Jovanotti - musician

Former rapper important figure in Italian pop culture

Jovanotti is now one of Italy's most popular
performers, attracting sell-out crowds

The singer-songwriter Lorenzo Cherubini – better known as Jovanotti – was born on this day in 1966 in Rome.

Famous in his early days as Italy’s first rap star, Jovanotti has evolved into one of Italian pop music’s most significant figures, his work progressing from hip hop to funk and introducing ska and other strands of world music to Italian audiences, his increasingly sophisticated compositions even showing classical influences.

He has come to match Ligabue in terms of the ability to attract massive audiences, while his international record sales in the mid-90s were on a par with Eros Ramazzotti and Laura Pausini.  Since his recording debut in 1988 he has sold more than seven million albums.

Although born in Rome, Cherubini came from a Tuscan family and spent much of his childhood and adolescence in Cortona in the province of Arezzo, where he now has a home.

He began to work as a DJ at venues in and around Cortona, mainly playing dance music and hip hop, which at the time was scarcely known in Italy. After finishing high school he went back to Rome because he felt he had a better chance of launching a musical career via the capital’s club scene.  

Jovanotti started out as a DJ before
turning to hip hop and rap

Jovanotti became his stage name not quite by design.  He had intended to call himself Joe Vanotti – the name meant to sound like giovanotti, the Italian word for “young people” – but the promotional poster for one of his early club bookings as a deejay incorrectly billed him as Jovanotti and the name stuck.

His success in Rome earned him bookings further afield, particularly at holiday resorts, and it was on one such gig that he met the entrepreneur record producer Claudio Ceccheto, who would give him national exposure via his radio station, Radio Deejay.

Jovanotti’s early work was raw and basic. He fashioned himself as a Paninaro – a kind of Italian version of the English mods of the 1960s, who favoured Vespa and Lambretta scooters and had signature clothes, in particular Timberland boots, Levi jeans and American military flying jackets.

Yet he became an icon for Italian youth. Songs such as Sei come la mia moto – roughly translated: “You’re like my Lambretta/Vespa” – and Gimme Five became youth anthems, the first of many that Italian teenagers, who love to memorise the lyrics of their favourite tracks and sing them together, would turn into pop classics. Fans refer to him often as simply Jova.

His 1988 debut album, Jovanotti for President, was panned by the critics, yet sold more than 400,000 copies. His second, La Mia Moto, topped 600,000.  His catalogue now stands at 13 studio albums, four live albums, six compilations, a remix album and four video albums, plus 82 singles.

Jovanotti songs became anthems
for Italian youth

The last seven of his studio albums have gone to number one in the Italian music charts and songs such as A te, L’Ombelico del Mondo, Bella, Fango, Piove, Penso Positivo and Per Te – which he wrote for his newborn daughter, Teresa, in 1998 – have entered what writers have dubbed The Great Italian Songbook.

Initially loved for the fact that his songs tended not to carry any political or ideological messages, from the 1990s onwards, Jovanotti became much more political. As a committed pacifist, he frequently worked with organizations such as Make Poverty History and Amnesty International, and he has contributed to events dedicated to debt relief, forming a friendship with the similarly minded U2 front man Bono.

He declared his support for the Partito Democratico della Sinistra (the Democratic Party of the Left), which formed from a split in the Italian Communist Party, in the 1992 general election.

In September 2008, 10 years after the birth of their daughter,  Jovanotti married his long-term partner Francesca Valiani at Cortona, in the Church of Santa Maria Nuova.

The Palazzo Comune in Cortona

Travel tip:

Cortona is a charming small city in the Valdichiana, or Chiana Valley, in the province of Arezzo in southern Tuscany, about 120km (75 miles) southeast of Florence. The city, enclosed by stone walls dating back to Etruscan and Roman times, sits on the top of a hill about 600m (2000ft) above sea level, offering spectacular views.  It is characterised by steep, narrow streets – indeed the main street, Via Nazionale, is the only street in the city with no gradient. Among the main sights is the domed church of Santa Maria Nuova, designed by Giorgio Vasari.

The Best Company label favoured by Paninari

Travel tip:

The Paninaro youth culture of the 1980s began in Milan among a group of teenagers who fashioned an identity for themselves around certain clothing brands. They tended to meet in particular cafes and fast food outlets in central Milan, in particular Al Panino in Via Agnello, a stone’s throw from the Duomo. As befits the fashion capital of Italy, they favoured expensive labels and it was not unusual to see Paninari dressed in Armani jeans, although the real must-haves in addition to Timberland boots were brightly coloured Best Company sweatshirts and Alpha Industries or Schott flying jackets.

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St Francis Basilica struck by earthquake

Historic art works damaged in double tremor

The Basilica of St Francis at Assisi

The historic Basilica of Saint Francis in Assisi suffered serious damage on this day in 1997 when two earthquakes struck in the central Apennines.

The quakes claimed 11 lives in the Assisi area and forced the evacuation of 70 per cent of buildings in the Umbrian town, at least temporarily, because of safety fears.

Many homes were condemned as unsafe for occupation and residents had to be housed in makeshift accommodation.

The event also caused considerable damage to frescoes painted in the 13^th century by Giotto and to other important works by Cimabue, Pietro Lorenzetti and Simone Martini.

The dramatic moment the vaulted ceiling came down

The first quake, measuring 5.5 on the Richter Scale, struck shortly after 2.30am and was felt as far away as Rome, some 170km (44 miles) to the south.  A series of smaller tremors kept residents on edge through the night.

Yet the biggest quake, measured at 5.7 initially but later revised upwards to 6.1, was still to come. With tragic consequences, it occurred at 11.43am, just as a party of Franciscan monks, journalists, town officials and experts from the Ministry of Culture had decided to venture inside the basilica to inspect the damage.

It is thought that between 20 and 30 people were inside the Upper Church when the shaking began, caused the vaulted ceiling to collapse, bringing down sections of Giotto’s fresco cycle depicting the Life of Saint Francis.

Most of them were able to escape by running away as the ceiling began to fall but 10 were trapped under the rubble for many hours. Six were pulled out alive but rescuers found that two of the friars and two of the government experts had been killed.

As well as the Giotto cycle, there was also damage to a cycle of frescoes by Cimabue that many experts regarded to be fundamental to the history of Western art.  These included portraits of the so-called Doctors of the Latin Church – St Ambrose, St Jerome, St Augustine and St Gregory the Great – and of the writers of the Gospels of the New Testament – Matthew, Mark, Luke and John.

Detail from the Giotto cycle The Life of St Francis

The church, a significant tourist attraction in Italy, was immediately closed to visitors, yet it was reopened in just two years, which was considered exceptional by Italian standards. Giotto’s images of St Rufina and St Vittorino were reconstructed from more than 3,000 tiny fragments.

The government attracted criticism, however, for devoting much more money and energy to rebuilding the basilica and restoring art works than it had to rehousing people whose homes were destroyed by the quake.

On the day of the re-opening, a celebration that attracted live television coverage, 10,000 people in the area were still living in adapted metal containers, which had been provided as temporary accommodation.

It was revealed that whereas around €37 million had been spent on the restoration of the basilica, which dates back to 1228, and the Sacred Convent attached to it, only €4.75 million had been directed at rebuilding ruined homes and other buildings.

In the longer term, the broader restoration project was hailed as providing evidence to end a long-running argument over the authenticity of the works attributed to Giotto, which some experts believed were painted in the 14^th century, after his death.

A portrait thought to be
of Giotto di Bondone

In 2012, restorers uncovered previously unknown frescoes in a chapel within the basilica that had been closed and unused for many years. They discovered the initials “G.B” in one corner of the work, which they took to be the initials of Giotto di Bondone.

Giotto is considered to be the forefather of Italian Renaissance art, famous for the Scrovegni Chapel in Padua and the Ognisanti Madonna, which hangs in the Uffizi gallery in Florence.

The second of the two Assisi quakes was the most powerful to hit Italy since the devastating seismic event of 1980, just outside Naples, which killed at least 2,500 people.

There have been two more powerful quakes since – at L’Aquila in Abruzzo in 2009 and the one that struck the central Apennines in 2016, about 45km (28 miles) north of L’Aquila, both of which claimed around 300 lives.

The Basilica of St Francis is built into the side of a hill

Travel tip:

The Basilica of St Francis, which was begun in 1228 and developed over a period of about 300 years, is unusual in that it is built into the side of a hill and comprises two churches known as the Upper Church and the Lower Church, and a crypt where the remains of the saint are interred. The frescoes are by numerous late medieval painters from the Roman and Tuscan schools, and include works by possibly Pietro Cavallini as well as Cimabue, Giotto, Martini and Lorenzetti.  The range and quality of the works gives the basilica a unique importance in demonstrating the development of Italian art in early Renaissance.

The Temple of Minerva on
Piazza del Comune

Travel tip:

There is more to Assisi than the Basilica of St Francis.  The town has several other notable churches, including the Cathedral of San Rufino and the Basilicas of Santa Chiara and Santa Maria degli Angeli, plus the remains of a Roman amphitheatre.  At the centre of the town is a charming square, the Piazza del Comune, where can be found the ancient Temple of Minerva, with its six Corinthian columns, built in the first century BC.

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Agostino Bassi – biologist

Scientist who rescued the silk industry in Italy

Agostino Bassi had lessons from
Lazzaro Spallanzani

Bacteriologist Agostino Bassi, who was the first to expound the parasitic theory of infection, was born on this day in 1773 at Mairago near Lodi in Lombardy.

He developed his theory by studying silkworms, which helped him discover that many diseases are caused by micro organisms.  This was 10 years in advance of the work of Louis Pasteur.

In 1807 Bassi began an investigation into the silkworm disease mal de segno, also known as muscardine, which was causing serious economic losses in Italy and France.

After 25 years of research and carrying out various experiments, Bassi was able to demonstrate that the disease was contagious and was caused by a microscopic parasitic fungus.

He concluded that the organism, at the time named botrytis paradoxa, but now known as beauvaria bassiana in his honour, was transmitted among the worms by contact and by infected food.

These findings enabled Bassi to rescue the economically important silk industry in Italy by recommending using disinfectants, separating the rows of feeding caterpillars and keeping farms clean.

A plaque outside the house in Paolo Gorini in Lodi, where
Bassi lived and studied, commemorates his life

Bassi announced his discoveries in his work Del mal del segno, calcinaccio o moscarduino, published in 1835.

He also produced scientific works on laboratory cultures of potatoes, on cheese and wine making, as well as the human diseases of leprosy and cholera, after which he made the important generalisation that many diseases of plants, animals and man are caused by animal or vegetable parasites.

Bassi preceded both Louis Pasteur and Robert Koch in formulating a germ theory of disease. He prescribed methods for the prevention and elimination of muscardine, which earned him a lot of prestige.

His father, a wealthy farmer, had wanted Bassi him to look after the family property when he grew up, rather than become a biologist. But he was able to take science lessons from the biologist, Lazzaro Spallanzani, who was one of his relatives.

Louis Pasteur is reputed to have had the portraits of both Spallanzani and Bassi on the walls of his office.

After Bassi’s death in 1856 in Lodi, when the biologist was 82, he was buried in the Romanesque church of San Francesco in his home town.

In 1953 the Italian post office issued a stamp on the 180th anniversary of his birth in 1773, featuring a portrait of Bassi bordered by pictures of silkmoths.

Via Agostino Bassi is the main street in Mairago,
where the biologist was born

Travel tip:

The comune of Mairago, where Bassi was born, is in the province of Lodi about 40km (25 miles) south east of Milan and about 7km (4 miles) southeast of Lodi. Mairago is surrounded by fields of corn and barley and there is widespread beekeeping in the area.

Agostini Bassi's tomb in the church of San Francesco

Travel tip:

Agostino Bassi’s tomb is in the 13th century church of San Francesco in Piazza Ospedale in Lodi, set against a wall in the right transept. The church is distinctive because of its two ‘open sky’ double mullioned windows in the façade, an early example of a design that was often repeated in northern Italy during the 14th and 15th centuries.

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Maria Pia of Bourbon-Parma - exiled princess

Vote for republic forced King's daughter to leave

Princess Maria Pia of Bourbon-Parma,
pictured in 1963

Princess Maria Pia of Bourbon-Parma was born into the Italian royal family on this day in 1934, the grand-daughter of King Victor Emmanuel III.

Her father, Umberto of Savoy, would himself become King on her grandfather’s abdication but reigned for just 34 days in 1946 before Italy voted to become a republic and the royals were effectively thrown out of the country.

Italians could not forgive Victor Emmanuel III for not doing enough to limit the power of the Fascists and for approving Benito Mussolini’s anti-semitic race laws. The constitution of the new republic decreed that no male member of the House of Savoy could set foot in Italy ever again.

It meant that Princess Maria Pia, the eldest of Umberto’s four children, had to leave Italy immediately along with her brother and two sisters and all the other members of the family, bringing to an abrupt end the life she had known until that moment.

Born in Naples, where the Villa Rosebery, once the property of the British prime minister, the Earl of Rosebery, had been renamed Villa Maria Pia by her doting father, the 11-year-old princess was removed to Cascais in Portugal.

When her parents separated almost immediately after leaving Italy – as strict Catholics, Umberto and Marie-José never divorced – she divided her time between Portugal and her mother’s home in Switzerland.

Princess Maria Pia of Savoy, as she was then, pictured
with her first husband,  Alexander of Yugoslavia

This changed in 1954 after she was invited to a cruise hosted by Queen Frederica of Greece on the yacht Agamemnon, where she met Prince Alexander of Yugoslavia.  They were married the following year and settled in Paris.

They had four children – two sets of twins, born in 1958 and 1963 – and lived a comfortable life.  Maria Pia was much photographed and came to be regarded as a symbol of Italian style.  Unlike the males in the Savoy line, she was allowed to return to Italy, where she was a regular customer of the Sorelle Fontana fashion house in Rome and would buy shoes from Alberto Dal Cò, the uncle of the three Fontana sisters.

She also wore dresses designed by her fellow Neapolitan, Emilio Schuberth, and would go to Capri to the boutique of Emilio Pucci.

For a while she was a model for Vogue magazine and worked as a journalist on another magazine, Novella 2000, revealing a talent for writing she claimed she inherited from her mother.

Among the many people she interviewed was the artist Salvador Dalì, with whom she became close friends.

Princess Maria Pia is still actively involved with charities

Like that of her parents, however, her marriage to Prince Alexander ultimately broke down.  They divorced in 1967.

By that time she had begun an affair with Prince Michel of Bourbon-Parma and was already living with him when she and Alexander divorced. They have remained together since, although they were not married until 2003.

Michel, whose ancestry goes back to the establishment of the House of Bourbon-Parma in Italy in 1731, had been separated from his first wife, Yolande of Broglie-Revel, since 1966 but they did not divorce until 1999.

He and Maria Pia were married in a civil ceremony in Manalapan, Florida, close to the mansion they owned in Palm Beach.

In recent years they have divided their time between homes in Neuilly-sur-Seine, just outside Paris, and Palm Beach, although the 91-year-old Michel has recently become too frail to leave France.

Unlike her brother, Vittorio Emanuele, who did the reputation of the family no good in various scandals, Maria Pia had led a life free from controversy and is recognised, in Florida in particular, for her work with charities and her keen interest in promoting the preservation of the historic, architectural and cultural heritage of Palm Beach.

The Villa Rosebery overlooks the sea at Marechiaro

Travel tip:

The Villa Rosebery, which sits in 16.3 acres (6.6 hectares) of land in Marechiaro on the northern side of the Bay of Naples, came into the possession of the 5^th Earl of Rosebery, the former Liberal prime minister of Great Britain, in 1897.  In 1909, he presented the building to the British government for the use of the British Ambassador to Italy. In 1932 the British government in turn presented the building to the Italian State and the villa was used as a summer royal residence until the royal family were exiled in 1946.  It was then used by the Accademia Aeronautica until 1949, after which it was unoccupied until it became an official residence of the President of the Italian Republic in 1957.

Piazza di Spagna, viewed from the Spanish Steps

Travel tip:

The House of Fontana still exists today, with its headquarters close to Piazza di Spagna, one of the most famous squares in Rome, situated at the foot of the much-photographed Spanish Steps. The square and steps take their name from the Embassy of Spain, situated close by. The steps were built to provide access from the embassy to the church of Trinità dei Monti.

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