Errico Malatesta - anarchist

Middle-class boy who became notorious revolutionary

Errico Malatesta in a picture taken in 1890

Errico Malatesta, one of the most prominent figures in the anarchist movement that flourished in Italy in the late 19th and early 20th centuries, was born on this day in 1853 in the province of Caserta, in what is now Campania.

A committed revolutionary who was arrested for the first time at the age of 14, he spent more than 10 years of his life in prison and about 35 years in exile.

Apart from his activity in his own country, Malatesta helped organize anarchist revolutionary groups in several European countries, as well as in Egypt, and in North and South America, including Argentina, where he helped bakers form the country's first militant workers' union.

Born into a family of middle-class landowners in Santa Maria Capua Vetere in what was then the Kingdom of the Two Sicilies, Malatesta was arrested aged 14 for sending an "insolent and threatening letter" to King Victor Emmanuel II.

Although he would become closely associated with the Russian anarchist Mikhail Bakunin, Malatesta drew his first inspiration from Giuseppe Mazzini, the Italian revolutionary who was a driving force in the Risorgimento movement that culminated in the unification of Italy in 1871.

He studied medicine at Naples University until he was expelled in 1871 for taking part in a demonstration, after which he joined the Naples section of the International Workingmen's Association, A year later, met Bakunin for the first time at a congress of international socialist, communist and anarchist groups in Switzerland.

Giuseppe Mazzini was an early
inspiration for Malatesta

Malatesta's ideals were based on the abolition of all government and all organisations that seek to create and impose laws, plus the end of private ownership of land, raw materials and work tools.  He proposed that societies function through the establishment of collective associations of producers and consumers working for the common interest and that patriotic nationalism and rivalries between countries be abolished by the removal of international borders.

To achieve these aims, however, required the overthrow of state rule and capitalism, and Malatesta fervently believed this would be best achieved by armed insurrection, which is why he spent much of his life trying not always successfully to avoid arrest.

After being imprisoned twice for spreading internationalist propaganda, Malatesta joined with fellow Italian anarchist Carlo Cafiero and the Russian Sergius Stepniak and others 1877 in leading an insurrection in the province of Benevento in Campania, which briefly gave them control of two villages, Letino and Gallo, and was greeted with approval by many residents, especially when they made a bonfire of taxation records.

However, they were soon captured by government troops and held in custody for 16 months.  By the time Malatesta was released the state's attitude to anarchism had hardened, particularly after an assassination attempt against King Umberto 1, and after a year of invasive surveillance he decided to live in exile.

He spent time in Egypt, Switzerland, Romania and France before establishing a home in London in 1881, to which he would periodically return for the next 40 years.

Rioters mounted barricades when troops were sent
to quell the food riots in Milan in the late 1890s

His periods in Italy were usually terminated by arrest, notably in 1898 when he was drawn to join a growing anarchist movement among dockworkers in Ancona.  During street fights, he was quickly identified by police and spent much of 1898 and 1899 in jail, unable to participate in a period of prolonged social upheaval in Italy characterised by food riots, a massacre of demonstrators by troops in Milan and the beginnings of Fascism.

Malatesta was ultimately sent to a prison on the island of Lampedusa, but escaped and returned to London, where he lived a relatively quiet life as an electrician but gained notoriety by supplying oxyacetylene cutting equipment to a gang of Latvian revolutionaries so that they could break into the safe at a jewellers in Houndsditch.

The Houndsditch robbery, which resulted in the deaths of three policemen, led indirectly to the Siege of Sidney Street, where two of the robbers were tracked down and eventually killed at a house in Stepney.  Malatesta's cutting gear is on permanent display at the City of London Police Museum.

After the First World War, Malatesta returned to Italy for the final time. Soon arrested and imprisones again, he was released just before the Fascists came to power. However, Malatesta then defied Mussolini's ban on independent newspapers by publishing the journal Pensiero e Volontà - Thought and Will.  The publication was closed and Malatesta placed under house arrest.

He spent his final years earning a living as an electrician. He died in Rome from bronchial pneumonia in July, 1932, aged 78.

The remains of the Roman amphitheatre at Santa Maria
Capua Vetere, where Malatesta was born

Travel tip:

Santa Maria Capua Vetere, by which the oldest part of the city of Capua, north of Naples, is known, is notable for being the site of the second largest of all known Roman amphitheatres, with a length of 170 metres (560ft) and a width of 140m (460ft). Only the Colosseum in Rome (188m by 156m) is bigger.  Built in the time of Augustus, restored by Hadrian and dedicated by Antoninus Pius, the amphitheatre originally had 80 Doric arcades of four stories each, but only two arches now remain.  The interior is better preserved and beneath the arena is a complex system of subterranean passages.


Travel tip:

The island of Lampedusa, where Malatesta was imprisoned before escaping to London in 1899, is the southernmost part of Italy. It is part of the Sicilian province of Agrigento, although the nearest landfall is Tunisia, about 113km (70 miles) away. It has a historic claim to be part of Malta when that island was a British colony.  Lampedusa's Rabbit Beach was once voted as the world's best beach by the travel website, Tripadvisor. In recent years, Lampedusa has become a primary European entry point for migrants from Africa.

More reading:

Giuseppe Mazzini - hero of the Risorgimento

How Republican activist Giovanni Passannante tried to kill Umberto I

Giuseppe Pinelli - anarchist whose 'accidental death' inspired Dario Fo play

Also on this day:

1784: Birth of Maria Antonia, Neapolitan princess who lived sad, short life

(Photo of amphitheatre by Nicolo d'Orta via Wikimedia Commons)

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Carlo Gozzi – playwright

Noble Venetian who fought to preserve commedia dell’arte

Carlo Gozzi - a portrait by an
unknown artist

Count Carlo Gozzi, the poet and playwright, was born on this day in 1720 in Venice.

He was a staunch defender of the traditional Italian commedia dell’arte form of drama and his plays were admired throughout Europe.

Commedia dell’arte was a theatrical form that used improvised dialogue and a cast of masked, colourful stock characters such as Arlecchino, Colombina and Pulcinella.

Gozzi was against the dramatic innovations made by writers such as Pietro Chiari and Carlo Goldoni. He attacked Goldoni in a satirical poem and then wrote a play, L’amore delle tre melarance - The Love of Three Oranges - in which he portrayed Goldoni as a magician and Chiari as a wicked fairy.

The play was first performed by commedia dell’arte actors, who had been out of work due to the dwindling interest in the genre following the innovations of Goldoni and Chiari. It was a great success and revived the fortunes of the company of actors.

Having been born into a noble but poor family, Gozzi initially had to go into the army to make a living because his parents could not support him. When he returned to Venice, he joined the Accademia dei Granelleschi, a group determined to preserve Italian literature from being corrupted by foreign influences.

Gabriel Bella's painting of the stage at the Teatro san Samuele

His personal crusade was to revive traditional commedia dell’arte and after the success of The Love of the Three Oranges, Gozzi wrote nine fiabe, literally fairy tales.

Considered outstanding were Il re cervo - the King Stag - Turandot, and La donna serpente - the Snake Woman - which were all performed in 1762, and L’augellin belvedere - the Pretty Little Green Bird - performed in 1765.

Gozzi’s fiabe were popular, both in Italy and other countries in Europe, and drew influences from commedia dell’arte, which led to a revival of interest in the genre and earned him the title of ‘the saviour of commedia dell arte’.

Gozzi’s Turandot was first performed at the Teatro San Samuele in Venice in January 1762.

Later, in Germany, the playwright Schiller turned Turandot into a serious play and it was used later as the basis for operas by Ferruccio Busoni and Giacomo Puccini. The Love of the Three Oranges also provided the basis for an opera by Sergey Prokofiev.

Gozzi wrote his authobiography, Memorie inutile - Useless Memories - in 1797.

He died in Venice in 1806 at the age of 85 and was buried in the Church of San Cassiano in the San Polo district of the city.

Travel tip:

Teatro San Samuele, where Gozzi’s Turandot was first performed, was an opera house and theatre at the Rio del Duca, between San Samuele and Campo Santo Stefano. It was first opened in 1656 in Venice and the playwright Carlo Goldoni was the theatre’s director between 1737 and 1741. The theatre was destroyed by fire in 1747 but then rebuilt and Gozzi’s play, Turandot, was performed in the new structure in 1762. It remained a theatre until the building was demolished in 1894. San Samuele is in the San Marco sestiere and is a waterbus stop on the right bank of Canal Grande, travelling from San Marco towards the railway station, before you reach the Rialto.

Campo San Cassiano in Venice, with the church of
 the same name to the left

Travel tip:

The Church of San Cassiano in Venice, where Carlo Gozzi was buried, is in the San Polo sestiere and can be reached by getting off the waterbus at the San Stae stop on Canal Grande. The 14th century church, which is dedicated to San Cassian of Imola, is in Campo San Cassiano. Its highlight is the painting of The Crucifixion of Christ by Tintoretto, which the art critic John Ruskin described as ‘the finest example of a Crucifixion painting in Europe’. Campo San Cassiano is also where the world’s first public opera house, Teatro San Cassiano, was located until it had to be demolished in 1812 after several fires.

More reading:

Tommaso Albinoni - prolific Venetian composer famous for adagio in G minor

Titian - the colossus of Venetian Renaissance art

Dario Fo - playwright who put focus on corruption

Also on this day:

1466: Death of the great early Renaissance sculptor Donatello

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Lodovico Giustini – composer

Church organist who wrote the first music for piano

Lodovico Giustini

Lodovico Giustini, composer and keyboard player, was born on this day in 1685 in Pistoia in Tuscany.

Giustini is the first composer known to write music for the piano and his compositions are considered to be late Baroque and early Classical in style.

Giustini was born in the same year as Bach, Scarlatti and Handel. His father, Francesco Giustini, was a church organist, his uncle, Domenico Giustini, was a composer of sacred music and his great uncle, Francesco Giustini, sang in the Cathedral choir for 50 years.

After the death of his father in 1725, Giustini took his place as organist at the Congregazione dello Spirito Santo in Pistoia, where he began to compose sacred music, mostly cantatas and oratorios.

In 1728 he collaborated with Giovanni Carlo Maria Clari on a set of Lamentations, which were performed later that year.

The dome of the Basilica of Santa Maria dell'Umiltà in Pistoia

In 1734 he was hired as the organist at the Basilica of Santa Maria dell’Umiltà in  Pistoia. He was to hold this position for the rest of his life. In addition to playing the organ he also gave performances on the harpsichord, often playing his own music.

Giustini is mainly remembered for his collection of 12 Sonate da cimbalo di piano e forte detto volgarmente di martelletti, 12 sonatas written for the piano.

These were composed by Giustini specifically for the hammered harpsichord, or fortepiano, which had been invented by Bartolomeo Cristofori in around 1700.

The sonatas were published in Florence in 1732 and are dedicated to the younger brother of the King of Portugal, probably because the Portuguese court was one of the few places where the early piano was being regularly played.

They were written for the church and have alternating fast and slow sections. They predate all other music specifically written for the piano by about 30 years.

The 1720 Cristofori piano, the oldest surviving,  at the
 Metropolitan  Museum of Art in New York

Giustini uses all the capabilities of the piano in his music, effects that were not available on other keyboard instruments at the time. They are typical of pieces written during the transition from the late Baroque to the early Classical period.

It is considered surprising by some music experts that the sonatas were ever published at all as, at the time they were composed, there were only a few pianos in existence and these were owned mainly by royalty.

The oldest surviving Cristofori piano is a 1720 model, which is in the Metropolitan Museum of Art in New York.

Giustini died in 1743 and since then most of his sacred music has been lost, but his published piano sonatas have kept his memory alive and are well worth hearing.

Travel tip:

Pistoia, where Lodovico Giustini was born and worked as an organist, is a pretty medieval walled city in Tuscany to the north west of Florence. The city developed a reputation for intrigue in the 13th century and assassinations in the narrow alleyways were common, using a tiny dagger called the pistole, made by the city’s ironworkers, who also specialised in manufacturing surgical instruments.

Fresco of the Madonna at the Basilica
della Madonna dell'Umiltà

Travel tip:

The Basilica della Madonna dell’Umiltà, where Lodovico Giustini played the organ in the 18th century, is in Via della Madonna in Pistoia. It was built to replace an ancient church after a miracle involving a 14th century fresco of the Madonna. According to legend, in 1490 in the middle of a period of fighting between the local power factions, people noticed blood dripping from the forehead of the Madonna in the fresco, which was interpreted as a sign that the Virgin Mary was suffering because of the bloodshed in the region at the time. Important local families got together to build a new Basilica to house the Madonna fresco. The octagonal church was designed by architect Ventura Vitoni. A heavy dome was added to the Basilica in 1560, designed by architect Giorgio Vasari.

More reading:

How Bartolomeo Cristofori adapted a harpsichord to create the first piano

Alessandro Scarlatti - a prolific composer ahead of his time

How Giovanni Gabrieli inspired the spread of Baroque style

Also on this day:

1901: Guglielmo Marconi receives the first transatlantic radio signal

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Pope Leo X

Renaissance pope supported art but did not foresee the Reformation

Pope Leo X, with cardinals Giulio de' Medici
 and Luigi de Rossi, in a portrait by Raphael

Pope Leo X was born as Giovanni de' Medici, on this day in 1475 in Florence.

The second son of Lorenzo de' Medici - Lorenzo Il Magnifico - who ruled the Florentine Republic, Leo X has gone down in history as one of the leading Renaissance popes, who made Rome a cultural centre during his papacy.

He is also remembered for failing to take the Reformation seriously enough and for excommunicating Martin Luther.

Giovanni was always destined for a religious life and received a good education at his father’s court, where one of his tutors was the philosopher Pico della Mirandolo. Giovanni went on to study theology and canon law at the University of Pisa.

In 1492 he became a member of the Sacred College of Cardinals, but after his father died later that year, he returned to Florence to live with his older brother, Piero.

He was exiled from Florence in 1494 with the rest of his family, accused of betraying the Florentine republic, and spent the next six years travelling throughout northern Europe.

On his return to Italy in 1500 he settled in Rome and on the death of his brother, Piero, he became the head of the Medici family. Giovanni took part in the conclaves in 1503 that elected first Pope Pius III and then Pope Julius II.

Giovanni was named papal legate to Bologna and Romagna in 1511 and supervised the restoring of Medici control over Florence the following year. Although his younger brother, Giuliano, was in charge of the Florentine republic in name, it was really his older brother, Giovanni, the Cardinal, who ruled.

Giovanni was elected Pope on March 11, 1513 and took the title of Leo X.

He was ordained a priest on March 15 and consecrated Bishop of Rome before being crowned Pope.

Having spent his youth at the court of Lorenzo dè Medici, Leo X personified Renaissance ideals. He was lavish with both the church’s money and his own. Under his patronage, Rome became the cultural centre of Europe once again.

St Peter's Basilica in Rome, as seen from the roof of
Castel Sant'Angelo

Work was speeded up on the construction of the new St Peter’s Basilica, which had been initiated by Pope Julius II. The holdings of the Vatican Library were increased and the arts flourished during his papacy.

As ruler of the Papal States and head of the Medici family who ruled the Florentine republic, Pope Leo X gave offices and benefits to his family to strengthen still further his position.

In 1517, after an attempt had been made on his life, Leo X named 31 new Cardinals. A former Cardinal was strangled in prison and several other imprisoned and executed after being implicated in the attempted assassination.

The Pope also had to contend with the power of France from the north and Spain to the south in the struggle to control Italy.

To raise additional money for the reconstruction of St Peter’s Basilica, Leo X reaffirmed granting papal indulgences for the remission of sins to those who contributed.

Martin Luther, whom Leo X believed was a heretic

This was challenged by Martin Luther, who circulated his Ninety-Five Theses attacking the practice. Leo X issued a papal bull charging Luther with 41 instances of deviation from the teaching and practice of the church and ordered him to recant within 60 days or be excommunicated. Luther defied the Pope and was excommunicated by him on 3 January 1521.

Leo X believed Luther was a heretic whose teaching would leave some of the faithful astray, but that true religion would triumph.

Leo X died in Rome in December 1521 leaving behind political turmoil in Italy and religious turmoil in northern Europe. He did not take seriously the demand for church reforms that would later grow into the Protestant Reformation.

Travel tip:

The stunning Renaissance Basilica of St Peter’s in Rome was completed and consecrated in 1626, helped by the funding acquired by Pope Leo X. Believed to be the largest church in the world, Basilica Papale di San Pietro in Vaticano was built to replace the original fourth century Basilica that had been constructed on what was believed to be the burial site of St Peter. Bramante, Michelangelo and Bernini were among the many artistic geniuses who contributed to the design of the church, which is considered to be a masterpiece of Renaissance architecture. Located within Vatican City, the Basilica is approached along Via della Conciliazione and through the vast space of St Peter’s Square. It is believed that St Peter, one of the disciples of Jesus, was executed in Rome on October13, 64 AD during the reign of the Emperor Nero. He was buried close to the place of his martyrdom. The old St Peter’s Basilica was constructed over the burial site 300 years later. Archaeological research under the present day Basilica was carried out during the last century and Pope Pius XII announced the discovery of St Peter’s tomb in 1950.

The Sistine Hall of the Vatican Library

Travel tip:

The Vatican Library, inside the Vatican Palace, was built up by Pope Leo X during his papacy. It is one of the oldest libraries in the world but was formally established in 1475, the year Leo X was born. Today it is a research library for history, law, philosophy, science and theology and can be used by anyone who can document their qualifications and research needs. The Vatican Library contains a defence of the seven sacraments of the Catholic Church against Martin Luther, supposedly written, or at least signed by, Henry VIII, King of England. He added a couple of lines to the text in his own hand before presenting the book to Pope Leo X.

More reading:

How Pope Julius II came to commission Michelangelo

The consecration of St Peter's Basilica

Bernini and the fountains of Rome

Also on this day:

1912: The birth of film producer Carlo Ponti

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