Saint Anthony of Padua

Pilgrims honour the saint famous for his miracles

The Basilica di Sant'Antonio in Padua

The feast of Saint Anthony of Padua (Sant’Antonio da Padova) will be celebrated  by thousands of pilgrims visiting the northern Italian city today.

Special services will be held in the Basilica di Sant’Antonio and a statue of the saint will be carried through the streets of Padua.

Over the next few days pilgrims from all over the world will visit the Basilica, to see the saint’s tomb and relics.

Anthony was born in Portugal where he became a Catholic priest and a friar of the Franciscan order. He died on 13 June, 1231 in Padova and was declared a saint by the Vatican a year after his death, which is considered a remarkably short space of time.

Anthony is one of the most loved of all the saints and his name is regularly invoked by Italians to help them recover lost items.

It is estimated that about five million pilgrims visit the Basilica every year in order to file past and touch the tomb of the Franciscan monk, who became famous for his miracles, particularly relating to lost people or things.

The magnificent basilica in Piazza del Santo is an architectural masterpiece created between the 13th and 14th centuries, but it was later enriched with works of art by masters such as Titian, Tiepolo and the sculptor Donatello.

Saint Anthony’s Basilica is an imposing sight in Padova’s skyline even from a distance as it has seven domes around a cupola, two campanili (towers) and tapering spires like the minarets of a mosque.

Inside, the church is in the plan of a Latin cross with a nave and aisles in the gothic tradition. The Saint’s body lies in a marble tomb in the area known as the Chapel of the Tomb in the left transept.

The walls around the tomb are decorated with large 16th century marble reliefs that depict scenes from Saint Anthony’s life. These are overshadowed by the impressive amount of offerings and photographs on display from people wishing to give thanks after surviving car crashes or serious illnesses thanks to what they believe was the intervention of Sant’Antonio.

In a separate chapel, visitors can see relics of Saint Anthony and other important objects, such as a tunic believed to have been worn by the saint.

The Scrovegni Chapel is home to magnificent
frescoes by Giotto

Travel tip:

Padova in the Veneto is also one of the most important centres for art in Italy and home to the country’s second oldest university. Padova has become acknowledged as the birthplace of modern art because it is home to the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, a genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are acknowledged as his greatest achievement and are one of the world’s most important works of art. At Palazzo Bò, Padova’s university founded in 1222, you can still see the original lectern used by Galileo and the world’s first anatomy theatre, where dissections were secretly carried out from 1594.

Travel tip:

The enormous Basilica di Sant’Antonio da Padova, or Basilica del Santo as it is known to local people, is one of the most important places of Christian worship in the world. To reach it from the railway station in Piazzale Stazione, take the tram and get off at the stop called simply, Santo. Buses also run between the station and the Basilica. If you are on foot, walk down Corso del Popolo, Corso Garibaldi, Via Eremitani, Via Zabarella and Via del Santo. The Basilica is open from 06.20 to 19.00 in the winter and 06.20 to 19.45 in the summer. Admission is free.

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Giotto – Renaissance artist

Realistic figures were first painted by Florentine genius Giotto

The brilliant 14th century painter Giotto di Bondone, who was known simply as Giotto, died on this day in 1337 in Florence.

The Scrovegni Chapel in Padova, home of
Giotto's stunning cycle of frescoes

Although much of his work is no longer in existence, he is remembered as one of the greatest artists of the early Renaissance period.

It is believed Giotto was born in about 1267 in Florence but it is not known how he learned to paint with such a sense of space, naturalism and drama. His work represented a crucial turning point in the history of art because he painted lifelike, solid figures and put in fascinating background details.

He is believed to be the first artist to make a decisive break with the Byzantine style of painting and draw figures accurately from life.

Giotto’s revolutionary style was followed by many other painters later in the 14th century and it is said that he was actually paid a salary by the commune of Florence because of his excellence.
Some of his work can be seen in the Uffizi Gallery in Florence, such as his altarpiece, The Ognissanti Madonna, painted in 1310, which is a good example of his ability to paint lifelike people.

But Giotto’s most stunning surviving work is the interior of the Scrovegni chapel in Padova. His cycle of frescoes is considered to be one of the greatest works of art in the world.

Dedicated to Santa Maria della Carita (Saint Mary of the Charity), the chapel was decorated by Giotto between 1303 and 1305. The work was commissioned by Enrico degli Scrovegni, who was hoping to atone for the sins of usury committed by himself and his dead father.

The frescoes narrate events in the lives of the Virgin Mary and Christ and cover the side walls of the chapel. On the wall opposite the altar is Giotto’s magnificent Universal Judgment, which tells the story of human salvation and includes the figure of Enrico degli Scrovegni offering up a model of the chapel to the Virgin Mary in a desperate bid to save his father from hell.

Under a bright blue sky, the realistic figures with their powerful facial expressions and colourful clothes tell the bible stories in a way they had never been told before.

In later life, Giotto was made ‘first court painter', with a yearly pension, by King Robert of Anjou in Naples. He lived in Naples till 1333 but none of his work there has survived.

Giotto's Campanile in Florence
Photo: Sailko (CC BY-SA 3.0)

On his return to Florence he was asked to design the new Campanile for the Cathedral in 1334 and his last known work was the decoration of a chapel in the Bargello.

It is thought Giotto was about 70 years of age when he died on 8 January 1337. Some sources say he was buried in Santa Maria del Fiore, Florence’s Duomo, while others believe he was buried in the earlier church on the site, Santa Reparata.

In the 1970s, bones were discovered beneath the paving of Santa Reparata and forensic examination confirmed they were those of a painter. The bones were reburied with honour near the grave of Brunelleschi in the church, but it is still not certain that they are actually the remains of Giotto.
  
Travel tip:

It is a miracle Giotto’s frescoes in the Scrovegni Chapel have survived for 700 years. The chapel was acquired by the city of Padova in 1880 and specialised restoration operations have been carried out since. The state of the building, the quality of air, and the conservation of the frescoes have all been carefully studied. The chapel can be accessed from Giardini dell’Arena off Piazza Eremitani. There is a separate building where visitors can watch a video to prepare them for seeing the frescoes. Visits are carefully organised so people can enter the chapel and look at the frescoes without jeopardising their condition. Tickets should be booked in advance and collected an hour before the visit. For details visit www.cappelladegliscrovegni.it.

The interior of the Scrovegni Chapel is lined with
Giotto's extraordinary frescoes
Photo: Rastaman3000 (CC BY-SA 3.0)

Travel tip:

The Campanile of Santa Maria del Fiore was designed by Giotto in 1334, but it was not completed till 1359, 22 years after his death. The bell tower is clad in white, pink and green Tuscan marble. In the 1870s, a marble façade was added to the Duomo to echo Giotto’s design for the Campanile.

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