Giovanni Verga - writer

Sicilian remembered as one of Italy’s greatest novelists

Giovanni Verga wrote short stories 
and novels from an early age

The writer Giovanni Verga, regarded by some as the greatest Italian novelist after Alessandro Manzoni, was born on this day in 1840 in the Catania area of southeast Sicily.

Verga wrote romantic and historical novels in the early part of his career but later shifted his focus to what became known as verismo, a style rooted in stark realism, focused on unvarnished depictions of rural and working‑class life.

His major works include the novels I Malavoglia (1881) and Mastro-don Gesualdo (1889), which have come to be seen as his masterpieces, and his short story collections Vita dei campi (1880) and Novelle rusticane (1883). 

The opera composer Pietro Mascagni can be given some credit for introducing Verga’s work to wider audiences. His most famous composition, Cavalleria rusticana, which premiered in 1890, was based on a short story and play by Verga of the same name, written 10 years earlier.

Verga grew up as part of a bourgeois family with noble origins, whose forebears are thought to have arrived in Sicily from Aragon, in Spain. Though the family home was in Catania, where his birth was registered, some sources say he was born in a house in Vizzini, a hilltop town 60km (36 miles) south of Catania, others that he was born on a country estate in nearby Tiepidi, perhaps because the family relocated there during a cholera outbreak. 

Verga began writing in his teens and continued while ostensibly studying law at the University of Catania. His early works, such as Amore e Patria (Love and Homeland), I carbonari della montagna (The Carbonari of the Mountain) and Sulle lagune (On the Lagoons) had historical, patriotic themes.

At the time of Italian Unification, in 1860-61, Verga served with the Catania National Guard, which was charged with keeping order following Giuseppe Garibaldi’s conquest of Sicily. Several times between 1860 and 1864, this service required him to visit Florence.

During one extended stay in the Tuscan capital he wrote Una peccatrice (translated into English as A Mortal Sin), which was much different from his previous work in that its subject matter was a passionate romance. After settling in Florence, where he wrote Storia di una capinera - translated as The Sparrow - a novel about the plight of a girl forced by circumstance to become a nun, he began to be influenced by the Scapigliatura movement.

A 1907 edition of Verga's 
acclaimed I Malavoglia

The Scapigliatura - which literally translates as ‘dishevelment’ - were a somewhat bohemian, anti‑establishment artistic group based primarily in Milan from the late 1850s to the 1870s. Its writers were generally young and disillusioned, yet cosmopolitan, and determined to break with the polite, patriotic literature of post‑Unification Italy.

The movement’s rejection of romantic idealisation, its fascination with the darker edges of modern life, and its stylistic experimentation played a key part in Verga’s transition to verismo.

His 1873 novel Eva, in which the rejection of romanticism is a central theme, provided an early manifestation of this shift in style, which gained pace after he moved to Milan and became part of the city’s literary circle, fully embracing Scapagliato themes in his next two novels Tigre reale (The Royal Tigress) and Eros.

The evolution of Verga’s writing into the starker verismo that became his hallmark followed the arrival in Milan - by then the home of most of Italy’s major newspapers and publishing houses - of his close friend, Luigi Capuana, another Sicilian writer.  They were both deeply impressed by L'Assommoir - The Drinking Den - which is regarded as one of the finest works of Émile Zola, a major figure in the Naturalism movement in French literature.

This became the inspiration for the verismo movement, which they set out to create in order to fill a gap they perceived in Italian literature.

Encouraged by the reception for his short stories, exploring the verismo themes of poverty, fatalism, family duty, social immobility, honour codes, and the harsh economics of survival, often set in the fishing villages and rural communities of his native Sicily, Verga wrote I Malavoglia - published in English as The House by the Medlar Tree - and Mastro-don Gesualdo to great critical acclaim, even though the financial returns were modest. 

Verga is commemorated in many ways in Catania,
including this bust in the Giardino Bellini

He had planned that they would be the first two in a cycle of five novels - to be entitled I vinti (The Vanquished) - but no more were written.

This was probably for a variety of reasons. The first two novels had been enormously demanding projects, draining his creativity. He also became highly critical of his own prose, rewriting extensively but sometimes abandoning entire drafts.  He found writing for the theatre more rewarding financially, although he endured a long dispute with Mascagni over royalties from Cavalleria rusticana.

In any case, his income from family properties in Sicily provided him with a comfortable lifestyle. The management of these properties also took up time.

After spending decades in Milan, Verga increasingly retreated to Catania and his family estate. Never married, he became a public figure locally - a respected gentleman, landowner, and cultural authority, who was eventually named a Senator of the Kingdom of Italy - but his national literary engagement dwindled. New movements emerged, leaving verismo behind.

Moreover, by the second decade of the new century, he was elderly and ill. His last years were spent almost entirely in Catania, with no major writing projects. He died there in January, 1922.

If Verga’s ambitions remained unfulfilled, he left a deep influence on Italian literature. His work is still part of the curriculum in Italian schools. He sits alongside Luigi Pirandello and Leonardo Sciascia as part of the great triumvirate of Sicilian literature.

His legacy can also be seen in the neorealism movement that revived Italian cinema in the postwar years, in particular in the films of Luchino Visconti, who often drew on Verga’s themes. Visconti’s second major feature, his 1948 film La terra trema (The Earth Trembles) was an adaptation, if a loose one, of I Malavoglia.

The Verga family home in
Catania now houses a museum

Travel tip:

The Verga family home at Via Sant'Anna 8 in Catania is now given over in part to the Casa Museo Giovanni Verga, a literary museum dedicated to preserving Giovanni Verga’s memory. The museum occupies the second floor of a late 18th century palazzo, which was declared a national monument in 1940. The preserved living spaces still retain the original furnishings. The writer's library, in his private study, consists of more than 2,600 volumes. Copies of Verga's manuscripts are exhibited inside the display cases, while the originals are kept in the library of the University of Catania. A lectern stands in front of the large window in the living room, at which Verga would write his poems and essays observing the daily life of people who passed by on Via Sant'Anna. Paintings, prints and engravings by artists who were friends of Verga adorn the walls. A collection of photographs, mainly of family and friends, taken by Verga himself was discovered at the house shortly after his death. Via Sant’Anna one of several streets linking Via Vittorio Emanuele II with the parallel Via Giuseppe Garibaldi, just a five-minute walk from Catania’s duomo, the Basilica Cattedrale di Sant’Agata.

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Luchino Visconti's 1948 film La
terra trema was filmed in Aci Trezza

Travel tip:

Aci Trezza, a picturesque fishing village on the Ionian coast, located about 15km (9 miles) north of Catania, was immortalised as the setting for his masterpiece novel I Malavoglia, which revolved around the struggles of the Toscano fishing family. A local museum, Casa del Nespolo, housed in a traditional 19th-century house, features memorabilia, photographs, and exhibits dedicated to Verga's work.  Luchino Visconti filmed La terra trema,  his 1948 neo-realist cinematic adaptation of Verga's novel, on location in Aci Trezza, with some local residents in the cast. Off the coast, jagged dark basalt sea stacks known as i faraglioni rise straight out of the water. Greek mythology holds that these massive volcanic rocks were hurled at Odysseus by the blinded giant Polyphemus as the hero escaped. Isola Lachea, another large offshore rock, functions as a protected nature reserve rich in local marine and plant species. Other attractions include the  Baroque architecture of the church of San Giovanni Battista and the Norman Castle, standing tall above the village, which also offers a vantage point from which to watch the annual Vele dei Malavoglia regatta. 

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More reading:

Alessandro Manzoni, the writer credited with Italy’s greatest novel 

How Leonardo Sciascia mercilessly exposed Mafia links with Italian politics

Luigi Capuana, a leading figure in the verismo movement

Also on this day:

1753: The birth of Marie Josephine of Savoy

1898: The birth of baker and chocolatier Pietro Ferrero

1938: The birth of actor Giuliano Gemma

1964: The birth of businessman and coffee-maker Andrea Illy

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Ettore Majorana - theoretical physicist

‘Genius’ who disappeared in mysterious circumstances

Ettore Majorana was seen by colleagues
as both a genius and an enigma

The theoretical physicist Ettore Majorana, whose work in the 1930s is still reaping profound benefits in nuclear, medical and computer science but ended with his sudden disappearance in 1938, was born on this day in 1906 in Catania in Sicily.

Majorana, who became part of a team of scientists working with the Nobel Prize-winning nuclear physicist Enrico Fermi in Rome, was regarded as a genius by his contemporaries, capable of solving in his head problems that others might take years to unravel.

While much of Majorana’s work in such areas as particles, their exchange interaction, matter and anti-matter, might seem dry and beyond the comprehension of non-scientists, it has consequences still seen today.

More reliable designs for nuclear reactors, advancements in medical isotopes used in cancer scans and treatments, more precise radiation dosages in radiotherapy, plus technological developments in quantum computing, can all be traced back to theories put forward by Majorana.

Yet his mysterious disappearance when seemingly on the cusp of achieving immortal status in the scientific world has given rise to as much discussion as the legacy of his work.

Majorana hailed from a scientific family. His father, Fabio, was an engineer in the telegraph and telephone industries, while an uncle, Quirino Majorana, was an experimental physicist at the University of Bologna.

Ettore Majorana enrolled at the Sapienza University of Rome to study engineering in 1923, but switched to physics in 1928 with the encouragement of Emilio Segrè, a fellow student who would go on to become a leading nuclear physicist and radiochemist and, like Fermi, a winner of the Nobel Prize.

A brilliant student, Majorana was still in his early 20s when he joined the group of scientists assembled by Fermi, professor of theoretical physics at the University of Rome, who became known as the "Via Panisperna boys", named after the street address of their laboratory.

Majorana's disappearance, as reported by the
Milan newspaper Domenica del Corriere

Yet, for all his brilliance, Majorana as a person was an enigma. Unlike some of his colleagues, he never craved fame or recognition. He was rarely satisfied with a piece of work and would seldom publish his findings. Colleagues would describe him as distant and withdrawn.

He joined Mussolini’s National Fascist Party in 1933 and spent time in Leipzig, working with Werner Heisenberg, a theoretical physicist who would in time become a scientist on Germany’s nuclear programme in World War Two. The Nazis came to power while Majorana was there and he expressed solidarity with many of Hitler’s views and policies.

Shortly before his disappearance, he had been appointed a professor of theoretical physics at the University of Naples. 

He vanished during or after a trip to Palermo in March, 1938. It was thought he might have been planning to visit his friend, Emilio Segrè, who was a professor at the university there.

But a letter sent by Majorana while he was in the Sicilian capital suggested a different reason for his journey. It was to Professor Antonio Carrelli, the director of the Physics Institute at the University of Naples, seemingly signalling his resignation. It spoke of making “a decision that has become unavoidable”.

Confusingly - before the original letter arrived - Carrelli received a telegram from Majorana apparently withdrawing his resignation and saying that he was returning to Naples.

Majorana bought a ticket for a boat back to Naples but while porters found luggage in his cabin after the passengers had disembarked, there was no sign of Majorana, nor any proof that he had ever been on board. 

Majorana's name is among those on a plaque marking
the Rome base of the "Via Panisperna boys"

Multiple theories have been put forward to explain his disappearance, including suicide, murder, a desire to start a new life in another country, or even that he had decided to seek the anonymity of life in a monastery.

Proponents of the suicide theory suggested that Majorana realised that the research in which he had been involved would eventually lead to the creation of highly destructive weapons and suffered intolerable remorse as a consequence.

Others theorised that, during his time in Germany, he had learned too much about Nazi ambitions to develop a nuclear bomb and was murdered by Nazi agents.

But with no body ever found, and no witnesses to any suicide or murder, neither could be proved.

Leonardo Sciascia, the Sicilian writer, supported the idea that Majorana was appalled at the thought of his works being used to create nuclear explosives but suggested that, as a devout Catholic, he would have more likely sought to live an anonymous life in a monastery or other religious retreat than to take his own life.

The official explanation - reached 77 years after he vanished - is that he emigrated to South America.

A postage stamp issued on the
centenary of Majorana's birth

This gained credence in 2011 when a supposed witness made a statement about meeting Majorana in Buenos Aires, the capital of Argentina, in the years after World War Two. A photo also came to light, taken in Argentina 1955 of a man bearing several facial similarities to Majorana.

The case looking into his disappearance was reopened in Italy as a result. Four years later, the Rome Attorney’s Office was sufficiently satisfied that Majorana had been alive and living in Venezuela in the 1950s to declare the case closed, with no crime to investigate.

In 2025, the civil section of the Court of Rome issued a decree declaring Majorana’s presumed death.

Today, academics in the field of theoretical physics encounter his name recalled in such things as the Majorana equation, Majorana fermions, and Microsoft’s Majorana 1, a device used in the development of quantum computers. 

A Majorana Prize is awarded annually for outstanding contributions to theoretical and mathematical physics. A postage stamp commemorating his life was issued in 2006 on the centenary of his birth.

Catania's Cattedrale di Sant'Agata is a beautiful
example of Sicilian Baroque architecture

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, with a population including the environs of 1.12 million. A little like Naples, which sits in the shadow of Vesuvius, Catania lives with the constant threat of a natural catastrophe, more so given that its neighbour, Mount Etna, is active and regularly erupts, if not with explosive force. Catania has also been virtually destroyed by earthquakes twice, in 1169 as well as 1693. As such it has a reputation for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks, and many restaurants. Catania’s historic centre is a showcase of Sicilian Baroque, rebuilt after the 1693 earthquake using the city’s signature black lava stone. A notable example is the Duomo of Sant’Agata, a monumental cathedral, home to the relics of St Agatha and framed by a grand piazza, at the centre of which is the Fontana dell’Elefante, the symbol of the city - a Roman basalt elephant supporting an obelisk. 

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The University of Naples Federico II has its
headquarters building in Corso Umberto I

Travel tip:

The University of Naples Federico II, where Ettore Majorana was appointed a professor shortly before he disappeared, was founded in 1224 by the Emperor Frederick II. It is one of Europe’s most historically significant universities: the oldest public, secular university in the world.  One of its most famous students was the theologian and philosopher, Thomas Aquinas, who went on to lecture there in the 13th century. Other alumni include Enrico De Nicola, the first President of the Italian Republic, and two other presidents, Giovanni Leone and Giorgio Napolitano. The university’s main locations include the central headquarters in Corso Umberto I, with additional sites in Portici, Torre del Greco, Anacapri, Avellino, and Bellizzi. A former college built in the 16th century in Via Paladino, in the area of Spaccanapoli, has been one of the university’s main buildings since 1777. With more than 70,000 students, 180 degree programmes across 26 departments, and strong research output, especially in engineering, medicine, and agricultural sciences, it ranks second among Italy’s major universities and is the leading university in Southern Italy.

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More reading:

Enrico Fermi, dubbed the architect of the nuclear age

The Italian nuclear physicist who defected to the Soviet Union

Leonardo Sciascia, the writer who denounced complicity between government and the Mafia

Also on this day: 

1607: The birth of Cardinal Antonio Barberini, patron of the arts 

1623: The birth of composer Antonio Cesti

1694: The birth of comic opera composer Leonardo Leo

1953: The birth of Felice Casson, magistrate who exposed NATO’s secret army 

2002: The death of novelist Franco Lucentini

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Procopio Cutò - chef and entrepreneur

Sicilian who popularised coffee and gelato in 17th century Paris

Procopio Cutò, born in Sicily, founded
the most successful café in Paris

The chef and café proprietor Procopio Cutò, who opened one of the earliest coffee houses in Paris and has been credited with introducing Italian ice cream to the French capital, was born in Sicily on this day in 1651.

Cutò, whose full name was Francesco Procopio Cutò and at times called himself Francesco Procopio dei Coltelli, or François Procope, was the owner and founder of the Café Procope, which thanks to its illustrious clientele can claim to have been the first literary coffee house in Paris.

The café opened for business in 1686 and traded continuously for around 200 years before closing in the late 19th century.  

The name was revived in the 1950s and the original premises in Rue de l'Ancienne Comédie - in the Saint-Germain-des-Prés quarter on the left bank of the Seine - is again called Café Procope, although it is now a restaurant rather than a coffee house.

It was thought for many years that Cutò was born in Aci Trezza, a town on Sicily’s eastern coast, a little over 10km (six miles) north of Catania, the island’s second largest city. However, the discovery of baptismal certificate in the archives of the Church of Sant'Ippolito in the Capo district of Palermo suggests he was born in the capital.

The surname Cutò, while common in Sicily at the time of his birth, is of Greek origin. The first name Procopio was inspired by the Greek historian Procopius.

Although there is evidence that flavours were added to snow and ice as a refreshment in ancient Rome and Greece, ice cream had yet to be produced commercially as Cutò was growing up.

Café Procope's elegant and luxurious decor
 attracted an upmarket, intellectual clientele

Sorbets had been introduced to Sicily by Arabs. Cutò’s grandfather had invented a machine that could produce sorbets, which were ‘frozen’ using a combination of natural snow or ice and salt, which kept the ice cooler for longer. When he died, he left the machine to his grandson, who made some modifications to it and believed he could use it to make sorbets on a larger scale. 

With dreams of making his fortune by producing and selling his ices, Cutò chose to try his luck in Paris because, with a population of half a million, the French capital was at the time the largest city in Europe.

Having travelled through mainland Italy, he is thought to have arrived there at some point between 1670 and 1674. He took jobs along the way, in one of which he acquired cooking skills, joined a guild of drinks-makers soon after reaching Paris and becoming apprenticed to an Armenian, called Pascal, who had a kiosk serving lemonade and coffee on Rue de Tournan. It was one of the first such establishments to call itself a café. When Pascal moved to London in 1675, he allowed Cutò to take over.

In the meantime, using the gelato-making methods he had learned from his grandfather, Cutò developed a range of flavoured ices and successfully applied for a licence to sell them from his kiosk. In search of a bigger market, he opened a second stall at the nearby Foire Saint-Germain, a large covered marketplace which staged annual fairs that could accommodate 300 merchants.

The writer Voltaire, who
was a Procope regular

In 1686, Cutò relocated his kiosk to the Café Procope’s present location, on a street which was then called Rue des Fossés-Saint-Germain-des-Prés.  Although there were coffee houses in Paris already, they were mainly frequented by the lower classes and immigrants.

Cutò believed that if he changed the image of the coffee house, he could appeal to a wealthier, more sophisticated branch of Parisian society. With that aim, he bought up a redundant bath house, stripped out all its bathing facilities and repurposed it as a luxury meeting place, with crystal chandeliers, wall mirrors and marble tables. 

It soon became a place where stylish gentlemen would develop a taste for coffee and Cutò’s fruit sorbets, which were served in porcelain cups by elegant waiters. 

Cutò’s big break came in 1689, when the Comédie-Française opened its doors in a theatre across the street from his café. A new crowd of young intellectuals began to frequent the Café Procope, establishing the venue as one of the first literary cafes.

Over time, the likes of Voltaire, Maximilien Robespierre, Victor Hugo, Pierre Beaumarchais, Jean-Jacques Rousseau and Honoré de Balzac would become regulars. Oscar Wilde and Henry Wadsworth Longfellow are also known to have visited, along with American political luminaries such as Benjamin Franklin and Thomas Jefferson.  Even Napoleon Bonaparte took coffee there.

The Café Procope, in Rue de l'Ancienne Comédie,

  is still in business today as a thriving restaurant 

Franklin, one of America’s ‘founding fathers’, is said to have drafted the terms of the 1778 Treaty of Alliance with French king Louis XVI while sitting at one of Café Procope’s tables.

The Café Procope thus became the most famous and successful café in Paris and is credited with turning France into a coffee-drinking society.

Cutò, who married three times and fathered at least 14 children, became wealthy as a result. Having adopted the surname Dei Coltelli soon after arriving in Paris when his name was misspelled as Couteaux - the French word for knives (coltelli in Italian) - in 1702 he changed it to François Procope not long after becoming a French citizen.

In 1716, he handed the running of Café Procope to his second son, Alexandre. Cutò continued to run his kiosk at the Foire Saint-Germain before passing away in 1727 at the age of 76. 

The dramatic rock formation off the coast at Aci
Trezza is known as the Islands of the Cyclops

Travel tip:

Aci Trezza, which for many years was thought to have been the birthplace of Procopio Cutò, is a small fishing town within easy reach of the Sicilian city of Catania that has become a popular resort. It has rocky volcanic beaches which look out over some dramatic rock formations in the sea known as the Islands of the Cyclops, sometimes called the Faraglioni of Trezza. The main part of the town is clustered around the harbour and the Chiesa Madre di San Giovanni Battista, Aci Trezza’s parish church. Many houses have been painted in pastel colours. The town is particularly lively in the evening thanks to its reputation for having outstanding fish restaurants. The town hosts a fish festival every July. Its connection with Cutò may have arisen because Aci Trezza is one of many towns that sit in the shadow of Mount Etna, where snow from the upper slopes used to be collected for turning into sorbets. It is possible that Cutò may have visited the area while perfecting his recipe for gelato.

The daily Mercato di Capo runs the whole length
of the Via Sant'Agostino in the centre of Palermo

Travel tip:

Capo, the neighbourhood of Palermo where Procopio Cutò is likely to have been born, is one of the original four quarters of Palermo established during the Spanish rule of the city, which lasted from early 15th century until Italy became a unified country in the 19th century. Also known as Seralcadi, derived from the Arabic name Sari al Cadì, the area nestles between Palermo’s duomo - the Cattedrale della Santa Vergine Maria Assunta - the Teatro Massimo, and Via Maqueda, one of the city’s main thoroughfares. The largest opera house in Italy, able to accommodate an audience of 1,350 people, the Renaissance-style Teatro Massimo opened in 1897, with an initial capacity of 3,000. It closed in 1974 for supposedly minor repairs but a lack of funding prevented its re-opening for 23 years. A major attraction for visitors to Capo is the huge, historic outdoor street market, which occupies virtually the length of Via Sant’Agostino, selling everything from fresh fish, fruit and vegetables to clothes, household items and local handicrafts. Street food can be found in abundance, in particular the Sicilian specialities - arancini, cannoli and panelle.

Also on this day:

1621: The election of Pope Gregory XV

1770: The birth of classical guitarist and composer Ferdinando Carulli

1891: The birth of left-wing politician Pietro Nenni

1953: The birth of boxer Vito Antuofermo

1953: The birth of missionary Ezechiele Ramin

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Nino Martoglio - writer, theatre and film director

Journalist and playwright whose movies inspired post-war neorealism 

Nino Martoglio is considered by some
as the founder of Sicilian theatre

The journalist, playwright and theatre and film director Nino Martoglio was born in Belpasso, a town in the foothills of volcanic Mount Etna in eastern Sicily, on this day in 1870.

Martoglio is widely considered to be Sicily’s finest dialect playwright and by some to be the founder of Sicilian theatre.  He was also an acclaimed poet, basing a good deal of his verse on the everyday conversations of working class Sicilians, written to amuse. His collection, Centona, is still sold today.

Later in a career that was ended abruptly by his death in an accident, Martoglio directed a number of silent films, the style of some of which prompted critics to describe them as forerunners of the post-war neorealism movement.

The son of a journalist and a school teacher, Martoglio studied sailing as a young man and obtained a captain’s licence. Yet he sought a career in journalism and joined the editorial staff of La Gazzetta di Catania, a daily newspaper founded by his father, Luigi.

In 1889, he launched a weekly magazine, D’Artagnan, a Sicilian language periodical devoted to art, literature and theatre, sharp political satire and the plight of the people of Civita, a poor neighbourhood in Catania which suffered particular deprivation. It also proved to be a useful vehicle for the poems that would eventually be gathered together in the Centona collection.

Theatre began to occupy most of Martoglio's attention from around the turn of the century. In 1901, he created the Sicilian Dramatic Company, which thanks to the talents of actors such as Angelo Musco, Giovanni Grasso, Virginia Balistrieri and others enjoyed success with Sicilian language productions even in Milan, where they performed at the Teatro Manzoni in 1903. The company’s productions of comedies written by a young Sicilian playwright, Pier Maria Rosso di San Secondo, were especially popular, among them San Giovanni Decapitato - Saint John the Beheaded - which he later turned into a film.

Martoglio staged the first theatrical
works of Luigi Pirandello (above)

Martoglio’s work became still more widely known after he moved to Rome in 1904, having become unhappy with the political climate in Sicily, where he had been elected a municipal councillor in Catania. In the capital, he met and married Elvira Schiavazzi, the sister of Piero Schiavazzi, a Sardinian tenor. They would go on to have four children. 

In 1910, he founded the first "Teatro Minimo" in Rome at the Teatro Metastasio. He staged one-act plays from the Italian and foreign repertoire, as well as bringing to the stage the first theatrical works of Luigi Pirandello, by then famous as a novelist and a future Nobel Prize winner. Their collaborations included A vilanza (la bilancia) and Cappidazzu pava tutu.

Martoglio’s venture into cinema spanned two years from 1913-14. He directed the actress Pina Menichelli, one of the so-called ‘three divas’ of Italian silent movies, in Il romanzo and followed it with Capitan Blanco, Sperduti nel buio, for which he wrote the screenplay and directed in collaboration with Roberto Danesi, and Teresa Raquin.  

All his screen work emphasised the gulf in Italian society between wealth and poverty and Sperduti nel buio - Lost in the Dark - which starred Grasso and Balistrieri - veterans of Martoglio’s original company in Catania - came to be regarded as a classic of the silent film era, representative of a small number of films that made up the realismo movement in Italian cinema. 

In the 1930s, the film critic and lecturer Umberto Barbaro enthusiastically showed Sperduti nel buio in his classes at Centro Sperimentale di Cinematografia in Rome, where his students included Roberto Rossellini and Luchino Visconti, who would go on to become leading figures in the neorealism film movement after the Second World War.

The bust of Martoglio
in the Bellini Gardens

Martoglio’s death at the age of 50 remains something of a mystery.  After visiting the Vittorio Emanuele II Hospital in Catania on the evening of 15 September, 1921, to see one of his sons, who was being treated there, Martoglio’s body was found the following morning at the bottom of an elevator shaft in part of the hospital that was under construction.  Although there were no witnesses, the assumption was that he had suffered a tragic accident, perhaps after getting lost as he tried to find the way out. 

His body was laid to rest at the Campo Verano monumental cemetery in the Tiburtino quarter in Rome, not far from the Basilica di San Lorenzo fuori le mura. The cemetery is notable as the burial place of hundreds of illustrious figures from the artistic, historical, literary, musical and cinematographic world.  

Although his films were lost, presumably stolen or destroyed during World War Two, Martoglio’s nieces, Vincenza and Angela, took steps to preserve their uncle’s manuscripts.  There is a monumental bust of him in the Bellini Gardens in Catania, a short distance from the Teatro Metropolitan. 

The Teatro Comunale Nino
Martoglio in Belpasso

Travel tip:

The town of Belpasso, where Martoglio was born, has a population of 28,000. Located about 10km (six miles) northwest of the city of Catania, it has something of a chequered history, having twice been destroyed by the forces of nature and repositioned in consequence. In 1669, it was buried in lava following an eruption of the Mount Etna volcano which looms over Catania. Rebuilt in another location at a lower level, it was then badly damaged by an earthquake in 1693 and abandoned. The current settlement was founded two years later at a third site. Today, it is best known as the home of Condorelli, one of Sicily’s most famous brands of confectionary, biscuits and cakes. Nino Martoglio’s name is preserved in the Teatro Comunale Nino Martoglio, the town’s municipal theatre, in Via XII Traversa.

The port city of Catania, the second largest city
in Sicily, with a snow-capped Etna in the distance

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Twice destroyed by earthquakes, in 1169 and 1693, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe.  As such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  It is also notable for many fine examples of the Sicilian Baroque style of architecture, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade.

Also on this day:

1596: The birth of violin maker Nicolò Amati 

1779: The birth of Tuscan painter Matilde Malenchini

1911: The birth of composer Nino Rota

1917: The death in WW1 of champion cyclist Carlo Oriani

1937: The birth of actress Angela Luce

1947: The birth of controversial politician Mario Borghezio

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The Battle of San Mauro

Defeat that ended Sicily’s separatist ambitions  

Concetto Gallo, who was
captured during the fight

Soldiers from the Italian army, bolstered by Carabinieri officers, decisively defeated the paramilitaries of the clandestine Volunteer Army for the Independence of Sicily at what became known as the Battle of San Mauro on this day in 1945.

The confrontation, which took place in the hills above the city of Caltagirone in southeast Sicily, concluded with the arrest of Concetto Gallo, commander of the paramilitary group, and the effective end of the movement for Sicilian independence that grew during the Allied military occupation of the island in World War Two.

The Volunteer Army (EVIS) had formed in February 1945 as a clandestine paramilitary wing of the Movimento per l'Indipendenza della Sicilia (MIS), a political party launched in 1943 with the aim of achieving independence for the island.

The party brought together individuals from across the political spectrum in Sicily under the leadership of Andrea Finocchiaro Aprile, including the revolutionary socialist Antonio Canepa, the social-democrat Giovanni Guarino Amella, local aristocratic land owners and even Mafia figures, such as the powerful Calogero Vizzini.

Canepa was a key figure in EVIS, which he modelled along the lines of the People’s Liberation Army of Yugoslavia, led by the future president of communist Yugoslavia, Josip Broz Tito, a partisan army that fought against the occupying AXIS forces in World War Two.

The battle took place in the hills around the
city of Caltagirone in southeastern Sicily

However, he was killed in June 1945 during a firefight with Carabinieri soldiers near Catania, after which EVIS never developed into the force he had hoped it would become.

Command passed briefly to Attilio Castrogiovanni, an MIS leader, and after his arrest to Gallo. 

Vizzini had some success when he recruited Rosario Avila, a bandit involved in brigandry around the town of Niscemi, south of Caltagirone, to organise guerilla attacks on Carabinieri patrols. The involvement of another brigand, Salvatore Giuliano, had a major impact, such that the mainland government sent hundreds of reinforcements to the island in an effort to suppress his activity.

There was cross-party opposition to Sicilian independence in Italy's postwar government in Rome, which perhaps explains why the fighters of EVIS were ultimately overwhelmed by the numbers deployed against them.

When Gallo’s group of between 50 and 60 militants clashed with Carabinieri at San Mauro, they found they were also up against a battalion of the internal security division of the Italian Army as well, effectively outnumbering them ten to one.

The firefight was mercifully short-lived, with minimal casualties. Gallo and other separatist leaders were captured and taken into custody.

EVIS effectively disbanded early in 1946, but their struggle had not been in vain. MIS won four seats in the 1946 Italian elections and in May of that year, King Umberto II issued the Statute of Sicily, which made the island an autonomous region within the Italian State.

The ceramic steps of the Staircase of Santa Maria
del Monte attract many visitors to Caltagirone

Travel tip:

The city of Caltagirone in southeastern Sicily falls within the metropolitan area of Catania, which lies some 70km (43 miles) to the northeast. It is well known as a centre for the production of pottery, particularly maiolica and terracotta. The city’s main attraction for visitors is the 142-step monumental Staircase of Santa Maria del Monte, built from 1608 in the oldest part of the town. Each step is decorated with different hand-decorated ceramics and once a year in July, to commemorate the day of the city's patron saint, James, the staircase is illuminated with candles of different colours. 

The sprawling city of Catania sits in the shadow
of Mount Etna, Italy's most active volcano

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Twice destroyed by earthquakes, in 1169 and 1693, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe.  Eruptions of Etna are commonplace.  As such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  It is also notable for many fine examples of the Sicilian Baroque style of architecture, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade.

Also on this day:

1720: Venice’s historic Caffè Florian opens its doors for the first time

1847: The birth of sculptor Gaetano Russo

1891: The birth of WW1 flying ace Luigi Olivari

1941: The birth of mathematician Tullio Levi-Civita

1966: The birth of footballer Stefano Eranio

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Salvatore Fisichella - operatic tenor

Singer was called the most outstanding interpreter of Bellini of his day

Salvatore Fisichella began
singing as a small child 

Opera singer Salvatore Fisichella, who won international acclaim for his interpretations of the leading roles in Bellini’s operas, was born on this day in 1943 in Catania in Sicily.

Recognised for the ease and vocal brilliance of his singing, Fisichella has specialised in performing in bel canto operas, especially those of Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini.

He began singing when he was a small child at family parties. He was taught music at the local seminary and from the age of ten sang solos during church services.

After leaving the seminary, Fisichella attended a secondary school that had a science-based curriculum and then studied to become a surveyor.

Once he had qualified as a surveyor, he had little time for singing, but one day he was invited to the wedding of one of his clients. Fisichella had drawn up the plans for the couple’s new home, but on the day of the wedding he found himself filling in for the tenor, who had been scheduled to perform but whose arrival was delayed. 

Fisichella's operatic 
debut came in 1971

The bride, who had specifically requested Ave Maria, was so upset she threatened to postpone the wedding, however Fisichella saved the day by offering to sing in his place. To everyone’s amazement, he sang the part of the tenor perfectly to great acclaim and was even praised by the tenor himself, who had arrived just in time to hear him.

His interest reawakened, Fisichella began working under Maria Gentile, a soprano from Catania who had become a singing teacher. He listened to the singing of Mario del Monaco, Giuseppe Di Stefano, Franco Corelli, Carlo Bergonzi and Gianni Raimondi and occasionally took part in small concerts. His breakthrough came when he won a prestigious singing competition in Spoleto.

In 1971, he was engaged by the Teatro dell’Opera di Roma for two performances of Rigoletto and seven performances of I puritani with Mirella Freni . A year later he  was back at the theatre again to appear with Mirella Freni in Gounoud’s Faust. In 1973 he made his debut at the Teatro Bellini in his home town of Catania in La bohème.

Fisichella subsequently performed all over the world in the top theatres and concert halls and enjoyed enthusiastic receptions and glowing reviews.

Fisichella once received a 
22-minute standing ovation

In Pesaro in 1975 he became one of the few tenors to rise to the challenge of Rossini’s Messa di Gloria, a score avoided by many bel canto tenors. In 1985, Theatre magazine said he was ‘a tenor to rival Domingo and Pavarotti’. The following year he performed for the first time at the Met in New York alongside Joan Sutherland and was a resounding success.

In 1992 in Paris, he received a 22-minute standing ovation following his performance at the Concerto Belliniano at the Champs Élysées opera house. The French press declared him the most outstanding interpreter of Bellini of his day. In 1994 he was awarded the Bellini D’Oro prize by the Sicilian Tourist Authority. Fisichella continued to perform on the international stage well into this millennium and now passes on his technique and experience by giving masterclasses to up and coming young tenors.

Fisichella lives in Sant’ Agata li Battiati near Catania with his wife, Fiorella, He has a son, Filippo and daughter Lucia Martina (Lulu), who also enjoys singing.

Salvatore Fisichella celebrates his 79th birthday today.

Catania sits in the shadow of Mount Etna,
the still-active volcano

Travel tip:

Salvatore Fisichella’s home city of Catania is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Located on the east coast of Sicily facing the Ionian Sea, it has twice been destroyed by earthquakes, in 1169 and 1693. With Mount Etna looming in the background, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe and as such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  

The beautiful Basilica
della Collegiata

Travel tip:

Catania is notable for its Baroque city centre, which is a UNESCO heritage site, but also has some outstanding classical buildings, ancient remains buried over the centuries.  Greek and Roman cities built on the site of the present city disappeared under layers of lava from Etna's eruptions but parts of them have been unearthed, including an impressive Greek-Roman theatre.  Among the many fine examples of the Sicilian Baroque style, which is typical of the island, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade. A prominent architect was Vincenzo Sinatra, a pupil of Rosario Gagliardi, who had been influenced by Gian Lorenzo Bernini’s work in Rome. 

Also on this day:

1567: The baptism of composer Claudio Monteverdi

1902: The birth of band leader Pippo Barzizza

1936: The birth of actress Anna Maria Alberghetti

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Franco Battiato – singer songwriter

Long career of a musical philosopher

Franco Battiato's musical career encompassed different
genres but retained philosophical and religious themes

One of the most popular singer-songwriters in Italy, Franco Battiato, was born on this day in 1945 in Ionia in Sicily.

Nicknamed Il Maestro, Battiato has written many songs with philosophical and religious themes. He has also had a long-lasting professional relationship with Italian singer Alice, with whom he represented Italy at the 1984 Eurovision Song Contest.

Battiato graduated from high school at the Liceo Scientifico Archimede in Acireale, a city in the province of Catania in Sicily.

He went to Rome and then moved on to Milan, where he won his first musical contract.

After his first single, La Torre, was released, Battiato performed the song on television. After some success with the romantic song E l’amore, he released the science fiction single La convenzione, which was judged to be one of the finest Italian progressive rock songs of the 1970s.  The albums of electronic music he produced in the ‘70s, obscure at the time, are now sought after by collectors.

His popularity grew after he moved away from progressive rock to a more mainstream pop style, producing music that was regarded as elegant, yet easy to listen to. His album La Voce del Padrone remained at number one in the Italian charts for six months, becoming the first Italian album to sell more than one million copies in a month.

Battiato had a successful partnership
with the popular singer Alice

He began collaborating with the singer Alice and their duet, I treni di Tozeur, was performed at the 1984 Eurovision Song Contest.  His 1988 album Fisiognomica, which sold more than 300,000 copies, was considered by Battiato himself to be his best work

In 1994 Battiato began to collaborate with the Sicilian philosopher Manlio Sgalambro, who went on to write the lyrics for many of his albums.  In 1996 they brought out what is regarded as their best work, L’imboscata, containing the romantic hit, La cura, which was chosen as the best Italian song of the year.

In 2003, Battiato released his first feature film, Perduto amor, for which he also composed the soundtrack.  The film won the Silver Ribbon for the best debutant director.

In 2012 he accepted an offer to become the new regional minister for Tourism and Culture in Sicily but was subsequently fired after making controversial remarks.

Battiato continued making music and went on tour with Alice in 2016. He held his last concert in Catania in 2017 but then had to give up for health reasons. His manager announced his retirement from the music scene at the end of last year.  Battiato celebrates his 75th birthday today.

UPDATE: Franco Battiato sadly passed away in May 2021 at the age of 76, from an undisclosed illness. He was living in the village of Milo, on the eastern slope of Mount Etna and only 10km (six miles) or so from his birthplace, where he bought a villa in the 1980s.

The beach at Riposto, which became part of an area
that was renamed Ionia in 1942

Travel tip:

Ionia, where Franco Battiato was born, is an area in Sicily on the west coast, a little over 30km (19 miles) north of Catania. It was renamed Ionia in 1942, three years before Battiato was born. Under Fascist rule it had been named Giarre-Riposto in 1935.  Giarrre and Riposto had separated in 1841 but the Fascist government had decided to unite them again to form a larger conurbation. The railway station, which is part of the Messina-Catania railway, is still named Giarre-Riposto.  The original names were restored in 1945 after the fall of Mussolini and the end of World War Two.

The beautiful cathedral of Saint Peter in Acireale's historic
Piazza Duomo, which sits in the shadow of Mount Etna

Travel tip:

The historic coastal city of Acireale, where Battiato was educated, can be found 17km (11 miles) to the north of Catania at the foot of Mount Etna. Facing the Ionian sea, Acireale has many old churches, including the neo-Gothic St Peter’s Basilica in Piazza Duomo, the Baroque St Sebastian’s Basilica and Acireale Cathedral and seminary for the training of priests.  Acireale also has the oldest art academy in Sicily, the Accademia dei Dafnici e degli Zelanti.

Also on this day:

1514: The birth of assassin Lorenzino De’ Medici

1919: The Italian Fascist Party is launched at a rally in Milan

1922: The birth of actor Ugo Tognazzi


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The 1693 Sicily earthquake

Devastation that led to architectural rebirth

An engraving dated at 1696 is thought to depict ruined
buildings in Catania after the 1693 earthquake

A huge earthquake destroyed or severely damaged scores of towns and cities in Sicily on this day in 1693, killing more than 60,000 people.

Records say the tremor struck at around 9pm local time and lasted about four minutes.  It was mainly confined to the southeast corner of the island, with damage also reported in Calabria on the Italian mainland and even on Malta, 190km (118 miles) away.

Although it is an estimate rather than a verifiable figure, the earthquake has been given a recorded magnitude of 7.4, which makes it the most powerful in Italian history, although in terms of casualties it was eclipsed by the earthquake that destroyed much of Messina and Reggio Calabria in 1908, with perhaps up to 200,000 killed.

By another measure, the Mercalli intensity scale, it was awarded a score of XI, the maximum.  The Mercalli scale, devised in 1902, judges a quake’s severity by the intensity of shaking. The XI rating given to the 1693 event may well reflect accounts such as that offered by Vincentius Bonajutus, published in the Philosophical Transactions of the Royal Society, who wrote that "It was in this country impossible to keep upon our legs, or in one place on the dancing Earth; nay, those that lay along on the ground, were tossed from side to side, as if on a rolling billow."

The Palazzo Ducezia, designed by Vincenzo Sinatra, is one
of the Sicilian Baroque palaces in the rebuilt city of Noto

At least 70 towns and cities - including Catania, Syracuse (Siracusa), Noto and Acireale - were either very badly damaged or destroyed, with an area of 5,600 sq km (2,200 sq mi) affected.

Locally recorded counts of the dead indicate that there were probably more than 60,000 people killed. Around 12,000 of those - two thirds of the city’s population - were in Catania alone.

More damage and deaths occurred before the main earthquake in a powerful foreshock on January 9, itself with an estimated magnitude of 6.2, and as a result of tsunamis that devastated the coastal villages on the Ionian Sea and in the Straits of Messina.

The exact position of the epicentre remains unknown, although it was probably close to the coast, or slightly offshore, between Catania and Syracuse.  The tsunamis that followed affected some but not all coastal settlements. One place that did suffer was the port of Augusta, north of Syracuse, where the harbour was left drained when the sea receded, only to be swamped by waves of up to eight metres (26ft) high as the waters surged back.

Stefano Ittar's facade of the Basilica
della Collegiata in Catania

It may seem perverse to talk of good coming from such a catastrophic natural disaster that claimed so many lives, but it is an inescapable fact that had it not been for the 1693 earthquake, much of the wonderful architecture that makes the cities of southeast Sicily so attractive today might not exist.

That it does is thanks to the extravagantly wealthy aristocracy that controlled the purse strings on the island, which was then part of the Spanish empire.

After concentrating initially on restoring military defences around the strategically important Syracuse, Augusta, Catania and Acireale, the island’s government began drawing up of plans for the reconstruction of towns and cities.

Some, such as Catania, would be rebuilt to new plans on their existing sites, others such as Syracuse and Ragusa rebuilt following existing layouts, and others moved to new sites and built from scratch, as was the case with Noto and Avola.

In all cases, dozens of local architects were given palaces and churches to build.  Many had trained under the great Baroque architects in Rome and this was their opportunity, with money apparently no object, to recreate the sophisticated Baroque architecture that had become popular in mainland Italy, but had not really reached Sicily.

On such architect was Vincenzo Sinatra, a pupil of Rosario Gagliardi, who had been influenced by Gian Lorenzo Bernini’s work in Rome.  Sinatra was responsible for many of the new buildings in the new city of Noto, including the churches of Monte Vergine and San Giovanni Battista, the Basilica di Santa Maria Maggiore and its Loggiato, and the splendid Palazzo Ducezio (now the town hall).

Their work inspired more local architects to follow suit and between 1730 and 1780 the style that became known as Sicilian Baroque, characterised by typically Baroque curves and flourishes, but often with the addition of grinning masks or chubby cherubs, was at its peak, reflecting the flamboyance of the era.

Although the fashion for neoclassicism changed the thinking of architects on the island towards the end of the 18th century, it is Sicilian Baroque that gives Sicily much of its architectural character even today.

Other notable Sicilian Baroque architects include Andrea Giganti, Guarino Guarini, Stefano Ittar, Andrea Palma and Giovanni Battista Vaccarini.

The facade of the cathedral at Syracuse, which was
rebuilt by Andrea Palma in Baroque style

Travel tip:

As well as its Sicilian Baroque buildings, concentrated on the island of Ortygia, the historic centre linked to the modern city of Syracuse by the Ponte Umbertino, Syracuse is known for its ancient ruins. The Parco Archeologico Neapolis, situated within the city, comprises the Roman Amphitheater, the Teatro Greco and the Orecchio di Dionisio, a limestone cave shaped like a human ear. The Museo Archeologico Regionale Paolo Orsi, meanwhile, exhibits terracotta artifacts, Roman portraits and Old Testament scenes carved into white marble.  Syracuse as a city is listed by UNESCO as a World Heritage Site.

The city of Ragusa occupies a spectacular setting
on a rugged hillside in southeastern Sicily

Travel tip:

Ragusa, the principal city of the province of the same name, which also suffered much damage in the earthquake, is one of Sicily’s most picturesque cities. Set in same rugged landscape with a mix of medieval and Baroque architecture. The older part of the city, the spectacular Ragusa Ibla, is the town that was built on the site of the settlement destroyed in the quake, and is home to the grand Duomo di San Giorgio and the Giardino Ibleo, a public park with churches and fountains that offers stunning views.  Ragusa Ibla may seem familiar to viewers of the TV detective series Inspector Montalbano as the dramatic hillside city in the title sequence. The city streets also feature regular in location filming for the series, based on the books of Andrea Camilleri.



More reading:

How Giovanni Battista Vaccarini left his mark on Catania

The genius of Gian Lorenzo Bernini

Why the Messina earthquake of 1908 is the worst in Italian history

Also on this day:

1944: Mussolini has his son-in-law, Galeazzo Ciano, shot dead by a firing squad

1975: The birth of Matteo Renzi, Italy's youngest PM

1980: The birth of the Giannini sextuplets


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