Alessandro Tassoni – poet

Writer famed for legendary bucket in a belfry

Alessandro Tassoni was a political
commentator and literary critic

The writer Alessandro Tassoni, who became famous for a poem about an historic battle which included a story about a stolen bucket, was born on this day in 1565 in Modena in Emilia-Romagna.

Tassoni’s bucket, which inspired his mock-heroic poem La secchia rapita (The Rape of the Bucket), is still on public display to this day in the belfry of Modena Cathedral.  

According to some critics, his poem was one of the earliest - and best - Italian poems of its type, and it became very popular in Italy and abroad. 

Tassoni, who also wrote about politics and was a literary critic, was born into a noble family. He lost both of his parents at an early age and was brought up by his grandfather. He first saw the bucket in Modena Cathedral when he was taken there by his grandfather.

At the age of 13, he was taught Latin and Greek and he went on to study philosophy, law, and rhetoric at the universities of Bologna, Pisa, and Ferrara.  

In 1597 he entered the service of Cardinal Ascanio Colonna and went with him to Spain as his first secretary. After his return to Italy, Tassoni went to live in Rome.

He wrote a booklet, le Filippiche, which he published in 1612 anonymously because it attacked the Spanish domination of certain parts of Italy and he was afraid of reprisals. 

But the work became famous enough to attract the attention of Charles Emanuel I Duke of Savoy and in 1618 he hired Tassoni to work for him in Turin and gave him the title of first secretary.

The bucket of Tassoni's famous epic poem today
hangs in the belfry of the Torre della Ghirlandina

Tassoni went to work for Cardinal Ludovico Ludovisi in 1626 and then he served under Francesco I d’Este, Duke of Modena. 

The poet died in 1635 in his home town of Modena and a statue of him was later erected in front of the city’s Ghirlandina, the cathedral’s bell tower.

Tassoni is also remembered for his political writing and his works of literary criticism, such as Considerazioni sopra le rime del Petrarca, and Pensieri diversi, an encyclopaedia covering scientific, literary, historical, and philosophical topics, but he is mainly remembered for his satirical poem about the bucket.

La secchia rapita was written by Tassoni between 1614 and 1615 and it was first published in Paris. It couldn’t be published in Italy until Tassoni had modified it to make it comply with the censorship rules imposed by the Catholic Church. 

Tassoni paid to have the first Italian edition bearing his own name published, and the final edition was published in 1630. 

The story related by the poem was loosely based on a war fought between Modena and Bologna in 1325. Most of the events in the poem are fictional, and it refers to a battle that had, in reality, been fought 100 years before the war. But the poem relates what  purports to be an episode when the soldiers from Modena stole a bucket from their Bolognese enemies.

This exploit was not reported by historians from that period. However, a bucket that is claimed to have been the one stolen has been on display in the Torre della Ghirlandina in Modena from Tassoni’s time up to the present day.

In the poem, the theft of the bucket results in a war, in which the Olympian Gods take part, in the tradition of Homer’s Iliad. The war is only resolved when the Pope intervenes to bring it to an end.

The poem references contemporary events and people who were alive at the same time as the author, and its primary purpose was to entertain readers.

For the last 20 years, Tassoni has been remembered in Modena when the city gives out the annual Alessandro Tassoni Literary Award.

The Ducal Palace in Modena, designed by Luigi
Bartolomeo Avanzini, dates back to 1635

Travel tip:

Modena is a city on the south side of the Po Valley in the Emilia-Romagna region of Italy, known for its car industry, because Ferrari, De Tomaso, Lamborghini, Pagani and Maserati have all been located there. The city is also well-known for its balsamic vinegar. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena. One of the main sights in Modena is the huge, Baroque Ducal Palace, begun by Francesco I on the site of a former castle in 1635. His architect, Luigi Bartolomeo Avanzini, created a home for him that few European princes could match at the time. In the Galleria Estense, on the upper floor of the Palazzo dei Musei in Modena, is a one-metre high bust of Francesco I d’Este, Duke of Modena, by Gian Lorenzo Bernini.

Tassoni's statue

Travel tip:

The Cathedral of Modena and its bell tower, Torre della Ghirlandina, are both UNESCO World heritage sites. The tower stands more than 89 metres (292ft) tall and can be seen outside the city from all directions. Inside, there is the Sala della Secchia room, which has 15th century frescoes, and the tower also houses a copy of the oaken bucket, from the War of the Bucket referred to by Tassoni in his poem, which was fought between Modena and Bologna in 1325. The tower was built in 1179, with five floors, and was initially called Torre di San Geminiano. It was renamed after the top of the tower was decorated with two ghirlande - marble railings - during a later renovation. The statue of Alessandro Tassoni, which stands at the foot of the tower, was sculpted by Antonio Cavazza and erected in 1860.

Also on this day:

1871: The birth of soldier and politician Pietro Badoglio

1924: The birth of actor Marcello Mastroianni

1943: The death of 13-year-old partisan Filippo Illuminato

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Eugenio Montale - poet and translator

Influential writer was fourth Italian to be awarded Nobel Prize in Literature

Eugenio Montale became a
Nobel Prize winner in 1975

Eugenio Montale, who became one of the most influential Italian writers of the 20th century and was awarded a Nobel Prize in Literature in 1975, died on this day in 1981 in Milan at the age of 84.

Montale's most famous work is often considered to be his first, a collection of poems he published in 1925 under the title Ossi di seppia - Cuttlefish Bones. These poems established his use of stark imagery, his introspective tone and his fascination with themes such as desolation, alienation and mortality, and the search for elusive meaning in a fragmented world.

Later collections such as Le occasioni (1939) - The Occasions - and La bufera e altro (1956) - The Storm and Other Things - reinforced his reputation as one of Italian literature’s 20th century greats.

Montale was born in 1896 in a building overlooking the botanical gardens of the University of Genoa, a short distance from the city’s Piazza Principe railway station. His father, Domenico, was the co-owner of a chemical products company.

As a young man, Montale was dogged by ill health but obtained a qualification in accountancy and for eight years had ambitions to be an opera singer under the tuition of the baritone, Ernesto Sivori. He never performed in public and after Sivori died in 1923 he did not pursue his studies, focussing more and more on literature, taking it upon himself to learn about Dante, Petrarch, Boccaccio and D'Annunzio in particular.

Eugenio Montale's first volume of poetry
established him as a great literary talent

Despite his frail health, he was passed fit for military service when Italy entered World War One and experienced frontline fighting in the area around Vallarsa and Rovereto. By the time he was discharged in 1920, he had risen to the rank of lieutenant.

Politically, he opposed Fascism to the extent of signing Benedetto Croce’s Manifesto of Anti-Fascist Intellectuals, yet after the fall of Mussolini he rejected both the Christian Democrats and the Italian Communists and, apart from a brief membership of the centre-left Partito d'Azione, steered clear of any involvement in politics.

He began publishing poetry in the 1920s, initially influenced by the works of poets such as Ezra Pound and TS Eliot, but also drawing on the inspiration he took from family holidays on the rugged Ligurian coast around the Cinque Terre and Rapallo. Montale often uses imagery drawn from the sea and the Mediterranean landscape to convey feelings of isolation and the fragility of existence.

In 1927, he moved to Florence, where he worked as a journalist and literary critic and mixed in the city's intellectual and artistic circles, attending literary gatherings of the café Le Giubbe Rosse, meeting Carlo Emilio Gadda, Tommaso Landolfi and Elio Vittorini among others.  He worked as an editor for the publisher Bemporad and later became the director of the Gabinetto Vieusseux Library, although he lost that position in 1938 because of his anti-Fascist views. 

From 1948 until his death, Montale lived in Milan. He became literary editor of the Corriere della Sera, dealing in particular with the Teatro alla Scala, and music critic for the Corriere d'informazione.

Montale was buried alongside his wife,
Drusilla, at cemetery outside Florence

Montale’s language skills enabled him to translate works by authors such as William Blake and Wallace Stevens into Italian, introducing these writers to a wider Italian audience. He was awarded the Nobel Prize in Literature in 1975 as a recognition of his contributions to Italian poetry, joining Giosuè Carducci  (1904), Grazia Deledda (1926) and Luigi Pirandello (1934) as winners of the prestigious award. They would be followed by Dario Fo in 1997 and, posthumously, by Elsa Morante. Montale had earlier been made a senator for life.

In 1962, in Montereggi, near Fiesole, he had married Drusilla Tanzi, with whom he had been living since 1939. Sadly, after a fall that left her with a fractured femur, she died in October 1964 at the age of 77. He would reflect poignantly on her death in his 1966 collection, Xenia, written in a more personal style. 

In failing health, Montale himself died in Milan’s San Pio X clinic in 1981 a month before his 85th birthday.  A state funeral was held in Milan Cathedral and he was buried in the cemetery next to the church of San Felice a Ema, a suburb on the southern outskirts of Florence, next to his wife Drusilla. 

His archive is preserved at the University of Pavia, with which Montale had a long association and where his daughter, Bianca, was a professor.

The pretty fishing village of Boccadesse is only 
a short distance from the historic centre of Genoa

Travel tip:

The port city of Genoa (Genova), where Eugenio Montale was born, is the capital of the Liguria region. It has a rich blend of mediaeval history, Renaissance architecture, and a vibrant modern culture. Its strategic location has made it a centre of trade and commerce for centuries, with considerable wealth built on its shipyards and steelworks, but also boasts many fine buildings, many of which have been restored to their original splendour.  The Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy, which showcases a diverse array of marine life, from sharks and dolphins to jellyfish and seahorses. The picturesque fishing village of Boccadasse, just outside the historic centre, boasts pastel-coloured houses, a charming harbour, and authentic seafood restaurants.

Manarola, where houses cling to rugged cliffs, is
one of the five villages of the Cinque Terre

Travel tip:

The Cinque Terre, where Montale spent family holidays as a child, is a breathtaking part of the Italian Riviera renowned for its picturesque villages perched on cliffs overlooking the Mediterranean. A UNESCO World Heritage Site, it is made up of five villages - Riomaggiore, known for its narrow alleys, charming shops, and stunning views; Manarola, which has a picturesque harbour and colourful houses clinging to the cliff; Vernazza, which has mediaeval castle and a sandy beach; Corniglia, which can be reached only by a steep staircase or a shuttle bus but offers stunning views of the surrounding coastline; and Monterosso al Mare, the largest of the five, which has a sandy beach and a historic centre.  The Cinque Terre National Park offers a network of hiking trails that connect the five villages, while boat tours offer the chance to explore the coastline from a different perspective. The Cinque Terre is known for Sciacchetrà, a sweet dessert wine made from dried grapes.

Also on this day:

1492: The birth of Lorenzo di Piero de’ Medici, Duke of Urbino

1937: The birth of actress Daniela Rocca

1943: Nazis paratroopers free Mussolini from imprisonment at mountain ski resort

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Lucrezia Maria Romola de’ Medici – noblewoman

Daughter of Lorenzo the Magnificent supported popes and poets

Lucrezia de' Medici

Lucrezia Maria Romola de’ Medici, who as a newborn baby inspired Sandro Botticelli’s depiction of baby Jesus in one of his paintings, was born on this day in 1470 in the Republic of Florence.

After her brother became Pope Leo X, Lucrezia helped him fund papal building projects in Florence and Rome. She also raised money to pay a ransom and secure the release of her husband when he was taken prisoner by the Holy Roman Emperor Charles V.

She had 11 children, many of whom were to play an important part in the history of Renaissance Europe.  

Lucrezia was the eldest daughter of Lorenzo de’ Medici and Clarice Orsini. After her birth, Botticelli painted Our Lady of the Magnificat, which is now in the Uffizi Gallery in Florence, and used her image as a baby as the model for the figure of the newborn Christ in his masterpiece.

She grew up to be married to Florentine politician Jacopo Salviati in 1488 and brought a dowry of 2000 florins with her. But after her brothers were exiled from Florence, she was unable to help them because her husband was a supporter of the new rulers.

In 1497 she spent 3000 ducats to support a plot to bring her brother, Piero, to power in the city. The plot failed and all the men involved in it were executed, but Lucrezia was spared from harm because she was a woman.

Lucrezia is thought to have inspired
Botticelli's depiction of baby Jesus

Afterwards she worked to build more support for the Medici family and organised a marriage for her niece, Clarice de’ Medici, to Filippo Strozzi the Younger, even though it was against the wishes of the rulers of Florence at the time.

When her brother, Giuliano, returned to Florence in 1512, he asked for her advice on how to restructure the government of the city.

Another of Lucrezia’s brothers, Giovanni di Lorenzo de’ Medici, became Pope Leo X in 1513, and during the celebrations in Florence, Lucrezia and her family gave out money and gifts to the crowds who gathered outside their palace.

By 1514, Leo X had drained the Vatican treasuries and had to pawn the papal tiara, which was worth 44,000 ducats, to Lucrezia and her husband.

Lorenzo the Magnificent
was Lucrezia's father

After Leo X had appointed Lucrezia’s son, Giovanni, a cardinal, Lucrezia managed his household and office for him, especially when he was travelling as a papal legate, and she used her influence to promote Medici causes in Rome.

When the Medici were again exiled from Florence in 1527, Lucrezia’s husband, Jacopo, was taken prisoner by Charles V along with her cousin, who had become Pope Clement VII, and she worked to gather money for a ransom to get them released.

During her life, Lucrezia supported convents in Florence, funding new dormitories, cloisters, and workshops, and she also paid for the building of chapels in Rome, including a chapel that would be a resting place for members of the Medici family.

She corresponded with Niccolò Machiavelli about editing a biography of Alexander the Great and was a patron of the poet, Girolamo Benivieni.  With Benivieni, she petitioned her brother, Pope Leo X, to support their efforts to bring the body of the poet, Dante Alighieri, back to his home town of Florence.

After her husband, Jacopo, died in 1533, Lucrezia survived him by 20 years. She died at the age of 83. Of their children, Maria Salviati (1499–1543) was married to Lodovico de' Medici, uniting two branches of the Medici family, while Bernardo Salviati (1505/1508 - 1568) served Catherine de' Medici in France.

Lorenzo de' Medici was living at the family
villa in Careggi at the time of Lucrezia's birth

Travel tip:

Lorenzo de’ Medici, Lucrezia’s father, who is usually known as Lorenzo the Magnificent, lived at the Villa Medici at Careggi, originally a working farm acquired in 1417 by Cosimo de’ Medici’s father to help make his family self-sufficient. Cosimo employed the architect Michelozzo, who was considered one of the great pioneers of building design during the Renaissance, to remodel it around a central courtyard overlooked by loggias. Lorenzo - Cosimo’s grandson - extended the terraced garden and the shaded woodland area. After his death, in 1492, the villa was allowed to become somewhat run down until the early 17th century, when Cardinal Carlo de' Medici commissioned the remodelling of the interior, and updated the garden. Careggi, which is not far from Florence’s airport, is nowadays a suburb of the city, about 8km (5 miles) northwest of the centre.

The Piazzale degli Uffizi in Florence
offers access to the Uffizi Gallery

Travel tip:

The Uffizi Gallery evolved from a building project that began in around 1560, when the artist and architect Giorgio Vasari was engaged to build offices for the Florentine magistrates, hence the name uffizi (offices). Cosimo I de' Medici, Grand Duke of Tuscany, who commissioned the building, planned to display prime art works of the Medici collections in a part of the complex lit by a wall of windows .  Over the years, more sections of the palace were recruited to exhibit paintings and sculptures collected or commissioned by the Medici.  In 1765 it was officially opened to the public as an art gallery. Located in Piazzale degli Uffizi, it is close to Piazza della Signoria and the Palazzo Vecchio. Opening hours today are from 8.15 am until 6.50 pm from Tuesday to Sunday.

Also on this day:

1463: The birth of Lorenzo di Pierfrancesco de’ Medici

1521: The birth of Pope Urban VII

1994: The death of politician Giovanni Spadolini

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Pietro Ruggeri da Stabello – poet

Talented writer kept record of 1848 rebellions and produced verses in local dialect

Enrico Scuri's 1838 portrait of Pietro Ruggeri
da Stabello (Accademia Carrara, Bergamo)

Prolific writer Pietro Ruggeri da Stabello, who became famous after his death for the poetry he had written in his local dialect, was born on this day in 1797 in a hamlet near Zogno, a short distance from the city of Bergamo in Lombardy.

Ruggeri da Stabello wrote a valuable account of events that occurred in the north of Italy during revolts against the Austrian occupying army, which were later collected in a volume entitled Bergamo Revolution of the Year 1848.

He was the second son of a Bergamo couple, Santo Ruggeri and Diana Stella Ceribelli, who had moved to the Brembana valley to escape the riots that followed the fall of the Republic of Venice in 1797.

When Pietro Ruggeri became an adult, he added the words da Stabello to his name, to honour the small village where he had grown up, which is less than one kilometre from the municipality of Zogno in Val Brembana, to which it belongs.

After Pietro Ruggeri moved to live in Bergamo to study for a diploma in accountancy, he began to compose verses, inspired by his contact with local people and what he had witnessed of how they lived their daily lives in the city.

He wrote his 1816 work, Letter of Pietro Ruggeri da Stabello Against the Widespread Misery, in the Italian language, more for his own pleasure than as a literary exercise. He went on to write four more works in Italian between 1820 and 1822 that were never published.

Ruggeri da Stabello started to write poetry in the Bergamo dialect from about 1822. As his fame spread, he was portrayed in a painting by Enrico Scuri and invited to social gatherings to meet other learned people from the area, while he continued to do a variety of jobs to earn his living.

He founded and became president of The Philharmonic Academy in Bergamo and he was painted on the occasion by Luigi Deleidi, a Bergamo artist, who was also known as Nebbia.

Ruggeri da Stabello wrote sonnets dedicated to his friends and some well-known people, such as the painter Francesco Coghetti, and he started to compile, but never finished, a Bergamo-Italian vocabulary.

Ruggeri da Stabello is commemorated with
a mounted bust in Bergamo's Piazza Pontida 

During 1848, he wrote his volume about the revolts against the Austrians while he was being forced to take refuge in the safer territory of Zogno, because of verses he had written in honour of Pope Pius IX and of Italy, after the Austrians returned to occupy the country.

Pietro Ruggeri da Stabello died in Bergamo in 1878. He was buried in the cemetery of San Maurizio in the Città Bassa, but his tomb was lost after the cemetery was closed.

However, his writing was evaluated after his death and he was recognised as the greatest writer in the Bergamo dialect ever known. In appreciation of his talent, his native city named a street after him and erected a mounted bust of him in Piazza Pontida, one of the historic squares in the Città Bassa, Bergamo’s lower town. 

In 1933, another Bergamo citizen, Bortolo Belotti, published some of his poetry in the volume, Pietro Ruggeri, Poet from Bergamo.

Modern Italian is now the most widely spoken language in Bergamo, but the Bergamo dialect - dialetto Bergamasco - is still seen on menus, street signs and often reproduced in popular Bergamo sayings. Linguistically it is closer to French and Catalan, than to Italian. It is still spoken in some of the small villages out in the province of Bergamo and the area around Crema, another city in Lombardy.

Because of migration in the 19th and 20th centuries, Bergamo dialect is still spoken in some communities in southern Brazil.

The town of Zogno nestles in Val Brembana, 
a beautiful valley north of Bergamo

Travel tip:

The municipality of Zogno, where Pietro Ruggeri da Stabello was born, is about 11km (7 miles) north of Bergamo in the Brembana Valley. Set in beautiful countryside, Zogno has a 17th century church, San Lorenzo Martire, as well as a modern church, the Santuario di Maria Santissima Regina. The village of Stabello now has a population of fewer than 500 people. The Val Brembana is an area rich in history and traditions, about which much can be learned by visiting the San Lorenzo Museum and the Valley Museum. Zogno also attracts many visitors to the Terme di Bracca spa facility.

Piazza Pontida, in Bergamo's Città Bassa, was
once a hub of commercial activity in the city

Travel tip:

Pietro Ruggeri da Stabello’s statue stands in Bergamo's Piazza Pontida in the Città Bassa, the Lombardy city's lower town. It is near the junction of Via Sant’Alessandro and Via XX Settembre, which would have been the hub of the lower town in the 15th century. The piazza is close to a point known for centuries as Cinque Vie (five roads), where traffic from Milan, Lecco, Treviglio and Crema would converge. It was the place where goods arriving in Bergamo would be unloaded before being sent up to the Città Alta (upper town). Some of the portici (porticos) date back to the 15th century, when farmers and merchants would shelter from the sun under them, while negotiating over the goods. It would have been a lively scene, with storytellers and poets roaming from one inn to the next, entertaining the crowds who had come to trade in the square. There are now modern shops doing business behind the porticos, but the square is still a popular meeting place with plenty of bars and restaurants.

Also on this day:

1823: Fire damages Basilica of St Paul Outside-the-Walls

1850: The birth in Italy of Frances Xavier Cabrini, the first American saint

1933: The birth of cartoonist Guido Crepax

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Nino Martoglio - writer, theatre and film director

Journalist and playwright whose movies inspired post-war neorealism 

Nino Martoglio is considered by some
as the founder of Sicilian theatre

The journalist, playwright and theatre and film director Nino Martoglio was born in Belpasso, a town in the foothills of volcanic Mount Etna in eastern Sicily, on this day in 1870.

Martoglio is widely considered to be Sicily’s finest dialect playwright and by some to be the founder of Sicilian theatre.  He was also an acclaimed poet, basing a good deal of his verse on the everyday conversations of working class Sicilians, written to amuse. His collection, Centona, is still sold today.

Later in a career that was ended abruptly by his death in an accident, Martoglio directed a number of silent films, the style of some of which prompted critics to describe them as forerunners of the post-war neorealism movement.

The son of a journalist and a school teacher, Martoglio studied sailing as a young man and obtained a captain’s licence. Yet he sought a career in journalism and joined the editorial staff of La Gazzetta di Catania, a daily newspaper founded by his father, Luigi.

In 1889, he launched a weekly magazine, D’Artagnan, a Sicilian language periodical devoted to art, literature and theatre, sharp political satire and the plight of the people of Civita, a poor neighbourhood in Catania which suffered particular deprivation. It also proved to be a useful vehicle for the poems that would eventually be gathered together in the Centona collection.

Theatre began to occupy most of Martoglio's attention from around the turn of the century. In 1901, he created the Sicilian Dramatic Company, which thanks to the talents of actors such as Angelo Musco, Giovanni Grasso, Virginia Balistrieri and others enjoyed success with Sicilian language productions even in Milan, where they performed at the Teatro Manzoni in 1903. The company’s productions of comedies written by a young Sicilian playwright, Pier Maria Rosso di San Secondo, were especially popular, among them San Giovanni Decapitato - Saint John the Beheaded - which he later turned into a film.

Martoglio staged the first theatrical
works of Luigi Pirandello (above)

Martoglio’s work became still more widely known after he moved to Rome in 1904, having become unhappy with the political climate in Sicily, where he had been elected a municipal councillor in Catania. In the capital, he met and married Elvira Schiavazzi, the sister of Piero Schiavazzi, a Sardinian tenor. They would go on to have four children. 

In 1910, he founded the first "Teatro Minimo" in Rome at the Teatro Metastasio. He staged one-act plays from the Italian and foreign repertoire, as well as bringing to the stage the first theatrical works of Luigi Pirandello, by then famous as a novelist and a future Nobel Prize winner. Their collaborations included A vilanza (la bilancia) and Cappidazzu pava tutu.

Martoglio’s venture into cinema spanned two years from 1913-14. He directed the actress Pina Menichelli, one of the so-called ‘three divas’ of Italian silent movies, in Il romanzo and followed it with Capitan Blanco, Sperduti nel buio, for which he wrote the screenplay and directed in collaboration with Roberto Danesi, and Teresa Raquin.  

All his screen work emphasised the gulf in Italian society between wealth and poverty and Sperduti nel buio - Lost in the Dark - which starred Grasso and Balistrieri - veterans of Martoglio’s original company in Catania - came to be regarded as a classic of the silent film era, representative of a small number of films that made up the realismo movement in Italian cinema. 

In the 1930s, the film critic and lecturer Umberto Barbaro enthusiastically showed Sperduti nel buio in his classes at Centro Sperimentale di Cinematografia in Rome, where his students included Roberto Rossellini and Luchino Visconti, who would go on to become leading figures in the neorealism film movement after the Second World War.

The bust of Martoglio
in the Bellini Gardens

Martoglio’s death at the age of 50 remains something of a mystery.  After visiting the Vittorio Emanuele II Hospital in Catania on the evening of 15 September, 1921, to see one of his sons, who was being treated there, Martoglio’s body was found the following morning at the bottom of an elevator shaft in part of the hospital that was under construction.  Although there were no witnesses, the assumption was that he had suffered a tragic accident, perhaps after getting lost as he tried to find the way out. 

His body was laid to rest at the Campo Verano monumental cemetery in the Tiburtino quarter in Rome, not far from the Basilica di San Lorenzo fuori le mura. The cemetery is notable as the burial place of hundreds of illustrious figures from the artistic, historical, literary, musical and cinematographic world.  

Although his films were lost, presumably stolen or destroyed during World War Two, Martoglio’s nieces, Vincenza and Angela, took steps to preserve their uncle’s manuscripts.  There is a monumental bust of him in the Bellini Gardens in Catania, a short distance from the Teatro Metropolitan. 

The Teatro Comunale Nino
Martoglio in Belpasso

Travel tip:

The town of Belpasso, where Martoglio was born, has a population of 28,000. Located about 10km (six miles) northwest of the city of Catania, it has something of a chequered history, having twice been destroyed by the forces of nature and repositioned in consequence. In 1669, it was buried in lava following an eruption of the Mount Etna volcano which looms over Catania. Rebuilt in another location at a lower level, it was then badly damaged by an earthquake in 1693 and abandoned. The current settlement was founded two years later at a third site. Today, it is best known as the home of Condorelli, one of Sicily’s most famous brands of confectionary, biscuits and cakes. Nino Martoglio’s name is preserved in the Teatro Comunale Nino Martoglio, the town’s municipal theatre, in Via XII Traversa.

The port city of Catania, the second largest city
in Sicily, with a snow-capped Etna in the distance

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Twice destroyed by earthquakes, in 1169 and 1693, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe.  As such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  It is also notable for many fine examples of the Sicilian Baroque style of architecture, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade.

Also on this day:

1596: The birth of violin maker Nicolò Amati 

1779: The birth of Tuscan painter Matilde Malenchini

1911: The birth of composer Nino Rota

1917: The death in WW1 of champion cyclist Carlo Oriani

1937: The birth of actress Angela Luce

1947: The birth of controversial politician Mario Borghezio

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Vincenzo da Filicaja – poet

Patriotic writer was inspired by victory against the Turks

Da Filicaja earned comparisons
with the great poet Petrarch

Vincenzo da Filicaja, a writer and a politician whose poetry has been compared with that of the great Italian poet Petrarch, died on this day in 1707 in Florence.

Da Filicaja’s six celebrated odes inspired by a famous battle victory led to scholars placing him on a level with some of the greatest Italian poets.

He was also a respected politician and was named governor of Volterra and Pisa by Cosimo III, the Grand Duke of Tuscany, who later appointed him to serve in the Tuscan Senate.

Born into an aristocratic family in Florence in 1642, Da Filicaja was educated by Jesuits before going to Pisa University to study law. In Pisa, he was inspired by the historical associations he saw that were linked with the former glory of the republic of Pisa.

The banners and emblems of the Order of St Stephen, which had its seat in Pisa, had great significance for the young student, who knew that the navy of this military order, created by Cosimo I de’ Medici, formed the main defence of his country and its commerce against Turkish, Algerian and Tunisian corsairs.

After returning to Florence, Da Filicaja married Anna Capponi in 1673, the daughter of a senator and marquis, and he went to live in the Tuscan countryside, where his main interest was writing Italian and Latin poetry.

Da Filicaja earned comparisons
with the great poet Petrarch

He became a member of the Accademia della Crusca, a society for scholars of Italian linguistics and philology, which is now the oldest linguistic academy in the world.

Other scholars and writers he met there, such as the poet Francesco Redi, helped him to gain access to Medici court patronage.

Da Filicaja’s imagination was fired by the deliverance of Vienna from the Turks in 1683 and he composed six odes to celebrate the victory.  Redi showed Da Filicaja’s verses to his own royal patron and sent them to the foreign princes whose noble deeds were praised in them. The quality of Da Filicaja’s odes celebrating the victory of John III Sobieski in the Battle of Vienna is what made many scholars consider him to be on a level with some of the greatest Italian poets.

Christina, the ex Queen of Sweden, contacted Da Filicaja from her exile in Rome, offering to pay for the education of his two sons and to keep the generous gesture a secret. And in 1691, Da Filicaja became a member of the Academy of Arcadia, a literary academy founded in Rome.

Cosimo III made the poet the commissioner of official balloting and governor of Volterra, where Da Filicaja tried to improve public morality. He was also made governor of Pisa in 1700 and he became so popular that when he left office the inhabitants of both cities petitioned to have him brought back.

Cosimo III made him a Senator in Florence, where he spent the last years of his life. After he died, at the age of 64, he was buried in the family vault of the Church of San Pietro in Florence and a monument was erected in his memory in the Basilica di Santa Croce in the city by his only surviving son, Scipione Filicaja.

The Palazzo della Carovana, which was built
by Vasari for the Knights of St Stephen

Travel tip:

Pisa’s most popular tourist attraction by a long way is the Campo dei Miracoli, site of the famous Leaning Tower, which features a beautiful Romanesque cathedral and an equally impressive baptistry. For many visitors, the Campo dei Miracoli is all they come to see, yet there is much more to Pisa than the Leaning Tower. The University of Pisa remains one of the most prestigious in Italy, while the student population ensures a vibrant cafe and bar scene. There is also much to see in the way of Romanesque buildings, Gothic churches and Renaissance piazzas. Interesting churches include Santa Maria della Spina, which sits next to the Arno river, while Piazza dei Cavalieri is notable for the Palazzo della Carovana, built by Giorgio Vasari in 1564 as the headquarters for the Knights of St Stephen.

The magnificent facade of the Basilica di
Santa Croce, a Florence highlight

Travel tip:

The Basilica of Santa Croce, consecrated in 1442, is the main Franciscan church in Florence and the burial place among others of Michelangelo, Galileo, Machiavelli, the poet Ugo Foscolo, the philosopher Giovanni Gentile, the composer Gioachino Rossini and the nuclear physicist Enrico Fermi.  It houses works by some of the most illustrious names in the history of art, including Canova, Cimabue, Donatello, Giotto and Vasari. The construction of the current church, to replace an older building on what was once marshland outside the city wall, began in 1294, paid for by some of the city's wealthiest families. It is the largest Franciscan church in the world.  The floorplan is an Egyptian or Tau cross - a symbol of St Francis - 115 metres in length with a nave and two aisles separated by lines of octagonal columns, with 16 chapels. It stands proudly over the Piazza Santa Croce, one of the most famous and beautiful squares in the city.

Also on this day:

1501: The birth of doctor and mathematician Girolamo Cardano

1934: The birth of Princess Maria-Pia of Bourbon-Parma

1954: The birth of footballer Marco Tardelli

1955: The birth of businessman Ricardo Illy

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Giambattista Marino – poet

The colourful life of an influential literary figure

A portrait of Giambattista Marino by
Caravaggio, painted in about 1600

Controversial poet Giambattista Marino, who founded the school of Marinism that dominated 17th century Italian poetry, died on this day in 1625 in Naples.

Marino’s poetry was translated into other languages and many other poets imitated his use of complicated wordplay, elaborate conceits and metaphors.

But although Marino’s work was praised throughout Europe, he led a chaotic life, was frequently short of money and at times arrested and imprisoned for alleged immorality.

Marino, sometimes referred to as Marini, was born in Naples in 1569. He trained for the law, under pressure from his parents, but later rebelled and refused to practise his profession.

From 1590 onwards, he spent his time travelling in Italy and France and enjoying the success of his poetry. His work was circulated in manuscript form to great acclaim and later in his life he managed to get some of it published, despite censorship.

In 1596 he wrote La Sampogna (The Syrinx), a series of sensual verses, but he was unable to publish them until 1620.

While working as secretary to a Neapolitan prince he was arrested in both 1598 and 1600 on charges of immorality, but on both occasions his admirers managed to secure his release from prison. One of his arrests was for procuring an abortion for the daughter of the Mayor of Naples and the other for forging episcopal bulls to save the life of a friend who had been involved in a duel.

Some of his defenders and some of his detractors have claimed that Marino himself had homosexual tendencies, but this practice was persecuted during the Counter Reformation and so Marino would not have been open about it.

The front cover of an edition of
Marino's Adone, dated 1623

After moving to Rome, Marino attached himself to Cardinal Pietro Aldobrandini, a nephew of Pope Clement VIII, and they travelled round Italy together. Marino tried to get some of his poetry published while they were in Parma but was prevented by the Inquisition.

But in 1602 he was able to publish some of his early poetry as Le rime (The Rhymes) and La lira (The Lyre).

While living in Turin between 1608 and 1615, he enjoyed the patronage of the Duke of Savoy, but he was the victim of an assassination attempt by a rival poet and he was imprisoned yet again after writing satirical poems.

After friends had managed to secure his release, Marino went to Paris, where he lived until 1623 under the patronage of Marie de’ Medici and her son, Louis XIII.

While in Paris, Marino published his most important work, Adone, an epic poem of 45,000 lines that tells the love story of Venus and Adonis. This was dedicated to Louis XIII. Although critics have praised some of its brilliant passages, they have also criticised the poet’s excessive use of wordplay and metaphors in it.

Marino returned to Italy in 1623 and lived in Naples until his death. He is buried in the Chiesa dei Santi Apostoli in Naples.

Marinism, also sometimes referred to as Secentismo, 17th century style, is a reaction against classicism and uses extravagant metaphors and hyperbole to tell stories with the intention of startling the reader. Marino’s imitators carried this style to such excess that by the end of the 17th century the term marinism began to be used in a pejorative way.

However, after World War II, there was a revival of interest in this style of poetry and a reassessment of the merits of Marino and Marinism.

The Cambridge History of Italian Literature judged Marino to be one of the greatest Italian poets of all time.

The western facade of the Royal Palace,
overlooking Piazza del Plebiscito

Travel tip:

Giambattista Marino would have been able to admire the newly built Royal Palace in Naples when he returned from France to live in the city again in 1623.  The palace, which opens on to the Piazza del Plebiscito, was completed in 1620 to designs by the architect Domenico Fontana. In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. Additions have been made over the years, including the connecting Teatro San Carlo, which opened in 1737 and is now the oldest working opera house in the world.  The series of niche statues on the western facade, the one that faces the piazza, were added in 1888, commissioned by King Umberto I of Savoy.

The nave of the church of Santi Apostoli
in Naples, where Marino is buried

Travel tip:

Marino’s tomb is in the Chiesa dei Santi Apostoli in Via Anticaglia in Naples, not far from the historic centre of the city. The Baroque church was built on the site of a Roman temple and given to the Theatine Order in 1570. A cloister and monastery was added in 1590 and early in the 17th century, the church was reconstructed by Giacomo Conforti. Inside, visitors can admire a large fresco depicting Paradise (1684) by Giovanni Battista Benasca in the cupola and works by other painters including Marco da Siena, Luca Giordano and Francesco Solimena. 

Also on this day:

1347: The birth of Saint Catherine of Siena

1541: The birth of Francesco I, Grand Duke of Tuscany

1546: The birth of poet and courtesan Veronica Franco

1927: The birth of politician Tina Anselmi, Italy’s first female minister

1940: The birth of pop megastar Mina

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Antonia Pozzi - poet

Tragic writer whose work was published only after her death

Antonia Pozzi wrote more than
300 poems in her short life

The poet Antonia Pozzi, who came to be regarded as one of the greatest Italian poets of the 20th century, was born on this day in 1912 in Milan.

Born into a wealthy family, she enjoyed a privileged lifestyle but seemingly a difficult relationship with her parents. She kept diaries and began to write poems as a teenager, although none came to light until she died in tragic circumstances at the age of just 26.

Afterwards, her notebooks were found to contain more than 300 poems, which revealed her to be one of the most original voices in 20th century Italian literature.  Most have subsequently been published, to great critical acclaim.

The daughter of Roberto Pozzi, a prominent Milan lawyer, and his aristocratic wife, Countess Lina Cavagna Sangiuliani, Antonia’s literary talent may have been inherited from her great-grandfather on her mother’s side, the 19th century poet and writer, Tommaso Grossi.

As a teenager, she had multiple interests, studying German, English and French and travelling both within Italy and further afield, to France, Austria, Germany, England, Greece and North Africa, always indulging her love of photography.

Friends said that she was never happier, though, than when she was at the family’s 18th century villa at Pasturo, a village that nestles at the foot of the Orobic Alps near Lecco, some 70km (43 miles) north of Milan. She would spend many hours cycling around local paths and her writing often made reference to the stark but beautiful mountain environment.

Pozzi pictured on the terrace of
the family villa at Pasturo

She attended the Alessandro Manzoni High School in Milan. As a senior student there, she became romantically involved with her Latin and Greek professor, Antonio Maria Cervi. The relationship ended in 1933, apparently after her parents intervened. 

From high school, she enrolled at the University of Milan, studying modern philology. Her circle of friends there included the future poet Vittorio Sereni and the philosophers Enzo Paci and Luciano Anceschi. Her professors included Antonio Banfi, regarded as the most open and modern Italian university professor of the time, who would later become a Communist member of the Italian Senate.

Pozzi graduated in 1935, her degree awarded on the basis of her thesis on Gustave Flaubert, the French novelist.

Banfi had been a signatory to the Manifesto of Anti-Fascist Intellectuals and Pozzi herself became increasingly concerned about the political climate in Italy in the 1930s. Her father was a member of the Fascist Party, who made him mayor of a Lombardy village.

After graduating, she wrote for a magazine, Corrente, and took up a teaching position at a Milanese technical institute in 1937. She did social work as a volunteer, often assisting defendants in juvenile courts.

Sadly, the following year, her health began to decline. She had to undergo an operation to remove her appendix and her recovery was poor, causing her to develop repeated bouts of pneumonia. 

It was on December 12 that year that she was found unconscious in a ditch in the grounds of the Abbey of Chiaravalle, in a southern suburb of Milan, in freezing, snowy conditions. She was taken to hospital but died the following day.

Antonia Pozzi's writing room at the Casa Pozzi
has been kept as it was in her lifetime

A post-mortem found that she had ingested barbiturates, which pointed towards suicide. She was said to have written a farewell note, describing how her health had left her mentally unbalanced. Nonetheless, her parents refused to accept that she had taken her own life and the official record was that she had died from pneumonia. 

The first volume of Pozzi’s poetry was published in 1939 in a private edition, selected by her father, who altered or excluded anything he deemed to be inappropriate or that reflected badly on the family, although protecting his daughter’s reputation was also a likely motivation. 

Expanded editions followed in the 1940s and again in the 1960s.  Through diligent research, some of her admirers in the literary world would later track down copies of the poems Pozzi’s father changed so that the originals could be published as they were written.

Pozzi’s poetry sought, in her own words, ‘to reduce the weight of words to the minimum’ and had a deceptive simplicity.  It perhaps reflected a mood among Italian artists, writers and even architects of her age to reject the grandiose in favour of minimalism.

One critic wrote of her work that ‘her Modernist verse is lyrical and experimental, pastoral and erotic, powerfully evoking the northern Italian landscape and her personal tragedies amid the repressive climate of Fascism’.  She is today seen as one of the most important voices in Italian poetry in the 20th century.

The village of Pasturo can be found amid the
beautiful scenery of Valsassina, north of Lecco

Travel tip:

In Pasturo, a village which sits in the Valsassina basin on the eastern slopes of the Grigna massif in the province of Lecco, the memory of Antonia Pozzi is preserved in a series of 22 wall panels mounted around the streets of the village centre, each bearing verses from her poetry or photographs she took of the village and the surrounding area. The family villa, in Via Alessandro Manzoni, is kept as a museum, which can be visited by groups of 10 by arrangement. The village, which has a population of just short of 2,000, is a starting point for many walking and climbing itineraries.  The village is mentioned in Alessandro Manzoni’s classic novel I promessi sposi (The Betrothed) as a place to which one of the story’s central characters flees to escape the plague.

Find places to stay in Pasturo with Booking.com

The Chiostro della Ghiacciaia, which is part
of the university's Ca' Granda complex

Travel tip:

The University of Milan, founded in 1924 with the merger of two older educational establishments, is one of the largest in Europe, with about 60,000 students and 2,000 permanent staff. Many of the university’s departments are housed in important historic buildings in the centre of Milan, including the Ca’ Granda, a monumental complex from the 15th century in Via Festa del Perdono at the heart of the historical city centre, the 18th-century Palazzo Greppi in Via Sant’Antonio, designed by the architect of Teatro alla Scala, Giuseppe Piermarini, and the 17th-century Collegio di Sant'Alessandro, commissioned by the Arcimboldi family. Ca' Granda was originally commissioned by Francesco I Sforza, the 15th century Duke of Milan, and his wife, Bianca Maria Visconti, who wanted to create a hospital for the poor.

Milan hotels by Booking.com

More reading:

How Andrea Zanzotto drew inspiration from Veneto landscapes

The civil engineer who became a Nobel Prize-winning poet

Dario Fo - the outspoken genius whose work put spotlight on corruption

Also on this day:

1539: The death of influential marchioness Isabella d’Este

1571: The death of Renaissance sculptor Benvenuto Cellini

1816: Fire damages Teatro di San Carlo

1960: The birth of football referee Pierluigi Collina

(Picture credit: Antonia Pozzi's writing room by Xavier Caré; Pasturo landcape by Ago76; Chiostro della Ghiacciaia by Giovanni Dall'Orto; all via Wikimedia Commons)

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