25 July

Alfredo Casella – composer

Musician credited with reviving popularity of Vivaldi

Pianist and conductor Alfredo Casella, a prolific composer of early 20th century neoclassical music, was born on this day in 1883 in Turin.  Casella is credited as being the person responsible for the resurrection of Antonio Vivaldi’s work, following a 'Vivaldi Week' that he organised in 1939.  Casella was born into a musical family. His grandfather had been first cello in the San Carlo Theatre in Lisbon and he later became a soloist at the Royal Chapel in Turin.  His father, Carlo, and his brothers, Cesare and Gioacchino, were professional cellists. His mother, Maria, was a pianist and she gave the young Alfredo his first piano lessons. Their home was in Via Cavour, where it is marked with a plaque.  Casella entered the Conservatoire de Paris in 1896 to study piano under Louis Diemer and to study composition under Gabriel Fauré.  Ravel was one of his fellow students and Casella also got to know Debussy, Stravinsky, Mahler and Strauss while he was in Paris.  He admired Debussy, but he was also influenced by Strauss and Mahler when he wrote his first symphony in 1905.  Read more…

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Carlo Bergonzi – operatic tenor

Singer whose style was called the epitome of Italian vocal art

Carlo Bergonzi, one of the great Italian opera singers of the 20th century, died on this day in 2014 in Milan.  He specialised in singing roles from the operas of Giuseppe Verdi, helping to revive some of the composer’s lesser-known works.  Between the 1950s and 1980s he sang more than 300 times with the Metropolitan Opera of New York and the New York Times, in its obituary, described his voice as ‘an instrument of velvety beauty and nearly unrivalled subtlety’.  Bergonzi was born in Polesine Parmense near Parma in Emilia-Romagna in 1924. He claimed to have seen his first opera, Verdi’s Il Trovatore, at the age of six.  He sang in his local church and soon began to appear in children’s roles in operas in Busseto, a town near where he lived.  He left school at the age of 11 and started to work in the same cheese factory as his father in Parma.  At the age of 16 he began vocal studies as a baritone at the Arrigo Boito Conservatory in Parma.  During World War II, Bergonzi became involved in anti-Fascist activities and was sent to a German prisoner of war camp. After two years he was freed by the Russians and walked 106km (66 miles) to reach an American camp.  Read more…

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Battle of Molinella

First time artillery played a major part in warfare

An important battle in Italy’s history was fought on this day in 1467 at Molinella, near Bologna.  On one side were infantry and cavalry representing Venice and on the other side there was an army serving Florence.  It was the first battle in Italy in which artillery and firearms were used extensively, the main weapons being cannons fired by gunpowder that could launch heavy stone or metal balls.  The barrels were 10 to 12 feet in length and had to be cleaned following each discharge, a process that took up to two hours.  Leading the 14,000 soldiers fighting for Venice was the Bergamo condottiero Bartolomeo Colleoni. He was working jointly with Ercole I d’Este from Ferrara and noblemen from Pesaro and Forlì. Another condottiero, Federico da Montefeltro, led the army of 13,000 soldiers serving Florence in an alliance with Galeazzo Maria Sforza, ruler of the Duchy of Milan, King Ferdinand II of Aragon and Giovanni II Bentivoglio, the ruler of Bologna.  Condottieri were professional military leaders hired by the Italian city-states to lead armies on their behalf.  The fighting took place between the villages of Riccardina and Molinella and so the event is also sometimes referred to as the Battle of Riccardina.  Read more…

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Agostino Steffani – composer

Baroque musician and cleric who features in modern literature

A priest and diplomat as well as a singer and composer, Agostino Steffani was born on this day in 1654 in Castelfranco Veneto near Venice.  Details of his life and works have recently been brought to the attention of readers of contemporary crime novels because they were used by the American novelist, Donna Leon, as background for her 2012 mystery The Jewels of Paradise.  Steffani was admitted as a chorister at St Mark’s Basilica in Venice while he was still young and in 1667 the beauty of his voice attracted the attention of Count Georg Ignaz von Tattenbach, who took him to Munich.  Ferdinand Maria, Elector of Bavaria, paid for Steffani’s education and granted him a salary, in return for his singing.  In 1673 Steffani was sent to study in Rome, where he composed six motets. The original manuscripts for these are now in a museum in Cambridge.  On his return to Munich Steffani was appointed court organist. He was also ordained a priest and given the title of Abbate of Lepsing. His first opera, Marco Aurelia, was written for the carnival and produced at Munich in 1681. The only manuscript score of it known to exist is in the Royal Library at Buckingham Palace.  Read more…

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24 July

Eugene de Blaas - painter

Austro-Italian famous for Venetian beauties

Eugene de Blaas, a painter whose animated depictions of day-to-day life among ordinary Venetians - especially young Venetian women - were his most popular works, was born on this day in 1843 in Albano Laziale, just outside Rome.  Sometimes known as Eugenio Blaas, or Eugene von Blaas, he was of Austrian parentage. His father, Karl, also a painter, was a teacher at the Accademia di Belle Arti (Academy of Fine Arts) in Rome. His brother, Julius, likewise born in Albano, was also a painter.  In 1856, the family moved to Venice after his father was offered a similar position at the Venetian Academy. At that time, Venice attracted artists from all over Europe and the young De Blaas grew up in a social circle that was largely populated by painters and poets.  Like his father, he became interested in the school known as Academic Classicism, a style which seeks to adhere to the principles of Romanticism and Neoclassicism.  He exhibited at the Venice Academy when he was only 17 years old.  Religious painting was still in demand and one of his earliest important commissions, in 1863, was an altarpiece for the parish church of San Valentino di Merano.  Read more…

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Giuseppe Di Stefano – tenor

Singer from Sicily who made sweet music with Callas

The opera singer Giuseppe Di Stefano, whose beautiful voice led people to refer to him as ‘the true successor to Beniamino Gigli’, was born on this day in 1921 in Motta Sant’Anastasia, a town near Catania in Sicily.  Di Stefano also became known for his many performances and recordings with the soprano, Maria Callas, with whom he had a brief romance.  The only son of a carabinieri officer, who later became a cobbler, and his dressmaker wife, Di Stefano was educated at a Jesuit seminary and for a short while contemplated becoming a priest.  But after serving in the Italian army he took singing lessons from the Swiss tenor, Hugues Cuenod. Di Stefano made his operatic debut in Reggio Emilia in 1946 when he was in his mid-20s, singing the role of Des Grieux in Massenet’s Manon. The following year he made his debut at La Scala in Milan in the same role.  Di Stefano made his debut at the Metropolitan Opera in New York in 1948 as the Duke of Mantua in Verdi’s Rigoletto. After his performance in Manon a month later, a journalist wrote in Musical America that Di Stefano had ‘the rich velvety sound we have seldom heard since the days of Gigli.’  Read more…

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Victor Emmanuel of Sardinia

The first king to be called Victor Emmanuel

The King of Sardinia between 1802 and 1821, Victor Emmanuel I was born on this day in 1759 in the Royal Palace in Turin.  He was the second son of King Victor Amadeus III of Sardinia and was known from birth as the Duke of Aosta.  When the King died in 1796, Victor Emmanuel’s older brother succeeded as King Charles Emmanuel IV of Sardinia.  Within two years the royal family was forced to leave Turin because their territory in the north was occupied by French troops.  After his wife died, Charles Emmanuel abdicated the throne in favour of his brother, Victor Emmanuel, because he had no heir.  The Duke of Aosta became Victor Emmanuel I of Sardinia in June 1802 and ruled from Cagliari for the next 12 years until he was able to return to Turin.  During his reign he formed the Carabinieri, which is still one of the primary forces of law and order in Italy.  On the death of his older brother in 1819, he became the heir general of the Jacobite succession as Victor Emmanuel I of England, Scotland and Ireland, but he never made any public claims to the British throne.  He abdicated in favour of his brother, Charles Felix, in 1821 and died three years later at the Castle of Moncalieri in Turin.  Read more…

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23 July

NEW - Licia Albanese – soprano

Butterfly had a long career

Operatic soprano Licia Albanese, whose portrayal of Verdi and Puccini heroines delighted audiences all over the world during the last century, was born on this day in 1909 in Bari in the region of Puglia.  She made her operatic debut unexpectedly in 1934 at the Teatro Lirico in Milan during a performance of Madama Butterfly. Albanese was understudying the title role and when the soprano became ill during Act One, she was hustled on to the stage to take over in Act Two.  She was a great success and during the next 40 years sang more than 300 performances in the role of Cio-Cio-San, the geisha who is better known as Madama Butterfly.  Her connection with the opera began early when she was studying with the singer, Giuseppina Baldassare-Tedeschi, who was a contemporary of the composer, Giacomo Puccini, and had been the greatest Butterfly of her day.  Albanese went on to appear at La Scala, Covent Garden and many other European houses, also winning praise for her portrayals of Mimi, Violetta and Manon Lescaut.  She was fortunate to have as tenor partners, singers of the calibre of Tito Schipa, Beniamino Gigli and Giacomo Lauri-Volpi.  Read more…

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Damiano Damiani – screenwriter and director

Film maker behind the hit Mafia drama series La piovra

Damiano Damiani, who directed the famous Italian television series La piovra, which was about the Mafia and its involvement in Italian politics, was born on this day in 1922 in Pasiano di Pordenone in Friuli.  Damiani also made a number of Mafia-themed films and he was particularly acclaimed for his 1966 film, A Bullet for the General, starring Gian Maria Volontè, which came at the beginning of the golden age of Italian westerns.  Damiani studied at the Accademia di Brera in Milan and made his debut in 1947 with the documentary, La banda d’affari. After working as a screenwriter, he directed his first feature film, Il rossetto, in 1960.  His 1962 film, Arturo’s Island, won the Golden Shell at the San Sebastian International film festival.  During the 1960s, Damiani was praised by the critics and his films were box office successes.  A Bullet for the General is regarded as one of the first, and one of the most notable, political, spaghetti westerns. Its theme was the radicalisation of bandits and other criminals into revolutionaries.  Damiani’s 1968 film, Il giorno della civetta - The Day of the Owl - starring Claudia Cardinale, Franco Nero and Lee J Cobb, started a series of films that blended social criticism with spectacular plots.  Read more…

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Francesco Cilea – opera composer

Calabrian remembered for beautiful aria Lamento di Federico 

Composer Francesco Cilea was born on this day in 1866 in Palmi near Reggio di Calabria.  He is particularly admired for two of his operas, L’Arlesiana and Adriana Lecouvreur.  Cilea loved music from an early age. It is said that when he was just four years old he heard music from Vincenzo Bellini’s opera, Norma, and was moved by it.  When he became old enough, he was sent to study music in Naples and at the end of his course of study there he submitted an opera he had written, Gina, as part of his final examination. When this was performed for the first time it attracted the attention of a music publisher who arranged for it to be performed again.  Cilea was then commissioned to produce a three-act opera, meant to be along the lines of Pietro Mascagni's Cavalleria rusticana, by the same publisher.  The resulting work, La Tilda, was performed in several Italian theatres, but the orchestral score has been lost, which has prevented it from enjoying a modern revival.  In 1897, Cilea’s third opera, L’Arlesiana was premiered at the Teatro Lirico in Milan.  In the cast was the young Enrico Caruso, who performed, to great acclaim, the famous Lamento di Federico, often known by its opening line, È la solita storia del pastore.  Read more…

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Sergio Mattarella – President of Italy

Anti-Mafia former Christian Democrat is Italy's 12th President

The first Sicilian to become President of Italy, Sergio Mattarella, was born on this day in 1941 in Palermo.  Mattarella went into politics after the assassination of his brother, Piersanti, by the Mafia in 1980. His brother had been killed while holding the position of President of the Regional Government of Sicily.  Their father, Bernardo Mattarella, was an anti-Fascist, who with other prominent Catholic politicians helped found the Christian Democrat (Democrazia Cristiana) party. They dominated the Italian political scene for almost 50 years, with Bernardo serving as a minister several times. Piersanti Mattarella was also a Christian Democrat politician.  Sergio Mattarella graduated in Law from the Sapienza University of Rome and  a few years later started teaching parliamentary procedure at the University of Palermo.  His parliamentary career began in 1983 when he was elected a member of the Chamber of Deputies in a left-leaning faction of the DC that had supported an agreement with the Italian Communist Party led by Enrico Berlinguer. The following year he was entrusted with cleansing the Sicilian faction of the party from Mafia control.  Read more…

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Licia Albanese – soprano

Butterfly had a long career

Licia Albanese in her signature role
as Cio-Cio-San in Madama Butterfly

Operatic soprano Licia Albanese, whose portrayal of Verdi and Puccini heroines delighted audiences all over the world during the last century, was born on this day in 1909 in Bari in the region of Puglia.

She made her operatic debut unexpectedly in 1934 at the Teatro Lirico in Milan during a performance of Madama Butterfly. Albanese was understudying the title role and when the soprano became ill during Act One, she was hustled on to the stage to take over in Act Two.

She was a great success and during the next 40 years sang more than 300 performances in the role of Cio-Cio-San, the geisha who is better known as Madama Butterfly.

Her connection with the opera began early when she was studying with the singer, Giuseppina Baldassare-Tedeschi, who was a contemporary of the composer, Giacomo Puccini, and had been the greatest Butterfly of her day.

Albanese went on to appear at La Scala, Covent Garden and many other European houses, also winning praise for her portrayals of Mimi, Violetta and Manon Lescaut.

She was fortunate to have as tenor partners, singers of the calibre of Tito Schipa, Beniamino Gigli and Giacomo Lauri-Volpi.

Albanese made her debut at the Metropolitan Opera in New York in 1940 as Madama Butterfly and was an instant success. She remained at the Met for 26 seasons and also became a regular performer at the San Francisco Opera, although after the 1941 Pearl Harbour attack, performances of Madama Butterfly were banned until the end of World War II.

Licia Albanese pictured with the great
tenor Luciano Pavarotti in 1973

In 1945 Albanese married the stockbroker Joseph Gimma, who also came from Bari.

The singer was invited by Arturo Toscanini to join his broadcast concerts with the NBC Symphony Orchestra in 1946 and, in 1959, she sang with the New York Philharmonic during the Italian Night broadcasts from a stadium in New York City.

Albanese appeared in the first live telecast from the Met in Giuseppe Verdi’s Otello. She was among the first generation of opera singers to have been recorded and to become available to watch on video and hear on CD. 

 

Albanese sang in La Traviata at the Met and the San Francisco Opera more than any other singer in the history of either of the companies and her career spanned seven decades.

Although she had a distinctive lirico spinto voice that was highly praised and was also said to have had wonderful acting ability, she was overshadowed by her contemporary, Maria Callas.

She became chairman of the Licia Albanese-Puccini Foundation, founded in 1974 to assist young singers and she conducted master classes all over the world.

She became a US citizen in 1945 and was presented with the National Medal of Honor for the Arts in 1995 by US President Bill Clinton.

Albanese died in 2014, at the age of 105, at her home in Manhattan. She was survived by her son Joseph, two grandchildren and three great-grandchildren.

The Torre Pelosa, the 16th century watchtower
in the heart of Torre a Mare

Travel tip:

Licia Albanese was born in Torre Pelosa, part of Noicattaro, which later became Torre a Mare, a quarter of Bari in Puglia, which looks out over the Adriatic Sea. A former fishermen’s village, Torre a Mare attracts plenty of visitors in the summer months, when its beaches, bars and restaurants are popular. Narrow streets lined with pastel houses lead to the main square, at the centre of which is the 16th-century Torre Pelosa watchtower. The district also has a 12th century church built in Romanesque style with a belltower.

The inside of Milan's Teatro Lirico during its
heyday in the 1930s

Travel tip:

As an understudy, Licia Albanese was rushed on to the stage of the Teatro Lirico in Milan to take over the main female role in Madama Butterfly in 1934. The theatre was built towards the end of the 18th century at the same time as La Scala, after fire had destroyed Milan’s only theatre. It was originally known as Teatro alla Cannobiana and was intended for the use of the general public,c while La Scala was meant to be patronised by a more aristocratic audience. Teatro Lirico had to close in 1998 because of financial difficulties. It has since undergone extensive renovation but its reopening has been repeatedly delayed.

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