22 February 2021

Giovanni Zenatello - opera singer and director

Tenor star who turned Verona’s ancient Arena into major venue

Giovanni Zenatello sang all the major tenor roles in a 35-year career
Giovanni Zenatello sang all the major
tenor roles in a 35-year career
The early 20th century opera star Giovanni Zenatello, who was not only a highly accomplished performer on stages around the world but also the driving force behind the establishment of the Arena di Verona as a major venue, was born on this day in 1876 in Verona.

Zenatello spent a large part of his career in the United States but is remembered with enormous respect in Italy - and in particular in his home city - for having teamed up with impresario Ottone Rivato and others to put on a spectacular staging of Giuseppe Verdis Aida at the Arena in 1913, the first operatic production of the century to take place within the remains of the Roman amphitheatre and the forerunner of hundreds more.

The tenor was already an important figure in Italian opera for his interpretations of Verdi’s Otello and most of the other dramatic or heroic leading male roles in the popular works of the day.  He had also been the first to sing the role of Pinkerton in Giacomo Puccini’s Madama Butterfly.

Zenatello initially trained as a baritone and when he made his professional stage debut in Belluno in 1898, taking on the roles of Silvio in Ruggero Leoncavallo’s Pagliacci and Alfio in Pietro Mascagni’s Cavalleria rusticana, it was as a baritone. 

However, it is said he was never comfortable in the baritone range and when a chance came to take the tenor role of Canio in Pagliacci at the Real Teatro Mercadante in Naples the following year, stepping in at short notice when the tenor due to play the role was indisposed, Zenatello seized the opportunity and never looked back.

Zenatello was famous for his interpretation of Verdi's Otello
Zenatello was famous for his
interpretation of Verdi's Otello
By 1902, having gained experience and maturity, he made his debut at Teatro alla Scala, Italy’s premier opera house in Milan, where he would remain part of the company for the next five years, performing in most of the major tenor roles, making an impact in particular in Verdi’s Otello.

It was at La Scala in 1904 that Zenatello was part of Madama Butterfly’s infamous premiere, when a hostile audience, unimpressed with what the critics slammed as a rushed and under-rehearsed production, greeted the cast with boos and catcalls and forced Puccini to pull the opera after one night. 

It was relaunched some weeks later in Brescia. Rosina Storchio, who had been cast as Cio-Cio San in the original in Milan, did not reappear, but Zenatello gave the character of Pinkerton, a US naval officer, a successful second debut.  The controversy did no harm to Zenatello’s reputation, even if it left the composer feeling somewhat chastened. 

Zenatello made his debut at the Royal Opera House, Covent Garden in 1905 and at the Manhattan Opera House in New York in 1907. He was never part of the company at the New York Metropolitan but stepped in to sing the role of Radamès in Aida in 1909 when Enrico Caruso was undergoing a medical procedure in Milan. 

Based in Manhattan, where he shared his home with the Spanish mezzo-soprano Maria Gay, Zenatello was a member of the Boston Opera Company from 1909 to 1914 but often toured, in South America and Mexico as well as Europe.   He succeeded Francesco Tamagno, the original Otello, in being recognised as the greatest exponent of the Verdi role, which he performed more than 300 times.

Zenatello with the Spanish soprano
Maria Gay, with whom he shared his life
It was while he was back in Italy in 1913, visiting his home city, that Zenatello had the idea of marking the centenary of Verdi’s birth by staging a large opera show within the ruins of the Arena, which had occasionally been used for sporting events, musical and theatrical performances since the Renaissance but had never hosted a complete opera. He and Maria and two friends - composer Ferruccio Cusinati and impresario Ottone Rovato - thought that the grand spectacle of Aida would work perfectly within the imposing space of the amphitheatre and asked a Verona architect, Ettore Fagiuoli, to design the sets. 

The performance, in the heat of August, was a huge success and Zenatello and Gay returned in 1914, this time putting on Georges Bizet’s Carmen. It was the start of the Arena’s annual summer festival. 

Zenatello retired from performing in 1933 and devoted himself to teaching. His singing school in New York helped develop the careers of several future stars, among them the coloratura soprano Lily Pons, whom he discovered in Paris and trained up to perform at the Met, and his fellow Veronese tenor Nino Martini, who made his Met debut in 1933 in Rigoletto, opposite Lily Pons.

In 1947, in the role of artistic director of the summer season at the Arena,  Zenatello made another decision that would have a profound influence on the opera world, when he gave a young and relatively unknown soprano called Maria Callas the main part in Amilcare Ponchielli’s La Gioconda.

She had been recommended to Zenatello by Nicola Rossi-Lemeni, a bass who had been due to star with Callas in a Chicago production of Turandot that would have been the American-born soprano’s first major performance had the company not folded on the eve of the run. Zenatello watched her audition in New York and was quickly convinced, as was Tullio Serafin, the conductor in Verona, who would go on to play an integral role in Callas’s career.

Zenatello died in New York in 1949 at the age of 73.

The Arena di Verona held more than 30,000 spectators for events in Roman times
The Arena di Verona held more than 30,000
spectators for events in Roman times
Travel tip:

The Arena di Verona in Piazza Bra is a wonderful surviving example of a first-century Roman amphitheatre.  The arena was built in AD 30 on a site which was then beyond the city walls. It could host more than 30,000 spectators in ancient times, double the capacity permitted today.  Having fallen into disrepair following the collapse of the Roman empire, the outer of what were three rings of arches disappearing completely, the Arena was the scene of jousting events and other tournaments and games during the Renaissance, with some use for plays and musical concerts documented later.  Since Zenatello and his friends established it as the world’s premier open-air opera venue, it has become the stage for regular pop concerts as well, with many of the biggest names giving performances there. 

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A view of the interior of the Teatro Filarmonico in Verona, the city's principal opera theatre
A view of the interior of the Teatro Filarmonico
in Verona, the city's principal opera theatre
Travel tip:

Verona’s musical scene does not begin and end with summer operas in the Roman amphitheatre. Either side of the outdoor season, which runs from June to September, the Arena’s resident orchestra and chorus is based at the Teatro Filarmonico in Via dei Mutilati, just a few minutes’ walk away. Designed by Francesco Galli Bibiena, the ducal architect at Mantua, it was built between 1716 and 1732 and opened with a performance of La fida ninfa, an opera by Antonio Vivaldi. It had to be rebuilt after a fire in 1749 and after it was destroyed by enemy bombing during the Second World War. Patiently rebuilt so that its interior exactly resembled the original, it was not re-inaugurated until 1975, opening with Antonio Salieri’s Falstaff. Nowadays, it hosts ballet, opera and concert seasons. 

More reading:

The Italian impresario who transformed the New York Met

The Neapolitan who founded the San Francisco Opera

The music publisher who 'discovered' the great Puccini

Also on this day:

1905: The birth of industrialist and scooter manufacturer Enrico Piaggio

1914: The birth of Nobel Prize-winning physiologist Renato Dulbecco

1921: The birth of award-winning actress Giulietta Masina

1990: The death of Autogrill pioneer Mario Pavesi

(Picture credits: Arena di Verona by depetukhova from Pixabay; Teatro Filarmonico by Adert via Wikimedia Commons)




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21 February 2021

21 February

Domenico Ghirardelli – chocolatier

Built famous US business with skills learned in Genoa

The chocolatier Domenico Ghirardelli, founder of the Ghirardelli Chocolate Company in San Francisco, was born on this day in 1817 in a village just outside Rapallo in Liguria.  Also known as Domingo, Ghirardelli arrived in San Francisco in 1849 during the rapid expansion years of the Gold Rush, having spent the previous 10 years or so in Peru, where he had run a successful confectionery business.  After making money as a merchant, initially ferrying supplies to prospectors in the gold fields, he set up his first chocolate factory in 1852, drawing on the skills he acquired as an apprentice in Genoa.  By the end of the century, the Ghirardelli Chocolate Company was one of the city’s most successful businesses, with a prestige headquarters on North Point Street, a short distance from Fisherman’s Wharf, in a group of buildings that became known as Ghirardelli Square.  The son of a spice importer, Ghirardelli was born in the village of Santa Anna, just outside Rapallo, about 25km (16 miles) along the Ligurian coast from Genoa, in the direction of La Spezia to the southeast.  His father wanted him to have a trade and once he had reached his teens sent him to be an apprentice at a confectioner in Genoa.  Read more…

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Giuseppe Abbati - painter and revolutionary

Early death robbed Italian art of bright new talent

Italy lost a great artistic talent tragically young when the painter and patriot Giuseppe Abbati died on this day in 1868.  Only 32 years old, Abbati passed away in the hospital of Santa Maria Nuova in Florence, having contracted rabies as a result of being bitten by a dog.  Abbati was a leading figure in the Macchiaioli movement, a school of painting advanced by a small group of artists who began to meet at the Caffè Michelangiolo in Florence in the late 1850s.  The group, in which Giovanni Fattori, Silvestro Lega and Cristiano Banti were other prominent members, were also for the most part revolutionaries, many of whom had taken part in the uprisings that occurred at different places in the still-to-be-united Italian peninsula in 1848.  Abbati, born in Naples, had joined Giuseppe Garibaldi's Expedition of the Thousand, losing his right eye in the Battle of the Volturno in 1860, when around 24,000 partisans were confronted by a 50,000-strong Bourbon army at Capua, north of Naples.  The son of Vincenzo Abbati, also a painter, Abbati was taken to live in Florence when he was six and to Venice before he was 10.  Read more…

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Raimondo Montecuccoli – military leader

Brilliant tactician outwitted his opponents

Raimondo, Count of Montecuccoli, a soldier, strategist and military reformer who served the Hapsburgs with distinction during the Thirty Years’ War, was born on this day in 1609 in Pavullo nel Frignano in the Duchy of Modena and Reggio.  As well as being Count of Montecuccoli, Raimondo also became a Prince of the Holy Roman Empire and the Duke of Melfi in the Kingdom of Naples.  He was born in the Castle of Montecuccolo in Pavullo nel Frignano near Modena and at the age of 16 began serving as a soldier under the command of his uncle, Count Ernest Montecuccoli, who was a General in the Austrian army.  After four years of active service in Germany and the Low Countries, Raimondo became a Captain of Infantry.  He was wounded at the storming of new Brandenburg and at the first Battle of Breitenfeld, where he was captured by Swedish soldiers.  After being wounded again at Lutzen in 1632 he was made a major in his uncle’s regiment. He then became a lieutenant–colonel of cavalry.  At the storming of Kaiserslautern in 1635 he led a brilliant charge and was rewarded by being made a colonel.  Read more…

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Death of Pope Julius II

Pope who commissioned Michelangelo for Sistine Chapel

Pope Julius II, who was nicknamed ‘the Warrior Pope’, died on this day in 1513 in Rome.  As well as conducting military campaigns during his papacy he was responsible for the destruction and rebuilding of St Peter’s Basilica and commissioning Michelangelo to paint the ceiling of the Sistine Chapel.  He is also remembered by students of British history as being the Pope who gave Henry VIII dispensation to marry Catherine of Aragon, his brother’s widow.  Born Giuliano della Rovere, he was the nephew of Francesco della Rovere, who became Pope Sixtus IV.  His uncle sent him to be educated by the Franciscans and he was made a Bishop soon after his Uncle became Pope.  He later became Cardinal Priest of San Pietro in Vincoli in Rome and was very influential in the College of Cardinals.  One of his major rivals was Cardinal Rodrigo Borgia, who was elected Pope Alexander VI in 1492. After accusing him of corruption, Della Rovere retreated from Rome until Alexander died in 1503.  He was succeeded by Pope Pius III who died less than a month after becoming Pope and Della Rovere was finally elected as Pope Julius II in November 1503.  Read more…

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20 February 2021

20 February

The Barber of Seville premieres in Rome

Rival fans wreck debut of Rossini’s most famous opera

The Barber of Seville, the work that would come to be seen as Gioachino Rossini’s masterpiece of comic opera, was performed for the first time on this day in 1816 at the Teatro Argentina in Rome.  Commissioned by the theatre’s owner, Duke Francesco Sforza-Cesarini, it had a libretto by Cesare Sterbini based on the French comedy play Le Barbier de Séville and was originally entitled Almaviva or The Useless Precaution, out of deference to Giovanni Paisiello, the most popular composer in Italy in the 18th century, whose own version of Il barbiere di Siviglia had been very successful.  The second part of the same text, by Pierre Beaumarchais, was behind Mozart’s opera The Marriage of Figaro, which premiered four years after Paisiello’s.  Nonetheless, Paisiello’s loyal fans saw Rossini’s opera as an attempt to steal their favourite’s thunder, whatever name he gave it, and organised what was nothing short of an act of sabotage, packing the theatre on opening night and proceeding to jeer, shout and catcall throughout the whole performance, unsettling the cast and leading to a number of mishaps on stage.   Read more…

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Ferruccio Lamborghini - car maker

Tractor manufacturer inspired by Enzo Ferrari's 'insult'

Fans on one side of a great rivalry in Italy's performance car market were in mourning on this day in 1993 following the death at the age of 76 of Ferruccio Lamborghini.  Lamborghini, who made his fortune from building tractors to service Italy's post-war agricultural recovery, set up as a car maker in 1963 in direct competition with Enzo Ferrari, who had been selling sports cars with increasing success since 1947.  It is said there was no love lost between the two, not least because they first met when Lamborghini turned up at Ferrari's factory in Maranello, a few kilometres from Modena, to complain to Enzo in person that Ferrari were using inferior parts.  Lamborghini had become a collector of fast cars and owned a Mercedes-Benz 300SL, a Jaguar E-Type and two Maserati 3500 GTs among others.  He acquired his first Ferrari, a two-seater 250GT with bodywork designed by Pinin Farina, in 1958, and went on to own several more.  He was generally unimpressed, complaining that they were noisy and rough and essentially re-purposed track cars, with too little luxury refinement.  Read more…

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Francesco Maria II della Rovere - the last Duke of Urbino

Last male in famous family line

Francesco Maria II della Rovere, the last holder of the title Duke of Urbino and the last surviving male from a famous noble family, was born on this day in 1549 in Pesaro in Le Marche.  Descended from the 15th century Pope Sixtus IV, Francesco Maria II’s only male heir, Federico Ubaldo della Rovere, died without fathering a son, which meant the Duchy reverted to Francesco Maria II, who in turn was convinced he should give it to Pope Urban VIII, of the Barberini family.  Federico’s daughter, Vittoria della Rovere, had been convinced she would be made Duchess of Urbino but had to be content with the Duchies of Rovere and Montefeltro, as well as an art collection that became the property of Florence after she had married Ferdinando II de’ Medici.  Pope Sixtus IV, best known for building the Sistine Chapel in the Apostolic Palace, the official papal residence in Vatican City, had come from a poor family in Savona in Liguria, but once elected pope became wealthy and powerful and set about ensuring that his personal prosperity was used to the betterment of his family.  He soon made his nephews Giuliano della Rovere (the future Pope Julius II) and Pietro Riario both cardinals and bishops.  Read more…

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Laura Bassi – scientist

Ground-breaking academic paved the way for women

Brilliant physicist Laura Bassi died on this day in 1778 in Bologna.  She had enjoyed a remarkable career, becoming the first woman to earn a Chair in Science at a university anywhere in the world.  When she was just 13 her family’s physician had recognised her potential and took charge of her education.  When she was 20 he invited philosophers from the University of Bologna along with the Archbishop of Bologna, who later became Pope Benedict XIV, to examine her progress.  They were all impressed and Bassi was admitted to the Bologna Academy of Sciences as an honorary member, the first female ever to be allowed to join.  Her theses at the university showed influences of Isaac Newton’s work on optics and light. She was a key figure in introducing his ideas about physics to Italy.  When she received her degree from the university there was a public celebration in Bologna.  Another of her theses about the property of water led to her being awarded the post of Professor of Physics at the university.  As a woman, she was not allowed to teach at the university so she gave lessons and did experiments in her own home.  Read more…


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19 February 2021

19 February

Massimo Troisi – actor, writer and director

Tragic star died hours after completing finest work

Massimo Troisi, the comic actor, writer and director who suffered a fatal heart attack in 1994 only 12 hours after shooting finished on his greatest movie, was born on this day in 1953 in a suburb of Naples.  Troisi co-directed and starred in Il Postino, which won an Oscar for best soundtrack after being nominated in five categories, the most nominations in Academy Award history for an Italian film.  He also wrote much of the screenplay for the movie, based on a novel, Burning Patience, by the Chilean author Antonio Skármeta, which tells the story of a Chilean poet exiled on an Italian island and his friendship with a postman whose round consists only of the poet’s isolated house.  Plagued by heart problems for much of his life, the result of several bouts of rheumatic fever when he was a child, Troisi was told just before shooting was due to begin that he needed an urgent transplant operation.  However, he was so committed to the project, a joint enterprise with his friend, the British director Michael Radford, he decided to postpone his surgery.  He was so ill that he collapsed on set on the third day but recovered to continue.  Read more…

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Domenico Grimani - cardinal and art collector

Owned works by Da Vinci, Titian and Raphael among others

The Venetian cardinal Domenico Grimani, whose vast art collection now forms part of the Museo d'Antichità in the Doge's Palace in Venice, was born on this day in 1461.  Grimani acquired works among others by Italian Renaissance masters such as Leonardo da Vinci, Giorgione, Titian and Raphael, as well as by Hans Memling and Hieronymus Bosch, two of the great Early Netherlandish painters of the 15th century.  He also owned the illustrated manuscript that became known as the Grimani Breviary, produced in Ghent and Bruges between 1510 and 1520, which is considered one of the most important  works of Flemish art from the Renaissance period.  Gerard David, Gerard Horenbout, Simon Bening and other illustrators contributed to the work, which was acquired by Grimani for 500 gold ducats, and subsequently bequeathed to the Venetian Republic.  It is now housed in the Biblioteca Marciana, opposite the Doge’s Palace.  Domenico also began the collection of Greek and Roman antiquities that was subsequently expanded by his nephew, Giovanni, and now kept in the Palazzo Grimani museum, near Campo Santa Maria Formosa.  Read more…

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Luigi Boccherini – musician

Composer gave the cello prominence in his charming quintets

Cellist and composer Luigi Rodolfo Boccherini was born on this day in 1743 in Lucca in Tuscany.  Boccherini is particularly known for a minuet from his String Quintet in E, which became popular after its use by characters posing as musicians in the 1955 film, The Ladykillers, which starred Alec Guinness and Peter Sellers.  Though his works became neglected after his death in 1805 they enjoyed a revival after the Boccherini Quintet, which was formed in Rome, started performing them in the 1950s.  Boccherini’s father was himself a cellist and double bass player and sent the young Luigi to study in Rome.  In 1757 they went to Vienna together where the court employed them both as musicians in the Imperial Theatre orchestra.  In 1764 Luigi obtained a permanent position back in Lucca, playing in both the church and theatre orchestras.  But after the death of his father he moved to Paris where some of his early compositions were published.  Boccherini later moved to Spain, where for a time he enjoyed the patronage of the Royal family. But one day King Charles III of Spain ordered him to change a passage of his music.   Read more…

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Vittorio Grigolo - opera singer

Tenor courted public popularity as way to land 'serious' roles

The operatic tenor Vittorio Grigolo was born on this day in 1977 in Arezzo in Tuscany.  Grigolo has performed at many of the world's leading opera houses and recently starred in Werther by Jules Massenet at the Metropolitan Opera in New York.  Yet he has achieved fame as a serious performer after first releasing an album of popular songs and using reality TV shows to put himself in the public eye.  Brought up in Rome, Grigolo was a child prodigy who began to sing at the age of four, his love for music inspired by his father, who liked the family house to be filled with the sound of opera arias.  He won a place at the prestigious Sistine Chapel Choir School by the time he was nine and at 13 appeared on the same stage as the opera legend Luciano Pavarotti as the shepherd boy in Giacomo Puccini's Tosca at the Rome Opera House.  It earned him the nickname Il Pavarottino - the little Pavarotti.  Grigolo's progress continued to be rapid.  At 18 he joined the Vienna Opera Company and became the youngest tenor to perform at Teatro alla Scala in Milan at the age of 23.  But in the years that followed, he felt his career reached a plateau. Read more…


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