25 June 2018

Marta Abba - actress

Aspiring star who became Pirandello’s muse


Marta Abba was just 24 when she met the  playwright Luigi Pirandello
Marta Abba was just 24 when she met the
playwright Luigi Pirandello
Marta Abba, who as a young actress became the stimulus for the creativity of the great playwright Luigi Pirandello, was born on this day in 1900 in Milan.

The two met in 1925 when Pirandello, whose most famous works included the plays Six Characters in Search of an Author (1921) and Henry IV (1922), asked her to see him, having read an enthusiastic appreciation of her acting talents by Marco Praga, a prominent theatre critic of the day.

Abba had made her stage debut in Milan in 1922 in Anton Chekhov’s The Seagull and was noted for the exuberance and passion of her performances. Pirandello was impressed with her and immediately hired her as first actress for his Teatro d’Arte company in Rome.

Over the next nine years until Pirandello’s death in 1936, Abba would become not only his inspiration but his confidante. When Abba was not working with him but was on stage in some other city or country, they would correspond in writing, exchanging hundreds of letters.

Pirandello was said to be infatuated with Abba from their first meeting in 1925 in Rome
Pirandello was said to be infatuated with Abba from
their first meeting in 1925 in Rome

There was a considerable age gap between them - Abba was 24 and Pirandello 58 when they met - and their relationship was complex and not always harmonious.  It has been speculated that there was a romance between them but any love affair was probably one-sided.

The Sicilian playwright, who was married but whose wife was in an asylum for the mentally ill, was infatuated with the young actress but it is thought it was a passion that was unconsummated, which meant that the relationship was a source of torment for Pirandello as well as one that inspired his creativity.

The eldest daughter of a Milan merchant, Abba went to a theatre school in Milan and was always set on a career in theatre.  Her collaboration with Pirandello, starring in many of his plays, would make her a significant figure in theatre in Italy.

Abba did not marry until after Pirandello's death
Abba did not marry until after
Pirandello's death

In 1930 she founded her own theatrical company and specialized in staging the works of Pirandello and other European playwrights such as George Bernard Shaw, Gabriele d'Annunzio and Carlo Goldoni, under the direction of prestigious directors such as Max Reinhardt and Guido Salvini.

After Pirandello’s death, she moved to the United States, making her Broadway debut was in the play Tovarich, by the French writer Jacques Deval, at the Plymouth Theatre.

She remained single until after Pirandello’s death. In January 1938 she married a wealthy Cleveland polo player, Severance Allen Millikin.  They lived in Cleveland until they divorced in 1952, at which point Abba returned to Italy.

Her health remained robust until the last few years of her life, when she was confined to a wheelchair.  She spent the last few weeks before her death in 1988 receiving treatment at the spa town of San Pellegrino Terme, north of Bergamo.

She wrote an autobiography, La mia vita di attrice (My Life as an Actress). After her death, a collection she had kept of more than 500 letters between her and Pirandello was donated to the University of Princeton, in New Jersey.

The Art Nouveau Grand Hotel in San Pellegrino Terme
The Art Nouveau Grand Hotel in San Pellegrino Terme
Travel tip:

San Pellegrino Terme is a small town in a little over 20km (12 miles) north of the city of Bergamo, in Lombardy, in the Val Brembana. Its name has become known all over the world because of the fame of its spring water, bottled by a company that marketed it as San Pellegrino mineral water. The company’s main production centre used to be in the town, which is also notable for several striking Art Nouveau buildings from the early 20th century, including the Casinò, the Grand Hotel and the Terme (Baths).

The Palazzo Chigi-Odescalchi in Rome
The Palazzo Chigi-Odescalchi in Rome
Travel tip:

Luigi Pirandello’s Teatro d’Arte company used to stage its productions at the Odescalchi Theatre inside the Palazzo Chigi-Odescalchi, in Piazza Santi Apostoli, a short distance from Piazza Venezia in the heart of Rome. The palace, which belonged originally to the Colonna family, was remodelled by Carlo Maderno before undergoing a later transformation under the great Roman sculptor and architect Gian Lorenzo Bernini, with later input from Nicola Salvi and Luigi Vanvitelli, with the façade on Via del Corso rebuilt by Raffaelo Ojetti.

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24 June 2018

Battle of Custoza

Austrians thwart Italy’s hopes of unifying the peninsula


The Polish painter Juliusz Kossak's depiction of the Austrian 13th regiment attacking Italian bersaglieri during the battle
The Polish painter Juliusz Kossak's depiction of the Austrian
13th regiment attacking Italian bersaglieri during the battle.
An army of the recently unified Kingdom of Italy was driven out of Custoza in the Veneto region by Austrian troops on this day in 1866.

Although the Italians had twice the number of soldiers, the Austrians were victorious strategically and drove the Italians back across the Mincio river and out of the area then known as Venetia.

King Victor Emmanuel II’s younger son, Amadeo, was severely wounded in the battle but he survived his injuries and went on to reign briefly as King of Spain from 1870 to 1873.

The German Kingdom of Prussia had declared war on the Austrian Empire and the Kingdom of Italy seized the opportunity to join forces with Prussia, with the intention of annexing Venetia and uniting the Italian peninsula. The Austrian Imperial army joined up with the Venetian army.

The Italians divided their troops into two armies, one led by General Alfonso Ferrero La Marmora, accompanied by the King, and the other led by Enrico Cialdini.

The Italian General Alfonso Ferrero La Mormora
The Italian General Alfonso Ferrero La Mormora
La Marmora’s troops crossed the Mincio river and invaded Venetia. The Austrians led by Archduke Albrecht of Habsburg marched west from Verona to the north of the Italian position, so as to cut them off from the rear.

But on June 24, La Marmora changed the direction of his front and ended up colliding head on with the Austrians.

When the Austrians reacted by attacking them, the Italians panicked and took up a defensive position. By the middle of the day La Marmora had ordered a retreat, little realising that by then another Italian division had captured Belvedere Hill, overlooking Custoza. The troops on the hill found themselves isolated and after a bombardment by Austrian guns were driven out of Custoza.

However, for a number of reasons the Austrian did not pursue the Italians, squandering the chance to destroy their army. Only a month later the Austrians were forced to surrender to the Prussians and give up Venetia.

Scenes from the Italian side of the Battle of Custoza were recreated in the 1954 Luchino Visconti film, Senso.

The Ossario di Custoza
The Ossario di Custoza
Travel tip:

Custoza is a village in the province of Verona in the Veneto. In memory of the two famous battles fought there during the wars for Italian independence, a memorial building, the Ossuary of Custoza - Ossario di Custoza - was built on the Belvedere Hill in 1879. Today, June 24, a ceremony will be held there to remember the soldiers who died on this day in the Battle of Custoza. For more information about the memorial, visit www.ossariodicustoza.com.

The village of Custoza in the Veneto
The village of Custoza in the Veneto
Travel tip:

Custoza is also famous for producing the prestigious white wine, Bianco di Custoza, which is sometimes referred to as the white equivalent of the red wine, Bardolino, produced nearby in the town of Bardolino on the shores of Lake Garda. Bianco di Custoza is dry and smooth with flowery and fruity notes, with hints of apples, lemon peel and peaches that linger on the tongue. The wine is best drunk within a year of the grape harvest.

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23 June 2018

Giuseppina Tuissi - partisan

Key figure in capture and execution of Mussolini


Giuseppina Tuissa came from a strong anti-fascist background near Milan
Giuseppina Tuissi came from a strong
anti-fascist background near Milan
Giuseppina Tuissi, who was among a group of partisans who captured the deposed Fascist leader Benito Mussolini as he tried to escape to Switzerland in 1945, was born on this day in 1923 in Abbiategrasso, near Milan.

Tuissi and her comrades seized Mussolini at Dongo, a small town on the shores of Lake Como, on April 27, 1945, along with his mistress Claretta Petacci.  Having heard that Hitler was preparing to surrender to the Allies, Mussolini was trying to reach Switzerland before flying on to Spain in the hope of finding refuge under Franco’s nationalist dictatorship.

He and Petacci and their entourage were executed at the village of Giulino di Mezzegra the following day before the partisan group took their bodies to be put on public display in Milan.

Tuissi, however, would herself be killed less than a couple of months later, probably at the hands of fellow partisans who suspected her of betraying comrades during a period earlier in the year in which she had been held captive and tortured by Fascist militia and handed over to the Nazis but was then released.

Although she was born Abbiategrasso, about 30km (19 miles) southwest of Milan, Tuissi lived and worked in Baggio, a suburb of Milan. Her father Umberto, a blacksmith, her brother Cesare and boyfriend Gianni were active anti-fascist militants and members of the resistance movement.

In 1943, Tuissi became active in the movement, operating as a courier under the pseudonym Gianna.  Despite being small in stature and slight in build, she became known for her courage.

Luigi Canali, otherwise known as Captain Neri, with whom Tuissa had a close bond
Luigi Canali, otherwise known as Captain Neri,
with whom Tuissi had a close bond
Her attitude towards the Fascists, who remained in control of the puppet Republic of Salò (also known as the Italian Social Republic) even after the Allied invasion, hardened after her boyfriend was captured and murdered by Fascist thugs.

She teamed up with the partisan Garibaldi Brigades, becoming a close associate of Luigi Canali, who operated under the pseudonym Captain Neri, and began plotting attacks on Fascist and German forces.

But they came under the surveillance of Mussolini’s secret police and were seized in the village of Lezzano by Fascist militia in January 1945, taken to a prison in Como and subjected to torture. Soon after being transferred to the German SS headquarters in Monza, where she was further tortured, she was released.

There has been speculation about why she was allowed to leave, ranging from a gestapo officer deciding to spare her after being struck by her bravery, to being allowed to leave so that she could be followed by SS officers and would lead them to Canali, who had managed to escape from prison.

It is said that she was offered the chance to flee to Switzerland but declined, preferring to remain in Italy to continue the work of the resistance.

However, the suspicion that she and Canali had betrayed their fellow resistance fighters while in captivity remained, even resulting in a death sentence being handed down by a “People’s Tribunal” , although their closest comrades in the 52nd Garibaldi Brigade ignored it, welcoming them back. Their leader appointed Canali to the rank of captain.

A small cross on a wall in Giulino di Mezzegra marks the spot  at which Mussolini was killed by Tuissa and her comrades
A small cross on a wall in Giulino di Mezzegra marks the spot
 at which Mussolini was killed by Tuissi and her comrades 
The day after the Mussolini execution, however, Tuissi was arrested in Baggio and held until May 9, during which time she was interrogated by Pietro Vergani, regional commander of the Garibaldi Brigades and a member of the Italian Communist Party. She was told that Canali had been executed.

Disillusioned and saddened by the death of her close colleague, she and Canali’s sister went to Milan to confront Vergani, demanding to know the circumstances of his death. Despite threats, Tuissi continued to ask questions and arranged to meet the editor of a daily newspaper in Milan.

She disappeared on April 23, 1945, her 22nd birthday. What happened to her has never been established but the suspicion is that her body was thrown into Lake Como at Cernobbio. This was backed up by the evidence of witnesses who saw two men and a girl arrive on a motorcycle at the lakeside in the town at around 9pm, heard shots and the sound of something hitting the water, then saw the motorcycle leave with the two men but no girl.

Four men were arrested, including Vergani and Dante Gorreri, the Communist Party secretary for Como, but all were released because of procedural irregularities.

The Visconti castle at Abbiategrosso in Lombardy
The Visconti castle at Abbiategrosso in Lombardy
Travel tip:

Tuissi’s town of birth, Abbiategrosso, has a fine 14th century castle built by Gian Galeazzo Visconti and a basilica dedicated to Santa Maria Nuova that was built to celebrate the birth of Gian Galeazzo’s son, but its more recent claim to fame is as a prominent member of the Cittaslow movement, an offshoot of the Slow Food movement, which promotes a calm way of life and a spirit of neighbourliness. It has attracted many Milanese to buy property there to escapes the pressures associated with city life.

The sumptuous Villa d'Este on Lake Como at Cernobbio
The sumptuous Villa d'Este on Lake Como at Cernobbio
Travel tip:

Cernobbio is known because of the presence of the Villa d’Este, the vast complex built as a 16th century summer residence for the Cardinal of Como, but it is only one of many fine villas fronting the water. The town once attracted large crowds hoping to catch a sight of movie star George Clooney, who had a house at nearby Laglio and would occasionally be spotted at a cafe in Cernobbio. Scenes from the movie Ocean’s 12, in which Clooney starred, were filmed locally. The place still has a neighborhood feel to it, especially on summer evenings and weekends when the main piazza is full of families and couples.

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22 June 2018

Lucrezia Tornabuoni - political adviser

Medici wife one of most powerful women of the Renaissance


Domenico Ghirlandaio's portrait of Lucrezia Tornabuoni, painted in around 1475
Domenico Ghirlandaio's portrait of Lucrezia
Tornabuoni, painted in around 1475
Lucrezia Tornabuoni, who became one of the most influential and therefore powerful women in 15th century Italy through family connections and her own political and business acumen, was born on this day in 1427 in Florence.

Connected by birth to the powerful Tornabuoni family on her father’s side and the Guicciardinis through her mother, Lucrezia entered a third powerful family when she married Piero di Cosimo de’ Medici.

Yet she was an important figure in her own right, revealing politic skill and a talent for diplomacy during her husband’s time as de facto leader of Florence and when their son, Lorenzo, succeeded him.

She was also a successful property owner, buying houses, shops and farms in and around Pisa and Florence, which she would then lease out. She bought and renovated a hot spring, Bagno a Morba, turning it into a resort and spa for paying guests.

And she enhanced her popularity in Florence by supporting religious convents and working with them to help widows and orphans. She would draw on her own income to provide dowries for women from poor families so that they could marry and use her influence to help family members obtain good positions in the church or government.

Tornabuoni’s father was Francesco di Simone Tornabuoni, a wealthy banker and elected magistrate. Well read and educated to a high standard in Latin and Greek, she was introduced to Piero di Cosimo de’ Medici through her father’s friendship with Cosimo de’ Medici. Her dowry of 1200 florins helped to seal the alliance between the families.

Piero di Cosimo de' Medici, depicted in a  16th century painting by Bronzino
Piero di Cosimo de' Medici, depicted in a
16th century painting by Bronzino
She became adept in diplomacy and politics because her connections enabled her to build bridges between the Medici, who were essentially nouveau riche bankers, and the noble families of long-standing history.

When Piero took over the government in 1464, his health was poor and Lucrezia assumed an even greater role as his representative, helping him decide on important issues. She was also called on to mediate disputes, once ending a feud between two families that had gone on for 20 years.

Her prominence was not without pitfalls, however. In October 1467, she and her youngest son, Giuliano, were the targets of an assassination attempt linked to the rivalry between Piero and Luca Pitti. 

Lucrezia's influence increased still further in 1469 when Piero died and her son, Lorenzo, who would be known as Lorenzo the Magnificent, succeeded him as ruler of Florence, relying heavily on his mother’s advice and contacts.

In addition to her political and business interests, Lucrezia, who died in 1482, wrote religious stories, plays, and poetry and was a significant patron of the arts.

Around 1475, her brother Giovanni Tornabuoni, who was a papal ambassador and a banker, commissioned a portrait of her by Domenico Ghirlandaio, which is now in the National Gallery of Art in Washington, DC. She is also thought to appear in various scenes in Ghirlandaio's frescoes in the Tornabuoni Chapel.

The Palazzo Corsi-Tornabuoni today
The Palazzo Corsi-Tornabuoni today
Travel tip:

The Palazzo Tornabuoni, the family home in Florence, was originally created for Giovanni Tornabuoni by merging a number of palaces in what is now the Via de’ Tornabuoni, connecting the Piazza Antinori with the Ponte Santa Trinità. Since the 16th century, when it was bought by the Corsi family, the palace has been known as the Palazzo Corsi-Tornabuoni.

The Gucci store in Via de' Tornabuoni
The Gucci store in Via de' Tornabuoni
Travel tip:

The Via de’ Tornabuoni of today is well known as Florence’s high-fashion shopping street, characterised by the presence of exclusive stores belonging to houses such as Gucci, Salvatore Ferragamo, Enrico Coveri, Roberto Cavalli, Emilio Pucci and others, and also jewellery boutiques such as Damiani, Bulgari and Buccellati.

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