Antonio Priuli - Doge of Venice

Doge clamped down on Spanish ‘spies’

Antonio Priuli rounded up hundreds of
suspected Spanish plotters

Antonio Priuli, who was the 94th Doge of Venice, was born on this day in 1548 in Venice.

He took office in 1618 in the midst of allegations that the Spanish were conspiring to invade Venice. He immediately began a brutal process of ferreting out individuals suspected of plotting against La Serenissima, the Most Serene Republic of Venice.

The so-called ‘spy war’ did not end until 1622 and resulted in the imprisonment and deaths of many innocent people.

Priuli was the son of Girolamo Priuli and Elisabetta Cappello. He grew up to enjoy a successful career as a sailor and a soldier and married Elena Barbarigo, with whom he had 14 children.

In 1618 Priuli was appointed provveditore, a type of governor, of Veglia, an island in the Adriatic, which now belongs to Croatia.

That same year, following the death of Doge Nicolo Donato, Priuli was recalled from Veglia to become the next Doge.

At the time it was believed that the Spanish, led by the Spanish Ambassador to Venice, Alfonso de la Cueva, 1st Marquis of Bedmar, had landed mercenaries on Venetian territory. It was thought Bedmar had successfully infiltrated the Venetian military and that a Spanish fleet was poised to take Venice.

On Priuli’s orders, hundreds were arrested, many of them foreign soldiers and sailors. Among the innocent victims was Antonio Foscarini, a Venetian nobleman who was arrested after attending an event at the English embassy and executed in April 1622.

The Venetian government issued an apology for Foscarini’s execution the following year and then scaled down the search for plotters. Priuli died just a few months later on August 12, 1623 in Venice.

The Palazzo Priuli in Castello is now an hotel

Travel tip:

Palazzo Priuli, Antonio Priuli’s family home, is now the four-star Hotel Palazzo Priuli in Castello overlooking Fondamento Osmarin. This fine Venetian Gothic palace was built in the 14th century and still has the original, elegant windows. You can choose to stay in the Doge Antonio Priuli suite, which is furnished with a Murano glass chandelier and oriental rugs to create the atmosphere of a noble Venetian’s home.

The Doge's Palace was the home of the Doge and the
seat of the government of the Venetian Republic

Travel tip:

The Doge’s Palace, where Antonio Priuli lived during his five-year reign, was the seat of the Government of Venice and the home of the Doge from the early days of the republic. For centuries this was the only building in Venice entitled to the name palazzo. The others were merely called Cà, short for Casa. The current palazzo was built in the 12th century in Venetian Gothic style, one side looking out over the lagoon, the other side looking out over the piazzetta that links St Mark’s Square with the waterfront. It opened as a museum in 1923 and is now run by the Fondazione Musei Civici di Venezia.

Also on this day: 

1922: The birth of Neapolitian journalist Antonio Ghirelli

1949: The birth of Miuccia Prada, driving force behind the Prada fashion label

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Giovanni Paisiello - composer

Audience favourite with a jealous streak

Giovanni Paisiello was one of the most
popular Italian composers in the 18th century

The composer Giovanni Paisiello, who wrote more than 90 operas and much other music and was enormously popular in the 18th century, was born on this day in 1740 in Taranto.

Paisiello was talented, versatile and had a big influence on other composers of his day and later, yet he was jealous of the success of rivals and is remembered today primarily as the composer whose passionate fans wrecked the premiere of Gioachino Rossini’s opera Almaviva, which was based on the same French play as Paisiello’s Il barbiere di siviglia, which was regarded as his masterpiece.

Rossini’s opera would eventually be more commonly known as Il barbiere di siviglia, but not until after Paisiello had died.

Nonetheless, Paisiello’s supporters still felt Rossini was attempting to steal their favourite’s thunder and many of them infiltrated the audience at Almaviva’s opening night in Rome and disrupted the performance with constant jeers and catcalls.

History has shown that perhaps they were right to be worried: today, Rossini’s Barber of Seville is one of the world’s most popular operas, yet Paisiello’s is rarely performed.

Paisiello was educated at a Jesuit school in Taranto. His father wanted his son to become a lawyer but noted the beauty of his singing voice and enrolled him at the Conservatory of San Onofrio at Naples.

A poster advertising the premiere
of Paisiello's opera Nina

There he displayed a talent for composing too, and the quality of some intermezzi he wrote for the conservatory’s theatre led to him being invited to write his first operas, La Pupilla and Il Marchese Tulissano. These brought him instant recognition and he settled in Naples, producing a series of successful operas, popular for being simple, dramatic, and always fast moving.

He set himself up in rivalry with the established giants of the Neapolitan school, Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi. He was known for being bitterly outspoken when one or another of the trio staged a work that received public acclaim, but he enjoyed his own triumphs, in particular with his 1767 comic opera L'ldolo cinese. 

Paisiello left Naples only when he was invited in 1776 by the Russian empress Catherine II to St. Petersburg, where he remained for eight years. It was there that he produced Il barbiere di siviglia, with a libretto by Giuseppe Petrosellini, based on the play by Pierre Beaumarchais.

Il barbiere premiered in St Petersburg in 1782 and its fame spread quickly around Europe. Among those influenced by the artistry of his score and the beauty of the melodies was Mozart, whose Marriage of Figaro made its debut four years later as a sequel to Paisiello’s Barbiere.

Paisiello left Russia in 1784, initially going to Vienna before returning to Naples to enter the service of King Ferdinand IV, where he enjoyed more success, composing what many regard as his best operas, including Nina and La Molinara, the latter featuring perhaps the best-known tune that Paisiello wrote in his lifetime, the duet Nel cor più non mi sento, which inspired works by Beethoven, Paganini and many others.

Domenico Cimarosa was a target for
Paisiello's outspoken comments

His decline began after he was invited to Paris in 1802 by Napoleon, for whom he had composed a march for the funeral of General Hoche. This time his rivals were Luigi Cherubini and Etienne Méhul, towards whom he displayed similar jealousy to that he once aimed at Cimarosa, Guglielmi and Piccinni.

However, the Parisian public was unimpressed and in 1803 he obtained permission to return to Italy, citing his wife's ill health. He kept his job in Naples even after the fall of Ferdinand IV, who was replaced as king by Napoleon’s brother, Joseph, and in turn by Joachim Murat.

But by then he was beginning to lose his touch and his fortunes declined just as the power of the Bonapartes was collapsing. His wife died in 1815 and his own health failed quickly thereafter. He died in 1816 at the age of 76.

In addition to his operas, Paisiello wrote a good deal of church music and instrumental works that include symphonies, harp and piano concerti, string quartets, sonatas for harp, violin and cello.

The 20th century saw his Barbiere and La Molinara revived along with a number of other operas and instrumental pieces.

The Castello Aragonese is a landmark in Taranto

Travel tip:

Taranto, situated at the top of the inside of the ‘heel’ of Italy, where Paisiello was born, is a large city - population in excess of 200,000 - of two distinct sections, divided by a swing bridge. The bridge links the small island containing the Città Vecchia, the old city, guarded by the imposing 15th century Castello Aragonese castle, which protects an area of Greek origins which has not been overdeveloped and has an authentic atmosphere of old southern Italy.  On the southern side of the bridge is the modern, new city, full of wide boulevards and carrying a much more prosperous air.  The city is heavily industrialised with a huge steel industry and a large naval base but its National Museum contains one of the most important collections of Greek and Roman artefacts in Italy.

The Conservatorio of San Onofrio

Travel tip:

The Conservatorio of San Onofrio a Porta Capuana was one of the four original Naples conservatories, founded in 1588 and developed first as an orphanage. Almost one fifth of the students at the Conservatory of San Onofrio were castrati, which gave it a different identity.  Its popularity declined during the Napoleonic period, and only 30 students remained when the conservatory merged with that of Santa Maria di Loreto in 1797.

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Victor Amadeus I of Savoy

Duke’s French connection may have proved fatal

Victor Amadeus ruled the Duchy of Savoy
for seven years until his death

Victor Amadeus I, who during his seven-year reign over Savoy was forced to give strategic territory to France, was born on this day in 1587 in Turin.

He was the son of Charles Emmanuel I, Duke of Savoy, and Catherine Micaela of Spain, daughter of Philip II of Spain.

Victor Amadeus spent much of his childhood in Madrid at the court of his grandfather.

He became heir-apparent to the Duchy of Savoy, when his brother, Filippo Emanuele, died in 1605 and he succeeded to the Dukedom after his father’s death in 1630.

Charles Emmanuel’s policies had made relationships with France and Spain unstable and troops were needed to defend the Duchy.

But as there was no money to recruit mercenaries or train local soldiers, Victor Amadeus signed a peace treaty with Spain.

In 1619 he married Christine Marie of France, the daughter of Henry IV of France and Marie de Medici.

After war broke out amongst rival claimants to the city of Mantua, the French took the fortress of Pinerolo, part of the Duchy of Savoy, in 1630.

The Treaty of Cherasco the following year brought peace again to northern Italy. According to the treaty, France renounced its conquests in Piedmont, but it was later discovered that Victor Amadeus had surrendered Pinerolo to France.

Pinerolo sits in the shadow of the Alps about 40km
southwest of Turin, about 75m from the French border

This gave France a strategic route into the heart of Savoy territory and then into the rest of Italy. Subsequent rulers of the House of Savoy resented this loss and strived to regain the territory.

In league with the French army, Victor Amadeus defeated the Spanish forces in the Battle of Tornavento in 1636 and the Battle of Mombaldone in 1637.

The French Marquis du Crequi held a banquet on 25 September 1637 to celebrate the victories and Victor Amadeus attended.  Several guests at the banquet subsequently became ill, including the Duke of Savoy. 

Victor Amadeus was taken to Vercelli where his condition worsened and he passed away a few days later in October 1637. As it was well known that there had been friction between him and Crequi because their military strategies had been incompatible, rumours soon circulated that the Duke of Savoy had been poisoned.

His widow, Christine Marie of France, served as regent of the duchy until 1663. It was inherited in turn by her sons, Francis Hyacinth, and Charles Emmanuel II.

The Piazza Duomo in Pinerolo 

Travel tip:

Pinerolo is a town about 40km (25 miles) southwest of Turin on the River Chisone in Piedmont. It was one of the principal fortresses of the dukes of Savoy. French troops invading Piedmont in 1536 conquered Pinerolo and it stayed under French control until 1696. The Man in the Iron Mask, who was a legendary unidentified French prisoner, was held in the Fortress of Pinerolo from 1669 to 1681 when he was moved to another prison. The prisoner has been featured in various works of fiction, most famously in the novel The Vicomte de Bragelonne, by Alexandre Dumas.

Piazza Umberto I in Mombaldone

Travel tip:

The Battle of Mombaldone, where Savoy troops and French forces defeated the Spanish army, took place on September 8, 1637 at Mombaldone, a comune in the province of Asti, about 70 kilometres south east of Turin. Featured by I Borghi piu belli d’Italia - a private association that promotes small Italian towns it deems to be of "strong historical and artistic interest" - Mombaldone still has its medieval centre and part of its 13th century castle, which was badly damaged during the battle.

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Domenico Bartolucci – composer

Talented musician served under six popes

Cardinal Domenico Bartolucci

Cardinal Domenico Bartolucci, director of the Sistine Chapel Choir for 40 years and a talented and prolific composer, was born on this day in 1917 in Borgo San Lorenzo in Tuscany.

Bartolucci was considered one of the most authoritative interpreters of the works of composer Giovanni Pierluigi da Palestrina and he led the Sistine Chapel Choir in performances all over the world.

His own compositions are said to fill more than 40 volumes and include masses, hymns, madrigals, orchestral music and an opera.

Bartolucci was born in Borgo San Lorenzo near Florence, the son of a brick factory worker who loved the music of Verdi and Donizetti. Bartolucci was recruited as a singer at the seminary in Florence at a young age. After the death of his music master, Bartolucci succeeded him as director of music for the Chapel of the Duomo of Florence and began to compose masses, motets and organ music.

Bartolucci went to Rome to deepen his knowledge of sacred music and served as deputy master of the choir at the Church of St John Lateran. In 1947 he was appointed Master of the Choir of St Mary Major, and in 1952 was appointed deputy master of the Sistine Chapel Choir.

Bartolucci was director of the Sistine Chapel Choir from
1956 until his retirement in 1996

Pope Pius XII gave him the position of permanent director of the Pontifical Sistine Chapel Choir in 1956. During his 40 years of leadership he strengthened the choir and took it to perform in countries all over the world.

Bartolucci had been a child prodigy and composed his first mass at the age of 12. His best known mass is the Misa Jubilei, written in the Holy Year of 1950. His biggest musical influences were Palestrina and the opera composer, Giuseppe Verdi. Bartolucci’s own three-act opera, Brunelleschi, dedicated to the history and construction of Filippo Brunelleschi’s colossal dome atop Florence’s cathedral, is yet to be performed.

Pope Benedict XVI created Bartolucci a cardinal in 2010 in recognition of his contribution to the church in the area of sacred ecclesiastical music. He became the fourth oldest member of the College of Cardinals and because he was over 80 was not eligible to vote in a papal conclave.

Bartolucci died in 2013 at the age of 96. After his funeral mass at St Peter’s Basilica, Pope Francis described him as ‘an ‘illustrious composer and musician, who exercised his long ministry particularly through sacred music, which is born of faith and expresses faith.’

The unusual campanile at the church of
Pieve di San Lorenzo

Travel tip:

Borgo San Lorenzo, the birthplace of Bartolucci, is the largest of the towns and villages of the Mugello, the green, hilly area to the north and west of Florence. The Romanesque church of Pieve di San Lorenzo has a campanile that is circular in its lower stages and hexagonal above. Nearby are the Medici properties of Castello del Trebbio and the Villa di Cafaggiolo, both built for Cosimo il Vecchio in the 15th century.

Travel tip:

The Sistine Chapel, whose choir Bartolucci led for 40 years, is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Between 1508 and 1512, Michelangelo painted the ceiling at the request of Pope Julius II.  His amazing masterpiece is in bright colours, easily visible from the floor, and covers more than 400 square metres.

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