Umberto Baldini – art restorer

Saved hundreds of artworks damaged by Arno floods

Umberto Baldini

Umberto Baldini, the art historian who helped save hundreds of paintings, sculptures and manuscripts feared to have been damaged beyond repair in the catastrophic flooding in Florence in 1966, died on this day in 2006.

Baldini was working as director of the Gabinetto di Restauro, an office of the municipal authority in Florence charged with supervising restoration projects, when the River Arno broke its banks in the early hours of November 4, 1966.

With the ground already saturated, the combination of two days of torrential rain and storm force winds was too much and dams built to create reservoirs in the upper reaches of the Arno valley were threatened with collapse.

Consequently thousands of cubic metres of water had to be released, gathered pace as it raced downstream and eventually swept into the city at speeds of up to 40mph.

More than 100 people were killed and up to 20,000 in the valley left homeless. At its peak the depth of water in the Santa Croce area of Florence rose to 6.7 metres (22 feet). 

The Basilica of Santa Croce partially
submerged under flood water

Baldini was director of the conservation studios at the Uffizi, the principal art museum in Florence and one of the largest and most well known in the world, where some of the most precious and valuable treasures of the Renaissance were kept, supposedly secure and protected.

The main galleries on the second floor of the Uffizi complex, situated just off Piazza della Signoria in the heart of the city and right by the river, escaped but the water – not only muddy but full of oil after tanks in its path were ruptured – poured into storerooms, where more than 1,000 medieval and Renaissance paintings and sculptures were kept.

Once the flood subsided, it was Baldini’s task to save what he could from the mess that remained, with everything in the storerooms covered in oily mud.  Similar scenes confronted the wardens and curators of churches, libraries and museums all over Florence.

It was estimated that between three and four million books and manuscripts were damaged, as well as 14,000 works of art.

Baldini not only oversaw a painstaking restoration project at the Uffizi, he was called on to advise in similar efforts taking place across the city, with almost every church possessing priceless works by one Old Master or another.

The bespectacled academic called in experts from around the world and rapidly organised the hiring and training of hundreds of volunteers – the so-called Mud Angels – to dry, clean and restore such damaged material as could be salvaged.

Baldini examines some of the restoration work

Books were washed, disinfected and dried, pages often removed to be later rebound. Paintings were dried with the application of rice paper, with techniques employed in some cases to remove entire paint layers and reapply them to a new surface.

The work went on for decades after the streets had been cleaned up and Florentine life restored to normal but by the mid-1980s it was thought up to two-thirds of all the damaged items had been repaired, including high-profile casualties such as Cimabue’s wooden crucifix in the Basilica of Santa Croce.

Others took much longer. For instance, work on Giorgio Vasari’s huge panel painting of The Last Supper, also housed in the Santa Croce basilica and submerged for 12 hours, was not completed until 2016, half a century after the flood.

Much of the successful restoration was down to the work by Baldini in the immediate aftermath of the catastrophe, when he reorganized the Uffizi’s conservation facilities under a single institute and put in place formal training programmes for students of conservation to provide a steady supply of highly-skilled staff.

In 1983, Baldini was appointed director of the Istituto Centrale per il Restauro in Rome, Italy’s most prestigious conservation body, in which capacity he led the project to clean and restore the 15^th- century Masaccio frescoes in the Brancacci Chapel of the Carmine Church in Florence.

Completed by Fillipino Lippi, the frescoes depict scenes from the life of St. Peter and the Book of Genesis. Baldini’s team discovered a virtually unspoiled portion of the fresco hidden behind an altar.

Born in 1921 at Pitigliano, near Grosseto in Tuscany, Baldini wrote books on the Brancacci Chapel, Masaccio and the restorations of Botticelli’s Primavera and Cimabue’s crucifix.

He died at his home in Marina di Massa, a Tuscan coastal town north of Viareggio, some 125km (78 miles) west of Florence, aged 84. His funeral took place at the church of San Giuseppe Vecchio in Marina di Massa and his body was interred at the Cemetery of the Holy Gate at the Basilica di San Miniato al Monte in Florence.

The church of San Miniato al Monte and adjoining cemetery

Travel tip:

San Miniato al Monte stands at one of the highest points in Florence and has been described as one of the finest examples of Romanesque architecture in Italy. Work on building the church began in 1013 at the sight of a chapel marking a cave supposedly occupied by Minas – later St. Miniato – an Armenian prince serving in the Roman army under Emperor Decius, who was denounced as a Christian after becoming a hermit. The Emperor ordered Minas to be thrown to the beasts in an amphitheatre outside Florence only for the animals to refuse to devour him, and instead had him beheaded, upon which he is alleged to have picked up his head, crossed the Arno and walked up the hill of Mons Fiorentinus to his hermitage.

Cimabue's partially restored crucifix in the
Basilica of Santa Croce

Travel tip:

The Basilica of Santa Croce, consecrated in 1442, is the main Franciscan church in Florence and the burial place among others of Michelangelo, Galileo, Machiavelli, the poet Ugo Foscolo, the philosopher Giovanni Gentile and the composer Gioachino Rossini.  It houses works by some of the most illustrious names in the history of art, including Canova, Cimabue, Donatello, Giotto and Vasari.

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Francesco Zuccarelli - landscape painter

Tuscan-born artist appealed to English tastes

Richard Wilson's 1751 portrait of
Francesco Zuccarelli is at Tate Britain

Francesco Zuccarelli, who was considered to be the most important landscape painter to emerge from Venice in the 18^th century, was born on this day in 1702.

  

Zuccarelli’s picturesque Arcadian landscapes were especially appealing to English buyers, and he was more famous in England even than his contemporary, Canaletto.

His fame in England prompted Zuccarelli to spend two periods of his life there. He settled in London for the first time at the end of 1752 and remained for 10 years, enjoying great success.

After returning to Italy after being elected to the Venetian Academy, he went back to England from 1765 to 1771, during which time he was a founding member of the Royal Academy and became one of George III’s favourite painters.

Born in Pitigliano, a medieval town perched in top of a tufa ridge in southern Tuscany, Zuccarelli received his early training in Florence, where he engraved the frescoes by Andrea del Sarto in SS Annunziata.

The Finding of Moses (1768), commissioned by George III,
is part of the Windsor Castle collection

Zuccarelli’s father Bartolomeo owned several local vineyards. With considerable income at his disposal, he sent Francesco to Rome at the age of 11 or 12 to begin an apprenticeship with the portrait painters Giovanni Maria Morandi (1622–1717) and his pupil Pietro Nelli (1672–1740).

From around 1730 he was active in Venice, where he was influenced by Marco Ricci and extensively patronised by British travellers and became friendly with Richard Wilson, who painted his portrait.  The art collector Joseph Consul Smith, the patron of Canaletto, became his patron too.

He moved to London in October 1752, rapidly achieving great success with his Italianate landscapes, which were probably less real places than idealistic paintings of Italy, imagined as a country with well-behaved peasants, delightful weather and pretty rural scenery.  No other Italian painter in London in the 18^th century could match Zuccarelli’s success.

Zuccarelli's Bull-Hunting is housed at the Galleria dell'
Accedemia in the Dorsoduoro quarter of Venice

Zuccarelli designed a series of tapestries for Charles Wyndham, 2nd Earl of Egremont  at Petworth House in West Sussex, now a National Trust property. He decided to return to Venice late in 1761, holding a sale 70 of his works in February 1762 with the intention of making his way back to Italy once all the works were sold.

He had achieved his goal by November 1762 and arrived in Venice before Christmas.  The following year he became a member of the Venetian Academy but the demand for his work in England remained high and he went back for a second stay in February 1965.

He received at least one commission from George III - Finding of Moses (1768, Royal Collection). 

Zuccarelli became a founder-member of the Royal Academy in 1768, exhibiting there from 1769-71 and 1773. He also exhibited at the Free Society of Artists in 1765-6, and 1782, and at the Society of Artists in 1767-8.

He returned to Venice in late 1771, putting himself in a position to be elected President of the Venice Academy the following year. Shortly afterwards, he retired to Florence, where he died in 1788.

Despite the fame he experienced in his lifetime, Zuccarelli's reputation declined in the early 19th century with naturalism becoming increasingly favoured in landscapes.

Many of Zuccarelli's landscapes are in Windsor Castle, the summer residence of Queen Elizabeth II, Consul Smith having willed his collection to the English monarchy on his death.

Pitigliano in Tuscany, where Zuccarelli was born, appears
to be carved out of the rock on which it sits

Travel tip:

Pitigliano, which can be found about 200km (125 miles) south of Florence close to the border between Tuscany and Lazio, rises dramatically from a tufa ridge, the stone of its houses blending with the tufa as if carved from the rock. The town is known as Piccola Gerusalemme - Little Jerusalem - after the large Jewish population that settled there in the middle of the 16th century, fleeing from the south to avoid the Vatican's persecution. The town still has a synagogue, although very few of the current population of just under 4,000 are Jewish. The Orsini Fortress and the former cathedral of Santi Pietro e Paolo are among the attractions for visitors and some restaurants still serve dishes with Jewish influences. The Orsini Palace Museum contains some of Zuccarelli's work.

The Ospedale degli Incurabili, current home of
the Accademia di Belle Arti di Venezia

Travel tip:

The Venice Academy of Fine Arts – the Accademia di Belle Arti di Venezia – was first housed in 1750 in the Fonteghetto della Farina, a flour warehouse and market on the Grand Canal near Piazza San Marco. In 1807, it was moved to premises in the Palladian complex of the Scuola della Carità in the Dorsoduro quarter, which today houses the Gallerie dell’Accademia, where a number of Zuccarelli’s works can be found . The academy itself is now based at the Ospedale degli Incurabili, also in Dorsoduro, looking out over the Giudecca Canal.

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Enzo Ferrari – car maker

Entrepreneur turned Ferrari into world’s most famous marque

Enzo Ferrari at the 1967 Italian GP in Monza

Enzo Ferrari, the founder of the Scuderia Ferrari motor racing team and later the Ferrari sports car factory, died on this day in 1988 at the age of 90.

Known widely as Il Commendatore, he passed away in Maranello, a town in Emilia-Romagna a few kilometres from Modena, where he had a house, the Villa Rosa, literally opposite Ferrari’s headquarters, where he continued to supervise operations almost to his death. He had reportedly been suffering from kidney disease.

Since the first Ferrari racing car was built in 1947 and the Scuderia Ferrari team’s famous prancing stallion symbol has been carried to victory in 228 Formula One Grand Prix races and brought home 15 drivers’ championships and 16 manufacturers’ championship.

Always an exclusive marque, the number of Ferraris produced for road use since the company began to build cars for sale rather than simply to race is in excess of 150,000.

Born Enzo Anselmo Ferrari in 1898 in Modena, he attended his first motor race in Bologna at the age of 10 and developed a passion for fast cars rivalled only by his love of opera.

He endured tragedy in 1916 when both his brother and his father died in a flu epidemic and was fortunate to survive another epidemic two years later, when he became seriously ill while serving with the army.

A young Enzo Ferrari pictured at the
wheel of a racing car

In 1919, he moved to Milan to work as a test driver, joining Alfa Romeo the following year. It was after winning a race in 1923 that he met the parents of First World War flying ace Francesco Baracca, who suggested the young driver use the emblem that decorated their son's plane for good luck – a prancing horse.

In 1929, he formed the Scuderia Ferrari motor racing team, which was essentially the racing division of Alfa Romeo, although that arrangement came to an end in 1937 – six years after he retired as a driver – when Alfa claimed back control of its racing operation.

Soon after leaving Alfa Romeo, Enzo Ferrari opened a workshop in Modena but the outbreak of the Second World War stalled its progress, and the first Ferrari racing car – the 125S - was not completed until 1947.

The marque scored its first win in the same year, at the Rome Grand Prix, and went on to notch victories at the Mille Miglia in 1948, the 24 Hours of Le Mans in 1949 and the British Grand Prix in 1951.

In 1952 and 1953, Ferrari driver Alberto Ascari won the newly launched Formula One world championship. Around this time, the company also began producing cars for road use, with rich and famous clients soon queuing up for the chance to own one as its reputation grew as the ultimate automotive status symbol.

The Ferrari museum at Maranello has a reconstruction of Enzo's
 office with a waxwork of 'il Commendatore' at his desk

Enzo suffered more personal tragedy in 1956 with the death of his son Dino from muscular dystrophy, during a period in which six of his drivers were killed and one of his cars went out of control in the 1957 Mille Miglia, killing nine spectators. Afterwards he became increasingly reclusive.

Financial issues prompted him to sell 50 per cent of Ferrari to Fiat in 1969 and he formally resigned as president of the company in 1977, although he remained involved with day-to-day running.

The Ferrari name lives on as a public company with its legal headquarters in Amsterdam. Enzo’s second son, Piero, owns 10 per cent of the company.

Ferrari's famous 'prancing horse'
at the Maranello factory

Travel tip:

Maranello, a town of around 17,000 inhabitants 18 km (11 miles) from Modena, has been the location for the Ferrari factory since the early 1940s, when Enzo Ferrari transferred operations from Modena, due to bombing during the Second World War. The public museum Museo Ferrari, which displays sports and racing cars and trophies, is also in Maranello. In another sport, Maranello is also the starting point of the annual Italian Marathon, which finishes in nearby Carpi.

Travel tip:

Modena should be high up the list of any visitor’s must-see places in northern Italy. One of the country’s major centres for food – the home of balsamic vinegar and tortellini among other things – it has a large number of top-quality restaurants among its narrow streets. The ideal base for visiting Ferrari’s headquarters at Maranello, it also has a beautiful Romanesque cathedral and is the birthplace of the great tenor Luciano Pavarotti, whose former home in Stradello Nava, about 8km (5 miles) from the centre of the city is now a museum.

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Aurelio Saffi – republican activist

Politician prominent in Risorgimento movement

Giacinto Pin's portrait of Aurelio Saffi

The politician Aurelio Saffi, who was a close ally of the republican revolutionary Giuseppe Mazzini during Italy’s move towards unification in the 19^th century, was born on this day in 1819 in Forlì.

He was a member of the short-lived Roman Republic of 1849, which was crushed by French troops supporting the temporarily deposed Pope Pius IX, and was involved in the planning of an uprising in Milan in 1853.

Saffi was sentenced to 20 years in jail for his part in the Milan plot but by then had fled to England.

He returned to Italy in 1860 and when the Risorgimento realised its aim with unification Saffi was appointed a deputy in the first parliament of the Kingdom of Italy in 1861.

At the time of Saffi’s birth, Forlì, now part of Emilia-Romagna, was part of the Papal States. He was educated in law in Ferrara, but became politically active in his native city, protesting against the administration of the Papal legates.

He soon became a fervent supporter of Mazzini, whose wish was to see Italy established as an independent republic and saw popular uprisings as part of the route to achieving his goal.

Giuseppe Mazzini captured in an
early photograph 

One such uprising took place in Rome on November 15, 1848, when the assassination of Pellegrino Rossi, a minister in the Papal government, was followed by mass demonstrations on the streets of the city, demanding a democratic government, social reforms and a declaration of war against the Austrian Empire.

The Pope slipped out of Rome dressed as an ordinary priest and fled to Gaeta in the Kingdom of the Two Sicilies. The new Roman Republic was declared in February 1849,  led by Mazzini, Saffi and Carlo Armellini.

The Roman Republic, however, lasted only until July 3, when a French army sent by Louis-Napoléon Bonaparte, the new president of the French Republic - later the emperor Napoleon III - whose restoration of the papacy repaid his Roman Catholic supporters, defeated the republic’s army, led by Giuseppe Garibaldi.

Saffi retired to exile in Liguria and later joined Mazzini in Switzerland before moving with him to London.  He returned to Italy in 1852 to plan a series of uprisings in Milan similar to the so-called Five Days of 1848, when the Austrians were temporarily driven out by Italian nationalists.

Again the project ended in failure.  Saffi went back to England, being sentenced in his absence to 20 years in jail. Obliged to put down roots in England, he was appointed the first teacher of Italian at the Taylor Institute in Oxford and married Giorgina Craufurl, an Italian-born English supporter of Mazzini, with whom he had four sons.

In 1860, Saffi moved to Naples, then under the control of Garibaldi, and was elected a deputy in the parliament of the newly formed Kingdom of Italy the following year.

He spent his last days in his villa in the countryside near Forlì after taking up a professorship at the University of Bologna.  He died in 1890 at the age of 70.

Aurelio Saffi's statue stands at the heart of Piazza Saffi

Travel tip:

Formerly Piazza Maggiore, the main square in the elegant city of Forlì was renamed Piazza Saffi in 1921 in honour of Aurelio Saffi, who by then was recognised along with Giuseppe Mazzini as an Italian hero thanks to their part in the unification.  A large square, it has a statue of Saffi at its centre and is bordered along its southern side by the Abbey of San Mercuriale, which was completed in the 12^th century. On the opposite side is the Palazzo Comunale, which dates back to the 11^th century. The most recent addition is the Palazzo delle Poste – the city’s Post Office – that was built in the 1930s.

Saffi's study at the Villa Saffi museum

Travel tip:

The Villa Saffi, about 4km (2.5 miles) south-west of the centre of Forlì, at which Saffi spent much of his time when he was living in Italy, is a former Jesuit convent bought by Aurelio’s grandfather, Tommaso Saffi, as a summer residence.  Much of Saffi’s collection of historical documents connected to Giuseppe Mazzini and the Risorgimento remains in the house, which is now municipally owned and open to the public as a museum with free admission.

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