Giuseppe Sinopoli – conductor and composer

Maestro died while conducting Verdi’s Aida

Giuseppe Sinopoli conducted some of the world's 
most prestigious philharmonic orchestras

Musician Giuseppe Sinopoli, who became known for his intense and sometimes controversial interpretations of opera, was born on this day in 1946 in Venice. 

Sinopoli specialised in late 19th century and early 20th century music, especially works by the Italian composers of the period and the music of the German composer, Richard Strauss.

He was principal conductor of the Philharmonic Orchestra in London between 1984 and 1994, succeeding Riccardo Muti, and he made many recordings while he was with them, including complete operas by Mahler and music by Elgar. 

His own most famous composition is his opera Lou Salomë, which was based on the life and intellectual circle of the Russian-born psychoanalyst and author Lou Andreas-Salomë, who was known for her relationships with figures such as Friedrich Nietzsche and Rainer Maria Rilke, which was staged for the first time in Munich in 1981, with the American soprano Karan Armstrong singing the title role.

Sinopoli began to be interested in music from the age of 12 and studied music at the Venice Conservatory under the Italian composer Ernesto Rubin de Cervin Albrizzi. From there he went to Darmstadt in Germany, where he was mentored in composition by the controversial German composer Karlheinz Stockhausen, among others.  

While still studying music in his own time, Sinopoli enrolled in the Faculty of Medicine at the University of Padua. He obtained a doctorate in medicine, with an emphasis on psychiatry, before completing a dissertation on criminal anthropology.

After making a name for himself as a composer, Sinopoli became professor of contemporary and electronic music at the Venice Conservatory, where he became a major proponent of the new movement in Venice for contemporary music. 

He studied orchestral conducting at the Vienna Academy of Music and in 1992 he became principal conductor of the Staatskapelle Dresden, the Saxon State Orchestra. He also joined the roster of conductors for the Bayreuth Festival, staged annually at the town of the same name in northern Bavaria.

Sinopoli was only 54 when he died
following a heart attack

He went on to conduct many of the world’s most prestigious orchestras, including the Orchestra dell’Accademia di Santa Cecilia in Rome, the Wiener Philharmoniker, and the orchestras at Covent Garden Opera House, the New York Metropolitan, the New York Philharmonic and the Berliner Philharmoniker.

Tragically, Sinopoli died at the age of just 54 following a heart attack, which he suffered while conducting Giuseppe Verdi’s Aida at the Deutsche Oper Berlin, in 2001. Following his collapse during the third act, he was taken from the opera house to the German Heart Centre in Berlin, but was pronounced dead the following day. 

By a sad coincidence, it was the same opera that he had conducted when he made his debut at the rostrum in Venice in 1978.

Two nights later, the Swiss conductor Marcello Viotti stepped in to conduct Aida and he dedicated his performance to Sinopoli’s memory.

The funeral of Sinopoli took place in Rome on April 23 and was attended  by the Italian President, Carlo Azeglio Ciampi and the Prime Minister, Giuliano Amato, as well as a large contingent of musicians and staff from La Scala opera house in Milan.

Sinopoli had previously been studying for a degree in archaeology and he had been due to make the defence of his thesis on the day that his funeral took place. His degree was subsequently awarded to him posthumously by the University of Padua.

An annual arts festival in Taormina in Sicily is now dedicated to the conductor and composer because Sinopoli had been the director of the music section of the Taormina festival  between 1989 and 1997.

Every October, since 2005, the Sinopoli Chamber Orchestra has performed works by Sinopoli at the festival, which is now named after him.

In all, the conductor composed more than 20 pieces of music, making a name for himself by producing what are known as serial works, using pitches, rhythms, dynamics, timbres and other musical elements in a series.

His conducting sometimes caused controversy, especially in the symphonic genre, with some critics highlighting the ‘eccentricity’ of his interpretations, while others praised his ‘intellectual approach’ to works of music.

Giuseppe Sinopoli also had an extensive collection of Greek antiquities and one of the books he wrote was Masterpieces of Greek Ceramics from the Sinopoli Collection.

The courtyard of the Palazzo Pisani
has twice featured in James Bond films

Travel tip:

The Conservatorio di Musica Benedetto Marcello, commonly known as the Venice Conservatory, is a musical education institution located within the historic Palazzo Pisani in the San Marco district of Venice. Founded privately in 1876 as a music high school and society, it permanently relocated to its current home in 1899, later achieving prestigious state conservatory status in 1940.  Renowned Italian composers who helped shape the institution’s legacy as directors or faculty members include Ermanno Wolf-Ferrari, Gian Francesco Malipiero, and the avant-garde pioneer Bruno Maderna. The conservatory preserves invaluable archives, housing rare, historic manuscripts by the great Venetian late Baroque composer Antonio Vivaldi. Visitors are welcomed to attend regular public concerts, masterclasses, and recitals in its very grand rooms. There is also a specialised music museum featuring rare instruments, Richard Wagner relics, and an extensive library housing 50,000 documents. The conservatory has acquired fame of a different kind through its appearance in two James Bond movies. In the 1979 film Moonraker, Roger Moore’s Bond arrives by gondola and uses a skeleton key to sneak into the conservatory's 17th century columned courtyard. The courtyard and its adjoining alleyways doubled as the exterior of a high-tech Venetian glass museum owned by the villainous industrialist Hugo Drax.  Some 27 years later, Daniel Craig’s Bond returns to the exact same courtyard in Casino Royale (2006), one of the most tense, emotional sequences of which sees Bond stalk the double agent Vesper Lynd as she passes beneath the stone arches and columns of the courtyard to hand over poker winnings to the villainous Mr. Gettler. 

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Taormina's Ancient Greek Theatre, which dates back
to the third century BC, still stages performances

Travel tip:

Taormina, which commemorates Giuseppe Sinopoli via its annual arts festival, is an historic hilltop resort town on the east coast of Sicily, known for its dramatic cliffside views of the Ionian Sea and of nearby Mount Etna. Celebrated as the ‘Pearl of the Mediterranean’, it was once an unmissable stop of the Grand Tour, the journey of the 19th century European aristocracy, it remains a popular destination for international tourism,  particularly at the luxury end of the market. beauty.  Originally established as the ancient Greek fortress of Tauromenion prior to 735 BC, its crown jewel is the Ancient Greek Theatre - Teatro Antico - a remarkably preserved third century BC amphitheatre carved directly out of the rockface. It still acts as an active, open-air performance venue framed by a backdrop of Mount Etna. In the global tourism space, Taormina sits firmly at the pinnacle of the luxury and cultural market. It initially rose to prominence in the 19th and early 20th centuries as an exclusive winter refuge for European royalty, avant-garde intellectuals, and literary figures such as Truman Capote. By the mid-20th century, it became a playground for the Hollywood elite, famously hosting stars like Elizabeth Taylor and Greta Garbo. The town’s main thoroughfare, Corso Umberto, is lined with designer stores, Michelin-starred restaurants, and five-star hotels. Taormina’s artistic prestige is anchored heavily by the Giuseppe Sinopoli Festival, which has been held annually since 2005. Prestigious international orchestras often feature at the festival, along with the Sinopoli Chamber Orchestra, a talented collective formed in collaboration with the Messina Conservatory that focuses on performing Sinopoli's own avant-garde compositions. 

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More reading:

Carlo Maria Giulini, the boy violinist who became a maestro of the baton

The brilliant Arturo Toscanini, the cellist who became an orchestra leader by chance

The celebrated career of Riccardo Muti

Also on this day:

293: The death of San Giusto of Trieste

1418: The birth of builder and diarist Gaspare Nadi

1475: The death of condottiere Bartolomeo Colleoni

1889: The birth of publishing giant Arnoldo Mondadori

1893: The birth of car designer Battista ‘Pinin’ Farina

1906: The birth of aristocratic film director Luchino Visconti

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Benedetto Marcello – writer and musician

Controversial composer had little time for opera

A 19th century bust of Marcello, 
housed in Palazzo Loredan in Venice

Aristocratic poet and musician Benedetto Marcello, the author of a satirical and witty pamphlet that was reprinted many times and became an important source about the early history of opera, died on this day in 1739 in Brescia, then in the Republic of Venice.

Marcello is mainly remembered for his composition Estro poeticoarmonico, a setting for voices and instruments of the first 50 Psalms in the Bible. An edition with words in English was brought out in 1757, after his death.

In his amusing pamphlet Il teatro alla moda, which was written in 1720, Marcello expressed strong opinions about the state of musical drama at the time.

Born into a noble family in 1686 in Venice, he was intended by his father for the law.  Marcello became a member of the Venetian Council of Forty in 1711 and in 1730 he went to Pola in Istria as Governor, but he managed to combine his work with writing and composing music. 

Eight years later, Marcello retired to Brescia as papal chamberlain. During his life he composed many operas, oratorios, cantatas, concertos and sonatas.

He was also a poet, translated John Dryden’s Timotheus as a text for one of his own cantatas, and wrote a libretto for the 1709 opera, Arata in Sparta, by Guido Ruggeri.

As a young man Marcello was a contemporary of Antonio Vivaldi in Venice and it is thought that his music has a flavour of Vivaldi’s work.

Although Marcello wrote an opera, La fede riconosciuta, which was produced in Vicenza in 1702, he had little sympathy with this form of music, as he showed when writing his pamphlet Il teatro alla moda.

The cover of Marcello's satirical
pamphlet, Il teatro alla moda

In 1728, Marcello married his singing student, Rosanna Scalfi, in a secret ceremony. As a nobleman, his marriage to a commoner was unlawful and after his death it was declared null by the state. Marcello died of tuberculosis while living in Brescia in 1739.  Rosanna was unable to inherit his estate and filed a suit in 1742 against Marcello’s brother Alessandro, asking for financial support.

The library of the Brussels Conservatoire possesses some interesting volumes of chamber cantatas composed by Marcello for his mistress.

The composer Joachim Raff wrote an opera entitled Benedetto Marcello, based loosely on the lives of Marcello and Rosanna Scalfi. 

The Conservatorio di Musica Benedetto Marcello di Venezia - also known as the Venice Conservatory - was named after him. The conservatory is housed in Palazzo Pisani a San Stefano, which faces Campo Santo Stefano in the San Marco sestiere.

A street in Rome, Largo Benedetto Marcello, is also named in his memory. 

Marcello's birthplace in Venice, in the Palazzo Marcello on the Grand Canal in the Cannaregio sestiere, is marked with a plaque.

The Palazzo Marcello on the Grand Canal
in Venice, Benedetto's birthplace

Travel tip:

Visitors to Venice who arrive by train at Santa Lucia railway station are greeted by the magnificent sight of the Grand Canal when they come out of the station. They can choose to sail down to Piazza San Marco in style on a vaporetto, or to walk down Lista di Spagna and through fascinating back streets in the direction of the Rialto bridge and Piazza San Marco. Walking through the Santa Croce area in the direction of the Rialto will bring you to the Campo della Pescheria and Venice’s famous fish market, which has been developed into a vibrant area with bars and restaurants where you can eat outside looking out over the Grand Canal. Venice’s most famous opera house is Teatro La Fenice in Campo San Fantin, inaugurated in 1792, but it is predated by the Teatro Goldoni, which originated as Teatro di San Luca, founded in 1622. La Fenice’s heyday was during the 19th century when the premieres of Rossini’s Tancredi and Semiramide and Verdi’s La traviata were held there. During the Austrian occupation of Venice,  the audience threw red, white and green flowers on the stage to represent the Italian flag and shouted ‘Viva Verdi’. They weren’t just praising the composer, Giuseppe Verdi, but using the letters of his last name as code for ‘Vittorio Emanuele Re d’Italia’, expressing support for the first King of Italy.  

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Brescia's 11th century Duomo Vecchio, also known
as La Rotonda because of its cylindrical shape

Travel tip:

Brescia, where Benedetto Marcello was residing when he died,  is a town of great artistic and architectural importance. Although it is the second city in Lombardy after the capoluogo, Milano, and has Roman remains and well-preserved Renaissance buildings, it is not as well-known to tourists as other historic Italian cities. Brescia became a Roman colony before the birth of Christ and remains from the forum, theatre and a temple can still be seen. The town was fought over by different rulers in the Middle Ages, but came under the protection of Venice in the 15th century. There is a distinct Venetian influence in the architecture of the Piazza della Loggia, an elegant square in the centre of the town, which has a clock tower similar to the one in Saint Mark’s square in Venice. Next to the 17th century Duomo is an older cathedral, the unusually shaped Duomo Vecchio, also known as la Rotonda, which is open to the public. The Santa Giulia Museo della Cittá covers more than 3000 years of Brescia’s history, housed within the Benedictine Nunnery of San Salvatore and Santa Giulia in Via Musei. The nunnery was built over a Roman residential quarter, but some of the houses, with their original mosaics and frescoes, have now been excavated and can be seen while you are looking round the museum.

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More reading:

Antonio Vivaldi, the musical priest who died impoverished

Tomaso Albinoni, the Vivaldi contemporary who became a prolific composer

Bartolomeo Cristofori, the 17th century musician credited with inventing the piano

Also on this day:

1759: The birth of Victor Emmanuel I of Sardinia

1843: The birth of painter Eugene de Blaas

1921: The birth of tenor Giuseppe Di Stefano

1931: The birth of film director Ermanno Olmi

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