9 June

NEW - Luigi Cagnola - architect

Designer of Milan’s neoclassical Arch of Peace

The architect Luigi Cagnola, among whose most notable work the monumental Arco della Pace - Arch of Peace - in Milan stands out, was born in Milan on this day in 1762.  The Arco della Pace, commissioned when Milan was under Napoleonic rule in 1807, can be found at Porta Sempione, the point at which the historic Strada del Sempione enters the city, about 2km (1.2 miles) northwest of the Duomo. Cagnola’s original commission a year earlier was for a triumphal arch for the marriage of Eugenio de Beauharnais, viceroy of the Kingdom of Italy, with Princess Amalia of Bavaria. The arch was made of wood, and not intended as a permanent structure, but Cagnola’s design was of such beauty that the Milan authorities asked him to reconstruct it in marble. His other major works include the Porta Ticinese, another of the main gates into Milan, the campanile - bell tower - of the church of Santi Nazario e Celso in Urgnano, a small town just outside Bergamo in Lombardy, the chapel of Santa Marcellina in Milan, the staircase of the Villa Saporiti in Como, and his own villa just outside Inverigo, the town to the southwest of Lake Como where Cagnola spent his final days. Read more...

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Luigi Fagioli - racing driver

Man from Le Marche is Formula One's oldest winner

Racing driver Luigi Fagioli, who remains the oldest driver to win a Formula One Grand Prix, was born on this day in 1898 at Osimo, an historic hill town in the Marche region.  Fagioli was a highly skilled driver but one who was also renowned for his fiery temperament, frequently clashing with rivals, team-mates and his bosses.  It was typical of his behaviour after recording his historic triumph at the F1 French Grand Prix at Reims in 1951 he announced in high dudgeon that he was quitting Formula One there and then.  He was furious that his Alfa Romeo team had ordered him during the race to hand his car over to Juan Manuel Fangio, the Argentine who would go on to win the 1951 World Championship, which meant the victory was shared rather than his outright.  Nonetheless, at 53 years and 22 days, Fagioli's name entered the record books as the oldest F1 Grand Prix winner.  Fagioli trained as an accountant but was always fascinated with the new sport of car racing and his background - he was born into a wealthy family of pasta manufacturers - gave him the financial wherewithal to compete.  Read more…

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The death of Nero

Brutal emperor killed himself with help of aide

The Roman emperor Nero, whose rule was associated with extravagance and brutality, died on this day in 68 AD in what would now be described as an assisted suicide.  Effectively deposed as emperor when simultaneous revolts in the Gallic and Spanish legions coincided with the Praetorian Guard rising against him, with Galba named as his successor, Nero fled Rome, seeking refuge from one of his few remaining loyalists.  Phaon, an imperial freedman, gave him the use of a villa four miles outside Rome along Via Salaria, where he hastened, under disguise, along with Phaon and three other freedmen, Epaphroditos, Neophytus, and Sporus.  Nero had hoped to escape to Egypt but realised there was no one left to provide the means and asked the four freedmen to begin digging his grave, in readiness for his death by suicide.  In the meantime, the Senate had declared Nero a public enemy. As well as ordering the executions of numerous rivals, real or perceived, and even having his mother and two wives killed, Nero made many enemies through unpopular policies and confiscation of property.  Read more…

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The Maestà of Duccio

Masterpiece influenced the course of Italian art history

A magnificent altarpiece by the artist Duccio di Buoninsegna was unveiled in the cathedral in Siena on this day in 1311.  Duccio’s Maestà was to set Italian painting on a new course, leading away from Byzantine art towards using more realistic representations of people in pictures.  The altarpiece was commissioned by the city of Siena from the artist and was composed of many individual paintings.  The front panels made up a large picture of an enthroned Madonna and Child with saints and angels.  At the base of the panels was an inscription, which translated into English means: ‘Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus.’  When the painting was installed in the cathedral on June 9, 1311, one witness to the event wrote: ‘…on that day when it was brought into the cathedral, all workshops remained closed and the bishop commanded a great host of devoted priests and monks to file past in solemn procession.  This was accompanied by all the high officers of the commune and by all the people; all honourable citizens of Siena surrounded said panel with candles held in their hands, and women and children followed humbly behind’. Read more…

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Luigi Cagnola - architect

Designer of Milan’s neoclassical Arch of Peace

Luigi Cagnola's Arch of Peace marks the historic
entrance to Milan at Porta Sempione

The architect Luigi Cagnola, among whose most notable work the monumental Arco della Pace - Arch of Peace - in Milan stands out, was born in Milan on this day in 1762.

The Arco della Pace, commissioned when Milan was under Napoleonic rule in 1807, can be found at Porta Sempione, the point at which the historic Strada del Sempione enters the city, about 2km (1.2 miles) northwest of the Duomo. 

Cagnola’s original commission a year earlier was for a triumphal arch for the marriage of Eugenio de Beauharnais, viceroy of the Kingdom of Italy, with Princess Amalia of Bavaria. The arch was made of wood, and not intended as a permanent structure, but Cagnola’s design was of such beauty that the Milan authorities asked him to reconstruct it in marble.

His other major works include the Porta Ticinese, another of the main gates into Milan, the campanile - bell tower - of the church of Santi Nazario e Celso in Urgnano, a small town just outside Bergamo in Lombardy, the chapel of Santa Marcellina in Milan, the staircase of the Villa Saporiti in Como, and his own villa just outside Inverigo, the town to the southwest of Lake Como where Cagnola spent his final days.

Cagnola's campanile at the town
of Urgnano, near Bergamo

As a teenager, Cagnola was educated at a college in Rome before going on to the University of Pavia, where he studied law. He secured a post in the Austrian administration in Milan and married Francesca D'Adda, a musician.

However, the law did not interest him in any degree close to his real passion, which was for architecture. He submitted designs for a new gate at Porta Orientale - now Porta Venezia - to the east of Milan’s city centre. They were commended, but not selected on the grounds of being too expensive. 

His position within the Austrian administration left him vulnerable when the French invaded Milan in 1796 and he took refuge in Venice, where he used the opportunity to study the work of Andrea Palladio, which would have a great influence on his own designs.

The Arco della Pace was one of Cagnola’s first commissions when he returned to Milan. After the completion of the wooden arch, the first stone of the marble version was laid in 1807.

Built in Cagnola's favoured neoclassical style, it was decorated with a number of bas-reliefs, statues, and corinthian columns, with many contributions by other artists, including Pompeo and Luigi Marchesi, Giovanni Battista Comolli and Grazioso Rusca.

The bas-reliefs are dedicated to major events in the history of Italy and Europe, such as the Battle of Leipzig, the foundation of the Kingdom of Lombardy-Venetia and the Congress of Vienna. Other decorations have classical mythology subjects and there is a group of statues that are allegories of major rivers in North Italy such as the Po, the Adige and the Ticino. 

The statue of Cagnola at the
Palazzo di Brera in Milan

Cagnola did not live to see its construction finished, mainly because when Napoleon’s Kingdom of Italy fell and Milan was conquered again by the Austrian Empire, construction was halted for a while. It resumed again in 1826 but Cagnola died in 1833, five years before it was finished.

The project was taken over by Francesco Londonio and Francesco Peverelli, yet they followed Cagnola’s designs faithfully. It was completed in 1838. 

In the meantime, Cagnola built the Porta Ticinese to the south of Milan and parish church of Vaprio d'Adda, the bell tower at Urgnano, reconstructed the parish church of Ghisalba, near Bergamo, and built the church of Santi Cosma e Damiano in Concorezzo, outside Monza. 

His villa outside Inverigo, built on a hill, was heavily influenced by what he had learned about Palladio. He even named it Villa La Rotonda, after Palladio’s famous four-faced symmetrical mansion outside Vicenza. 

Along with Luigi Canonica, Giocondo Albertolli and Giuseppe Zanoia, Cagnola also became involved in Milan’s urban planning initiatives at a time when early industrialisation meant the city was expanding.

After his death, Cagnola was initially buried at the cemetery in Ozzero, a small town on the outskirts of Milan, where the family had a palazzo. When the cemetery was closed, his body was transferred to its present resting place at the Monumental Cemetery in Milan.

The Arco della Pace seen from within the
green space of the Parco Sempione in Milan

Travel tip:

The Arco della Pace is situated at the northwestern end of the Parco Sempione, the large park that stretches out behind the Castella Sforzesco. The gate marked the place where the then newly-constructed Strada del Sempione entered Milan. This road, which is still in use today, connects Milan to Paris through the Simplon Pass crossing the Alps. Previously, the gate was known as Porta Giovia - "Jupiter's Gate".  The gate has been associated with a number of important moments in Milanese history.  In March 1848, Austrian army led by marshal Josef Radetzky retreated through Porta Giovia after being defeated in the Five Days of Milan rebellion, while in June 1859, four days after the Battle of Magenta, Napoleon III and Victor Emmanuel II of Italy entered Milan through the gate.

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Cagnola's Villa La Rotonda outside the
town of Inverigo, captured on canvas

Travel tip:

The town of Inverigo is at the heart of the Brianza, an area between Milan Como that has a large number of historical residences, once owned by rich families from Milan who would escape to Inverigo in the summer, seeking peace and quiet in the cool countryside.  Through history, it belonged to the Mariano fief, later becoming the property of the Viscontis and the Sforza families. Served by train from Milan, it is sometimes known as the “pearl of Brianza”.

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Also on this day:

68: The death of the emperor Nero

1311: Duccio di Buoninsegna’s masterpiece Maestà is unveiled

1898: The birth of racing driver Luigi Fagioli

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8 June

Tomaso Albinoni - Venetian composer

Prolific writer of operas and instrumental music

The composer Tomaso Albinoni, perhaps best known for the haunting and powerful Adagio in G Minor, was born on this day in 1671 in Venice.  Albinoni was a contemporary of two other great Venetian composers, Arcangelo Corelli and Antonio Vivaldi, and was favourably compared with both.  It is his instrumental music for which he is popular today, although during his own lifetime he was famous for his operas, the first of which was performed in Venice in 1694.  He is thought to have composed some 81 operas in total, although they were not published at the time and the majority were lost.  His first major instrumental work also appeared in 1694. With the support of sponsorship from noble patrons, he published nine collections - in Italy, Amsterdam and London - beginning with Opus 1, the 12 Sonate a Tre, which he dedicated to his fellow Venetian, Cardinal Pietro Ottoboni, the grand-nephew of Pope Alexander VIII.  It was this work that established his fame.  He followed it with another collection of instrumental pieces, dedicated to Charles IV, Duke of Mantua, who may have employed him as a violinist.  Read more…

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Luigi Comencini – film director

Movies helped create an international audience for Italian cinema

Award winning director and screenwriter Luigi Comencini was born on this day in 1916 in Salò, a town on the banks of Lake Garda in Lombardy.  He is considered to have been one of the masters of the commedia all’italiana genre, a type of film produced between the 1950s and the 1970s that dealt with social issues such as divorce, contraception and the influence of the Catholic Church in a sardonically humorous way.  After Comencini studied architecture in Milan he went to work as a newspaper film critic. He began his career as a filmmaker in 1946 with a short documentary, Bambini in città, about the hard life of children in post-war Milan.  His first successful movie was L’imperatore di Capri in 1949, featuring the comedian Totò.  Comencini’s 1953 film, Pane, amore e fantasia, starring Vittorio De Sica and Gina Lollobrigida, is considered a prime example of neorealismo rosa -  pink neorealism. It was followed by Pane, amore e gelosia in 1954.  His masterpiece is considered to be Tutti a casa, starring Alberto Sordi, which was a bitter comedy about Italy after the armistice of 1943, when Italy surrendered to the Allies.  Read more…

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Benedetto Alfieri – architect

Talented designer behind the Teatro Regio in Turin

Baroque architect Benedetto Innocenzo Alfieri was born on this day in 1699 in Rome.  He was a member of the Alfieri family who originated in Piedmont and he became the uncle of the dramatist, Vittorio Alfieri. Benedetto was also the godson of Pope Innocent XII.  Alfieri was sent to be educated in mathematics and design by the Jesuits. He later moved to Piedmont and lived in both Turin and Asti, where he practised as a lawyer and an architect.  Charles Emmanuel III, King of Sardinia, one of his patrons, commissioned him to design the Royal Theatre in Turin, originally assigned to Filippo Juvara, but who died before work began. The building was acknowledged as his masterpiece, but it burned down in 1936 and the theatre did not reopen until 1973.  Benedetto also helped with the decoration of the interior of the Basilica of Corpus Domini in Turin and the interior of Palazzo Chiablese next to the Royal Palace in Turin. In recognition, Charles Emmanuel III made him Count of Sostegno.  Alfieri also completed the bell tower of the Church of Sant’Anna in Asti and the façade of Vercelli Cathedral.  Read more…

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Giuseppe Fiorelli - archaeologist

The man whose painstaking work saved Pompeii

Giuseppe Fiorelli, the archaeologist largely responsible for preserving the ruins of Pompeii, was born on this day in 1823, in Naples.  It was due to Fiorelli’s painstaking excavation techniques that much of the lost Roman city on the Neapolitan coast was preserved as it had looked when, in 79 AD, it was totally submerged under volcanic ash following the eruption of Vesuvius.  He also hit upon the idea of filling the cavities in the hardened lava and solidified ash left behind by long-rotted bodies and vegetation with plaster to create a model of the person or plant that had been engulfed.  This became known as the Fiorelli process.  Little is known of Fiorelli’s early life apart from some details of his academic career, which clearly show him to be precociously clever.  He studied law from the age of 11 and obtained a degree in legal studies at the age of 18. He was also a student of italic languages, numismatics – the study of coins, paper money and medals -- and epigraphy – the study and interpretation of ancient inscriptions.  Having chosen to pursue his interest in archaeology and the study of ancient civilisations, he wrote an article on numismatics that won him membership of a number of academies at the age of 20.  Read more…

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Guido Banti – physician

Doctor was the first to define leukaemia

The innovative physician and pathologist Guido Banti was born on this day in 1852 in Montebicchieri in Tuscany.  His work on the spleen led him to discover that a chronic congestive enlargement of the spleen resulted in the premature destruction of red blood cells. Closely related to leukaemia, this was later named 'Banti’s disease' in his honour.  Banti’s father was a physician and sent him to study medicine at the University of Pisa and the Medical School in Florence.  He graduated in 1877 and was appointed an assistant at the Hospital of Santa Maria Nuova and also as an assistant in the laboratory of Pathological Anatomy.  The ability to observe patients in bed and then carry out post mortem examinations was to prove fundamental to his work.  Within five years he had become chief of medical services. In 1895, after a five year spell in a temporary post he was appointed Ordinary Professor of Pathological Anatomy in the medical school in Florence. He remained in this post for 25 years.  Banti published the first textbook in Italy on the techniques of bacteriology in 1885.  He studied and also wrote about heart enlargement.  Read more…

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7 June

Pippo Baudo - TV presenter

Record-breaking host of Sanremo festival

The television presenter Pippo Baudo, who became one of the most recognisable personalities on Italian television in a broadcasting career spanning six decades, was born on this day in 1936 in Militello in Val di Catania, in Sicily.  Baudo has presented numerous shows for the national broadcaster Rai and for private networks but is probably best known as the host of the annual Sanremo Music Festival and the presenter of the immensely popular Sunday afternoon magazine show Domenica In.  He was the face of Sanremo a record 13 times between 1968 and 2008, eclipsing another much-loved TV host, Mike Bongiorno, who presented the prestigious song contest on 11 occasions.  Baudo has anchored or co-hosted Domenica In for 11 seasons.  His appearance in the 2016-17 edition of the show came 37 years after he presented the programme for the first time in 1979.  His other major shows include Settevoci, Canzonissima, Fantastico, Serata d'onore and Novecento.  Pippo - short for Giuseppe - is the son of a lawyer, whose father had ambitions for his son to follow a similar career path.  Read more…

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Federico da Montefeltro – condottiero

Patron of the arts made money through war

Federico da Montefeltro, one of the most successful of the Italian condottieri, was born on this day in 1422 in Gubbio.  He has been immortalised by the famous portrait painted of him by Piero della Francesca, where he was dressed in red and showing his formidable profile.  Federico ruled Urbino from 1444 until his death, commissioning the building of a large library where he employed his own team of scribes to copy texts.  He was the illegitimate son of Guidantonio da Montefeltro but he was legitimised by the Pope with the consent of Guidantonio’s wife.  Federico began his career as a condottiero - a kind of mercenary military leader - at the age of 16. When his half brother, who had recently become Duke of Urbino, was assassinated in 1444, Federico seized the city of Urbino.  To bring in money he continued to wage war as a condottiero. He lost his right eye in an accident during a tournament and later commissioned a surgeon to remove the bridge of his nose to improve his field of vision and make him less vulnerable to assassination attempts.  Subsequently, he refused to have his portrait painted in full face, hence he is depicted in profile by Piero della Francesca.  Read more…

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Gaetano Berenstadt – operatic castrato

Italian-born performer who specialised in roles created by Handel

Gaetano Berenstadt, an alto castrato who sang many roles in George Frideric Handel’s operas, was born on this day in 1687 in Florence.  His parents were German and his father played the timpani - kettle drums - for the Grand Duke of Tuscany.  Berenstadt was sent to be a pupil of Francesco Pistocchi, a singer, composer and librettist who founded a singing school in Bologna.  After performing in Bologna and Naples, Berenstadt visited London where he performed the role of Argante in a revival of Handel’s Rinaldo. The composer created three new arias especially for Berenstadt’s voice.  On a later visit to London, Berenstadt sang for the composers of the Royal Academy of Music. On this visit he created the roles of Tolomeo in Handel’s Giulio Cesare, the title role in Flavio, and the role of Adalberto in Ottone.  Back in Italy, he sang music by Italian composers and in two new compositions by Johann Adolph Hasse. He usually took on the role of a villainous tyrant and, despite the quality of his voice, he never portrayed a female character.  His final appearances on stage were in his native Florence.   Read more…

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