San Pietro Orseolo – Doge of Venice and monk

Rich powerful Doge made a life-changing decision

Pietro Orseolo, a former Venetian Doge who joined the Benedictine order, died on this day in 987.

Piazza della Libertà in Udine, birthplace of  Pietro Orseolo.  

He was canonised by Pope Clement XII in 1731 and his feast day is celebrated on the anniversary of his death on 10 January each year.

Pietro Orseolo became Doge of Venice in 976 but after just two years in office he left his palace in the middle of the night to go to France to become a monk.

Orseolo was originally from a powerful family in Udine and at the age of 20 became commander of the Venetian fleet waging successful campaigns against pirate ships.

He was elected Doge after the previous ruler of Venice had been killed in a revolt. Orseolo restored order to the city, built much needed hospitals and cared for widows and orphans.

He started to rebuild the Doge’s palace and St Mark’s Basilica using his own money. But he suddenly left Venice to travel to southern France with three other Venetians to join a Benedictine abbey. It is believed he told no one about his decision in advance, not even his wife and family.

After some years living as a monk performing menial tasks at the abbey, Orseolo went to live in the surrounding forest as a hermit. He continued to live like this for seven years until he died in 987.

Orseolo funded a rebuilding project on St Mark's Basilica
in Venice before leaving for France.

Forty years after his death he was beatified and 700 years later he was made a saint.

Travel tip:

Udine, the birthplace of San Pietro Orseolo, is a city in the region of Friuli Venezia-Giulia not far from Italy’s border with Slovenia. In the principal square, Piazza della Libertà, there are beautiful 15th century Venetian-style buildings, such as the town hall, Loggia del Lionello, and clock tower, Torre dell’Orologio, which resembles the one in Piazza San Marco in Venice. 

Travel tip:

Bacino Orseolo in Venice, a wide stretch of water where gondolas are moored near Piazza San Marco, is named after Doge Pietro I Orseolo, who established a hospice for pilgrims there in 977, one of the good works he accomplished before he left Venice to become a monk.

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Umberto I – King of Italy

Anarchists made three attempts on monarch’s life

King Umberto I ascended the throne of Italy on this day in 1878.

Umberto I, depicted in a
portrait painted in 1878

Known by the Italian people as Il Buono (the Good) he succeeded on the death of his father, Victor Emmanuel II.

Umberto had already won popular support because of the way he had conducted himself during his military career and as a result of his marriage to Margherita of Savoy and the subsequent birth of their son, who was to become King Victor Emmanuel III.

But he was to become increasingly unpopular during his reign because of his imperialist policies and his harsh ways of dealing with civil unrest.

Queen Margherita was particularly loved in Naples, where she visited schools and hospitals and organised collections of toys and clothes for the children of poor families. She was seen to hold the hands of cholera victims without wearing gloves and to join the ordinary women in their processions to the Duomo.

As a result, Pizza Margherita, with its tomatoes, basil and mozzarella representing the colours of the Italian flag, was created in Naples and named after her.

However, her popularity didn’t help Umberto, who was attacked by an anarchist in Naples during the first year of his reign.

Umberto was making a tour of the kingdom accompanied by Queen Margherita, and the Prime Minister, Benedetto Cairoli.

While saluting the crowd from his carriage, Umberto was attacked by a young man, Giovanni Passanante, who was employed as a cook but was later described as an anarchist.

Passanante jumped on the carriage and attempted to stab the King. Umberto warded off the blow with his sabre but the Prime Minister, who came to his aid, was wounded in the thigh.

In 1897 Umberto was attacked again, this time by an unemployed ironworker who tried, but failed, to stab him in Rome.

But in July 1900 the anarchists were finally successful. Umberto was shot and killed in Monza by Gaetano Bresci, who later claimed he wanted to avenge the people killed in a recent massacre in Milan, when military force had been used against ordinary people protesting about rising bread prices.

Umberto was buried in the Pantheon in Rome next to the tomb of his father, Victor Emmanuel II.

The Pantheon in Rome, which houses the tombs
of Umberto I and his father, Victor Emanuel II

Travel tip:

The Pantheon in Piazza della Rotonda is Rome’s best preserved ancient building. It was built in AD 118 on the site of a previous building dating back to 27 BC. The building, which has a huge dome, was consecrated as a church in the seventh century. Victor Emanuel II, Umberto I and his wife, Queen Margherita, are the only members of the Italian royal family buried there.

Travel tip:

The Duomo in Naples, in Via Duomo, off Via Tribunali, was built over the ruins of two earlier Christian churches for Charles I of Anjou at the end of the 13th century. The Duomo is in the spotlight in May and September each year when a vial containing the dried blood of the city’s patron saint, San Gennaro is brought out to liquefy in front of the congregation. It is believed that whenever the blood fails to liquefy disaster is going to befall Naples. The Duomo is open to the public from 8.30 to 1.30 and 2.30 to 8 pm Monday to Saturday and 8.30 to 1.30 and 4.30 to 7.30 pm on Sundays.

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Giotto – Renaissance artist

Realistic figures were first painted by Florentine genius Giotto

The brilliant 14th century painter Giotto di Bondone, who was known simply as Giotto, died on this day in 1337 in Florence.

The Scrovegni Chapel in Padova, home of
Giotto's stunning cycle of frescoes

Although much of his work is no longer in existence, he is remembered as one of the greatest artists of the early Renaissance period.

It is believed Giotto was born in about 1267 in Florence but it is not known how he learned to paint with such a sense of space, naturalism and drama. His work represented a crucial turning point in the history of art because he painted lifelike, solid figures and put in fascinating background details.

He is believed to be the first artist to make a decisive break with the Byzantine style of painting and draw figures accurately from life.

Giotto’s revolutionary style was followed by many other painters later in the 14th century and it is said that he was actually paid a salary by the commune of Florence because of his excellence.
Some of his work can be seen in the Uffizi Gallery in Florence, such as his altarpiece, The Ognissanti Madonna, painted in 1310, which is a good example of his ability to paint lifelike people.

But Giotto’s most stunning surviving work is the interior of the Scrovegni chapel in Padova. His cycle of frescoes is considered to be one of the greatest works of art in the world.

Dedicated to Santa Maria della Carita (Saint Mary of the Charity), the chapel was decorated by Giotto between 1303 and 1305. The work was commissioned by Enrico degli Scrovegni, who was hoping to atone for the sins of usury committed by himself and his dead father.

The frescoes narrate events in the lives of the Virgin Mary and Christ and cover the side walls of the chapel. On the wall opposite the altar is Giotto’s magnificent Universal Judgment, which tells the story of human salvation and includes the figure of Enrico degli Scrovegni offering up a model of the chapel to the Virgin Mary in a desperate bid to save his father from hell.

Under a bright blue sky, the realistic figures with their powerful facial expressions and colourful clothes tell the bible stories in a way they had never been told before.

In later life, Giotto was made ‘first court painter', with a yearly pension, by King Robert of Anjou in Naples. He lived in Naples till 1333 but none of his work there has survived.

Giotto's Campanile in Florence
Photo: Sailko (CC BY-SA 3.0)

On his return to Florence he was asked to design the new Campanile for the Cathedral in 1334 and his last known work was the decoration of a chapel in the Bargello.

It is thought Giotto was about 70 years of age when he died on 8 January 1337. Some sources say he was buried in Santa Maria del Fiore, Florence’s Duomo, while others believe he was buried in the earlier church on the site, Santa Reparata.

In the 1970s, bones were discovered beneath the paving of Santa Reparata and forensic examination confirmed they were those of a painter. The bones were reburied with honour near the grave of Brunelleschi in the church, but it is still not certain that they are actually the remains of Giotto.
  
Travel tip:

It is a miracle Giotto’s frescoes in the Scrovegni Chapel have survived for 700 years. The chapel was acquired by the city of Padova in 1880 and specialised restoration operations have been carried out since. The state of the building, the quality of air, and the conservation of the frescoes have all been carefully studied. The chapel can be accessed from Giardini dell’Arena off Piazza Eremitani. There is a separate building where visitors can watch a video to prepare them for seeing the frescoes. Visits are carefully organised so people can enter the chapel and look at the frescoes without jeopardising their condition. Tickets should be booked in advance and collected an hour before the visit. For details visit www.cappelladegliscrovegni.it.

The interior of the Scrovegni Chapel is lined with
Giotto's extraordinary frescoes
Photo: Rastaman3000 (CC BY-SA 3.0)

Travel tip:

The Campanile of Santa Maria del Fiore was designed by Giotto in 1334, but it was not completed till 1359, 22 years after his death. The bell tower is clad in white, pink and green Tuscan marble. In the 1870s, a marble façade was added to the Duomo to echo Giotto’s design for the Campanile.

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Il tricolore

Flag represented people’s hopes for a united Italy

The Italian flag, with its panels of green, white and red, was first hoisted on this day in 1797 in Reggio Emilia.

Il tricolore
Photo: Jacopo Prisco
(CC BY-SA 3.0)

Long before Italy became a united country, an early form of the tricolore was being flown in a part of the country then known as the Cispadane Republic, where it had been agreed to make universal “the standard or flag of three colours, green, white and red”.

The Cispadane Republic (Repubblica Cispadana) was founded with the protection of the French Army in 1796 in what is now Emilia Romagna. The republic organised a congress on 7 January in Reggio Emilia and adopted the first ever tricolore as its flag.

But it was many years and many battles later before the flag as we know it now was formally adopted by the Italian republic in 1948.

It is thought the Cispadane republic chose panels of red and white because they were the colours of the flag of Milan and green because it was the colour of the uniform of the Milan civic guard.

Some believe the green panel (on the hoist side of the flag as it is used now) represents Italy’s plains and hills, the white panel, the snow capped alps and the red panel, the blood spilt in Italy’s fight for independence from foreign domination.

A religious interpretation is that green represents hope, white represents faith and red represents charity.

Football fans delight in waving the tricolore
when Italy competes for the World Cup

Many forms of the flag were adopted in different parts of Italy in the years before unification, but the tricolore became the symbol of the Risor- 
gimento, the movement fighting for independence.

In 1861 the flag of the Kingdom of Sardinia was declared to be the flag of the newly formed Kingdom of Italy. This was the Italian tricolore with the emblem of the House of Savoy on it.

The flag remained like this until the birth of the republic in 1946. Then the flag of green, white and red vertical panels was formally adopted.

Italians fly the flag with particular pride when the national football team competes in the World Cup and it was prominent at the 150th celebrations of the unification of Italy in 2011.

Travel tip:

Reggio Emilia, where the first ever tricolore was hoisted, is a city in the Emilia Romagna region surrounded by medieval walls built in a hexagonal design. It has a wealth of 16th century palaces and churches and is famous for producing Parmigiano-Reggiano cheese.

The Italian flag flies at the momument
to Victor Emanuel II in Rome
Photo: Nicolai Schafer (CC BY-SA 2.0 DE)

Travel tip:

Rome remained under French control after the first Italian parliament proclaimed Victor Emanuel II  King of Italy, despite attempts by nationalists to liberate it. But after the outbreak of the Franco-Prussian war, Napoleon III withdrew some of his troops. Italian soldiers seized their chance and after a brief bombardment entered Rome on 20 September 1870 through a breach in the walls at Porta Pia. Victor Emanuel took up residence in the Quirinale Palace, the tricolore was hoisted and Italy was declared officially united. A marble plaque commemorating the liberation of Rome was placed near Porta Pia where the Italian troops first got through.

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