Antonio Sant’Elia - architectural visionary
Futurist’s ideas were decades ahead of his time
The architect Antonio Sant’Elia, best known for producing hundreds of drawings based on his vision of an idealised modern industrial city, was born on this day in 1888 in Como in Lombardy. Sant’Elia’s life was short - he died in battle barely a year after signing up for military service in the First World War - and his physical legacy comprised only one completed building, a modest villa in the hills above his home city. Yet, thanks to the boldly imaginative designs he captured in dozens of sketches illustrating how he saw the cities of the future, Sant’Elia is still seen as one of modern architecture’s most influential figures, more than a century after his death. A builder by trade, in 1912 Sant’Elia set up a design office in Milan with fellow architect Mario Chittone. He was already a follower of Futurism, the avant-garde artistic, social and political movement that had been launched by the poet Filippo Tommaso Marinetti in 1909. Read more…
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Andrea Dandolo - Doge of Venice
Reign tested by earthquake, plague and war
Andrea Dandolo, the fourth member of a patrician Venetian family to serve as Doge of the historic Republic, was born on this day in 1306. A notably erudite scholar, Dandolo wrote two chronicles of the history of Venice in Latin and reformed the Venetian legal code by bringing together all of the diverse laws applicable to the Venetian Republic within one legal framework. He achieved these things despite his reign being marked by a devastating earthquake, a catastrophic outbreak of the Black Death plague and two expensive wars, against Hungary and then Genoa. Dandolo studied at the University of Padua, where he became a professor of law, a position he maintained until he was elected Doge. He quickly rose to a position of prominence in Venetian life, being appointed Procurator of St Mark’s Basilica, the second most prestigious position in the Venetian hierarchy after the Doge, at the age of just 25. Read more…
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Francesco Primaticcio - painter, sculptor and architect
Italian who had major influence on French art
The Mannerist painter, architect and sculptor Francesco Primaticcio, who played an important role in shaping the artistic landscape of France during the 16th century, was born on this day in 1504 in Bologna. Primaticcio spent almost two thirds of his life in France, where he rose to be superintendent of works at the Château de Fontainebleau, the former medieval castle that was turned into an opulent Renaissance-style palace by Francis I of France. Primaticcio trained as an artist in Bologna under Innocenzo da Imola before moving to Mantua to study with Giulio Romano, a former pupil of Raphael whose style helped define Mannerism. He assisted Romano in his work on the decorations of the Palazzo del Te in Mantua, a project that refined his skills in fresco painting and architectural ornamentation. Read more…
Luigi Russolo – painter and composer
Futurist artist who invented 'noise music'
Luigi Russolo, who is regarded as the first ‘noise music’ composer, was born on this day in 1885 in Portogruaro in the Veneto. Russolo originally chose to become a painter and went to live in Milan where he met and was influenced by other artists in the Futurist movement. Along with other leading figures in the movement, such as Carlo Carrà , he signed both the Manifesto of Futurist Painters and the Technical Manifesto of Futurist Painting as the artists set out how they saw Futurism being represented on canvas, and afterwards participated in Futurist art exhibitions. Russolo issued his own manifesto, L’arte dei rumori - The Art of Noises - in 1913, which he expanded into book form in 1916. He stated that the industrial revolution had given modern man a greater capacity to appreciate more complex sounds. Read more…
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Pope Pius V - Saint
Pontiff dismissed jester and clamped down on heretics
The feast day of Pope Saint Pius V is celebrated every year on this day, the day before the anniversary of his death in 1572 in Rome. Pius V, who became Pope in 1566, is remembered chiefly for his role in the Counter Reformation, the period of Catholic resurgence following the Protestant Reformation. He excommunicated Queen Elizabeth I of England for heresy and for persecuting English Catholics and he formed the Holy League, an alliance of Catholic states against the Turks. Pius V was born Antonio Ghislieri in Bosco, now Bosco Marengo, in Piedmont. At the age of 14 he entered the Dominican Order, taking the name of Michele. He was ordained at Genoa in 1528 and then sent to Pavia to lecture. He became a bishop under Pope Pius IV but after opposing the pontiff was dismissed. After the death of Pius IV, Ghislieri was elected Pope Pius V in 1566. Read more…
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Book of the Day: Futurism: A Very Short Introduction, by Ara Merjian
From the motorcar to the radio, modern technology radically transformed urban life by the first decade of the 20th century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario Filippo Tommaso Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression." A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony for new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards. Cubist painting, collage, and sculpture lent the Futurist campaign a revolutionary style to match its rhetorical fervor. Yet whereas Cubism remained a revolution of artistic form, Futurism sought to shatter the boundaries between art and life itself. Indeed, the movement's challenge to 20th-century culture lay not in any specific set of images or objects, but a more comprehensive revolution of sensibility. Futurism: A Very Short Introduction explains how, from its base in Milan, Futurist activity spread throughout the entire peninsula. Prefiguring and then propagandizing Fascist imperialism, Futurism also galvanized a range of progressive modernist phenomena. More than a century later, the “activist model” of the Futurist avant-garde remains deeply fraught in its historical implications.Ara H Merjian is Professor of Italian Studies at New York University, where he is an affiliate of the Institute of Fine Arts and the Department of Art History. He has written and edited several books.


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