2 May

Alessandro Scarlatti - composer

Prolific opera composer was ahead of his time

Baroque composer Alessandro Scarlatti was born on this day in 1660 in Palermo.  He is considered to be the founder of the Neapolitan School of opera, from which modern opera developed, and his two sons, Domenico and Pietro Filippo, also went on to become composers.  Scarlatti is believed to have been a pupil of Giacomo Carissimi in Rome. When his opera Gli equivoci nel sembiante was produced in the city he gained the support of Queen Christina of Sweden, an enthusiastic patron of the arts who had taken up residence there. He became her maestro di cappella and joined the Arcadian Academy she had founded.  Along with composers Bernardo Pasquini and Arcangelo Corelli, he regularly visited her home to perform music he had dedicated to her.  In 1684 Scarlatti became maestro di cappella to the royal family in Naples and produced a series of operas and music for state occasions for them.  Scarlatti also enjoyed the patronage of Ferdinando de' Medici and composed operas for his private theatre near Florence. He was also maestro di cappella for Cardinal Pietro Ottoboni who procured him a post at the Basilica di Santa Maria Maggiore in Rome.  Read more…

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Pietro Frua - car designer

Built business from a bombed-out factory

The car designer and coachbuilder Pietro Frua, who built some of Italy’s most beautiful cars without achieving the fame of the likes of Giovanni Bertone or Battista “Pinin” Farina, was born on this day in 1913 in Turin.  He is particularly remembered for his work with Maserati, for whom he designed the A6G and the Mistral among other models.  The son of a Fiat employee, Carlo Frua, Pietro was an apprentice draftsman with Fiat and from the age of 17 worked alongside Battista Farina for his brother, Giovanni Farina, who had a coachbuilding business in Turin. He became director of styling for Stabilimenti Farina at the age of just 22.  After being obliged to diversify during the war, when he designed electric ovens and children’s model cars among other things, Frua bought a bombed-out factory building in 1944, restored it to serviceable order and hired 15 workers to help him launch his own business.  The first car he designed in his own studio was the soft-top Fiat 1100C sports car in 1946.  Subsequent work for Peugeot and Renault came his way and in 1955 he was approached by Maserati for the first time.  Read more…

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Marco Pannella - campaigning politician

Radical voice who helped modernise Italian society

The Radical politician Marco Pannella, whose relentless campaigning on civil rights and other issues helped transform modern Italian society, was born on this day in 1930 in Teramo in Abruzzo.  Pannella’s party won only a 3.4 per cent share of vote in the most successful election he fought yet he forced referendums to be held on divorce, abortion, the abolition of nuclear power, the public funding of political parties and many other issues, many of which led to changes in the law.  He was so passionate about the causes for which he campaigned he regularly staged hunger strikes to demonstrate his commitment and to attract publicity.  In 1970, for example, he went 78 days without food, allowing himself to consume only vitamin pills and three cups of coffee per day, losing 27 kilos (60lb) in weight before parliament agreed to hold a debate over the divorce laws.  Pannella’s emotional speeches were legend, as were his broadcasts on Radio Radicale, the radio station he founded in 1976 as a vehicle for his own message, but also as a champion of free speech.  His parents named him Giacinto (Hyacinth) but he found the name embarrassing and went under the name of Marco instead.   Read more…

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1 May

Uberto Pasolini - film producer and director

Roman count who found unexpected fame with The Full Monty

The film director and producer Uberto Pasolini, who gained international recognition when his British comedy The Full Monty became one of UK cinema’s biggest commercial success stories in 1997, was born on this day in 1957 in Rome.  A nephew of the great Italian director Luchino Visconti, Pasolini worked for 12 years as an investment banker in England before following his dream to work in the film industry, abandoning his career to work, initially without pay, on the set of the David Puttnam-Roland Joffé film, The Killing Fields, in Thailand.  Puttnam took him on, at first as a location scout, before Pasolini moved to America to become part of Puttnam’s production team in Los Angeles. He set up his own company in London in 1994 and went on to direct some of his own productions, including the critically acclaimed 2008 movie Machan, based on a true story about a group of would-be immigrants from Sri Lanka who overcome visa problems stopping them from moving to the West by pretending to be their country’s national handball team.  Like Luchino Visconti, who was a descendant of the same Visconti family that ruled Milan between the 13th and 15th centuries, Pasolini was from a noble background.  Read more…

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The Portella della Ginestra Massacre

Conspiracy theories behind murder of peasants

Sicily and the whole of Italy was horrified on this day in 1947 when gunmen opened fire on defenceless peasants gathered for a Labour Day celebration in the hills above Palermo, killing 11 and wounding more than 30 in what became known as the Portella della Ginestra Massacre.  The victims included four children between the ages of seven and 15, who were cut down indiscriminately by a gang of men, some on horseback, who appeared suddenly and began firing machine guns as the peasants, numbering several hundred, congregated on a plain along a remote mountain pass between the towns of Piana degli Albanesi and San Giuseppe Jato, where a Labour Day rally had taken place every year since 1893.  Salvatore Giuliano, an outlaw wanted in connection with the killing of a police officer in 1943, was held responsible although many people believed that Giuliano and his gang of bandits were set up as scapegoats in a conspiracy involving the Mafia, wealthy landowners and politicians.  The outrage came only 10 days after a surprise victory by the so-called People’s Block - a coalition of the Italian Communist Party and the Italian Socialist Party - in Sicilian local elections.  Read more…

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Laura Betti - actress and jazz singer

Long-time companion of director Pier Paolo Pasolini

The actress and singer Laura Betti, who appeared in a number of important Italian films in the 1960s and 1970s, including Federico Fellini’s La Dolce Vita, Bernardo Bertolucci’s Novecento and Pier Paolo Pasolini’s Teorema, was born on this day in 1927 in Casalecchio di Reno, in Emilia-Romagna.  In addition to Teorema, which won her the coveted Volpi Cup for best actress at the 1968 Venice Film Festival, Betti appeared in six other Pasolini films as the two developed a special and unlikely relationship.  Betti, a vivacious blonde with striking good looks, had no shortage of suitors among the authors, artists, singers and aspiring actors that made up her circle in Rome in the 1950s, but Pasolini was gay and had no interest in her in a romantic sense.  Yet he became a regular guest at her apartment near the Palazzo Farnese and she wrote many years later that a kind of love developed between them. They met while he was an unknown poet and it was with her encouragement that he realised his aspiration to become a director.  Over time she effectively became his cook and housekeeper.  Read more…

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Giovanni Guareschi – writer

Satirical magazine editor first used Don Camillo to fill a gap

Author Giovanni Guareschi, the creator of the fictional character, Don Camillo, was born on this day in 1908 in Roccabianca in Emilia-Romagna.  The popular stories featuring his famous comic creations, the stalwart Italian priest, Don Camillo, and the Communist mayor, Peppone, have since been made into many radio and television programmes and films.  Guareschi, who was christened Giovannino, started his career writing for the Gazzetta di Parma and then became a magazine editor.  He was called up to serve in the army in 1943 but was quickly taken prisoner, along with other Italian soldiers, by the Germans. He wrote a secret diary while he was in the prison camp, Diario Clandestino.  After the war Guareschi founded a weekly satirical magazine, Candido, where his Don Camillo stories first appeared. He had written the introductory story for another publication but lifted it to fill a gap in Candido at the last minute.  His magazine criticised and satirised the Communists but after they were beaten in the 1948 elections he turned his attention to the Christian Democrats instead.  Read more…

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Ignazio Silone – politician and author

Socialist leader became famous for anti-Fascist novels

Writer and political leader Ignazio Silone was born Secondino Tranquilli on this day in 1900 in Pescina dei Marsi in the region of Abruzzo.  Tranquilli became famous under the pseudonym, Ignazio Silone, during World War II for his powerful anti-Fascist novels and he was nominated for the Nobel prize for literature ten times.  Silone’s father, Paolo Tranquilli, died when he was 11 and he lost his mother, Marianna, and other members of his family four years later in the Avezzano earthquake of 1915.  Two years afterwards he joined the Young Socialist group of the Italian Socialist Party (PSI), eventually becoming their leader and editor of their newspaper Avanguardia.  He was a founding member of the breakaway Italian Communist Party (PCI) party in 1921 and became one of its covert leaders during the Fascist regime, editing their newspaper in Trieste, Il Lavoratore. His brother, Romolo Tranquilli, was arrested in 1928 for being a member of the PCI and died in prison in 1931 as a result of the severe beatings he had received from the Fascist police.  Silone went to live in Switzerland in 1930 where he declared his opposition to Joseph Stalin and was expelled from the PCI.  Read more…

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30 April

NEW - Antonio Sant’Elia - architectural visionary

Futurist’s ideas were decades ahead of his time

The architect Antonio Sant’Elia, best known for producing hundreds of drawings based on his vision of an idealised modern industrial city, was born on this day in 1888 in Como in Lombardy.  Sant’Elia’s life was short - he died in battle barely a year after signing up for military service in the First World War - and his physical legacy comprised only one completed building, a modest villa in the hills above his home city.  Yet, thanks to the boldly imaginative designs he captured in dozens of sketches illustrating how he saw the cities of the future, Sant’Elia is still seen as one of modern architecture’s most influential figures, more than a century after his death.  A builder by trade, in 1912 Sant’Elia set up a design office in Milan with fellow architect Mario Chittone.  He was already a follower of Futurism, the avant-garde artistic, social and political movement that had been launched by the poet Filippo Tommaso Marinetti in 1909.  The Futurists’ admiration for the speed and technological advancement of cars and aeroplanes and the new industrial cities, which they saw as demonstrating the triumph of humanity over nature through invention, aligned with his own rejection of traditional design.  Read more...

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Andrea Dandolo - Doge of Venice

Reign tested by earthquake, plague and war

Andrea Dandolo, the fourth member of a Patrician Venetian family to serve as Doge of the historic Republic, was born on this day in 1306.  A notably erudite scholar, Dandolo wrote two chronicles of the history of Venice in Latin and reformed the Venetian legal code by bringing together all of the diverse laws applicable to the Venetian Republic within one legal framework.  He achieved these things despite his reign being marked by a devastating earthquake, a catastrophic outbreak of the Black Death plague and two expensive wars, against Hungary and then Genoa.  Dandolo studied at the University of Padua, where he became a professor of law, a position he maintained until he was elected Doge. He quickly rose to a position of prominence in Venetian life, being appointed Procurator of St Mark’s Basilica, the second most prestigious position in the Venetian hierarchy after the Doge, at the age of just 25.  He was elected Doge in 1343, aged 37.  It was a particularly young age at which to be given the leadership of the Republic, but his family history and the manner in which he had conducted himself.  Read more…

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Pope Pius V - Saint

Pontiff dismissed jester and clamped down on heretics

The feast day of Saint Pius V is celebrated every year on this day, the day before the anniversary of his death in 1572 in Rome.  Saint Pius V, who became Pope in 1566, is remembered chiefly for his role in the Counter Reformation, the period of Catholic resurgence following the Protestant Reformation.  He excommunicated Queen Elizabeth I of England for heresy and for persecuting English Catholics and he formed the Holy League, an alliance of Catholic states against the Turks.  Saint Pius V was born Antonio Ghislieri in Bosco, now Bosco Marengo, in Piedmont. At the age of 14 he entered the Dominican Order, taking the name of Michele. He was ordained at Genoa in 1528 and then sent to Pavia to lecture.  He became a bishop under Pope Pius IV but after opposing the pontiff was dismissed. After the death of Pius IV, Ghislieri was elected Pope Pius V in 1566. His first act on becoming Pope was to dismiss the court jester and no Pope has had one since.  Protestantism had by then conquered many parts of Europe and Pius V was determined to prevent it getting into Italy. He therefore took a personal interest in the activities of the Inquisition in Rome and appeared to be unmoved by the cruelty practiced.  Read more…

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Luigi Russolo – painter and composer

Futurist artist who invented 'noise music'

Luigi Russolo, who is regarded as the first ‘noise music’ composer, was born on this day in 1885 in Portogruaro in the Veneto.  Russolo originally chose to become a painter and went to live in Milan where he met and was influenced by other artists in the Futurist movement.  Along with other leading figures in the movement, such as Carlo Carrà, he signed both the Manifesto of Futurist Painters and the Technical Manifesto of Futurist Painting as the artists set out how they saw Futurism being represented on canvas, and afterwards participated in Futurist art exhibitions.  Russolo issued his own manifesto, L’arte dei rumori, - The Art of Noises - in 1913, which he expanded into book form in 1916.  He stated that the industrial revolution had given modern man a greater capacity to appreciate more complex sounds. He found traditional, melodic music confining and envisioned noise music replacing it in the future.  Russolo invented intonarumori - noise-emitting machines - and conducted concerts using these machines. The audiences reacted with either enthusiasm or hostility to the style of music he produced.  None of these machines survived although they have since been reconstructed for use in performances.  Read more…

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Antonio Sant’Elia - architectural visionary

Futurist’s ideas were decades ahead of his time

Antonio Sant'Elia's design for an apartment block
with external lifts, above a network of roads 

The architect Antonio Sant’Elia, best known for producing hundreds of drawings based on his vision of an idealised modern industrial city, was born on this day in 1888 in Como in Lombardy.

Sant’Elia’s life was short - he died in battle barely a year after signing up for military service in the First World War - and his physical legacy comprised only one completed building, the Villa Elisi, a modest house in the hills above his home city.

Yet, thanks to the boldly imaginative designs he captured in dozens of sketches illustrating how he saw the cities of the future, Sant’Elia is still seen as one of modern architecture’s most influential figures, more than a century after his death.

A builder by trade, in 1912 Sant’Elia set up a design office in Milan with fellow architect Mario Chittone.

He was already a follower of Futurism, the avant-garde artistic, social and political movement that had been launched by the poet Filippo Tommaso Marinetti in 1909.

Sant'Elia's vision of an airport rail terminal
with escalators from the rail platforms

The Futurists’ admiration for the speed and technological advancement of cars and aeroplanes and the new industrial cities, which they saw as demonstrating the triumph of humanity over nature through invention, aligned with his own rejection of traditional design.

The movement’s Manifesto of Futurist Architecture, published by Marinetti in 1914, is thought to have been written by Sant’Elia, outlining his vision for the industrialised and mechanised city of the future, comprising interconnected multi-level buildings in the style of modern skyscrapers, with integrated transport systems that facilitated fast, efficient movement.

In the same year, a collection of Sant’Elia’s drawings called Città Nuova - New City - was displayed in May 1914 at an exhibition of the Nuove Tendenze group, of which he was a member, at the Famiglia Artistica gallery in Milan.

It was these drawings that revealed Sant’Elia’s remarkable vision, his designs so futuristic they would scarcely have seemed dated had another architect unveiled them towards the end of the 20th century rather than in its infancy.

Antonio Sant'Elia opened a 
design studio in Milan

They featured pyramids, buttresses and towers, giant factories and multi-floor, stepped residential buildings complete with external elevators, linked with walkways, and interspersed with roads and railways suspended at different levels. 

One of Sant’Elia’s drawings was of a transport portal for trains and aircraft with escalators linking the railway platforms with the runway.

Although the Città Nuova was never built, Sant’Elia’s ideas influenced many generations of future architects. The Pompidou Centre in Paris (1977), designed by Richard Rogers and Renzo Piano, Rogers’s Lloyds Building in London (1986) and Piano’s The Shard, also in London (2012) all carry echoes of Sant’Elia’s designs, as does Helmut Jahn’s James R Thompson Centre in Chicago and the Marriott Marquis hotel in Georgia by John Portman, both built in the 1980s.

Many within the Futurist movement were strongly nationalist in their political leanings, which inevitably led some to be drawn towards Fascism and its vision of a powerful, self-contained Italy free from foreign influence.

It was Sant’Elia’s own nationalism and irredentism that persuaded him to join the army as Italy entered World War I in 1915, excited at the idea that he could play a part in finally evicting the Austrians from northeast Italy, where they still controlled an area stretching from Trentino through the South Tyrol to Trieste.

Sadly, he did not live to see that ambition realised. The focus of the Italian-Austrian conflict was the valley of the Isonzo river, also known as the Soça, which runs from its source in the Julian Alps in western Slovenia and enters the Gulf of Trieste near Monfalcone, and there were a series of 12 battles fought along this front between June 1915 and November 1917.

Sant’Elia died in the eighth of these battles in October 1916 near Gorizia. In all, the Battles of the Isonzo, concluding with the catastrophic Battle of Caporetto, resulted in almost one million Italian casualties including 300,000 dead, half of the number of Italians killed in the whole of World War One.

Sant'Elia's only finished
building, the Villa Elisi

Travel tip:

The Villa Elisi can be found in the San Maurizio area above the town of Brunate, about 8km (5 miles) up a winding road from Como, to which it is also linked by a funicular railway. The area offers spectacular views of Lake Como. Villa Elisa, the only building designed and built by Antonio Sant’Elia, was commissioned by the Como industrialist Romeo Longatti as a holiday home. The villa features the asymmetrical, geometric designs typical of much of Sant'Elia's work. It represented an opportunity for Sant’Elia to prove his worth as an architect and overcome the structural problems posed by the house’s location on steeply sloping ground.

Palazzo Volpi in Como, home of the city's civic
art gallery, where Sant'Elia's drawings can be seen

Travel tip:

Sant’Elia’s drawings of his Città Nuovo are on permanent display in Como’s Pinocoteca Civica, the city’s art gallery. Inaugurated in 1989 in the 17th-century Palazzo Volpi in Via Armando Diaz, the gallery houses a collection that spans the Middle Ages through to contemporary times, documenting the Como area’s artwork from religious buildings to portraiture, landscapes and 20th century works related. In addition to Sant’Elia’s drawings, the centrepieces are the sixth century Portraits of Illustrious Men collection by Paolo Giovio and some major works by the Gruppo Como, a group of 20th century abstract artists from Como.

Also on this day:

1306: The birth of Venetian Doge Andrea Dandolo

1885: The birth of Futurist composer Luigi Russolo

The Feast Day of Saint Pius V

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