Pina Carmirelli - violinist

Virtuoso trusted with 17th century masterpiece

Pina Carmirelli quickly established herself as
one of Italy's most talented violinists

Pina Carmirelli, who became one of Italy’s most gifted violinists of the 20th century, was born on this day in 1914 in Varzi, a town in the province of Pavia in Lombardy about 90km (45 miles) south of Milan.

Carmirelli enjoyed a brilliant career as a soloist and as a member of various chamber groups, the most notable of which was the Boccherini Quintet, which she co-founded with her husband, cellist Arturo Bonucci, in order to revive interest in the music of the 18th century cellist, Luigi Boccherini.

She was held in such high regard that the Accademia Nazionale di Santa Cecilia in Rome, where she taught for many years, allowed her use of one of the prized possessions of their Museum, a 1690 violin that was one of a set of five instruments the great luthier Antonio Stradivari built for Ferdinando de’ Medici, the Grand Prince of Tuscany.

Carmirelli played the precious instrument, known as the 'Tuscan, Medici' in numerous recitals and concert performances between 1962 and 1977, as well as in some recordings, notably those with the Boccherini Quintet.

As a child, Pina Carmirelli is thought to have been inspired to follow a career in music by her grandfather, the conductor and composer Carlo Podesta. She began studying music and performing as a concert pianist at a very young age. 

She also had a music-loving uncle in Cremona, which - thanks to the Stradivari, Amati and Guarneri families and others - is steeped in the traditions of violin-making. Carmirelli visited the historic city throughout her childhood and it became something of a spiritual home. 

Later, as a student of Teresina Tua and Michelangelo Abbado, she graduated from the Conservatorio di Musica “Giuseppe Verdi” in Milan in violin in 1930, and in composition five years later.

Carmirelli with the Boccherini Quintet soon after it
was formed. Arturo Bonucci is on the right, seated

She was awarded the Stradivari Prize in 1937 and the Paganini Prize in 1940, which cemented her status as one of the most gifted young violinists in Italy. 

Carmirelli’s distinguished career was notable for her deep affinity for Classical and early Romantic music. Along with her husband, who was 20 years her senior, she formed the Boccherini Quintet in 1950, followed by the Carmirelli Quartet in 1954, also featuring Bonucci.

She also became first violin of I Musici, the chamber orchestra from Rome, formed in 1952, which became well known for their interpretations of Baroque and other works, particularly those of Antonio Vivaldi and Tomaso Albinoni.

The orchestra consisted of 12 musicians, most of whom were students of the Accademia di Santa Cecilia. They were so successful that their recordings of Vivaldi’s most famous work, his collection of violin concerti known as The Four Seasons, sold more than 25 million copies.

Bonucci, who she met in 1938 and soon married, was a decorated pilot as well as a musician, but also a committed opponent of the Fascist regime, a stance shared by Carmirelli. 

In later years, Carmirelli played often at
the Marlboro Music Festival in Vermont

They collaborated in the revival of Luigi Boccherini’s music after Carmirelli, on tour in Paris, discovered by chance in the library of the Paris Conservatory a complete collection of Boccherini’s works for strings, which had been long forgotten. Carmirelli persuaded the Italian consulate to buy them on her behalf before she and Arturo painstakingly worked through 147 string quintets for two cellos and over 84 string quartets, forming their Boccherini Quintet in order to do them justice in front of an audience.

While Carmirelli’s career was rooted in Italy, she also performed extensively abroad, including in the United States. Her American engagements included chamber tours, guest appearances with orchestras, and collaborations that helped introduce European chamber traditions to US audiences.

For example, she became a regular at the Marlboro Music Festival in Vermont, which she visited for the first time in 1964, not long after the death of Arturo, for whom she was still in mourning. She admitted that the sense of community at the festival allowed her to set aside some of her sadness and feel part of a family again, sharing her knowledge and experience with countless musicians in the years that followed.

Carmirelli, who had by then enjoyed a 50-year association with the Accademia di Santa Cecilia, died in 1993 in a town today known as Capena, in northern Lazio, some 35km (21 miles) north of Rome. She had reached the age of 79.

Varzi, the Lombardy village that was Pina Carmirelli's
birthplace, has a well-preserved medieval centre

Travel tip:

Varzi, where Pina Carmirelli was born, designated by the Associazione I Borghi più belli d’Italia as one of Italy’s most beautiful villages, is the gateway to the Upper Oltrepò region, an unspoiled area of the Apennines located at the southern tip of Lombardy, close to the borders with Piedmont to the west, Emilia-Romagna to the east and Liguria to the south. It is characterised by medieval architecture largely unchanged for centuries. Historical attractions include the 13th century Malaspina Castle and Witches’ Tower, the 18th century Palazzo Tamburelli, the 16th century Chiesa di San Germano and the Oratories of the Bianchi and the Rossi, built in the 17th century in different architectural styles, one late Renaissance, the other Baroque. Remnants of the medieval walls are visible in the towers of Porta Soprana and Porta Sottana. Varzi is famed for its Salame di Varzi DOP, which supposedly owes its flavour to being cured by the breezes from the Ligurian Sea. A crucial stop along the Via del Sale trade route, which connects the Po Valley with the Ligurian coast, Varzi enjoyed great prosperity from the 13th century onwards under the Malaspina family, who built many of the buildings that distinguish the village today.

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The inner courtyard of the Conservatorio di Santa
Cecilia, where Carmirelli taught for many years

Travel tip:

The Accademia Nazionale di Santa Cecilia, one of the oldest musical institutions in the world, was established in 1565. It was founded in Rome by Pope Sixtus V at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members, among them in recent times the opera singers Beniamino Gigli and Cecilia Bartoli. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, in Viale Pietro de Coubertin in the Flaminio district, close to the location of the 1960 Summer Olympic Games. Previously, the Accademia was based at the Conservatorio di Santa Cecilia, which dates back to 1875. Entrances can still be seen in Via dei Greci and Via Vittoria, not far from the Spanish Steps in central Rome.  The museum housing the 1690 Tuscan, Medici violin and the other instruments that comprised the Medici Quintet is located in the Parco della Musica complex. In the exhibition gallery some 130 instruments are on display and about 50 luthiery tools in an open-air laboratory where the museum luthiers work.

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More reading:

Why Luigi Boccherini spent his last years in Madrid

Niccolò Paganini, the violinist whose extraordinary talent aroused bizarre suspicions

The 17th century luthier whose instruments are still seen as the best in the world

Also on this day:

1752: The death of composer and pianist Muzio Clemente

1881: The birth of heiress and muse Luisa Casati

1921: The birth of sculptor and trophy-maker Silvio Gazzaniga

1928: The birth of controversial politician Salvatore Lima

1980: The death of car designer Giovanni Michelotti

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Giambologna – sculptor

Artist worked for three successive Medici Grand Dukes in Florence

Giambogna's Abduction of a Sabine
Woman in Piazza della Signoria

Giambologna, the last in the line of significant Renaissance sculptors, died on this day in 1608 in Florence.

He was considered so important by the Medici family that once he had started working for them, they would never allow him to leave their city. They feared he would be enticed away by either the Austrian or Spanish branches of the Habsburgs to work for them.

His best known works include Abduction of a Sabine Woman - often known as Rape of the Sabine Women - in Florence’s Piazza della Signoria, and his Neptune, atop the Fountain of Neptune, in Bologna’s Piazza Maggiore.

Although influenced by Michelangelo, Giambologna produced many beautiful works in marble and bronze in his own late-Mannerist style, with perhaps less emphasis on emotion, and more on the elegance of the figures.

The sculptor was also sometimes known as Giovanni da Bologna, or Jean de Boulogne in French, and Jehan Boulongne in Flemish.

Giambologna had been born in Douai in Flanders in 1529, which was then part of the Netherlands, but is now part of France. He studied in Antwerp with the architect and sculptor Jacques du Broeucq, before moving to live in Italy in 1550. 

There, he made a detailed study of the sculptures of classical antiquity in Rome. His first major commission was given to him by Pope Pius IV, who employed him to sculpt the colossal bronze Neptune and subsidiary figures, for the Fountain of Neptune in Bologna.

Giambologna moved to live and work in Florence in 1553. He had become established there within a few years and he was invited to become a member of the Accademia delle Arti del Disegno after it was founded by the Medici Duke, Cosimo I, in 1563, who was influenced by the painter and architect Giorgio Vasari.

Giambologna was so prized by the
Medici he was forbidden to leave

Among Giambologna’s most celebrated works are the Mercury, of which he did four versions. In his depictions of Mercury, the figure is poised on one foot, supported by a zephyr.

His marble sculpture Abduction of a Sabine Woman still stands in the Loggia dei Lanzi in Piazza della Signoria. The work includes three full figures and yet it was carved from a single block of marble. It was produced for Francesco I de’ Medici, Grand Duke of Tuscany.

The sculpture was inspired by a story from ancient Roman history of the mass abduction of women from other cities for the purposes of growing the population of Rome which, at the time of its foundation, had relatively few female inhabitants. The Latin word raptio, which occurs in accounts of the incident written by the Roman historian Livy, can be translated as ‘rape’ in certain circumstances, but in this context may more accurately be taken to mean ‘abduction’ or ‘kidnapping’.

Giambologna’s several depictions of Venus produced a canon of proportions for the female figure, and also set standards for artists making Venus their subject that were to influence many future sculptors in Italy and Europe.

He also produced sculptures and ornaments for the Boboli Gardens in Florence and the gardens of other Medici villas in Tuscany.

His pupils went on to influence other sculptors throughout Europe as well as in Italy. Giambologna’s style, which incorporated grace, strength, and movement in his figures, anticipated the Baroque sculptures that were later created by Gian Lorenzo Bernini.

After he died in Florence at the age of 79, Giambologna was interred in a chapel that he had designed for himself in the Basilica della Santissima Annunziata in the centre of the city.

He had been an Italian sculptor in all but birth, who had left his mark on Florence and helped to make it the refined, elegant city it is today.

The Loggia dei Lanzi in Piazza delle Signori 
houses a number of important statues

Travel tip:

Giambologna’s most famous work, the marble sculpture Abduction of a Sabine Woman, stands in the Loggia dei Lanzi on the south corner of the Piazza della Signoria in Florence, close to the Uffizi gallery. The 14th century Loggia is named after the Lancers, who were the bodyguards of Cosimo I de’ Medici and it now provides an open air sculpture gallery for visitors to Florence to enjoy. The back wall of the Loggia is lined with ancient Roman statues of priestesses. On the far left of the Loggia is the bronze statue of Perseus by Benvenuto Cellini. Giambologna’s Abduction of a Sabine Woman, stands on the far right. Including three separate figures, it is believed to have been worked from the largest block of marble ever to have been transported to Florence and it was designed so that it can be appreciated equally from all sides. It has stood in the Loggia since 1583. A plaster cast model of the sculpture can also be seen in the Accademia Gallery in Florence. 

The Basilica della Santissima Annunziata in
Florence, where Giambologna was buried

Travel tip: 

Giambologna was laid to rest in the Cappella della Madonna del Soccorso in the Basilica della Santissima Annunziata, the mother church of the Servite Order, in Piazza Santissima Annunziata in Florence. The sculptor designed the chapel between 1594 and 1598 for his own tomb and it is richly decorated with frescoes and statues. The most important work in the chapel is the large bronze Crucifix by Giambologna, showing the dead Christ with his head reclining and his eyes closed. It towers over everyone who enters the chapel and depicts the body of Christ as elegant and athletic, free from the marks of the Passion.  The church itself dates back to the laying of its foundation stone in 1250. Its richly decorated interior harks back more to Roman Baroque than to Tuscan religious tradition, being decorated with marble, stucco and gilding, with impressive ceiling frescoes by Volterrano.

Also on this day: 

1819: The birth of republican activist Aurelio Saffi

1868: The birth of electrical engineer Camillo Olivetti

1912: The birth of microbiologist Salvador Luria

1958: The birth of fashion designer Domenico Dolce

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Bianca Cappello – noblewoman

Tragic end for the mistress who earned promotion to Grand Duchess 

Bianca Cappello became the
mistress of Francesco I

Bianca Cappello, the mistress of Francesco I Grand Duke of Tuscany, who became his Grand Duchess after he married her in the face of widespread criticism, died on this day in 1587 in Poggio a Caiano.

Grand Duchess Bianca died just one day after her husband, and historians are still divided between the theories that either they were both poisoned, or that they each died of malarial fever.

Bianca had been born in Venice in 1548, the only daughter of a Venetian nobleman, and as she grew up, she was acknowledged to be a great beauty.

At the age of 15, Bianca fell in love with a young Florentine clerk and she eloped with him to Florence, where they were married. She gave birth to a daughter one year later.

The Venetian government tried to have Bianca arrested and brought back to Venice, but Cosimo I, the Grand Duke of Tuscany, intervened on her behalf and she was allowed to stay in Florence. However, she found that she did not get on well with her husband’s family, who, because they had little money, made Bianca do menial work. 

Because of her beauty, Bianca attracted the attention of the Grand Prince Francesco, the son and heir apparent of Tuscany’s Grand Duke Cosimo I.

Even though Francesco was married to Joanna of Austria, he seduced Bianca, and as a reward, he gave her money and jewellery as presents. Bianca’s own husband was given employment at the Medici court for a while, until he was murdered in a street in Florence in 1572.

After Francesco became Grand Duke on the death of his father in 1574, he installed Bianca in her own palace, which is now known as Palazzo Bianca Cappello, and he flaunted his mistress in front of his wife.

Francesco I de' Medici succeeded
Cosimo I as Grand Duke of Tuscany

Francesco had no legitimate son to inherit the Duchy from him and he thought that a child by Bianca could be a potential heir for him, even though it would be illegitimate.

But after Bianca gave birth to his son, Antonio, in 1576, Francesco refused to acknowledge him, because he was still hoping to have a legitimate heir with his wife, Joanna.

Joanna succeeded in producing a son, Grand Prince Philip de’ Medici, in 1577, crushing Bianca’s hopes of becoming anything more than a mistress who was favoured by Francesco.

However, after Joanna’s death in 1578, Francesco secretly married Bianca, only a few months later.

The marriage was announced publicly in 1579 and Bianca’s son, Antonio, was finally acknowledged as the Duke’s son. Two days later, Bianca was crowned Grand Duchess of Tuscany at Palazzo Vecchio in Florence.

The Venetian government sent a representative to the magnificent, official wedding festivities that were held, because they realised that Bianca Cappello could be useful to them as an instrument for cementing good relations with Tuscany.

But Bianca’s position was still insecure because her son, Antonio, was illegitimate, and he was therefore barred from inheriting the Duchy. She was also aware that if her husband died before she did, she would be lost, because his family all disliked her and regarded her as an interloper.

Bianca and Francesco's son,
Antonio, was born in 1576

Then, in 1582, Francesco’s heir, Grand Prince Philip, died, and so Francesco had Antonio legitimised, and declared him to be the heir apparent to the Duchy, making Bianca’s position stronger. In the event, Antonio never succeeded his father, whose title was instead taken by his brother, Ferdinando.

But on 19 October that year, at the Villa Medicea in Poggio a Caiano, Francesco died. The following day, Bianca also died. Both deaths were believed to be either the result of poisoning, or of malarial fever.

Francesco’s brother did not allow Bianca to be buried in the Medici family tomb, and it is thought that she may have been buried in an unmarked, mass grave under the church of San Lorenzo in Florence.

Bianca’s sad story was used as the basis for a tragic drama, Women Beware Women, written  by Thomas Middleton, which was staged for the first time in 1621. She has also been used as a main character in three different novels. 

The historic figure of Bianca Cappello was also a main protagonist in The Venetian, a play written by Clifford Vax, which opened in London’s West End in 1931, before moving on to be staged in venues in America. 

The Palazzo Bianca Cappello can be
found in Via Maggio in Florence

Travel tip:

The Palazzo Bianca Cappello in Florence's Via Maggio was renovated by Bernardo Buontalenti between 1570 and 1574 at the direction of Grand Duke Francesco I in order to install his lover, Bianca Cappello, in a location close to the Grand Ducal residence of Palazzo Pitti, which was less than 200m (220 yards) away. After Bianca had become Grand Duchess and moved permanently to the Palazzo Pitti, she ceded the palace to the Hospital of Santa Maria Nuova.  The palace was linked to the Palazzo Pitti by an underground corridor so that Bianca and Francesco could meet secretly during the time they were lovers. Thanks to this corridor, numerous artworks in the Vasari corridor, the elevated enclosed passageway connecting the Palazzo Vecchio with the Palazzo Pitti, were kept out of the hands of German occupiers in World War Two. Notable for a facade decorated using the sgraffito technique, with images scratched into layers of different coloured plaster, the palace today houses an hotel.

The Ponte Leopoldo was one of the earliest 
suspension bridges to be built in Italy

Travel tip:

A settlement since Roman times, Poggio a Caiano is a town of almost 10,000 residents on the banks of the river Ombrone in the Montalbano area northwest of Florence. First the Strozzi and then the Medici families populated the area, an important point of reference for trade and communication. The town is home to the magnificent Villa Medicea, the mansion commissioned by Lorenzo the Magnificent. Built between the 15th and 16th centuries by the architect Giuliano da Sangallo, the Villa Medicea is considered a masterpiece and is a UNESCO World Heritage Site. The villa was the scene of the sudden and mysterious death of Francesco I de' Medici and his second wife Bianca Cappello. Between Poggio and neighbouring Poggetto, the Torrente Ombrone river is crossed by the Ponte Leopoldo, built in 1833 and one of Italy's first suspension bridges.

Also on this day:

1438: The death of sculptor Jacopo della Quercia

1950: The birth of television presenter Mara Venier

1951: The birth of football manager Claudio Ranieri

1962: The birth of jazz musician Dado Moroni

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Mattias de’ Medici - Governor of Siena

Distinguished soldier was interested in art and science

A portrait of Mattias de' Medici by
the court painter, Justus Sustermans

Mattias de’ Medici, who was an enthusiastic supporter of the Palio horse race during his time as Governor of Siena, died on this day in 1667.

He is remembered for being a patron of art and of science and for the scientific instruments he acquired while on military campaigns during the Thirty Years War in Germany, which are now housed in the Uffizi galleries in Florence.

Mattias, who was born in 1613, was the third son of Grand Duke Cosimo II de' Medici of Tuscany and of Archduchess Maria Maddalena of Austria.

He was originally intended for the church, but he had little enthusiasm for the ecclesiastical life and so from the age of 16, he pursued a military career instead.

After Cosimo II died in 1621, he was succeeded as Grand Duke by Matteo’s older brother, Ferdinando.  Grand Duke Ferdinando II appointed Mattias as the Governor of Siena, to replace their aunt, Caterina de’ Medici, who had been governor of the city until her death in 1629.

After he arrived in Siena, Mattias took up residence in the Royal Palace in Piazza del Duomo and he quickly became very popular with the people living in the city.

He took part in the Battle of Lutzen in 1632, during the Thirty Years War in Germany. After he returned to Siena, he ruled the city again before becoming involved in the Wars of Castro.

A portrait of Mattias
in military uniform 

Mattias was given supreme authority over the grand duchy’s military affairs by his brother, Ferdinando, and he commanded the League of the Republic of Venice, the Grand Duchy of Tuscany, the Duchy of Parma, and the Duchy of Modena and Reggio, in the struggle against Pope Urban VIII.

As a reward for his military victories, his brother, Ferdinando, presented Mattias with the Villa of Lappeggi in a beautiful area of countryside near Florence.

Mattias was an enthusiastic  supporter of the arts and he became a keen collector. He was the patron of Justus Sustermans, the Flemish court painter of the Medici family, and of Baldassare Franceschini, who was also known as Il Volteranno.

His interests centred on painting, and he paid for the training of Livio Mehus, a Flemish painter, draughtsman and engraver, many of whose works are listed in an inventory of Mattias’s possessions made in 1669. As a soldier, Mattias was particularly interested in battle painting, and the artist Giacomo Cortese, who, like Mattias, had experienced military combat, was employed by him in the 1650s. 

Mattias was said to have been delighted with four paintings of battles in which he had fought himself, which have been identified in a room in the Villa of Lappeggi.  This room also contains a damaged fresco, which has been identified as Victory and Fame by Franceschini. 

Mattias promoted Siena’s famous Palio during its early history and a horse from his stable regularly took part in the event.

During his time in Germany, he acquired many scientific instruments, such as dials, astrolabes, quadrants, and compasses, which were given to the Uffizi gallery. 

Mattias never married and as he got older, he suffered from gout. He was considering re-entering the church, but illness prevented it. He died in Siena in 1667 at the age of 54. He was buried in the Medici family tombs in the Basilica of San Lorenzo in Florence.

His embalmed body was exhumed in 1857 during an investigation into the Medici remains in the church. He was found dressed as a Knight of Malta in black velvet, wearing velvet shoes and with a gold medal on his chest.

The Palio di Siena still attracts huge crowds
to witness the event in Piazza del Campo

Travel tip:

The Palio di Siena is a horse race that takes place in the Piazza del Campo in Siena twice each year, on 2 July and 16 August. Ten horses and bareback riders, who are dressed in the colours of their districts, represent 10 of the 17 contrade, or city wards, in a competition that dates back to 1633, when it was inaugurated soon after Mattias de’ Medici became governor of the city.  The 10 participants race each other on a temporary dirt track around the perimeter of the shell-shaped piazza. The race consists of three laps, which the horses cover at such a furious pace that the whole thing is over in about 90 seconds. It is not uncommon for riders to fall off but a riderless horse can still be declared the winner if the colours of their contrada are still attached to the bridle. 

The Basilica di San Lorenzo in Florence, which
houses the tombs of the Medici family

Travel tip:

The Basilica of San Lorenzo, where Mattias de’ Medici is buried, is one of the largest churches in Florence. It is at the centre of the main market district of the city, and is the burial place of all the principal members of the Medici family. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at a time when it stood outside the city walls. For hundreds of years it was the city's cathedral, before the Cathedral of Santa Maria del Fiore was completed in the 15th century. In 1419, Giovanni di Bicci de' Medici - father of Cosimo de’ Medici, the founder of the banking dynasty - offered to finance a new church to replace an 11th-century Romanesque building. Filippo Brunelleschi, the leading Renaissance architect of the first half of the 15th century, famous for the colossal dome of Santa Maria del Fiore, was commissioned to design it, although it was not completed until after his death.

Also on this day:

1815: The birth of adventurer Pierre-Napoleon Bonaparte

1896: The birth of composer and lyricist Cesare Andrea Bixio

2014: The death of soprano Anna Cerquetti

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Matteo Strukul – writer

Author is published worldwide in 20 languages

Matteo Strukul's historical novels about the Medici
family have been best sellers in Italy

Writer and journalist Matteo Strukul, best known for his best-selling historical novels about the powerful Medici family, was born on this day in 1973 in Padua (Padova) in the Veneto region.

Strukul’s first novel was a dark thriller set in the Veneto, which was published in 2011 in Italian as La ballata di Mila. The novel was translated into English and issued in 2014 as The Ballad of Mila.

He then wrote four historical novels set in Florence between the 15th and 17th centuries following the rise of the house of Medici, which all became best sellers in Italy and have sold more than 500,000 copies worldwide. The first novel, I Medici, una dinastia al potere, was awarded the Premio Bancarella in 2017. This prestigious award has been won in the past by Ernest Hemingway, Boris Pasternak, Umberto Eco, and Ken Follett. The novel was published in English in 2019 as Medici Ascendancy. 

Strukul’s novels have now been translated into more than 20 different languages.

Matteo Strukul studied law at the University of Padua and went on to study for a PhD in European Contract Law at the Ca’ Foscari University of Venice.

Strukul's first Medici novel
translated into English

He is an adjunct professor of interactive storytelling at Link Campus University in Rome and writes in the cultural section of the weekly magazine Il venerdi di Repubblica. 

Strukul, whose first published works were biographies of singer-songwriters, has also written Vlad, a comic book trilogy, for the publishers Feltrinelli, based on the historic character of Vlad the Impaler. This was the man that gave Bram Stoker the inspiration for the character of Count Dracula.  Strukul's latest novel, La crypta di Venezia, was published in April this year.

In 2018, Strukul was recognized as Excellent Paduan by the Municipality of Padua and won the Premio Emilio Salgari for adventure literature for the novel Giacomo Casanova - La sonata dei cuori infranti (Giacomo Casanova, the sonata of broken hearts). 

He is the creator and founder of the literary movement Sugarpulp and artistic director of the festival of the same name. On the Sugarpulp website he says his favourite wine is Raboso del Piave, which is said to be an austere wine with aromas reminiscent of morello cherry, wild blackberry and plum, but also cinnamon, leather, vanilla and pepper

Strukul, who now lives between Padua, Milan, and Berlin, celebrates his 51st birthday today.

The Palazzo Bo is the main building of the University
of Padua, Italy's second oldest university

Travel tip:

The University of Padova, where Matteo Strukul studied for his waw degree, was originally established in 1222 and is one of the oldest universities in the world - second in Italy only to the University of Bologna. The main university building is Palazzo del Bo in Via 8 Febbraio, which was named after the tavern known as Il Bo (‘the ox’ in Venetian dialect) that had been acquired by the university as new premises in 1493. Originally this building housed the university’s renowned medical faculty and visitors can see the pulpit that was used by Galileo Galilei when he taught at the university between 1592 and 1610 and the anatomy theatre built in 1594, which is the oldest surviving medical lecture theatre in the world today.  Padua is also known as the home of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion.

 

Ca' Foscari, the historic home of the University of
Venice, sits at the widest bend of the Grand Canal

Travel tip:

Ca’ Foscari University in Venice, where Matteo Strukul studied for his PhD,  was founded in 1868. Its main campus is a large Gothic palace which looks out over the Grand Canal in Venice, but there are other sites belonging to the university elsewhere in Venice, and in Mestre and Treviso. Ca’ Foscari was originally built for the Doge Francesco Foscari in 1453 and was designed by the architect Bartolomeo Bon in Venetian Gothic style. During the annual historic Regatta in Venice, a wooden platform known as La Macchina is placed in front of Ca’Foscari, from which the Venetian authorities watch the race. It is also the place on the Grand Canal where the race finishes and is where the prizes are distributed. The University has made parts of the palace accessible to the public, opening some of its most beautiful rooms, such as the Aula Baratto and the Aula Berengo, to visitors.

Also on this day:

1474: The birth of poet Ludovico Ariosto

1504: Michelangelo's David unveiled

2014: The death of soprano Magda Olivero

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Lucrezia Maria Romola de’ Medici – noblewoman

Daughter of Lorenzo the Magnificent supported popes and poets

Lucrezia de' Medici

Lucrezia Maria Romola de’ Medici, who as a newborn baby inspired Sandro Botticelli’s depiction of baby Jesus in one of his paintings, was born on this day in 1470 in the Republic of Florence.

After her brother became Pope Leo X, Lucrezia helped him fund papal building projects in Florence and Rome. She also raised money to pay a ransom and secure the release of her husband when he was taken prisoner by the Holy Roman Emperor Charles V.

She had 11 children, many of whom were to play an important part in the history of Renaissance Europe.  

Lucrezia was the eldest daughter of Lorenzo de’ Medici and Clarice Orsini. After her birth, Botticelli painted Our Lady of the Magnificat, which is now in the Uffizi Gallery in Florence, and used her image as a baby as the model for the figure of the newborn Christ in his masterpiece.

She grew up to be married to Florentine politician Jacopo Salviati in 1488 and brought a dowry of 2000 florins with her. But after her brothers were exiled from Florence, she was unable to help them because her husband was a supporter of the new rulers.

In 1497 she spent 3000 ducats to support a plot to bring her brother, Piero, to power in the city. The plot failed and all the men involved in it were executed, but Lucrezia was spared from harm because she was a woman.

Lucrezia is thought to have inspired
Botticelli's depiction of baby Jesus

Afterwards she worked to build more support for the Medici family and organised a marriage for her niece, Clarice de’ Medici, to Filippo Strozzi the Younger, even though it was against the wishes of the rulers of Florence at the time.

When her brother, Giuliano, returned to Florence in 1512, he asked for her advice on how to restructure the government of the city.

Another of Lucrezia’s brothers, Giovanni di Lorenzo de’ Medici, became Pope Leo X in 1513, and during the celebrations in Florence, Lucrezia and her family gave out money and gifts to the crowds who gathered outside their palace.

By 1514, Leo X had drained the Vatican treasuries and had to pawn the papal tiara, which was worth 44,000 ducats, to Lucrezia and her husband.

Lorenzo the Magnificent
was Lucrezia's father

After Leo X had appointed Lucrezia’s son, Giovanni, a cardinal, Lucrezia managed his household and office for him, especially when he was travelling as a papal legate, and she used her influence to promote Medici causes in Rome.

When the Medici were again exiled from Florence in 1527, Lucrezia’s husband, Jacopo, was taken prisoner by Charles V along with her cousin, who had become Pope Clement VII, and she worked to gather money for a ransom to get them released.

During her life, Lucrezia supported convents in Florence, funding new dormitories, cloisters, and workshops, and she also paid for the building of chapels in Rome, including a chapel that would be a resting place for members of the Medici family.

She corresponded with Niccolò Machiavelli about editing a biography of Alexander the Great and was a patron of the poet, Girolamo Benivieni.  With Benivieni, she petitioned her brother, Pope Leo X, to support their efforts to bring the body of the poet, Dante Alighieri, back to his home town of Florence.

After her husband, Jacopo, died in 1533, Lucrezia survived him by 20 years. She died at the age of 83. Of their children, Maria Salviati (1499–1543) was married to Lodovico de' Medici, uniting two branches of the Medici family, while Bernardo Salviati (1505/1508 - 1568) served Catherine de' Medici in France.

Lorenzo de' Medici was living at the family
villa in Careggi at the time of Lucrezia's birth

Travel tip:

Lorenzo de’ Medici, Lucrezia’s father, who is usually known as Lorenzo the Magnificent, lived at the Villa Medici at Careggi, originally a working farm acquired in 1417 by Cosimo de’ Medici’s father to help make his family self-sufficient. Cosimo employed the architect Michelozzo, who was considered one of the great pioneers of building design during the Renaissance, to remodel it around a central courtyard overlooked by loggias. Lorenzo - Cosimo’s grandson - extended the terraced garden and the shaded woodland area. After his death, in 1492, the villa was allowed to become somewhat run down until the early 17th century, when Cardinal Carlo de' Medici commissioned the remodelling of the interior, and updated the garden. Careggi, which is not far from Florence’s airport, is nowadays a suburb of the city, about 8km (5 miles) northwest of the centre.

The Piazzale degli Uffizi in Florence
offers access to the Uffizi Gallery

Travel tip:

The Uffizi Gallery evolved from a building project that began in around 1560, when the artist and architect Giorgio Vasari was engaged to build offices for the Florentine magistrates, hence the name uffizi (offices). Cosimo I de' Medici, Grand Duke of Tuscany, who commissioned the building, planned to display prime art works of the Medici collections in a part of the complex lit by a wall of windows .  Over the years, more sections of the palace were recruited to exhibit paintings and sculptures collected or commissioned by the Medici.  In 1765 it was officially opened to the public as an art gallery. Located in Piazzale degli Uffizi, it is close to Piazza della Signoria and the Palazzo Vecchio. Opening hours today are from 8.15 am until 6.50 pm from Tuesday to Sunday.

Also on this day:

1463: The birth of Lorenzo di Pierfrancesco de’ Medici

1521: The birth of Pope Urban VII

1994: The death of politician Giovanni Spadolini

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Alessandro Striggio - composer and diplomat

Medici musician who invented the madrigal comedy

The score of Striggio's best known
work was missing for 281 years

The Renaissance composer Alessandro Striggio, famous as the inventor of the madrigal comedy, once thought to be the forerunner of opera, died on this day in 1592 in Mantua (Mantova), the town of his birth.

Although there is no accurate record of his age, it is thought he was born in 1536 or 1537, which would have put him in his mid-50s at the time of his death. 

Striggio spent much of his career in the employment of the Medici family in Florence, for whom he also served as a diplomat, undertaking visits to Munich, Vienna and London among other places on their behalf. 

He produced his best work while working for the Medici, composing madrigals, dramatic music, and intermedi - musical interludes - to be played between acts in theatrical performances.

Striggio’s best known composition is his Il cicalamento delle donne al bucato e la caccia (The gossip of the women at the laundry),  an innovative piece that combined music and words to tell a story, without acting. This was an example of what became known as the madrigal comedy, comprising a series of 15 humorous madrigals that together tell a story in words and music.

Perhaps his greatest achievements, though, were his choral works, including his motet Ecce beatam lucem, a feat of polyphony that included 40 independent voices, and his still more impressive Mass, Missa sopra Ecco sì beato giorno, which also featured 40 different voice parts and a final movement for 60 voices, which is thought to be the only piece of 60-part counterpoint in the history of Western Music.

Cosimo I de' Medici sent Striggio on
a diplomatic mission to Vienna

Although Striggio was born into an aristocratic family in Mantua, there is only sparse knowledge of his early life there. He possibly moved to Florence in his late teens or early 20s. He started work for Cosimo I de' Medici, Duke of Florence, on 1 March 1559 as a musician, eventually to replace Francesco Corteccia as the principal musician to the Medici court.

In the 1560s, he visited Venice and produced two books of madrigals influenced by the musical styles he encountered there.

Music was central to the Medici’s use of Striggio in a diplomatic role. Cosimo I craved the title of Archduke or Grand Duke, which within the hierarchy of the Holy Roman Empire was a rank below Emperor but a notch above Duke and equivalent to a King.

He ordered Striggio to travel to Vienna in the winter of 1566-67, sending his principal musician on a perilous journey through the Brenner Pass in order to meet Emperor Maximilian II and present Cosimo’s case for the Medici to be granted a royal title.

Striggio’s grand opus, Missa sopra Ecco sì beato giorno, was to be part of the presentation, underlining Cosimo’s commitment to the Catholic faith. Striggio was also charged with convincing Maximilian II that the Medici could support him both financially and militarily.

Unfortunately, Striggio reached Vienna only to find he needed to journey a further 140km (87 miles) north to Brno, where Maximilian had removed himself for the winter months. He presented the Emperor with a copy of the Mass, although he had too few musicians or singers with him in Brno for the piece to be performed.

The English composer Thomas Tallis is
said to have been inspired by Striggio

Instead, as Striggio continued his travels, it was performed in full before the courts of Munich and Paris, to great acclaim, before Vienna.  The Medici were granted the right to be headed by a Grand Duke two years later but it took almost 10 years for it to be given approval by the Emperor, although Cosimo I went by the title from 1569 until his death in 1574.

Striggio went on to visit England, having much respect for the work of musicians in the royal court there. He is said to have met Queen Elizabeth I and the composer Thomas Tallis, who had served in the courts of four monarchs - Henry VIII, Edward VI and Mary I, as well as Elizabeth I - and is considered one of England’s greatest composers, particularly of choral music. His own 40-voice motet, Spem in alium, is thought to have been inspired by his meeting with Striggio.

Striggio returned to Florence, where he became friends with Vincenzo Galilei, the lutenist and composer whose son was the astronomer and scientist, Galileo Galilei.

During the 1580s, Striggio began an association with the Este court in Ferrara, which at the time was at the forefront of musical composition in Italy. In 1586, he moved back to his home city, Mantua, although he would continue to compose music for the Medici at least until 1589.

Although the idea of Striggio’s madrigal comedy being the forerunner of opera is no longer widely held, the composer has a connection with the roots of opera in that his son, also called Alessandro, wrote the libretto of Claudio Monteverdi's L'Orfeo, one of the earliest works to fit the conventional definition of an opera.

As a footnote, the score of Striggio’s Missa sopra Ecco sì beato giorno was declared lost in 1726 but was rediscovered in 2007 by a musicologist from the University of California, Berkeley in the Bibliothèque nationale de France in Paris, where it had resided for most of the intervening years, unnoticed because it had reportedly been recorded in an inventory of manuscripts as being a four-part Mass by a composer called Strusco.

The Ducal Palace is one of many highlights of
the atmospheric city of Striggio's home city

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  In nearby Piazze delle Erbe is the Chiesa di San Lorenzo, another masterpiece of Renaissance architecture. Its elegant facade and interior are adorned with beautiful artwork and sculptures.  In the same square, the Torre dell’Orologio Astronomico - the Astronomical Clock Tower - displays lunar cycles as well as the time. Installed in 1473, the clock has failed twice but was restored in 1989.

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Palazzo Vecchio was at
one time Cosimo I's home

Travel tip:

Florence’s imposing Palazzo Vecchio, formerly Palazzo della Signoria, a cubical building of four storeys made of solid rusticated stonework, crowned with projecting crenellated battlements and a clock tower rising to 94m (308ft), became home of Duke Cosimo I de' Medici moved his official seat from the Medici palazzo in via Larga in May 1540. When Cosimo later removed to Palazzo Pitti, he officially renamed his former palace the Palazzo Vecchio, the "Old Palace", although the adjacent town square, the Piazza della Signoria, still bears the original name. Cosimo commissioned the painter and architect Giorgio Vasari to build an above-ground walkway, the Vasari corridor, from the Palazzo Vecchio, through the Uffizi, over the Ponte Vecchio to the Palazzo Pitti. Cosimo I also moved the seat of government to the Uffizi, which translated literally, simply means ‘offices’. Today, of course, the Uffizi, is known the world over for its collection of art treasures.

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More reading:

Gonzaga court violinist Salomone Rossi, the leading Jewish musician of the Renaissance

Cosimo II de' Medici, patron of Galileo

Claudio Monteverdi, the Baroque composer who wrote the first real opera

Also on this day

1792: The birth of composer Gioachino Rossini

(Picture credit: Palazzo Vecchio by Geobia via Wikimedia Commons)

(Paintings: Portrait of Cosimo I de' Medici, Bronzino, Art Gallery of New South Wales)

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Michelozzo - architect and sculptor

Designs became a template for Renaissance palaces

A detail from a Fra Angelico painting is
taken to be a depiction of Michelozzo 

The influential Florentine architect and sculptor Michelozzo di Bartolomeo Michelozzi died on this day in 1472 in his home city.

Known sometimes as Michelozzi but more usually Michelozzo, he is most famous for the palace in the centre of Florence he built on behalf of one of his principal employers, Cosimo de’ Medici, the head of the Medici banking dynasty, for which he developed original design features that became a template for architects not only of the Renaissance era but in later years too.

He was similarly innovative in his work on the ruined convent of San Marco in Florence, also on behalf of Cosimo, which he completely rebuilt.

Such was the influence of these two buildings on many projects during one of the busiest periods of architectural development in Italy’s history that the Palazzo Medici Riccardi, as it became known to reflect its ownership by the Riccardi family after 1659, came to be called ‘the first Renaissance palace’ and San Marco ‘the first Renaissance church’.

His other notable works in Florence include the renovation of the Basilica of della Santissima Annunziata and some additions to the Basilica di Santa Croce, while outside the city he built or renovated a number of villas for the Medici family, including the Castello di Caffagiolo at Barberino di Mugello, the Villa del Trebbio at Scarperia and the Villa Medici at Fiesole.

Michelozzo also worked outside Italy, in the Greek islands, and notably in what is now Croatia, primarily on the city walls of Dubrovnik and Ston.

In his early career, he was apprenticed to Lorenzo Ghiberti, the goldsmith and sculptor, and worked closely with the classical sculptor, Donatello. 

Michelozzo's Palazzo Medici Riccardi set the
standard for Renaissance palaces

Michelozzo was born in around 1396. His father, Bartolomeo di Gherardo Borgognone, was a tailor of French origin who lived and worked in the Santa Croce neighbourhood. The family moved to the San Giovanni quarter, the heart of the city, and later established a family home in Via Larga - now Via Camillo Cavour - which Michelozzo kept after his parents died.

His first employment, at the age of about 14, is thought to have been as a die-engraver for the Florentine mint. He became apprenticed to Ghiberti, who is best known as the creator of two of the three sets of sculpted brass doors of the Florence Baptistry, one of which - the east doors - was dubbed the Doors of Paradise by Michelangelo. 

He collaborated with Donatello on several projects, including the sacristy of Santa Trinita and an open-air pulpit at the cathedral in Prato. He was responsible for the architectural frames of a number of funerary monuments sculpted by Donatello.

Cosimo de’ Medici worked with Filippo Brunelleschi, another pioneer of Renaissance architecture and the architect of the enormous brick dome of the Florence Duomo, but is said to have found Michelozzo more receptive to his wishes than the more temperamental Brunelleschi.

Such was Michelozzo’s loyalty to Cosimo than when the latter was exiled to Venice in the 1430s as a result of political rivalries in Florence, Michelozzo went with him.

Soon after Cosimo’s exile ended, Michelozzo began the rebuilding of the ruined monastery of San Marco, where his elegant library became the model for subsequent libraries throughout 15th-century Italy. He directed the reconstruction of the large complex of church buildings at Santissima Annunziata and temporarily succeeded Brunelleschi as architect for the Duomo after the latter died in 1446.

He began work on the Palazzo Medici in 1444. The palace, a short distance from Michelozzo’s own home in Via Larga, is characterised by an elevation consisting of three storeys of decreasing height, divided by horizontal string courses, the lowest storey finished in rustic masonry, the uppermost in highly refined stonework, the middle one somewhere in between. 

The walled old city of Dubrovnik with Michelozzo's cylindrical
Fort Bokar guarding over the western harbour area

With influences of classical Roman architecture and some of the principles Michelozzo learned from Brunelleschi, Palazzo Medici came to be seen as one of the finest examples of early Renaissance architecture, and a template to which future architects referred.

In addition to the Medici villas, Michelozzo worked on the restoration of the Palazzo Vecchio - originally the Palazzo della Signoria - and undertook a number of projects abroad, including a guest house in Jerusalem for the use of Florentine pilgrims.

In 1461, at the age of 65, Michelozzo was invited by the government of what was then the Republic of Ragusa - an independent maritime trading republic with ties to Venice - to work on the city walls of Dubrovnik and Ston, now part of Croatia.  His cylindrical Fort Bokar, which defended the western gate of Dubrovnik, was hailed as a masterpiece. 

Michelozzo might have remained there longer, but a dispute over his ideas for rebuilding the Rector's palace - the seat of the republic's government - after an explosion left it badly damaged led him to cut short his stay and return to Florence. 

With his wife, Francesca, who was 20 to his 45 when they were married, Michelozzo had seven children, two of whom, Niccolò and Bernardo, were educated by the Medici and grew up to occupy important positions in Medici households.

After his death, Michelozzo was buried at the monastery of San Marco.

Part of the beautiful frescoes by Gozzoli in
the Magi Chapel at Palazzo Medici Riccardi

Travel tip:

For all its architectural significance, the Palazzo Medici Riccardi, which can be found on Via Camillo Cavour about halfway between San Marco and Piazza della Repubblica, has a relatively modest appearance from the outside, which is probably as a result of the laws in existence at the time governing public displays of wealth. It was completed in 1484 and remained a Medici property until it was sold to the Riccardi family in 1659, after which it was renovated and the magnificent gallery frescoed with the Apotheosis of the Medici, by Luca Giordano, was added. The palace was sold to the Tuscan state in 1814. Since 1874, the palace has been the seat of the provincial government of Florence and has housed a museum since 1972. As well as the gallery, the palace is also noted for the Magi Chapel, which was frescoed by Benozzo Gozzoli and also contains an altarpiece by Filippo Lippi. Two statues by Donatello - a David in the courtyard and a Judith and Holofernes in the garden - are other notable works.

Piazza San Marco in Florence with the facade of
the church of San Marco, part of the convent complex

Travel tip:

The Museo Nazionale di San Marco, which houses the world’s most extensive collection of works by Fra Angelico, the early Renaissance painter and Dominican friar, is an art museum housed in the monumental section of the mediaeval Dominican convent of San Marco, situated in Piazza San Marco. Situated in the oldest part of the building, which was modernised by Michelozzo between 1436 and 1446, it has been a museum since 1869. It also houses works by Fra Bartolomeo, Domenico Ghirlandaio, Alesso Baldovinetti and Jacopo Vignali. Michelozzo’s library, on the first floor, was the first of the Renaissance to be opened to the public, representing the humanist ideal of the Florentines. 

Also on this day:

304: The execution of Santa Giustina of Padua

1468: The death of condottiero Sigismondo Pandolfo Malatesta

1675: The birth of Venetian portraitist Rosalba Carriera

1972: The birth of celebrity cook Gabriele Corcos

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