Iconic figure who transformed major Rome gallery
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Palma Bucarelli, who was the dynamic director of Rome's major modern art gallery for more than 30 years |
Under Bucarelli’s dynamic leadership, GNAM was transformed into a major centre in Italy’s cultural life, staging groundbreaking exhibitions featuring some of the biggest names in modern and contemporary art, such as Pablo Picasso, Piet Mondrian, Jackson Pollock, and Mark Rothko.
A champion of abstract and avant-garde art, for which she was a powerful advocate, she also worked hard on behalf of Italian artists to showcase their work alongside their international counterparts.
Turning GNAM into an active space for public engagement and encouraging debate that challenged traditional perceptions of modern art, she helped position Italy as a significant player in the contemporary art scene during the mid-20th century.
As a powerful woman in a male-dominated world, who at the same time cut an elegantly stylish figure, Bucarelli also became something of an icon of female emancipation.
Bucarelli’s father, Giuseppe, was a high-ranking official in the Italian government who would eventually be appointed vice-prefect of Rome. It was from her mother, Ester Loteta Clori, that Palma and her sister, Anna, inherited a taste for culture, both becoming passionate about music, theatre, fashion and art.
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Bucarelli, elegantly stylish, was regarded by some as a trailblazer for female emancipation |
Already keen to forge a career in the arts world, she successfully entered a competition run by the Ministry of National Education for the post of Inspector of Antiquities and Fine Arts, after which she was assigned to Rome’s Galleria Borghese art museum at the age of just 23.
After working briefly in Naples, where she became acquainted with the philosopher and historian Benedetto Croce, Bucarelli returned to Rome and took over the direction of the Galleria Nazionale d’Arte Moderna soon after turning 31. It was unusual, perhaps unprecedented, for a woman to be appointed to such a prestigious role.
By this time, Italy had entered World War Two and one of Bucarelli’s first major tasks was to move works of art away from the gallery to places of safety, a process that needed to be carried out amid secrecy. Some were concealed within hiding places in Castel Sant'Angelo in Rome, others taken to Palazzo Farnese in Caprarola, well away from the capital in northern Lazio.
After the liberation of Rome in 1944, the gallery was gradually reopened and Bucarelli, who had a clear vision of how she wanted it to evolve under her leadership, began to develop her plans.
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A portrait of Bucarelli by Giulio Turcato, an abstract impressionist |
Bucarelli’s ambition was to preserve that core purpose and to enhance it. She wanted the gallery to exist not just as a repository for important works of art but to be at the heart of Italian culture and, though she clashed at times with traditionalists in her desire to be at the cutting edge as artists explored new boundaries, her transformative work generally met with approval.
In her time, GNAM moved on from simply housing works of art, becoming a meeting and information point for artists, art critics and the public. She also equipped the gallery for the modern world, adding functions that would in time be seen as standard in a modern museum, such as educational services, a library, cafeteria and bookshop. She also took steps to increase footfall by offering book presentations, meetings with artists and important exhibitions, showing off the museum’s vast existing collections but also offering the public the opportunity to appreciate new artists.
The gallery hosted fashion shows, too, which in part reflected her own interest in stylish clothes. Bucarelli was a much-photographed woman. Alongside a personal collection of artworks, she preserved many elegant items from her wardrobe, some of which were donated to the Boncompagni Ludovisi Museum in Rome, which specialises in decorative arts, costume and Italian fashion.
Married in 1963 to the journalist Paolo Monelli, whom she had known for 30 years, she stepped down as GNAM’s director in 1975. She died in Rome in 1998 at the age of 88. One of the approach roads to the gallery, linking Viale delle Belle Arti and Viale Antonio Gramsci, was renamed Via Palma Bucarelli in remembrance.
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The Galleria Nazionale d'Arte Moderna's current headquarters was completed in 1915 |
The Galleria Nazionale d’Arte Moderna, home to almost 20,000 paintings, drawings and sculptures, was founded in 1883 on the initiative of the Minister of Education in the young Italy’s government, Guido Beccali. The gallery’s main building on Via delle Belle Arti, within the Villa Borghese park just north of Rome’s city centre, was designed by Cesare Bazzani and built between 1911 and 1915. Bazzani returned to double its size in 1934. Around 1100 items from its collection are on display at any one time. Artists whose work can be admired there include Italian greats Giacomo Balla, Umberto Boccioni, Antonio Canova, Giorgio de Chirico, Amedeo Modigliani, Giacomo Manzù and Giorgio Morandi. The museum also holds some works by foreign artists, among them Cézanne, Degas, Duchamp, Mondrian, Monet, Jackson Pollock, Rodin, and Van Gogh. The gallery is open everyday except Mondays from 9am to 7pm. Entry costs €15.00.
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The Palazzo Farnese, with its hexagonal shape, was built by the future Pope Paul III |
Caprarola is a small town in northern Lazio, situated about 20km (12 miles) southeast of Viterbo, not far from the picturesque Lago di Vico. The town is dominated by the imposing pentagonal Palazzo Farnese, built in the 16th century. With its well preserved frescoed interiors, a magnificent helicoidal staircase, the Sala del Mappamondo, the Sala degli Angeli and its splendid Italian garden, the palace is a unique architectural jewel well worth visiting. To enhance the view from the villa, architect Jacopo Barozzi da Vignola built the Via Dritta, today known as Via Filippo Nicolai, a long sloping street that stretches out from its main entrance almost for half a mile without deviating from the straight. The road divided the village neatly into two districts, named Corsica and Sardinia. The Villa Farnese, originally the home of Cardinal Alessandro Farnese, the future Pope Paul III, is said to have been the inspiration for the design of the Pentagon, headquarters of the United States Defense Department in Washington. It has no occupant today but a smaller building, known as the Casino, within the villa’s extensive gardens, is one of the properties at the disposal of the President of the Italian Republic.
Also on this day:
37: The death of Roman emperor Tiberius
1820: The birth of tenor Enrico Tamberlik
1886: The birth of athlete Emilio Lunghi
1940: The birth of film director Bernardo Bertolucci
1978: The kidnapping of ex-PM Aldo Moro