera was the making of Mascagni

Why Leoncavallo's Pagliacci is one of the world's favourite operas

Hooligans wreck the Rome premiere of The Barber of Seville

Also on this day:

1874: The birth of politician and winemaker Luigi Einaudi

1926: The birth of controversial playwright Dario Fo

1934: The birth of photographer Mimmo Jodice

(Picture credit: Teatro Costanzi by Lalupa)

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Camila Giorgi - tennis player

Italian No 1 who specialises in beating big names

Camila Giorgi has risen to No 26 in the world
following a successful 2018 season

The tennis player Camila Giorgi, currently the highest-ranked Italian in the female world rankings, was born on this day in 1991 in Macerata, a city in the Marche region.

Giorgi, the Italian No 1, rose to 26 in the latest Women’s Tennis Association world rankings, her highest position to date. There is no other Italian woman in the top 100.

This has been a breakthrough year for Giorgi in that she reached the quarter-finals of a Grand Slam event for the first time, at the Wimbledon Championships in London in June.

Giorgi was not seeded but after defeating 21st seed Anastasija Sevastova in the first round, she advanced through her section of the draw with three more victories, culminating in a straight-sets win over former world No 8 Ekaterina Makarova in the fourth round.

That earned Giorgi a last-eight meeting with seven-times Wimbledon champion and world record grand slam winner Serena Williams.  Giorgi won the first set but Williams fought back to win the match.

Earlier in the 2018 summer, Giorgi had delivered her best performance at the French Open by reaching the third round. Later in the year, she won her second career WTA tournament, the Linz Open in Austria.

Giorgi has an excellent record in matches against top players
and commentators believe her best years are still to come

Although Giorgi has never beaten Serena Williams in four encounters, she has an unusually good record against top players.

In the course of her career, Giorgi has beaten former World No 1 players Maria Sharapova, Victoria Azarenka, Caroline Wozniacki, Garbiñe Muguruza and Karolina Pliskova, double Wimbledon champion Petra Kvitova, two French Open champions in her fellow Italian Francesca Schiavone and Jelena Ostapenko, another Wimbledon winner in Marion Bartoli and three US Open champions in Samantha Stosur, Italy’s Flavia Pennetta and Sloane Stephens.

Giorgi was born to Argentinian parents of Italian descent. Her parents are Claudia Gabriella Fullone, a fashion designer who designs her daughter’s tennis clothes, and Sergio Giorgi, who is her full-time coach. In 1982, Sergio was drafted into the army of Argentina and fought against the British in the Falklands War.

She is one of four children. Her older brother Leandro is studying to be an actor, and younger brother Amadeus is a promising footballer. Sadly, their older sister, Antonela, was killed in a road accident while the family were living in Paris in 2011. They now live at Tirrenia, a resort near Pisa.

Giorgi reached the quarter-finals at the
Wimbledon Championships in 2018

Giorgi, who was given a placement at Nick Bollettieri’s tennis academy in Florida when she was eight, made her professional debut at the age of 15. She won the first of her five International Tennis Federation tournaments in August 2008.

Her first appearance at a Grand Slam tournament came in 2011, when she won through qualifying to make the draw at Wimbledon. She lost her first-round match, but reached the fourth round at Wimbledon the following year, advancing to the same stage at the US Open in 2013, defeating former world No 1 Wozniacki along the way.  She made the third round at both the Australian Open and Wimbledon in 2015, during which she scored her first WTA title in Rosmalen, in the Netherlands.

At the age of 27, Giorgi has been regularly praised for the power of her hitting and the quality of her ground strokes, but has also attracted comment, not always favourable, for posting glamorous images of herself on her social media accounts and for not yet fulfilling her potential on the court.

However, her progress has not been helped by problems with a shoulder injury.

Moreover, the age at which tennis players achieve success has changed. Teenage prodigies are no longer common. Giorgi’s age is now the average for female players in the top 50.

Also, Italian players are typically late developers. Her fellow Italians Schiavone and Pennetta won Grand Slam titles in their late twenties or early thirties.  When Pennetta won the US Open in 2015 she was 33, defeating 32-year-old compatriot Roberta Vinci in the final.

Queues at the entrance to the Arena Sferisterio, which
hosts a month-long summer opera festival in Macerata

Travel tip:

Camila Giorgi’s home city of Macerata is in an inland area of Marche, about 48km (30 miles) south of Ancona and 30km (19 miles) from the coastal town of Civitanova Marche. Not a well-known tourist destination, it nonetheless has a charming hilltown feel, with a maze of narrow cobblestone streets and one of Italy’s oldest universities, dating back to 1290. It is the setting each summer for a month-long opera festival at the atmospheric Arena Sferisterio, which has attracted some of the world’s biggest stars.

The Tuscan seaside resort of Tirrenia, where Camila Giorgi
now lives, is surrounded by pine forests 

Travel tip:

Tirrenia, situated about 20km (12 miles) from the city of Pisa, is an elegant resort surrounded by pine forests. Known for its wide, sandy beaches and clear water, it is well equipped with sports facilities and is a centre for leisure sailing and spearfishing. The forest areas offer walks and cycle paths and has a protected area, the Tirrenia Dune Oasis, which is managed by the Worldwide Fund for Nature as home to a many varieties of flora and fauna and one of the last dune environments in Italy.

Find a hotel in Tirrenia with TripAdvisor

More reading:

How Francesca Schiavone became the first Italian woman to win a Grand Slam

The talent that helped doubles star Sara Errani hit No 5 in singles rankings

The unique achievement of Adriano Panatta 

Also on this day:

39AD: The birth of Roman emperor Titus

1572: The death of architect Galeazzo Alessi

1962: The birth of politician Alessandra Mussolini


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Enrico Bombieri – Mathematician

Brilliant professor who won top award in his field at just 34

Enrico Bombieri is one of the
world's leading mathematicians

The mathematician Enrico Bombieri, one of the world’s leading authorities on number theory and analysis, which has practical application in the world of encryption and data transmission, was born on this day in 1940 in Milan.

Bombieri, who is also an accomplished painter, won the Fields Medal, an international award for outstanding discoveries in mathematics regarded in the field of mathematical sciences as equivalent to a Nobel Prize, when he was a 34-year-old professor at the University of Pisa in 1974.

As well as analytic number theory, he has become renowned for his expertise in other areas of highly advanced mathematics including algebraic geometry, univalent functions, theory of several complex variables, partial differential equations of minimal surfaces, and the theory of finite groups.

Mathematics textbooks now refer to several discoveries named after him in his own right or with fellow researchers, including the Bombieri-Lang conjecture, the Bombieri norm and the Bombieri–Vinogradov theorem.

Enrico Bombieri read his first book of algebra when he was
eight and wrote his first scholarly article when he was 17

He has been described as a "problem-oriented" scholar - one who tries to solve deep problems rather than to build theories.

According to colleagues, his analytical ability, combined with great powers of innovation, enable him to recognize elements of a solution that may already be present and to apply techniques and results from other fields to reach a final conclusion.

The fourth child and only son of a banker in Milan, Bombieri is said to have read his first algebra book at the age of eight.

He became more seriously interested in maths began at high school when, as a 15-year-old student, he picked up a book on number theory that introduced him to the great 19th century German mathematician Bernhard Riemann. He developed a fascination with numbers that never left him.

He published his first scholarly article in 1957, while still only 16 years old. In 1963, aged 22, he graduated in mathematics at the University of Milan and then studied at Trinity College, Cambridge.

Enrico Bombieri emigrated to the
United States in 1977

Between 1963 and 1966, Bombieri was an assistant professor and then a full professor at the University of Cagliari, holding the same position at the University of Pisa until 1974 and then at the Scuola Normale Superiore in Pisa from 1974 to 1977.

From Pisa he emigrated in 1977 to the United States, where he became a professor at the School of Mathematics at the Institute for Advanced Study in Princeton, New Jersey. In 2011 he became professor emeritus.

Bombieri has always been keen to disprove the notion that mathematicians are by nature single-focused nerds with no interests beyond their own field.

As a young man, he was a student of Alpine botany, in particular wild orchids, and has become an accomplished painter.

He experimented with pencil drawings and water colours at a young age and throughout his academic life has always carried paints and brushes with him on his travels.

He began to take his art more seriously after moving to the United States, enrolling to study study painting and printmaking at Mercer County Community College at West Windsor, New Jersey.

Bombieri paints people, animals and landscapes. His paintings are described as often surreal or intentionally ambiguous, although he also accepts commissions for portraits.

One work he is said to have been particularly proud of depicts a giant chessboard by a lake, with pieces placed to represent a critical point in the historic match between world champion Garry Kasparov and the chess-playing computer, Deep Blue.

Bombieri himself was a member of the Cambridge University chess team during his time at Trinity College.

The cloister at the main building of the University of Milan,
founded in 1924 after the merger of other institutions 

Travel tip:

The University of Milan was founded in 1924 from the merger of the Accademia Scientifico-Letteraria (Scientific-Literary Academy)and the Istituti Clinici di Perfezionamento (Clinical Specialisation Institutes), established in 1906. By 1928, the University already had the fourth-highest number of enrolled students in Italy, after Naples, Rome and Padua. Its premises are located primarily in Città Studi, the university district which was developed from 1915 onwards to the northeast of the city centre, although there are other buildings around the city that are now part of the University.  The streets of the Città Studi area are notable for bars, pizza restaurants and ice cream shops.

There is much more to historic Pisa than the
Campo dei Miracoli and the Leaning Tower

Travel tip:

Many visitors to Pisa confine themselves to the Campo dei Miracoli, where the attractions are the famous Leaning Tower, the handsome Romanesque cathedral and its impressive baptistry. But there is much more to Pisa. The University of Pisa, founded in 1343, now has elite status, rivalling Rome’s Sapienza University as the best in Italy, and a student population of around 50,000 makes for a vibrant cafe and bar scene. There is also much to see in the way of Romanesque buildings, Gothic churches and Renaissance piazzas.


More reading:

Einstein's favourite mathematician

Salvador Luria - Nobel Prize-winning microbiologist

Grazia Deledda - the first Italian woman to win a Nobel Prize

Also on this day:

1908: The birth of businessman and hotelier Charles Forte

1949: The birth of politician and businesswoman Letizia Moratti

1963: The death of opera singer Amelita Galli-Curci


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Filippo Taglioni - dancer and choreographer

Father of star ballerina was pioneer of Romantic ballet

Filippo Taglioni's portrait, the original of
which is at Teatro alla Scala in Milan

The dancer and choreographer Filippo Taglioni, who choreographed the original version of the ballet classic La Sylphide for his ballerina daughter Marie Taglioni, was born on this day in 1777 in Milan.

La Sylphide was one of the earliest works to represent a new ballet genre, which became known as Romantic ballet, that gained popularity in the 19th century as an alternative to traditional classical ballet.  Romantic ballet was different in that the characters were recognisable as real people rather than the gods and goddesses and strange creatures from Roman and Greek mythology that populated classical ballet.

The work, which premiered at the Salle Le Peletier of the Paris Opéra in 1832, cemented Marie Taglioni’s status as a star, the prima ballerina of the Romantic movement, although the version performed today - the only version to have survived - was choreographed by the Danish ballet master August Bournonville in 1836.

Filippo was part of an Italian dancing dynasty of the 18th and 19th centuries. His father and mother, Carlo Taglioni and Maria Petracchi, were both dancers. Carlo, who was born in Turin, worked in Venice, Rome, Siena and Udine.

Taglioni's daughter, Marie, pictured in a
performance of La Sylphide

As well as Marie, Filippo had a son, Paul Taglioni, who was a successful choreographer and the father of another dancer, Marie Taglioni the younger. Filippo’s brother, Salvatore Taglioni, was father of Luisa Taglioni, who was a ballerina of the Paris Opéra, and Fernando Taglioni, who became a respected composer.

Trained for the most part by the Neapolitan dancer Carlo Blasis and Jean-François Coulon, Filippo made his debut at 17 in Pisa, playing female roles, and after appearing in other Italian cities joined the Paris Opéra at the age of 22, before moving to Stockholm to be principal dancer and ballet master for the Royal Swedish Ballet.

It was while he was living in Stockholm that he married the dancer Sophie Karsten, daughter of a famous Swedish opera singer Christoffer Christian Karsten and a Polish actress, Sophie Stebnowska.

Their two children were born early in the marriage and after living for a number of years in Vienna and Germany they moved to Paris to escape the the Napoleonic wars.  Filippo danced and choreographed in different parts of Europe before accepting a permanent position in Vienna.

Filippo Taglioni made his daughter, Marie,
practise six hours a day for six months

Filippo had left his daughter, Marie, to study ballet in Paris but in time summoned her to join him in Vienna, where he began training her himself, making her practice six hours a day for six months until she mastered her jumps and pointe work. When he judged her to be ready he took her back to Paris.

Marie soon became popular and Filippo was able to negotiate a six-year contract for the two of them. He unveiled La Sylphide to huge acclaim and its success established Marie as the pre-eminent prima ballerina of the Romantic period, as well as making him its most renowned choreographer.

The two toured Europe and Russia and were well rewarded, although Filippo lost a good deal of his daughter’s fortune in through unwise and speculative investments.

His legacy, though, was to have changed the nature of ballet. Although the Romantic movement began to decline at the start of the 20th century, it produced works of lasting popularity such as Delibes’s Coppélia (1870) and Tchaikovsky's Swan Lake (1876) and The Nutcracker (1892).

Filippo Taglioni died in Como in 1871, at the age of 93.

The Teatro Verdi in Pisa was opened in November 1867

Travel tip:

The principal venue for ballet and opera in Pisa is the Teatro Verdi in Via Palestro, built in the mid-19th century in the style of classic theatre architecture to designs by the Venetian architect Andrea Scala, who won a competition organised by the architect and politician Ranieri Simonelli, a prominent Pisan citizen of the day. Completed in 1867, it was inaugurated on November 12 of that year with a performance of Gioachino Rossini’s opera William Tell. It began to stage ballet as well as opera in the latter part of the 19th century.  Taglioni is likely to have performed at the Regia Teatro Nuovo, which the Teatro Verdi replaced.

The beautiful Villa Olmo on Lake Como

Travel tip:

Como, where Taglioni died, is a city at the southern end of Lake Como. It has become a popular tourist destination because it is close to the lake and has many attractive churches, gardens, museums, theatres, parks and palaces to visit. The Villa Olmo, built in neoclassical style there in 1797 by an aristocratic family, has hosted Napoleon, Ugo Foscolo, Prince Metternich, Archduke Franz Ferdinand I and Giuseppe Garibaldi, to name but a few of the eminent people who have stayed there.

More reading:

Fanny Cerrito - the Neapolitan ballerina who wowed Europe

Pierina Legnani - the Italian who conquered St Petersburg

How Strictly Come Dancing judge Bruno Tonioli dealt with playground bullies

Also on this day:

1702: The birth of Venetian painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1898: The birth of Francesco Chiarello, soldier who survived two World Wars


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Gillo Pontecorvo - film director

Most famous film was banned in France

Gillo Pontecorvo was a journalist before being inspired
to make a career as a film director

The film director Gillo Pontecorvo, whose best known film, La battaglia di Algeri (The Battle of Algiers) won the Golden Lion at the Venice Film Festival in 1966 and was nominated for three Academy Awards, died on this day in 2006 in Rome, aged 86.

A former journalist who had been an Italian Resistance volunteer and a member of the Italian Communist Party, Pontecorvo had been in declining health for some years, although he continued to make documentary films and commercials until shortly before his death.

Although it was made a decade or so after the peak years of the movement, La battaglia di Algeri is in the tradition of Italian neorealism, with newsreel style footage and mainly non-professional actors.

Pontecorvo also won acclaim for his 1960 film Kapò, set in a Second World War concentration camp, and Burn! (1969) - titled Queimada in Italy - which was about the creation of a so-called banana republic on the fictitious Caribbean island of Queimada, starring Marlon Brando and loosely based on the failed slave revolution in Guadeloupe.

A poster for the US release of the
film La battaglia di algeri

Kapò, which was also was nominated for an Oscar, won a Italian National Syndicate of Film Journalists Silver Ribbon award for Didi Perego as best supporting actress, and the Mar del Plata Film Festival award for Susan Strasberg for best actress.

La battaglia di Algeri, which focussed on the Algerian War of Independence against the occupying French, caused great controversy in France, where it was banned for five years after the government objected to its sympathetic treatment of the Algerian rebels. Its co-star and joint producer, Saadi Yacef, was one of the leaders of the Algerian Liberation Front.

Pontecorvo was born in November 1919, in Pisa, into a high-achieving family. His father, Massimo, owned three textile factories employing more than 1,000 people. His eldest brother among seven siblings, Guido, later became an eminent geneticist, his second brother, Paolo, an engineer who worked on radar during the Second World War II and his third brother, Bruno, a renowned nuclear physicist.

Gillo enrolled at the University of Pisa to study chemistry but dropped out, taking the decision when Mussolini’s race laws came into force in 1938 to follow Bruno in fleeing to Paris, where he found work as a journalist.

When the German Army closed in on Paris, in June 1940, Pontecorvo and Bruno, along with their cousin Emilio Sereni, their friend, the future Nobel Prize-winning microbiologist Salvador Luria, and Pontecorvo’s future wife, Henrietta, fled the city on bicycles.

Marlon Brando played the lead character
in Pontecorvo's film Burn!

Pontecorvo reached St Tropez, where he earned money by drawing on his talent as a tennis player, providing lessons for rich residents.

By 1941, he had secretly joined the Italian Communist Party, and began to make regular trips to Italy to help organize anti-Fascist partisans.  Going by the pseudonym Barnaba, he spent the summer of 1943 working for his party’s underground newspaper, L'Unità, in Milan. From there he moved to Turin, where he began to organise factory workers.

After the war, he returned to Paris as the representative of Italy in the Youth World Federation and the Communist-backed World Federation of Democratic Youth.  Although his political philosophy remained Marxist, he broke his ties with the Communist party in 1956 after the Soviet intervention to suppress the Hungarian Revolution.

By then, his career as a filmmaker was established.  Although for many years an enthusiast for the cinema, it was after seeing Roberto Rossellini’s film, Paisà, that he gave up journalism and, using his own money and a 16mm camera, began to shoot political documentaries.

In 1957 he directed his first full-length film, La grande strada azzurra (The Wide Blue Road), which explored the life of a fisherman and his family facing hard times on a small island off the Dalmatian coast of Italy. The film won a prize at the Karlovy Vary International Film Festival.

Pontecorvo was director of
the Venice Film Festival 

Pontecorvo’s output was relatively small, largely because he spent months and sometimes years in research as he sought to produce authentic portrayals of events.

His last full-length feature film was Ogro (1979), which was inspired by the car bomb murder by ETA terrorists of Carrerro Blanco, the prime minister of Spain under Franco in 1973.  The film brought Pontecorvo his second David di Donatello award for Best Director, which he had also won for Burn! (Queimada).

Director of the Venice Film Festival from 1992 to 1994, Pontecorvo was married twice. His second wife, Teresa Ricci, bore him three sons - Ludovico, Marco and Simone.  Marco Pontecorvo followed his father’s footstep and became a filmmaker.

The Campo dei Miracoli in Pisa, with the baptistery in the
foreground and the Leaning Tower beyond the cathedral

Travel tip:

Pisa used to be one of Italy’s major maritime powers, rivalling Genoa and Venice, until silt deposits from the Arno river gradually changed the landscape and ultimately cut the city off from the sea in the 15th century. Nowadays, almost 15km (9 miles) inland, it is a university city renowned for its art and architectural treasures with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries.

Giorgio Vasari's Palazzo della Carovana used to be the
headquarters of a Medici military order

Travel tip:

In the centre of Pisa, the elegant Piazza dei Cavalieri is dominated by Palazzo della Carovana, built and lavishly decorated by Giorgio Vasari between 1562 and 1564. Originally the headquarters of the Knights of St. Stephen, a Roman Catholic dynastic military order founded in 1561 by Cosimo I de' Medici, first Grand Duke of Tuscany, it is now the main building of the Scuola Normale Superiore di Pisa, one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

How Roberto Rossellini changed Italian cinema

Francesco Rosi - master of neorealism

The brilliance of Oscar-winner Vittorio de Sica

Also on this day:

1492: The death of Renaissance painter Piero della Francesca

1935: The birth of tenor Luciano Pavarotti


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