Bianca Cappello – noblewoman

Tragic end for the mistress who earned promotion to Grand Duchess 

Bianca Cappello became the
mistress of Francesco I

Bianca Cappello, the mistress of Francesco I Grand Duke of Tuscany, who became his Grand Duchess after he married her in the face of widespread criticism, died on this day in 1587 in Poggio a Caiano.

Grand Duchess Bianca died just one day after her husband, and historians are still divided between the theories that either they were both poisoned, or that they each died of malarial fever.

Bianca had been born in Venice in 1548, the only daughter of a Venetian nobleman, and as she grew up, she was acknowledged to be a great beauty.

At the age of 15, Bianca fell in love with a young Florentine clerk and she eloped with him to Florence, where they were married. She gave birth to a daughter one year later.

The Venetian government tried to have Bianca arrested and brought back to Venice, but Cosimo I, the Grand Duke of Tuscany, intervened on her behalf and she was allowed to stay in Florence. However, she found that she did not get on well with her husband’s family, who, because they had little money, made Bianca do menial work. 

Because of her beauty, Bianca attracted the attention of the Grand Prince Francesco, the son and heir apparent of Tuscany’s Grand Duke Cosimo I.

Even though Francesco was married to Joanna of Austria, he seduced Bianca, and as a reward, he gave her money and jewellery as presents. Bianca’s own husband was given employment at the Medici court for a while, until he was murdered in a street in Florence in 1572.

After Francesco became Grand Duke on the death of his father in 1574, he installed Bianca in her own palace, which is now known as Palazzo Bianca Cappello, and he flaunted his mistress in front of his wife.

Francesco I de' Medici succeeded
Cosimo I as Grand Duke of Tuscany

Francesco had no legitimate son to inherit the Duchy from him and he thought that a child by Bianca could be a potential heir for him, even though it would be illegitimate.

But after Bianca gave birth to his son, Antonio, in 1576, Francesco refused to acknowledge him, because he was still hoping to have a legitimate heir with his wife, Joanna.

Joanna succeeded in producing a son, Grand Prince Philip de’ Medici, in 1577, crushing Bianca’s hopes of becoming anything more than a mistress who was favoured by Francesco.

However, after Joanna’s death in 1578, Francesco secretly married Bianca, only a few months later.

The marriage was announced publicly in 1579 and Bianca’s son, Antonio, was finally acknowledged as the Duke’s son. Two days later, Bianca was crowned Grand Duchess of Tuscany at Palazzo Vecchio in Florence.

The Venetian government sent a representative to the magnificent, official wedding festivities that were held, because they realised that Bianca Cappello could be useful to them as an instrument for cementing good relations with Tuscany.

But Bianca’s position was still insecure because her son, Antonio, was illegitimate, and he was therefore barred from inheriting the Duchy. She was also aware that if her husband died before she did, she would be lost, because his family all disliked her and regarded her as an interloper.

Bianca and Francesco's son,
Antonio, was born in 1576

Then, in 1582, Francesco’s heir, Grand Prince Philip, died, and so Francesco had Antonio legitimised, and declared him to be the heir apparent to the Duchy, making Bianca’s position stronger. In the event, Antonio never succeeded his father, whose title was instead taken by his brother, Ferdinando.

But on 19 October that year, at the Villa Medicea in Poggio a Caiano, Francesco died. The following day, Bianca also died. Both deaths were believed to be either the result of poisoning, or of malarial fever.

Francesco’s brother did not allow Bianca to be buried in the Medici family tomb, and it is thought that she may have been buried in an unmarked, mass grave under the church of San Lorenzo in Florence.

Bianca’s sad story was used as the basis for a tragic drama, Women Beware Women, written  by Thomas Middleton, which was staged for the first time in 1621. She has also been used as a main character in three different novels. 

The historic figure of Bianca Cappello was also a main protagonist in The Venetian, a play written by Clifford Vax, which opened in London’s West End in 1931, before moving on to be staged in venues in America. 

The Palazzo Bianca Cappello can be
found in Via Maggio in Florence

Travel tip:

The Palazzo Bianca Cappello in Florence's Via Maggio was renovated by Bernardo Buontalenti between 1570 and 1574 at the direction of Grand Duke Francesco I in order to install his lover, Bianca Cappello, in a location close to the Grand Ducal residence of Palazzo Pitti, which was less than 200m (220 yards) away. After Bianca had become Grand Duchess and moved permanently to the Palazzo Pitti, she ceded the palace to the Hospital of Santa Maria Nuova.  The palace was linked to the Palazzo Pitti by an underground corridor so that Bianca and Francesco could meet secretly during the time they were lovers. Thanks to this corridor, numerous artworks in the Vasari corridor, the elevated enclosed passageway connecting the Palazzo Vecchio with the Palazzo Pitti, were kept out of the hands of German occupiers in World War Two. Notable for a facade decorated using the sgraffito technique, with images scratched into layers of different coloured plaster, the palace today houses an hotel.

The Ponte Leopoldo was one of the earliest 
suspension bridges to be built in Italy

Travel tip:

A settlement since Roman times, Poggio a Caiano is a town of almost 10,000 residents on the banks of the river Ombrone in the Montalbano area northwest of Florence. First the Strozzi and then the Medici families populated the area, an important point of reference for trade and communication. The town is home to the magnificent Villa Medicea, the mansion commissioned by Lorenzo the Magnificent. Built between the 15th and 16th centuries by the architect Giuliano da Sangallo, the Villa Medicea is considered a masterpiece and is a UNESCO World Heritage Site. The villa was the scene of the sudden and mysterious death of Francesco I de' Medici and his second wife Bianca Cappello. Between Poggio and neighbouring Poggetto, the Torrente Ombrone river is crossed by the Ponte Leopoldo, built in 1833 and one of Italy's first suspension bridges.

Also on this day:

1438: The death of sculptor Jacopo della Quercia

1950: The birth of television presenter Mara Venier

1951: The birth of football manager Claudio Ranieri

1962: The birth of jazz musician Dado Moroni

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Mattias de’ Medici - Governor of Siena

Distinguished soldier was interested in art and science

A portrait of Mattias de' Medici by
the court painter, Justus Sustermans

Mattias de’ Medici, who was an enthusiastic supporter of the Palio horse race during his time as Governor of Siena, died on this day in 1667.

He is remembered for being a patron of art and of science and for the scientific instruments he acquired while on military campaigns during the Thirty Years War in Germany, which are now housed in the Uffizi galleries in Florence.

Mattias, who was born in 1613, was the third son of Grand Duke Cosimo II de' Medici of Tuscany and of Archduchess Maria Maddalena of Austria.

He was originally intended for the church, but he had little enthusiasm for the ecclesiastical life and so from the age of 16, he pursued a military career instead.

After Cosimo II died in 1621, he was succeeded as Grand Duke by Matteo’s older brother, Ferdinando.  Grand Duke Ferdinando II appointed Mattias as the Governor of Siena, to replace their aunt, Caterina de’ Medici, who had been governor of the city until her death in 1629.

After he arrived in Siena, Mattias took up residence in the Royal Palace in Piazza del Duomo and he quickly became very popular with the people living in the city.

He took part in the Battle of Lutzen in 1632, during the Thirty Years War in Germany. After he returned to Siena, he ruled the city again before becoming involved in the Wars of Castro.

A portrait of Mattias
in military uniform 

Mattias was given supreme authority over the grand duchy’s military affairs by his brother, Ferdinando, and he commanded the League of the Republic of Venice, the Grand Duchy of Tuscany, the Duchy of Parma, and the Duchy of Modena and Reggio, in the struggle against Pope Urban VIII.

As a reward for his military victories, his brother, Ferdinando, presented Mattias with the Villa of Lappeggi in a beautiful area of countryside near Florence.

Mattias was an enthusiastic  supporter of the arts and he became a keen collector. He was the patron of Justus Sustermans, the Flemish court painter of the Medici family, and of Baldassare Franceschini, who was also known as Il Volteranno.

His interests centred on painting, and he paid for the training of Livio Mehus, a Flemish painter, draughtsman and engraver, many of whose works are listed in an inventory of Mattias’s possessions made in 1669. As a soldier, Mattias was particularly interested in battle painting, and the artist Giacomo Cortese, who, like Mattias, had experienced military combat, was employed by him in the 1650s. 

Mattias was said to have been delighted with four paintings of battles in which he had fought himself, which have been identified in a room in the Villa of Lappeggi.  This room also contains a damaged fresco, which has been identified as Victory and Fame by Franceschini. 

Mattias promoted Siena’s famous Palio during its early history and a horse from his stable regularly took part in the event.

During his time in Germany, he acquired many scientific instruments, such as dials, astrolabes, quadrants, and compasses, which were given to the Uffizi gallery. 

Mattias never married and as he got older, he suffered from gout. He was considering re-entering the church, but illness prevented it. He died in Siena in 1667 at the age of 54. He was buried in the Medici family tombs in the Basilica of San Lorenzo in Florence.

His embalmed body was exhumed in 1857 during an investigation into the Medici remains in the church. He was found dressed as a Knight of Malta in black velvet, wearing velvet shoes and with a gold medal on his chest.

The Palio di Siena still attracts huge crowds
to witness the event in Piazza del Campo

Travel tip:

The Palio di Siena is a horse race that takes place in the Piazza del Campo in Siena twice each year, on 2 July and 16 August. Ten horses and bareback riders, who are dressed in the colours of their districts, represent 10 of the 17 contrade, or city wards, in a competition that dates back to 1633, when it was inaugurated soon after Mattias de’ Medici became governor of the city.  The 10 participants race each other on a temporary dirt track around the perimeter of the shell-shaped piazza. The race consists of three laps, which the horses cover at such a furious pace that the whole thing is over in about 90 seconds. It is not uncommon for riders to fall off but a riderless horse can still be declared the winner if the colours of their contrada are still attached to the bridle. 

The Basilica di San Lorenzo in Florence, which
houses the tombs of the Medici family

Travel tip:

The Basilica of San Lorenzo, where Mattias de’ Medici is buried, is one of the largest churches in Florence. It is at the centre of the main market district of the city, and is the burial place of all the principal members of the Medici family. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at a time when it stood outside the city walls. For hundreds of years it was the city's cathedral, before the Cathedral of Santa Maria del Fiore was completed in the 15th century. In 1419, Giovanni di Bicci de' Medici - father of Cosimo de’ Medici, the founder of the banking dynasty - offered to finance a new church to replace an 11th-century Romanesque building. Filippo Brunelleschi, the leading Renaissance architect of the first half of the 15th century, famous for the colossal dome of Santa Maria del Fiore, was commissioned to design it, although it was not completed until after his death.

Also on this day:

1815: The birth of adventurer Pierre-Napoleon Bonaparte

1896: The birth of composer and lyricist Cesare Andrea Bixio

2014: The death of soprano Anna Cerquetti

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Matteo Strukul – writer

Author is published worldwide in 20 languages

Matteo Strukul's historical novels about the Medici
family have been best sellers in Italy

Writer and journalist Matteo Strukul, best known for his best-selling historical novels about the powerful Medici family, was born on this day in 1973 in Padua (Padova) in the Veneto region.

Strukul’s first novel was a dark thriller set in the Veneto, which was published in 2011 in Italian as La ballata di Mila. The novel was translated into English and issued in 2014 as The Ballad of Mila.

He then wrote four historical novels set in Florence between the 15th and 17th centuries following the rise of the house of Medici, which all became best sellers in Italy and have sold more than 500,000 copies worldwide. The first novel, I Medici, una dinastia al potere, was awarded the Premio Bancarella in 2017. This prestigious award has been won in the past by Ernest Hemingway, Boris Pasternak, Umberto Eco, and Ken Follett. The novel was published in English in 2019 as Medici Ascendancy. 

Strukul’s novels have now been translated into more than 20 different languages.

Matteo Strukul studied law at the University of Padua and went on to study for a PhD in European Contract Law at the Ca’ Foscari University of Venice.

Strukul's first Medici novel
translated into English

He is an adjunct professor of interactive storytelling at Link Campus University in Rome and writes in the cultural section of the weekly magazine Il venerdi di Repubblica. 

Strukul, whose first published works were biographies of singer-songwriters, has also written Vlad, a comic book trilogy, for the publishers Feltrinelli, based on the historic character of Vlad the Impaler. This was the man that gave Bram Stoker the inspiration for the character of Count Dracula.  Strukul's latest novel, La crypta di Venezia, was published in April this year.

In 2018, Strukul was recognized as Excellent Paduan by the Municipality of Padua and won the Premio Emilio Salgari for adventure literature for the novel Giacomo Casanova - La sonata dei cuori infranti (Giacomo Casanova, the sonata of broken hearts). 

He is the creator and founder of the literary movement Sugarpulp and artistic director of the festival of the same name. On the Sugarpulp website he says his favourite wine is Raboso del Piave, which is said to be an austere wine with aromas reminiscent of morello cherry, wild blackberry and plum, but also cinnamon, leather, vanilla and pepper

Strukul, who now lives between Padua, Milan, and Berlin, celebrates his 51st birthday today.

The Palazzo Bo is the main building of the University
of Padua, Italy's second oldest university

Travel tip:

The University of Padova, where Matteo Strukul studied for his waw degree, was originally established in 1222 and is one of the oldest universities in the world - second in Italy only to the University of Bologna. The main university building is Palazzo del Bo in Via 8 Febbraio, which was named after the tavern known as Il Bo (‘the ox’ in Venetian dialect) that had been acquired by the university as new premises in 1493. Originally this building housed the university’s renowned medical faculty and visitors can see the pulpit that was used by Galileo Galilei when he taught at the university between 1592 and 1610 and the anatomy theatre built in 1594, which is the oldest surviving medical lecture theatre in the world today.  Padua is also known as the home of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion.

 

Ca' Foscari, the historic home of the University of
Venice, sits at the widest bend of the Grand Canal

Travel tip:

Ca’ Foscari University in Venice, where Matteo Strukul studied for his PhD,  was founded in 1868. Its main campus is a large Gothic palace which looks out over the Grand Canal in Venice, but there are other sites belonging to the university elsewhere in Venice, and in Mestre and Treviso. Ca’ Foscari was originally built for the Doge Francesco Foscari in 1453 and was designed by the architect Bartolomeo Bon in Venetian Gothic style. During the annual historic Regatta in Venice, a wooden platform known as La Macchina is placed in front of Ca’Foscari, from which the Venetian authorities watch the race. It is also the place on the Grand Canal where the race finishes and is where the prizes are distributed. The University has made parts of the palace accessible to the public, opening some of its most beautiful rooms, such as the Aula Baratto and the Aula Berengo, to visitors.

Also on this day:

1474: The birth of poet Ludovico Ariosto

1504: Michelangelo's David unveiled

2014: The death of soprano Magda Olivero

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Lucrezia Maria Romola de’ Medici – noblewoman

Daughter of Lorenzo the Magnificent supported popes and poets

Lucrezia de' Medici

Lucrezia Maria Romola de’ Medici, who as a newborn baby inspired Sandro Botticelli’s depiction of baby Jesus in one of his paintings, was born on this day in 1470 in the Republic of Florence.

After her brother became Pope Leo X, Lucrezia helped him fund papal building projects in Florence and Rome. She also raised money to pay a ransom and secure the release of her husband when he was taken prisoner by the Holy Roman Emperor Charles V.

She had 11 children, many of whom were to play an important part in the history of Renaissance Europe.  

Lucrezia was the eldest daughter of Lorenzo de’ Medici and Clarice Orsini. After her birth, Botticelli painted Our Lady of the Magnificat, which is now in the Uffizi Gallery in Florence, and used her image as a baby as the model for the figure of the newborn Christ in his masterpiece.

She grew up to be married to Florentine politician Jacopo Salviati in 1488 and brought a dowry of 2000 florins with her. But after her brothers were exiled from Florence, she was unable to help them because her husband was a supporter of the new rulers.

In 1497 she spent 3000 ducats to support a plot to bring her brother, Piero, to power in the city. The plot failed and all the men involved in it were executed, but Lucrezia was spared from harm because she was a woman.

Lucrezia is thought to have inspired
Botticelli's depiction of baby Jesus

Afterwards she worked to build more support for the Medici family and organised a marriage for her niece, Clarice de’ Medici, to Filippo Strozzi the Younger, even though it was against the wishes of the rulers of Florence at the time.

When her brother, Giuliano, returned to Florence in 1512, he asked for her advice on how to restructure the government of the city.

Another of Lucrezia’s brothers, Giovanni di Lorenzo de’ Medici, became Pope Leo X in 1513, and during the celebrations in Florence, Lucrezia and her family gave out money and gifts to the crowds who gathered outside their palace.

By 1514, Leo X had drained the Vatican treasuries and had to pawn the papal tiara, which was worth 44,000 ducats, to Lucrezia and her husband.

Lorenzo the Magnificent
was Lucrezia's father

After Leo X had appointed Lucrezia’s son, Giovanni, a cardinal, Lucrezia managed his household and office for him, especially when he was travelling as a papal legate, and she used her influence to promote Medici causes in Rome.

When the Medici were again exiled from Florence in 1527, Lucrezia’s husband, Jacopo, was taken prisoner by Charles V along with her cousin, who had become Pope Clement VII, and she worked to gather money for a ransom to get them released.

During her life, Lucrezia supported convents in Florence, funding new dormitories, cloisters, and workshops, and she also paid for the building of chapels in Rome, including a chapel that would be a resting place for members of the Medici family.

She corresponded with Niccolò Machiavelli about editing a biography of Alexander the Great and was a patron of the poet, Girolamo Benivieni.  With Benivieni, she petitioned her brother, Pope Leo X, to support their efforts to bring the body of the poet, Dante Alighieri, back to his home town of Florence.

After her husband, Jacopo, died in 1533, Lucrezia survived him by 20 years. She died at the age of 83. Of their children, Maria Salviati (1499–1543) was married to Lodovico de' Medici, uniting two branches of the Medici family, while Bernardo Salviati (1505/1508 - 1568) served Catherine de' Medici in France.

Lorenzo de' Medici was living at the family
villa in Careggi at the time of Lucrezia's birth

Travel tip:

Lorenzo de’ Medici, Lucrezia’s father, who is usually known as Lorenzo the Magnificent, lived at the Villa Medici at Careggi, originally a working farm acquired in 1417 by Cosimo de’ Medici’s father to help make his family self-sufficient. Cosimo employed the architect Michelozzo, who was considered one of the great pioneers of building design during the Renaissance, to remodel it around a central courtyard overlooked by loggias. Lorenzo - Cosimo’s grandson - extended the terraced garden and the shaded woodland area. After his death, in 1492, the villa was allowed to become somewhat run down until the early 17th century, when Cardinal Carlo de' Medici commissioned the remodelling of the interior, and updated the garden. Careggi, which is not far from Florence’s airport, is nowadays a suburb of the city, about 8km (5 miles) northwest of the centre.

The Piazzale degli Uffizi in Florence
offers access to the Uffizi Gallery

Travel tip:

The Uffizi Gallery evolved from a building project that began in around 1560, when the artist and architect Giorgio Vasari was engaged to build offices for the Florentine magistrates, hence the name uffizi (offices). Cosimo I de' Medici, Grand Duke of Tuscany, who commissioned the building, planned to display prime art works of the Medici collections in a part of the complex lit by a wall of windows .  Over the years, more sections of the palace were recruited to exhibit paintings and sculptures collected or commissioned by the Medici.  In 1765 it was officially opened to the public as an art gallery. Located in Piazzale degli Uffizi, it is close to Piazza della Signoria and the Palazzo Vecchio. Opening hours today are from 8.15 am until 6.50 pm from Tuesday to Sunday.

Also on this day:

1463: The birth of Lorenzo di Pierfrancesco de’ Medici

1521: The birth of Pope Urban VII

1994: The death of politician Giovanni Spadolini

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Alessandro Striggio - composer and diplomat

Medici musician who invented the madrigal comedy

The score of Striggio's best known
work was missing for 281 years

The Renaissance composer Alessandro Striggio, famous as the inventor of the madrigal comedy, once thought to be the forerunner of opera, died on this day in 1592 in Mantua (Mantova), the town of his birth.

Although there is no accurate record of his age, it is thought he was born in 1536 or 1537, which would have put him in his mid-50s at the time of his death. 

Striggio spent much of his career in the employment of the Medici family in Florence, for whom he also served as a diplomat, undertaking visits to Munich, Vienna and London among other places on their behalf. 

He produced his best work while working for the Medici, composing madrigals, dramatic music, and intermedi - musical interludes - to be played between acts in theatrical performances.

Striggio’s best known composition is his Il cicalamento delle donne al bucato e la caccia (The gossip of the women at the laundry),  an innovative piece that combined music and words to tell a story, without acting. This was an example of what became known as the madrigal comedy, comprising a series of 15 humorous madrigals that together tell a story in words and music.

Perhaps his greatest achievements, though, were his choral works, including his motet Ecce beatam lucem, a feat of polyphony that included 40 independent voices, and his still more impressive Mass, Missa sopra Ecco sì beato giorno, which also featured 40 different voice parts and a final movement for 60 voices, which is thought to be the only piece of 60-part counterpoint in the history of Western Music.

Cosimo I de' Medici sent Striggio on
a diplomatic mission to Vienna

Although Striggio was born into an aristocratic family in Mantua, there is only sparse knowledge of his early life there. He possibly moved to Florence in his late teens or early 20s. He started work for Cosimo I de' Medici, Duke of Florence, on 1 March 1559 as a musician, eventually to replace Francesco Corteccia as the principal musician to the Medici court.

In the 1560s, he visited Venice and produced two books of madrigals influenced by the musical styles he encountered there.

Music was central to the Medici’s use of Striggio in a diplomatic role. Cosimo I craved the title of Archduke or Grand Duke, which within the hierarchy of the Holy Roman Empire was a rank below Emperor but a notch above Duke and equivalent to a King.

He ordered Striggio to travel to Vienna in the winter of 1566-67, sending his principal musician on a perilous journey through the Brenner Pass in order to meet Emperor Maximilian II and present Cosimo’s case for the Medici to be granted a royal title.

Striggio’s grand opus, Missa sopra Ecco sì beato giorno, was to be part of the presentation, underlining Cosimo’s commitment to the Catholic faith. Striggio was also charged with convincing Maximilian II that the Medici could support him both financially and militarily.

Unfortunately, Striggio reached Vienna only to find he needed to journey a further 140km (87 miles) north to Brno, where Maximilian had removed himself for the winter months. He presented the Emperor with a copy of the Mass, although he had too few musicians or singers with him in Brno for the piece to be performed.

The English composer Thomas Tallis is
said to have been inspired by Striggio

Instead, as Striggio continued his travels, it was performed in full before the courts of Munich and Paris, to great acclaim, before Vienna.  The Medici were granted the right to be headed by a Grand Duke two years later but it took almost 10 years for it to be given approval by the Emperor, although Cosimo I went by the title from 1569 until his death in 1574.

Striggio went on to visit England, having much respect for the work of musicians in the royal court there. He is said to have met Queen Elizabeth I and the composer Thomas Tallis, who had served in the courts of four monarchs - Henry VIII, Edward VI and Mary I, as well as Elizabeth I - and is considered one of England’s greatest composers, particularly of choral music. His own 40-voice motet, Spem in alium, is thought to have been inspired by his meeting with Striggio.

Striggio returned to Florence, where he became friends with Vincenzo Galilei, the lutenist and composer whose son was the astronomer and scientist, Galileo Galilei.

During the 1580s, Striggio began an association with the Este court in Ferrara, which at the time was at the forefront of musical composition in Italy. In 1586, he moved back to his home city, Mantua, although he would continue to compose music for the Medici at least until 1589.

Although the idea of Striggio’s madrigal comedy being the forerunner of opera is no longer widely held, the composer has a connection with the roots of opera in that his son, also called Alessandro, wrote the libretto of Claudio Monteverdi's L'Orfeo, one of the earliest works to fit the conventional definition of an opera.

As a footnote, the score of Striggio’s Missa sopra Ecco sì beato giorno was declared lost in 1726 but was rediscovered in 2007 by a musicologist from the University of California, Berkeley in the Bibliothèque nationale de France in Paris, where it had resided for most of the intervening years, unnoticed because it had reportedly been recorded in an inventory of manuscripts as being a four-part Mass by a composer called Strusco.

The Ducal Palace is one of many highlights of
the atmospheric city of Striggio's home city

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  In nearby Piazze delle Erbe is the Chiesa di San Lorenzo, another masterpiece of Renaissance architecture. Its elegant facade and interior are adorned with beautiful artwork and sculptures.  In the same square, the Torre dell’Orologio Astronomico - the Astronomical Clock Tower - displays lunar cycles as well as the time. Installed in 1473, the clock has failed twice but was restored in 1989.

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Palazzo Vecchio was at
one time Cosimo I's home

Travel tip:

Florence’s imposing Palazzo Vecchio, formerly Palazzo della Signoria, a cubical building of four storeys made of solid rusticated stonework, crowned with projecting crenellated battlements and a clock tower rising to 94m (308ft), became home of Duke Cosimo I de' Medici moved his official seat from the Medici palazzo in via Larga in May 1540. When Cosimo later removed to Palazzo Pitti, he officially renamed his former palace the Palazzo Vecchio, the "Old Palace", although the adjacent town square, the Piazza della Signoria, still bears the original name. Cosimo commissioned the painter and architect Giorgio Vasari to build an above-ground walkway, the Vasari corridor, from the Palazzo Vecchio, through the Uffizi, over the Ponte Vecchio to the Palazzo Pitti. Cosimo I also moved the seat of government to the Uffizi, which translated literally, simply means ‘offices’. Today, of course, the Uffizi, is known the world over for its collection of art treasures.

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More reading:

Gonzaga court violinist Salomone Rossi, the leading Jewish musician of the Renaissance

Cosimo II de' Medici, patron of Galileo

Claudio Monteverdi, the Baroque composer who wrote the first real opera

Also on this day

1792: The birth of composer Gioachino Rossini

(Picture credit: Palazzo Vecchio by Geobia via Wikimedia Commons)

(Paintings: Portrait of Cosimo I de' Medici, Bronzino, Art Gallery of New South Wales)

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Michelozzo - architect and sculptor

Designs became a template for Renaissance palaces

A detail from a Fra Angelico painting is
taken to be a depiction of Michelozzo 

The influential Florentine architect and sculptor Michelozzo di Bartolomeo Michelozzi died on this day in 1472 in his home city.

Known sometimes as Michelozzi but more usually Michelozzo, he is most famous for the palace in the centre of Florence he built on behalf of one of his principal employers, Cosimo de’ Medici, the head of the Medici banking dynasty, for which he developed original design features that became a template for architects not only of the Renaissance era but in later years too.

He was similarly innovative in his work on the ruined convent of San Marco in Florence, also on behalf of Cosimo, which he completely rebuilt.

Such was the influence of these two buildings on many projects during one of the busiest periods of architectural development in Italy’s history that the Palazzo Medici Riccardi, as it became known to reflect its ownership by the Riccardi family after 1659, came to be called ‘the first Renaissance palace’ and San Marco ‘the first Renaissance church’.

His other notable works in Florence include the renovation of the Basilica of della Santissima Annunziata and some additions to the Basilica di Santa Croce, while outside the city he built or renovated a number of villas for the Medici family, including the Castello di Caffagiolo at Barberino di Mugello, the Villa del Trebbio at Scarperia and the Villa Medici at Fiesole.

Michelozzo also worked outside Italy, in the Greek islands, and notably in what is now Croatia, primarily on the city walls of Dubrovnik and Ston.

In his early career, he was apprenticed to Lorenzo Ghiberti, the goldsmith and sculptor, and worked closely with the classical sculptor, Donatello. 

Michelozzo's Palazzo Medici Riccardi set the
standard for Renaissance palaces

Michelozzo was born in around 1396. His father, Bartolomeo di Gherardo Borgognone, was a tailor of French origin who lived and worked in the Santa Croce neighbourhood. The family moved to the San Giovanni quarter, the heart of the city, and later established a family home in Via Larga - now Via Camillo Cavour - which Michelozzo kept after his parents died.

His first employment, at the age of about 14, is thought to have been as a die-engraver for the Florentine mint. He became apprenticed to Ghiberti, who is best known as the creator of two of the three sets of sculpted brass doors of the Florence Baptistry, one of which - the east doors - was dubbed the Doors of Paradise by Michelangelo. 

He collaborated with Donatello on several projects, including the sacristy of Santa Trinita and an open-air pulpit at the cathedral in Prato. He was responsible for the architectural frames of a number of funerary monuments sculpted by Donatello.

Cosimo de’ Medici worked with Filippo Brunelleschi, another pioneer of Renaissance architecture and the architect of the enormous brick dome of the Florence Duomo, but is said to have found Michelozzo more receptive to his wishes than the more temperamental Brunelleschi.

Such was Michelozzo’s loyalty to Cosimo than when the latter was exiled to Venice in the 1430s as a result of political rivalries in Florence, Michelozzo went with him.

Soon after Cosimo’s exile ended, Michelozzo began the rebuilding of the ruined monastery of San Marco, where his elegant library became the model for subsequent libraries throughout 15th-century Italy. He directed the reconstruction of the large complex of church buildings at Santissima Annunziata and temporarily succeeded Brunelleschi as architect for the Duomo after the latter died in 1446.

He began work on the Palazzo Medici in 1444. The palace, a short distance from Michelozzo’s own home in Via Larga, is characterised by an elevation consisting of three storeys of decreasing height, divided by horizontal string courses, the lowest storey finished in rustic masonry, the uppermost in highly refined stonework, the middle one somewhere in between. 

The walled old city of Dubrovnik with Michelozzo's cylindrical
Fort Bokar guarding over the western harbour area

With influences of classical Roman architecture and some of the principles Michelozzo learned from Brunelleschi, Palazzo Medici came to be seen as one of the finest examples of early Renaissance architecture, and a template to which future architects referred.

In addition to the Medici villas, Michelozzo worked on the restoration of the Palazzo Vecchio - originally the Palazzo della Signoria - and undertook a number of projects abroad, including a guest house in Jerusalem for the use of Florentine pilgrims.

In 1461, at the age of 65, Michelozzo was invited by the government of what was then the Republic of Ragusa - an independent maritime trading republic with ties to Venice - to work on the city walls of Dubrovnik and Ston, now part of Croatia.  His cylindrical Fort Bokar, which defended the western gate of Dubrovnik, was hailed as a masterpiece. 

Michelozzo might have remained there longer, but a dispute over his ideas for rebuilding the Rector's palace - the seat of the republic's government - after an explosion left it badly damaged led him to cut short his stay and return to Florence. 

With his wife, Francesca, who was 20 to his 45 when they were married, Michelozzo had seven children, two of whom, Niccolò and Bernardo, were educated by the Medici and grew up to occupy important positions in Medici households.

After his death, Michelozzo was buried at the monastery of San Marco.

Part of the beautiful frescoes by Gozzoli in
the Magi Chapel at Palazzo Medici Riccardi

Travel tip:

For all its architectural significance, the Palazzo Medici Riccardi, which can be found on Via Camillo Cavour about halfway between San Marco and Piazza della Repubblica, has a relatively modest appearance from the outside, which is probably as a result of the laws in existence at the time governing public displays of wealth. It was completed in 1484 and remained a Medici property until it was sold to the Riccardi family in 1659, after which it was renovated and the magnificent gallery frescoed with the Apotheosis of the Medici, by Luca Giordano, was added. The palace was sold to the Tuscan state in 1814. Since 1874, the palace has been the seat of the provincial government of Florence and has housed a museum since 1972. As well as the gallery, the palace is also noted for the Magi Chapel, which was frescoed by Benozzo Gozzoli and also contains an altarpiece by Filippo Lippi. Two statues by Donatello - a David in the courtyard and a Judith and Holofernes in the garden - are other notable works.

Piazza San Marco in Florence with the facade of
the church of San Marco, part of the convent complex

Travel tip:

The Museo Nazionale di San Marco, which houses the world’s most extensive collection of works by Fra Angelico, the early Renaissance painter and Dominican friar, is an art museum housed in the monumental section of the mediaeval Dominican convent of San Marco, situated in Piazza San Marco. Situated in the oldest part of the building, which was modernised by Michelozzo between 1436 and 1446, it has been a museum since 1869. It also houses works by Fra Bartolomeo, Domenico Ghirlandaio, Alesso Baldovinetti and Jacopo Vignali. Michelozzo’s library, on the first floor, was the first of the Renaissance to be opened to the public, representing the humanist ideal of the Florentines. 

Also on this day:

304: The execution of Santa Giustina of Padua

1468: The death of condottiero Sigismondo Pandolfo Malatesta

1675: The birth of Venetian portraitist Rosalba Carriera

1972: The birth of celebrity cook Gabriele Corcos

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Francesco de’ Pazzi - banker

Medici rival at heart of Pazzi Conspiracy

The moment at which Giuliano de' Medici is killed,
imagined by 19th century painter Stefano Ussi

The banker Francesco de’ Pazzi, a central figure in the Pazzi Conspiracy that sought to overthrow the Medici family as the rulers of Florence, was born on this day in 1444.

De’ Pazzi killed Giuliano de’ Medici, stabbing him to death during mass at the Florence Duomo as the conspirators attempted to seize control.

But Giuliano’s brother, Lorenzo the Magnificent, with whom he was joint ruler, escaped with only minor wounds.

Simultaneously, other conspirators rode into the Piazza della Signoria declaring themselves the liberators of the city. But the people of Florence were loyal to the Medicis and attacked them.

Within hours, despite Lorenzo appealing for calm, an angry mob determined to exact revenge had hunted down and killed more than 30 conspirators or suspected conspirators, including Francesco.

One of nine children born to Antonio de’ Pazzi and Nicolosa, daughter of Alessandro degli Alessandri, Francesco was an important figure in the Pazzi banking business, having been appointed papal treasurer.

Sandro Botticelli's portrait of the
ill-fated Giuliano de' Medici

This in itself made for a tense relationship between the Medici and the Pazzi, even though they were actually related thanks to the marriage of Guglielmo de' Pazzi and Bianca de' Medici, Lorenzo’s elder sister.

The administration of the papal finances was a coveted prize for any banking family and Pope Sixtus IV’s decision to take responsibility away from the Medici Bank in favour of the Pazzi antagonised Lorenzo in particular.

Sixtus IV, from a poor bacground originally, was determined to enrich both his own Della Rovere family and their cousins, the Riario family. He had designs on the rich Florentine territories for the benefit of his nephews, including the nobleman Girolamo Riario, and also to finance the expensive works undertaken by him in Rome.

The rift between Rome and the Medicis occurred when Galeazzo Maria Sforza, the Duke of Milan, changed his mind about selling the town of Imola, which occupied a strategic position on the trade route between Florence and Venice, to Lorenzo de’ Medici in favour of a deal with Sixtus IV, provided that Sixtus agreed to the marriage of his daughter, Caterina Sforza, to Girolamo Riario.

Lorenzo, as Sforza’s banker, refused to finance the deal, not wishing to see an extension of the papal states, at which Sixtus turned to the Pazzis and handed the contract for the papal treasury to them.

There were suspicions that the Pazzi Conspiracy was actually conceived in Rome but the Pazzi had reasons of their own to turn against the Medici, not least the decision of Lorenzo to introduce a law that prevented a considerable sum of money flowing into the Pazzi coffers with the death of Giovanni Borromei, the very wealthy father in law of Giovanni de’ Pazzi, another of Francesco’s brothers.

Da Vinci's drawing of
Bandini's hanging

Borromei’s fortune should have passed to Beatrice Borromei, Giovanni de’ Pazzi’s wife. But Lorenzo changed the law so that daughters could not inherit in the absence of any brothers, and that in those circumstances any legacy would pass instead to male cousins.

A further source of friction between Lorenzo and the Pazzi was his appointment of Lorenzo's brother-in-law Rinaldo Orsini as Archbishop of Florence in succession to the late Pietro Riario in 1474. The candidates overlooked included Francesco Salviati, a relative of the Pazzi family and friend of Francesco.

Whatever its origins, it is generally accepted that the chief conspirators in the Pazzi Conspiracy were Girolamo Riario, Francesco de' Pazzi and Francesco Salviati, the trio who attacked Lorenzo and Giuliano in the Florence duomo, the magnificent Cathedral of Santa Maria del Fiore, on the morning of April 26, 1478.

Giuliano was assassinated by Francesco de' Pazzi together with Bernardo Bandini di Baroncelli, suffering a sword wound to the head as well as being stabbed 19 times.  Lorenzo was attacked by two of Jacopo Pazzi's men, but managed to escape.

Salviati then took a number of Jacopo Pazzi's men to the Piazza della Signoria hoping to be received by the Florentine populace as liberators. Instead, they were attacked. Along with Francesco de' Pazzi and several others, Salviati was hanged from the windows of the Palazzo Vecchio.

More than 30 suspected conspirators were caught and killed within hours of the attack and over the course of the next eight months some 50 more were captured and executed, including Bandini dei Baroncelli, who had escaped to Constantinople but was arrested and returned, to be hanged from a window of the Palazzo del Capitano del Popolo while still dressed in Turkish clothing. 

Jacopo de' Pazzi, head of the family, escaped from Florence but was caught and brought back to be tortured and then hanged from the Palazzo della Signoria next to the decomposing corpse of Salviati. 

All other members of the Pazzi family were banished from Florence, and their lands and property confiscated. The family name was erased from public registers, while all buildings and streets carrying it were renamed. Anyone named Pazzi had to take a new name; anyone married to a Pazzi was barred from public office.

The Palazzo Vecchio guards 
over Piazza della Signoria

Travel tip:

The Piazza della Signoria has been the focal point of the city of Florence since the 14th century. Overlooked by the imposing Palazzo Vecchio, it was the scene of the triumphant return of the Medici family in 1530, three and a half decades after they had been driven from the city by the supporters of the fanatical priest, Girolamo Savonarola. The controversial cleric's famous bonfires of the vanities were built in the middle of the square.  The piazza della Signoria contains several important sculptures and statues, including a copy of Michelangelo's David - the original is in the Galleria dell'Accademia - Baccio Bandinelli's Hercules and Cacus, Bartolomeo Ammannati’s Fontana del Nettuno and Benvenuto Cellini’s statue of Perseo holding Medusa's head.

The Cattedrale di Santa Maria del Fiore is the 
dominant feature of the Florence skyline

Travel tip:

The Florence duomo - the Cattedrale di Santa Maria del Fiore - with its enormous dome by Filippo Brunelleschi and campanile by Giotto, is one of Italy's most recognisable and most photographed sights, towering above the city and the dominant feature of almost every cityscape. From groundbreaking to consecration, the project took 140 years to complete and involved a series of architects. Arnolfo di Cambio, who also designed the church of Santa Croce and the Palazzo Vecchio, was the original architect.  When he died in 1410, 14 years after the first stone was laid, he was succeeded by Giotto, who himself died in 1337, after which his assistant Andrea Pisano took up the project.  Pisano died in 1348, as the Black Death swept Europe, and a succession of architects followed, culminating in Brunelleschi, who won a competition to build the dome, which remains the largest brick-built dome ever constructed.

Also on this day:

1453: The birth of Renaissance beauty Simonetta Vespucci

1608: The birth of physiologist and physicist Giovanni Alfonso Borelli

1813: The birth of scientist Paolo Gorini

1969: The birth of world champion swimmer Giorgio Lamberti

1978: The birth of goalkeeper Gianluigi Buffon

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Cosimo de’ Medici – banker and politician

Father of Florence used his wealth to encourage great architecture

Bronzino's portrait of Cosimo de'
Medici, painted between 1565 and 1569

Today is the date Cosimo di Giovanni de’ Medici, the founder of the Medici dynasty, celebrated his birthday.

Cosimo and his twin brother, Damiano, were born to Giovanni di Bicci de’ Medici and Piccarda Bueri in April 1389, but Damiano survived for only a short time.

The twins were named after the saints Cosmas and Damian, whose feast day in those days was celebrated on 27 September. Cosimo later decided to celebrate his birthday on 27 September, his ‘name day’, rather than on the actual date of his birth.

Cosimo’s father, who was the founder of the Medici Bank, came from a wealthy family and after making even more money he married well, his wife coming from an ancient Florentine family. A supporter of the arts in Florence, Giovanni was one of the financial backers for the magnificent doors of the Baptistery by Lorenzo Ghiberti, although they were not completed until after his death.

By the time his father died, Cosimo was 40 and had become a rich banker himself, which gave him great power. He had also become a patron of the arts, learning and architecture.

The Abizzi family, who ruled Florence, feared his power and also coveted his wealth so they had Cosimo arrested on the capital charge of having tried to raise himself up higher than others.

Brunelleschi's huge dome of Florence
Cathedral, which Cosimo supported

But Cosimo was able to use his money to buy back his life and then later his freedom, before he went into exile for a year.

When he returned to Florence he became the de facto ruler of the city and banned the Abizzi family for ever. He became Europe’s richest banker and a great art patron, supporting Fra Angelico, Donatello, Ghiberti and many others.

He encouraged Filippo Brunelleschi to complete his great dome for Florence’s cathedral and ordered the construction of the Medici Chapel in the Basilica di Santa Croce.

He established the importance of the Medici family, who were to rule Florence for hundreds of years to come.

As he became older, Cosimo became badly affected by gout and he died in 1464 at the age of 75 at Careggi, where he had been born.

He was succeeded by his son Piero, who was to father Lorenzo the Magnificent, one of the most famous and admired of the Medici.

The Florentines awarded Cosimo the title Pater Patriae - Father of the Fatherland - an honour once awarded to Cicero, and they had it carved upon his tomb in the Church of San Lorenzo in the city.

The Villa Medici at Careggi, outside Florence,
where Cosimo's life began and ended

Travel tip:

Cosimo was born and also died at the Villa Medici at Careggi in the hills above Florence, which is the oldest of the Medici villas. After his father died, Cosimo had it remodelled by Michelozzo, who designed a walled garden overlooked by the upper loggias of the villa. The property was bought by an Englishman, Francis Sloane, in 1848, who added exotic plants and palms to the gardens. The villa now belongs to Regione Toscane and is in the process of being restored.

Luigi Pampaloni's statue of
Bunelleschi in Piazza del Duomo

Travel tip:

Santa Maria del Fiore, the Cathedral or Duomo of Florence, dominates the city with its enormous dome by Brunelleschi, which Cosimo had encouraged him to design. The largest dome of its time, it was built without scaffolding and given an inner shell to provide a platform for the timbers that support the outer shell. The architect died in 1446 before it was completed, but a statue of Brunelleschi was erected in Piazza del Duomo and he still looks up thoughtfully towards his greatest achievement, the dome that would forever define Florence and remains to this day the largest masonry dome in the world.

Also on this day:

1871: The birth of author and Nobel Prize winner Grazia Deledda

1966: The birth of singer-songwriter Jovanotti

1979: The death on Capri of singer and actress Gracie Fields

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