Bruno Ruffo - motorcycle racer

Italy's first world champion on two wheels

Bruno Ruffo in action on the track

Motorcycle racer Bruno Ruffo, winner of the inaugural 250cc World Champion- ship in 1949, was born on this day in 1920 in Colognola ai Colli, a village in the province of Verona.

He shares with Nello Pagani the distinction of being Italy's first world champion motorcyclist, Pagani having won the first world title in the 125cc class in the same year.

Ruffo wanted to race from the age of eight, having become fascinated with the motorcycles and cars that his rather repaired in his workshop.

He was able to drive a car at the age of 10 and was given his first motorcycle by his father as a 16th birthday present.  He entered a race for the first time the following year at Montagnana near Padua and won. The minimum age for participants was 18 and it later transpired he had falsified his identity papers to take part.

The Second World War interrupted his progress.  Drafted into the Italian Army, Ruffo served for 20 months on the Russian front.

After the war, he bought a Moto Guzzi 250, which he raced privately, enjoying considerable success in 1946, when he won nine of the 11 races he entered in the cadet class.

He was Italian champion in the senior 250cc class in both 1947 and 1948, his victory in the Grand Prix of Nations at Faenza in the second of those years earning an invitation to join Moto Guzzi's official team when the Grand Prix World Championship was launched in 1949.

Giacomo Agostini

Ruffo won the very first race in the 250cc category in Switzerland.  A second place in the Ulster GP and fourth in the GP of Nations at Monza gave him enough points from the six eligible events to finish top of the points classification.

Moto Guzzi dropped out of the 1950 championship in the 250cc class but gave Ruffo permission to race for Mondial in the 125cc class, in which he claimed his second world title.

Victories in the French and Ulster GPs in a championship expanded to eight races in 1951 enabled him to clinch his second 250cc world title and he was hot favourite to land a third in 1952 only for a crash in Stuttgart in July to rule him out of the last three events.

Injuries sustained in another crash in 1953 persuaded him to retire from racing on two wheels but he continued his career in motorsport, switching to cars.  Driving for Alfa Romeo and Maserati, he had several podium finishes.

He quit racing for good in 1958 after a miraculous escape when his Maserati overturned at 200kph in an uphill time trial. He had to be cut from the wreckage but recovered from his injuries and decided not to push his luck any further.

Cars remained central to his life after his racing career ended with the establishment of a successful vehicle rental business in Verona.

The bronze monument to Bruno Ruffo in Verona

Already honoured in 1955 when he was made a Knight of Merit of the Italian Republic, in 2003 the title of Commander of the Order of Merit of the Italian Republic was conferred upon him by President Carlo Azeglio Ciampi.

The award put him in the company of Giacomo Agostini, Pier Paolo Bianchi, Eugenio Lazzarini and Carlo Ubbiali as recipients of the award for their success in motorcycle racing.

Ruffo died in 2007, aged 86.  His life is commemorated in Verona with a monument in bronze depicting a human figure crouched over a speeding motorcycle, and in Colognola ai Colli with a sports hall named in his honour.

Travel tip:

The monument to Bruno Ruffo, created by the artist Marco da Ronco, can be found a short distance from Verona's central Piazza Bra, in a small garden at the junction of Via Roma and Via Morette.  Piazza Bra adjoins the Arena di Verona, the Roman amphitheatre nowadays used as a venue for music concerts and in particular opera, for which it is among the most famous outdoor settings in the world.

Montagnana's medieval city walls are still intact

Travel tip:

Montagnana, where Ruffo won his first race on a dirt track, is best known for having one of the best preserved medieval city walls in Europe, as well as two castles, the Rocca degli Alberi and the Castle of San Zeno.  Andrea Palladio's Villa Pisani is another nearby tourist attraction.

More reading:

Giacomo Agostini, Italy's 15 times World Motorcycling Champion

Enrico Piaggio - creator of Italy's iconic Vespa scooter

Luigi Fagioli - Formula One's oldest winning driver

Also on this day:

1920: The birth of Carlo Azeglio Ciampi, the minister who took Italy into the Euro

(Picture credits: Montagana walls by Zavijavah; Giacomo Agostini by Gede; both via Wikimedia Commons)



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Marcello Piacentini – architect

Designer whose buildings symbolised Fascist ideals

Marcello Piacentini in the uniform of the
Royal Academy of Italy

Urban theorist and architect Marcello Piacentini was born on this day in 1881 in Rome.

The son of architect Pio Piacentini, he studied arts and engineering in Rome before going on to become one of the main proponents of the stark, linear designs characteristic of the Fascist era.

When he was just 26, he was commissioned with redesigning the centre of the Lombardy city Bergamo’s lower town, the Città Bassa, where Piacentini's buildings remain notable landmarks today.  The project marked Piacentini as an architect of considerable vision and talent.

He then went on to work throughout Italy, and in particular in Rome, for the Fascist government.

He designed a new campus for the University of Rome, La Sapienza, the road approaching St Peter’s in Rome that was named Via della Conciliazione, and much of the EUR district of the capital, of which he was not only the architect but, by appointment to the Fascist leader, Benito Mussolini, the High Commissar.

Piacentini's majestic Via della Conciliazione in Rome, with
the Basilica of St Peter in the background

Characteristic of all these projects was Piacentini's simplified neoclassicism, which became the mainstay of Fascist architecture.

Both Mussolini and Adolf Hitler believed that a style of architecture identifiable as belonging to their culture was a way of unifying citizens and underlining the tenets of their ideology, namely strength and stability and the authority of the government.

Subsequently, Piacentini went on to become an important colonial architect, particularly in Eastern Libya, where the style of his buildings was characteristic of the Neo-Moorish period in Libya in the 1920s.

After the collapse of Fascism, Piacentini fell out of favour and did not work as an architect for several years.  He died in Rome in 1960.

Travel tip:

One of the most impressive buildings to be seen in Bergamo’s Città Bassa - the city's lower town - is the Banca d’Italia in Viale Roma. Built of brown stone, in keeping with the other public buildings erected at the beginning of the 20th century in the Città Bassa, the bank has a decorative façade. It was built in 1924 to a neo-Renaissance design and has since become a symbol of Bergamo’s strong commercial and banking tradition.

Hotels in Bergamo by Hotels.com

The Torre dei Caduti was part of  Piacentini's
urban redevelopment of Bergamo

Travel tip:

Another example of Piacentini’s work in Bergamo is the Torre dei Caduti in the centre of the Città Bassa. The early 20th century war memorial towers over Piazza Vittorio Veneto and Via Sentierone but was carefully positioned so that despite being 45 metres tall it does not spoil the skyline of the Città Alta, Bergamo's upper town. The Torre dei Caduti (tower of the fallen) was built to honour the citizens of Bergamo who were killed in the First World War and was part of Piacentini’s new layout for the centre of the Città Bassa in the 1920s, which recalled the buildings of the Città Alta, such as the Torre di Gombito, in the choice of design and materials.

More reading:

The ground-breaking brilliance of architect Pier Luigi Nervi

The Liberty and Art Deco lines of Milan's huge Stazione Centrale

Andrea Palladio - the world's favourite architect

Also on this day:

Feast of the Immaculate Conception marks start of Christmas

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Gian Lorenzo Bernini – sculptor and architect

Italy's last universal genius

Gian Lorenzo Bernini, a self-portrait from 1623,
 which is housed in Rome's Galleria Borghese

Gian Lorenzo Bernini, who was considered the greatest sculptor of the 17th century, was born on this day in 1598 in Naples.

Bernini developed the Baroque style, leading the way for many other artists that came after him. He was also an outstanding architect and was responsible for much of the important work on St Peter’s Basilica in Rome.

Bernini began his career working for his father, Pietro Bernini, a Florentine who moved to live and work in Rome.

The young Bernini earned praise from the painter Annibale Carracci and patronage from Pope Paul V and soon established himself as an independent sculptor.

His early works in marble show his amazing ability to depict realistic facial expressions.

The Fontana del Tritone - the Triton Fountain - in
Rome's Piazza Barberini

Pope Urban VIII became his patron and urged Bernini to paint and also to practice architecture. His first major commission was to remodel the Church of Santa Bibiana in Rome.

Bernini was then asked to build a symbolic structure over the tomb of Saint Peter in Rome. The result was the immense gilt-bronze baldachin executed between 1624 and 1633, an unprecedented fusion of sculpture and architecture and the first truly Baroque monument.

After the death of Carlo Maderno in 1629, Bernini became architect of St Peter’s and Palazzo Barberini.

A fervent Roman Catholic, he believed that the purpose of religious art was to teach and inspire the faithful. His tomb for Urban VIII shows the pope seated with his arm raised in a commanding gesture, with two white marble figures below him representing the virtues.

Bernini’s fountains are his most obvious contribution to the city of Rome, in particular the Triton fountain, constructed in 1642 with its four dolphins.

The Fontana dei Quattro Fiume - the Fountain of the Four
Rivers - in Piazza Navona in Rome

Perhaps one of his most spectacular works is the Fountain of the Four Rivers in Rome’s Piazza Navona, with four marble figures symbolising the four major rivers of the world.

Bernini’s greatest architectural achievement is the colonnade enclosing the piazza in front of St Peter’s Basilica, which holds the crowd gathered for the papal benediction at Easter and on other special occasions.

Bernini died at the age of 81 after having served eight popes. He was considered not only Europe’s greatest artist, but also one of its greatest men. He was possibly the last of Italy’s universal geniuses, a polymath to be ranked alongside Galileo, Michelangelo and Leonardo da Vinci.

Travel tip:

St Peter’s Square - Piazza San Pietro - was designed by Bernini to provide a large space where the faithful, from all over the world, could gather together. It is filled to capacity by pilgrims and visitors on Easter Sunday, Christmas Day and other important religious occasions when the Pope appears to address the crowd. These events are televised and watched by viewers all over the world.

Hotels in Rome from Hotels.com

The Basilica of St Peter in Rome

Travel tip:

The stunning Renaissance Basilica of St Peter was completed and consecrated in 1626. Believed to be the largest church in the world, it was built to replace the original fourth century Basilica that had been constructed on what was believed to be the burial site of Saint Peter. Bernini made many important artistic and architectural contributions to St Peter’s during his life.

More reading:

Cigoli - Tuscan architect who left his impression on Rome

Why Michelangelo was regarded as the greatest painter and sculptor of all time

Galileo Galilei - the great thinker dubbed the father of science

Also on this day:

The Feast of St Ambrose

(Picture of St Peter's by Alvesgaspar via Wikimedia Commons)

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Niccolò Zucchi – astronomer

Jesuit's invention gave him a clear view of the planets

A rare portrait of Niccolò Zucchi

Niccolò Zucchi, who designed one of the earliest reflecting telescopes, was born on this day in 1586 in Parma.

His invention enabled him to be the first to discover the belts on the planet Jupiter and to examine the spots on the planet Mars. This was before the telescopes designed by James Gregory and Sir Isaac Newton, which, it has been claimed, were inspired by Zucchi’s book, Optica philosophia.

Zucchi studied rhetoric in Piacenza and philosophy and theology in Parma before entering the Jesuit order in Padua at the age of 16.

He taught mathematics, rhetoric and theology at the Collegio Romano in Rome and was then appointed rector of a new Jesuit college in Ravenna. He then served as apostolic preacher (the preacher to the Papal household) for about seven years.

A modern image of Jupiter from the
 Hubble telescope shows the belts
 Zucchi reputedly saw in 1630

Zucchi published several books about mechanics, magnetism, barometers and astronomy.

When he was sent with other papal officials to the court of Ferdinand II, he met the German mathematician and astronomer, Johannes Kepler, who encouraged his interest in studying the planets. They carried on writing to each other after Zucchi returned to Rome and when Kepler got into financial difficulties, Zucchi gave him one of his own telescopes as a gift.

Along with a fellow Jesuit, Daniello Bartoli, Zucchi was probably the first to see the belts on the planet Jupiter in 1630 and he reported seeing spots on Mars in 1640.

He also demonstrated that phosphors generate light, rather than store it, in 1652.

The lunar crater Zucchius is
named after Niccolò Zucchi

Although many people have written that Zucchi used his early reflecting telescope to observe the planets, this was disputed by some historians in the 19th century. However, the crater Zucchius on the Moon was named after him, in acknowledgement of his scientific achievements.

Zucchi died in Rome in 1670, at the age of 83.

Travel tip:

Parma, where Niccolò Zucchi was born, is one of Italy’s great art cities and has a wealth of churches and palaces containing masterpieces. The ancient city in the region of Emilia-Romagna is also famous for its culinary specialities. Parmigiano-Reggiano cheese and Prosciutto di Parma, a delicate cured ham, originated there, as well as the many dishes cooked alla parmigiana.

The Collegio Romano, where Zucchi taught

Travel tip:

The Collegio Romano, where Niccolò Zucchi taught in Rome, was established in 1551 by Ignatius Loyola, the founder of the Jesuit Order. A new building was erected for the College, under the patronage of Pope Gregory XIII, in 1582. The building where Zucchi gave his lectures is in the Pigna district of the city in a square now known as Piazza del Collegio Romano. The building is currently used partly by the Ministry of Heritage and Culture and partly by the Ennio Quirino Visconti high school.

More reading:

Why Galileo Galilei is known as the 'father of modern science'

Giovanni Riccioli - 17th century astronomer who studied the lunar surface 

Vincenzo Coronelli, the friar famous for his finely-crafted globes of the world

Also on this day:

1478: Birth of Baldassare Castiglione, the author of the Italian classic, The Book of the Courtier 

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