Arturo Toscanini - conductor

Cellist who became orchestra leader by chance

Arturo Toscanini is remembered as one of the 
most influential figures in 20th century music

The brilliant conductor Arturo Toscanini was born on this day in 1867 in Oltretorrente, a working-class neighbourhood of Parma, now part of Emilia-Romagna.

Toscanini came to be recognised as one of the most influential musicians of the late 19th and early 20th century. An intense individual who was a perfectionist in everything he did, as well as having a brilliant ear for detail in orchestral performances, he also had the gift of being able to remember complete musical scores after only one reading. 

At various times, he was the music director at Teatro alla Scala in Milan and at the New York Philharmonic. He became particularly well known in the United States after he was appointed the first music director of the NBC Symphony Orchestra. 

Toscanini had the privilege of conducting the world premieres of many of the greatest operas of his lifetime, including Pagliacci, La bohème, La fanciulla del West and Turandot, as well as Siegfried, Götterdämmerung, Salome, Pelléas et Mélisande and Euryanthe. 

The son of a tailor, Toscanini developed an interest in music at an early age and won a scholarship to Parma Conservatory, where he studied the cello. 

Toscanini (right) and the composer Giacomo Puccini
enjoyed a close professional relationship

He joined the orchestra of an opera company, with whom he toured Brazil. It was there, in Rio de Janeiro, that the young Arturo picked up the conductor’s baton for the first time, although entirely through circumstance.

Prior to a presentation of Verdi’s Aida, the singers refused to work with the locally hired conductor, Leopoldo Miguez, who abruptly resigned. His replacement was subjected to booing from the audience, who were unhappy with his performance, and also resigned, leaving the orchestra without a conductor and the next performance only hours away.

Aware of his ability to remember whole scores, a member of the orchestra suggested giving the baton to Toscanini. Only 19 years old and with no conducting experience, Toscanini was reluctant at first but was eventually persuaded to accept the invitation, aware that the whole tour was at risk of being cancelled if he did not.

In the event, he led the two-and-a-half hour performance flawlessly, and entirely from memory. He found he had a natural talent for the job. The audience warmed to his charisma and intensity and applauded his musicianship. He kept the baton for another 18 operas as the tour unfolded with great success.

Toscanini became one of the
most sought-after conductors

Word spread of his ability and he soon found himself in demand. He continued to play the cello, but his talent as a conductor brought so much work that opportunities to take his seat in the orchestra became fewer and fewer.

He made his conducting debut in Italy at the Teatro Carignano in Turin in November, 1886, leading the premiere of a revised version of Alfredo Catalani’s Edmea. He soon broadened his repertoire to symphonic concerts, his reputation growing so fast that in 1898 he was named principal conductor at La Scala, at the age of just 31.

He remained at the Milan theatre, Italy’s principal opera house, for 10 years before he was lured away to America for the first time by Giulio Gatti-Casazza, the former general manager at La Scala, who had taken the same role at the Metropolitan Opera in New York and persuaded Toscanini to join him there. 

Toscanini spent seven seasons at the Met, returning to Europe in 1915. He was due to leave New York on the British liner RMS Lusitania on May 7 but decided at the last moment to depart a week earlier on the Italian liner Duca degli Abruzzi. It proved a mightily fortuitous decision: the Lusitania never made it to its intended destination, sinking off the coast of Ireland after being torpedoed by a German u-boat. A total of 1,197 passengers and crew perished.

He maintained his transatlantic lifestyle, conducting around Europe and in the United States, leading the New York Philharmonic-Symphony Orchestra between 1928 and 1936. He ceased working in his native Italy, however, after falling foul of the Fascist leader, Benito Mussolini.

Mussolini was keen to attach himself to Toscanini, whom he described as ‘the greatest conductor in the world’ and wished to promote as a symbol of Italian excellence. But Toscanini had little truck with Fascism, defying Mussolini by refusing to conduct the party’s official hymn, Giovinezza.

Toscanini's tomb at the Cimitero Monumentale
in Milan, where he was buried after his death at 89

Eventually, though, his defiance rebounded on him when he refused to lead a rendition of Giovinezza at a concert in Bologna in 1931, in spite of the presence in the audience of a leading Fascist official. Afterwards, Toscanini was set upon by Blackshirts and badly beaten. His passport was confiscated and he was put under surveillance. The passport was eventually returned following a public outcry and as Italy entered World War Two he left the country.

Prior to that, he had considered retirement. Instead, he embarked on a new chapter of his career, leading the newly-formed NBC Symphony Orchestra. When Toscanini did finally retire, in 1954, he was 87 years old.

Although he reportedly had numerous affairs, notably with the American soprano, Geraldine Farrar, Toscanini was married only once, to Carla De Martini, who was a teenager when they met. They remained together from their wedding in 1897 to her death in 1951. They had three children, a son, Walter, and daughters Wally and Wanda.

Toscanini died on January 16, 1957, having suffered a stroke on New Year's Day at his home in the Riverdale section of the Bronx in New York City. He was 89. His body was returned to Italy and buried at the Cimitero Monumentale in Milan. His tomb carries an epitaph based on a remark he is said to have made at the end of the 1926 premiere of Puccini's unfinished Turandot.

"Qui finisce l'opera, perché a questo punto il maestro è morto - Here the opera ends, because at this point the maestro died".

The house where Toscanini was
born is now a museum of his life

Travel tip:

The house in Borgo Rodolfo Tanzi, in the Oltretorrente district of Parma, where Arturo Toscanini was born, is now a museum of his life, open to the public between 10am and 6pm from Wednesday to Sunday, closing on Monday and Tuesday. A 15-minute walk from the city centre and close to the sprawling green space of the Parco Ducale, the house was one shared by the Toscaninis and three other families. His father, a tailor who fought in Garibaldi’s army in the campaign to unite Italy, used the downstairs room as a workshop. Among the exhibits on display are photographs, theatre programmes and posters, letters to and from composers with whom he worked, such as Giacomo Puccini and Richard Strauss, and some of the clothes he wore to conduct. There is a letter from Albert Einstein, the German physicist and noted campaigner against racism, praising Toscanini for standing up to the Fascists.

Parma's 12th century baptistery
is among the city's main sights

Travel tip:

Parma is an historic city, famous for its Prosciutto di Parma ham and Parmigiano Reggiano cheese, the true ‘parmesan’. In 1545 the city was given as a duchy to the illegitimate son of Pope Paul III, Alessandro Farnese, whose descendants ruled Parma till 1731. As well as Toscanini, the city’s musical heritage includes the composer, Giuseppe Verdi, who was born near Parma at Bussetto. The city has a prestigious opera house, the Teatro Regio, and a Conservatory named in honour of Arrigo Boito, who wrote the libretti for many of Verdi’s operas.  An elegant city with an air of prosperity common to much of Emilia-Romagna, Parma’s outstanding architecture includes an 11th century Romanesque cathedral and the octagonal 12th century baptistery that adjoins it, the church of San Giovanni Evangelista, which has a beautiful late Mannerist facade and bell tower, and the Palazzo della Pilotta, which houses the Academy of Fine Arts, the Palatine Library, the National Gallery and an archaeological museum.

Also on this day:

1347: The birth of Saint Catherine of Siena

1541: The birth of Francesco I, Grand Duke of Tuscany

1546: The birth of poet and courtesan Veronica Franco

1625: The death of poet Giambattista Marino

1927: The birth of politician Tina Anselmi

1940: The birth of record-breaking pop star Mina 

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Walter Chiari - actor

Talented star with taste for high life

Walter Chiari had the bonus of 
good looks on top of acting talent

The actor Walter Chiari, whose passionate affair with the American superstar Ava Gardner in 1950s Rome is said to have influenced Federico Fellini in the making of his landmark movie La dolce vita, was born on this day in 1924 in Verona.

Chiari was an accomplished stage and film actor when he met Gardner on the set of The Little Hut, a 1957 romantic comedy that was British made and with a Canadian director but was filmed largely at Cinecittà in Rome.

Gardner was still married to Frank Sinatra at the time but the pair were estranged and she was open to romance. She developed a taste for the Rome nightlife around the Via Vittorio Veneto and her relationship with the handsome Chiari soon began to dominate the gossip columns. They were constantly harassed by photographers, some of whom felt the rough edge of Chiari’s temper.

Fellini supposedly based Paparazzo, the photographer who relentlessly pursues Anita Ekberg’s character in La dolce vita, on the antics of some of the real-life snappers who followed Chiari and Gardner’s every move.

Chiari, who enjoyed much success on screen and in theatre, mostly in comedy roles, was already a high-profile figure in Rome’s glitzier clubs and bars, often stepping out with glamorous partners. Among those with whom he was romantically linked were actresses Elsa Martinelli, Silvana Pampanini and Lucia Bosè, and the pop star Mina. He reportedly had a brief fling with Ekberg herself.

In his professional life, he was best known for his film roles in the aforementioned The Little Hut (1957), Bonjour Tristesse (1958), Chimes at Midnight (1966) and The Valachi Papers (1972), which brought him international acclaim. 

He appeared opposite Anna Magnani in Luchino Visconti's film Bellissima (1951), won much praise for the quality of his performances in the commedia all’italiana genre and worked with some of Italy’s leading directors, including Mario Soldati, Mario Monicelli, Luigi Comencini, Ettore Scola, Dino Risi, Alessandro Blasetti and Damiano Damiani.

Chiari's relationship with the American star
Ava Gardner (left) dominated the gossip columns

Fluent in English and as comfortable acting on stage as he was in front of the camera, he was an accomplished performer in musical comedy and enjoyed a long run on Broadway in The Gay Life, with lyrics by Howard Dietz and music by Arthur Schwartz. 

He starred in an Italian production of Neil Simon’s The Odd Couple and, towards the end of his career, won critical approval for his performances in more serious stage roles, in plays such as Marc Terrier’s Six Heures au Plus Tard, Samuel Beckett’s Endgame and Richard Sheridan’s The Critic.

Born Walter Michele Armando Annicchiarico, Chiari spent the early part of his childhood in Via Quattro Spade in the heart of historic Verona, where his father, Carmelo, originally from Puglia, worked as a security officer for the local authority.

On finishing school he took a job as a warehouseman at a car factory in Milan, where the family had moved when he was nine. He subsequently found work as a radio technician and a bank, where - already showing a talent for acting - he was sacked after imitating Adolf Hitler while standing on a desk.

His break in acting came on a night out at the Teatro Olimpia in Milan, when the revue he had gone to see with a group of friends was on the point of being cancelled because one of the actors was absent. Urged to volunteer as a stand-in by his friends, he so impressed the director that he was invited to join the company.

Chiari had a brief marriage to the actress
Alida Chelli between 1969 and 1972

It opened the door into a career in revue theatre that flourished after he moved to Rome. He demonstrated his versatility by taking more serious roles, too, which in turn created opportunities to transfer his talents to the screen. In fact, his debut movie, in which he played the lead role in Giorgio Pastina’s Vanità (1947), won him a Nastro d’Argento award as best new actor.

Apart from his regular appearances in the gossip pages, Chiari was at the centre of other scandals. In 1970 he spent 98 days in the Regina Coeli prison in Rome after being arrested on charges of cocaine use and cocaine trafficking. He was released on payment of three million lire bail and acquitted of all but the possession charge at trial in 1971.

He received a suspended sentence for possession, but even though he had been cleared of the more serious charges the scandal severely damaged his career. The national TV channel Rai dropped him from a number of shows in which he had participated and until the late stages of his career his only television work was for minor, regional channels.

After his death, it was revealed that he had served for part of World War Two in the German army, who posted him to northern France with an anti-aircraft unit. He was captured by the Allies after being wounded soon after the D-Day landings and sent to an American prisoner of war camp in Tuscany.

Chiari was married - once and for just three years - to the singer and actress Alida Chelli. They had a son, Simone Annicchiarico, who became a TV presenter.  Chiari died from a heart attack in Milan in 1991, at the age of 67. His funeral, attended by more than 3,000 people, took place at the church of San Pietro in Sala, near Milan’s Teatro Nazionale.

His tombstone in Milan’s monumental cemetery famously is inscribed with the words: "Don't worry, I'm merely catching up with sleep".

The Via Quattro Spade in Verona,
where Walter Chiari was born

Travel tip:

Verona, where Walter Chiari was born, is the third largest city in the northeast of Italy, with a population across its whole urban area of more than 700,000. Among its wealth of tourist attractions is the Roman amphitheatre known as L’Arena di Verona, which dates back to AD30. Just a five-minute walk from Chiari’s home in Via Quattro Spade, the arena has a seating capacity of 22,000, often selling out for open air opera performances and pop concerts. Verona was chosen as the setting for three plays by William Shakespeare – Romeo and Juliet, The Two Gentlemen of Verona and The Taming of the Shrew - although it is unknown whether the English playwright ever actually set foot in the city.  Each year, thousands of tourists visit a 13th century house in Verona where Juliet is said to have lived, even though there is no evidence that Juliet and Romeo actually existed and the balcony said to have inspired Shakespeare’s imagination was not added until the early 20th century.

The church of San Pietro in Sala in the Wagner
district of Milan, which held Chiari's funeral

Travel tip:

The church of San Pietro in Sala is in the well-heeled Wagner district of Milan, which has some expensive apartments and upmarket shops but is also seen as a trendy neighbourhood. The main shopping streets, Corso Vercelli and Via Belfiore, are lined with quirky boutiques and shoe shops, while the area has a lively vibe in the evening. One attraction is the indoor food market in Piazza Riccardo Wagner, directly opposite the church. The largest food market in Milan, it stocks all manner of gourmet treats and is not to be missed by food-loving visitors to the city. Situated about 3km (1.9 miles) west of the centre of Milan, a 15-minute Metro ride from the station in Piazza Duomo.

Also on this day:

La Festa della Donna - International Women’s Day

1566: The birth of composer Carlo Gesualdo

1925: The birth of priest and politician Gianni Baget Bozzo

1949: The birth of singer-songwriter Antonello Venditti

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Launch of Corriere della Sera

Italy’s biggest-selling daily newspaper

The first edition of Corriere della
Sera, published 149 years ago

Corriere della Sera, one of Italy’s oldest daily newspapers, began its unbroken production run on this day in 1876.

Of the country's 22 newspapers with a nationwide circulation, only Il Sole 24 Ore, which made its first appearance in 1865, and La Stampa, which launched in 1866, have a longer continuous history than Corriere della Sera.

Based in Milan, Corriere once sold more than one million copies each day. In common with newspapers across the globe, daily sales have tumbled as readers switch to online sources for news coverage. Yet, even though daily sales have slipped to below 250,000 today, it outstrips nearest rival La Repubblica by around 90,000. 

Corriere’s founding-editor was Eugenio Torelli Viollier, a Naples-born Milan journalist who envisaged a newspaper that would establish a reputation for objective analysis, with a centre-right stance in its political standpoint.

Initially, the ‘Evening Courier’, as the name translates, consisted of just four pages, each of five columns, including an editorial written by Torelli Viollier and the first instalment of a serial novel. Remarkably, the design of the newspaper’s title masthead for the first edition has never changed. Some 15,000 copies were printed, with a cover price of five cents within the city of Milan, seven outside.

The first edition had a double-date, March 5-6, indicating that it was intended as an evening paper that would remain on sale the following morning. The first copies were in the hands of news vendors in Piazza della Scala by 9pm on the evening of the 5th

Eugenio Torelli Viollier was the
newspaper's founding editor

Torelli Viollier’s coverage of the death of the King, Vittorio Emanuele I, in 1878, boosted sales from 3,000 to 5,000. A printing press capable of print runs of 12,000 copies per hour was acquired, after which Corriere began publishing two editions daily, turning a regular profit from 1886 onwards. This was increased to three editions by 1890, rolling off the presses at 4am, 3pm and 10.40pm.

By the time Torelli Viollier stepped down in 1898 the circulation had hit 100,000, although its best years were still to come under his successor, Luigi Albertini.

Albertini, a champion of liberalism and a vigorous opponent of socialism and clericalism, had worked in London as a foreign correspondent for La Stampa and made a point of studying the operating methods of The Times while based there.

After initially joining Corriere della Sera as editorial secretary under Torelli Viollier, he found himself effectively in charge in 1900, taking the role of editorial director in the same year in which Torelli Viollier succumbed to heart disease at his home in Via Paleocapa, near the Castello Sforzesco in central Milan.

Albertini invested in the paper, installing modern equipment and under his direction, Corriere della Sera became the most widely read and respected daily paper in Italy, despite his relentless criticism of Giovanni Giolotti, who was five times Italy’s prime minister between 1892 and 1921, for his willingness to make political deals with socialists.

In his time, the architect Luca Beltrami designed an impressive factory building in Via Solferino, the main street of the Brera district of central Milan, which remains its headquarters to this day.

Enzo Biagi was among 
Corriere's many famous writers

The Albertini era ended in 1925. Under his leadership, the paper’s stance had been as strongly anti-Fascist as it had been anti-socialist. Not surprisingly, after the Fascist leader, Benito Mussolini, became prime minister in 1922, the Corriere found itself on a collision course with the authorities and ultimately the paper's owners, the Crespi family, had little choice but to sack him or be closed down. 

The paper thereafter took a pro-Mussolini position and it was not until after World War Two that it returned to its traditional values with another anti-Fascist, Mario Borsa, at the helm. In order to distance itself from Mussolini’s regime, it was relaunched as Nuovo Corriere della Sera in 1946, keeping that title until 1959. In the 1960s, the Crespi family sold part of their shareholding to the Rizzoli publishing house, from which evolved the current owners, the RCS Media Group.

Since its inception, the pages of Corriere have hosted some of Italy’s greatest writers and intellectuals, including philosopher Benedetto Croce, dramatist Luigi Pirandello, the poets Massimo Bontempelli and Gabriele D’Annunzio and the Nobel Prize-winning author Eugenio Montale. The cultural pages have featured contributions from film director Pier Paolo Pasolini, novelist Alberto Moravia and historian and novelist Umberto Eco, while the roll call of giants from the journalistic world includes Dino Buzzati, Indro Montanelli, Enzo Biagi and Giovanni Spadolini.

Corriere Della Sera's headquarters is in the Via
Solferino, a street in the Brera district of Milan

Travel tip:

Its cobbled streets, historic buildings and vibrant cultural scene and nightlife make the Brera district, home of Corriere della Sera’s headquarters in Via Solferino, a big draw for visitors to Milan. Often regarded as the artistic heart of the city, Brera's roots can be traced back to the Roman era, but it was during the Renaissance that it flourished, becoming a hub for artists and intellectuals. Today, it is home to the renowned Pinacoteca di Brera art gallery, which houses an extensive collection of Italian Renaissance masterpieces, and the Brera Academy of Fine Arts. Hidden behind the Palazzo Brera is the Orto Botanico di Brera, a botanical garden established in 1774. Located nearby is the Brera Astronomical Observatory, a centre for astronomical research and education since 1762.

Look for a Milan hotel with Expedia

The Castello Sforzesco in Milan, almost 600 years
old, is one of the city's important sights

Travel tip:

Not far from Via Paleocapa, where founding-editor Eugenio Torelli-Viollier lived, one the main sights in Milan is the impressive Sforza castle, Castello Sforzesco, built by Francesco Sforza, Duke of Milan, in 1450. After Ludovico Sforza became Duke in 1494, he commissioned Leonardo da Vinci to fresco several of the rooms. The castle was built on the site of the Castello di Porta Giovia, which had been the main residence in the city of the Visconti family, from which Francesco Sforza was descended. The Viscontis ruled Milan for 170 years. Renovated and enlarged a number of times in subsequent centuries, it became one of the largest citadels in Europe and now houses several museums and art collections.  The Cairo metro station is opposite the main entrance to Castello Sforzesco, which is about a 20 minute walk from Milan’s Duomo.

Check out Milan accommodation with Hotels.com

Also on this day:

1696: The birth of painter Giovanni Battista Tiepolo

1827: The death of scientist Alessandro Volta

1834: The birth of soprano Marietta Piccolomini

1922: The birth of actor, writer and film director Pier Paolo Pasolini

1943: The birth of singer-songwriter Lucio Battisti

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Fabrizio De André - singer-songwriter

‘Poet of music’ who spoke for the marginalised in society

Fabrizio De André's lyrics are studied by Italian
students as part of the school curriculum

The singer-songwriter Fabrizio De André, whose songs often celebrated the lives of the marginalised in Italian society and gained him a popularity that has already outlived him by a quarter of a century, died on this day in 1999 in the Città Studi district of Milan.

De André, who was a month short of his 59th birthday, had been diagnosed with lung cancer six months earlier, having been a heavy smoker for much of his adult life. After his death at the Istituto Nazionale dei Tumori, his body was returned to his native Genoa, where a crowd estimated at between 10,000 and 20,000 gathered for his funeral at the Basilica di Santa Maria Assunta in Carignano.

His impact on Italian culture has been such that streets, squares and schools in many towns and cities bear his name. A three-hour tribute to him broadcast on a relatively obscure Italian TV channel to mark the 10th anniversary of his death attracted an audience of almost eight million viewers, as many as tuned in to the new series of Grande Fratello - the Italian version of Big Brother - on a mainstream channel the following evening.

Nicknamed ‘Faber’ by his close friend, the writer and comic actor Paolo Villaggio, and known as ‘the songwriter of the marginalised’ and ‘the poet of the defeated’ as well as simply the ‘poet of music’, De André had a voice of warmth and depth but it was for his lyrics that he acquired a huge following.

De André drew inspiration from
the streets of his home city

Many of his songs told stories of outcasts and rebels or tackled subjects such as prostitution and homosexuality that others regarded as off-limits in a country where the Catholic Church still loomed large over public morality. He did not shy from criticising the church itself, which he felt was riddled with hypocrisy.

His lyrics are often included in school anthologies of modern poetry and he has attained the status of cult hero among some on the Italian political left, itself increasingly marginalised by the shift towards the centre and the right.

Although sometimes spoken of as Italy’s Bob Dylan, De André’s major influences were said to be Leonard Cohen, the Canadian singer-songwriter also renowned for deeply meaningful lyrics, and the French singer-songwriter and poet, Georges Bressens, to whom he was introduced when his father gave him some records as a teenager. It was Bressens who inspired De André to be a pacifist and a libertarian.

He was a jazz enthusiast in his youth, singing and playing the guitar at La Borsa di Arlecchino, a café-theatre located in the basement of the Palazzo della Borsa in Genoa. Always willing to experiment, he explored many types of music in his career, as well as singing in Genoese and Neapolitan dialects in addition to Italian.

Born into a relatively prosperous family in the Pegli district of Genoa in 1940, De André’s early life was inevitably shaped by the war into which Italy was led by Benito Mussolini’s alliance with Hitler and Nazi Germany.  His father, Giuseppe, who had made his money through his purchase of a technical institute in the city, was fervently anti-Fascist, which was part of his reason for taking the family to live in a farmhouse in his native Piemonte, both to avoid the attention of the authorities and to escape Allied bombing. They would not return to Genoa until 1945. 

The writer and comic actor Paolo Villaggio was
De André's close friend and supporter

It was not long before De André began to show both musical talent and a rebellious streak, at the age of eight paying off his violin teacher to let him skip lessons. Later, he would drop out of law school after receiving royalties from a song - La canzone di Marinella (Marinella’s song) - which he sold to Mina, Italy’s all-time biggest selling female star. Its lyrics, which told the story of a young orphan forced into prostitution, provided early evidence of De André’s fascination with the low-life characters populating Genoa's back streets.

He was still a student when he made his stage debut in February 1961, singing two songs as part of a programme of music in a theatre in Genoa. The two songs - Nuvole barocche (Baroque clouds) and E fu la notte (And it was night) were the A and B sides of his debut single, released in 1961.

Although it was 1975 before he could be persuaded to appear on stage in a solo concert, his career would ultimately stretch over four decades, during which he released 14 studio albums, a number of live albums, and numerous singles.  Songs such that established his status as a songwriter and singer of note included Amico fragile, written in stream-of-consciousness style about a drunken evening with friends; Crêuza de mä, a song in Genoese dialect about the tough lives of sailors and fishermen in Genoa; and La ballata del Michè, a song based on the true story of a southern Italian emigrant to Genoa who was sentenced to 20 years in jail after killing a man who had tried to seduce his girlfriend.

Some of his songs were based on his own life experience, not least his kidnapping in 1979, along with his partner, Dori Ghezzi, by bandits in Sardinia, where they lived. They were held for four months until his father paid a ransom, said to be one billion lire. Afterwards, De André wrote Hotel Supramonte, drawing the title from the mountains where he was imprisoned, in which he likened their captivity to the feeling of confinement in love. 

De André's career spanned
almost 40 years

At the trial of the men who seized him, he chose not to condemn his captors, saying that “they were the real prisoners, not I” and blaming the organised crime bosses who made the bandits do their dirty work for them.

Although considered a subversive by the Italian police, De André was never actively involved with politics. Indeed, when the student riots were taking place in 1968, he spent his time writing an album about Jesus, portraying Christ as a revolutionary hero fighting for freedom. Songs from the album are still played in churches, despite De André's lack of faith. 

His adoption by the left as a favourite son followed Silvio Berlusconi’s election victory in 2008, when he won a third term as prime minister, following the collapse of Romano Prodi’s centre left Olive Tree coalition.

Ironically, as they tried to make ends meet during the early 1960s, De Andre and Villaggio would sometimes take work as cruise ships musicians in the backing groups supporting Berlusconi, who was then a singer.

Married twice, to Enrica Rignon, known to him as Puny, and later to Ghezzi, he left two children, a son, Cristiano, from his first marriage, and a daughter, known as Luvi. After his death, he was laid to rest in the monumental Staglieno cemetery, in the De André family chapel.

Pegli is an affluent, mainly residential suburb
but has a lively seafront promenade

Travel tip:

Pegli, where Fabrizio De André was born, is a mainly residential area of Genoa but boasts a lively seafront promenade and a number of hotels. There are good links by road, rail and boat to the central area of Genoa. The port city of Genoa, the capital of the Liguria region, has a rich history as a powerful trading centre with considerable wealth built on its shipyards and steelworks, but also boasts many fine buildings, many of which have been restored to their original splendour.  The Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy.

The cloister at the main building of the University
of Milan, founded in 1924

Travel tip:

Città Studi, where De André was treated at the Istituto Nazionale dei Tumori, is Milan’s university district. It developed from 1915 onwards to the northeast of the city centre, although there are other buildings around the city that are now part of the University.  The streets of the Città Studi area are notable for bars, pizza restaurants and ice cream shops. The University of Milan was founded in 1924 from the merger of two other academic institutions. By 1928, it already had the fourth-highest number of enrolled students in Italy, after Naples, Rome and Padua. Colloquially referred to as La Statale, it is today one of the largest universities in Europe, with about 60,000 students, and a permanent teaching and research staff of about 2,000.

Also on this day:

1693: Earthquake in southeastern Sicily

1944: The death of Fascist politician Galeazzo Ciano

1975: The birth of the politician Matteo Renzi

1980: The birth of the Giannini sextuplets

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Giovanni Battista Pirelli - industrial entrepreneur

Founder of the giant Pirelli tyre company

Giovanni Battista Pirelli began
his company with 45 employees

Giovanni Battista Pirelli, who in 1872 founded a business making products in rubber that would in time became the sixth largest tyre producer in the world, was born on this day in 1848 in Varenna, a village on the shore of Lake Como about 85km (53 miles) north of Milan.

Launched in January 1872 as GB Pirelli & Co, the firm initially produced a range of goods involving rubber, which included drive belts and hoses, underwater electrical and telegraph cables, waterproof clothing and footwear.

It began to manufacture tyres, first for bicycles, in around 1890, followed by motor vehicles in 1901. Pirelli & Co SpA was listed on the Borsa Italiana, the Milan-based Italian stock exchange, in 1922. It was the first Italian company to be listed on the New York Stock Exchange in 1929.

A fervent supporter of the Risorgimento movement, Giovanni Battista Pirelli fought in The Third War of Italian Independence, signing up with the third regiment of Garibaldi's volunteers while still a student, helping the Kingdom of Italy’s forces defeat the Austrians at the Battle of Monte Suello near Brescia in July 1866.

The eighth of 10 children born to baker Santino Pirelli and housewife Rosa Riva, Giovanni attended schools in Varenna - then itself part of the Austrian Habsburg empire - and Como and he was able to pursue higher education in Milan despite his father dying when he was only eight years old.

The elongated 'P' of the Pirelli logo has been a feature
of the tyre company's advertising since 1906

After studying physics and mathematics at the University of Pavia, he entered the Higher Technical Institute in Milan (later Milan Polytechnic) in 1867. At first he studied civil engineering before opting for industrial engineering in his second year. His marks in acquiring a diploma of industrial engineering were so impressive he was granted one of the two 3,000-lire scholarships established by the Milanese noblewoman Teresa Berra Kramer.

This allowed him to embark on a tour of Europe with the aim of identifying and studying a new industry. His travel plans were often disrupted by the political turmoil in parts of Europe at the time but the tour was a success nonetheless; Pirelli came into contact with some of the foremost protagonists of European industrial development.  His first inclination was to become involved with textiles but after taking advice from his professor, the engineer Giuseppe Colombo, he identified the nascent elastic rubber industry as the one he wanted to pursue.

When he returned to Italy, after Colombo had helped him raise the capital to set up his company, Pirelli appointed Antoine Aimé Goulard, a contact he had made in France who understood the rubber industry, as his technical director, responsible for instructing Pirelli in the technical processes used for manufacturing items in elastic rubber and for training employees.

The first Pirelli factory in Milan opened for the
production of rubber products in June, 1873

The company’s first factory, near Porta Nuova in the northeastern quarter of Milan, began operations in June, 1873, with five office staff and 40 workers in a 1,000sqm plant. The first articles produced were pipes, belts, valves, and gaskets.  It was the first factory in Italy to produce rubber goods and one of the first in Europe.

Built alongside the Sevesetto stream, on more or less the site where the Pirelli Tower skyscraper stands today, the factory grew to employ more than 250 people in less than ten years.

Committed to the future prosperity of Milan, Pirelli became involved with local politics, joining the city council, where he remained from 1877 until 1889. He was concerned with the problems of the neighbourhood where he lived and where the factory was located. As a member of the city's Chamber of Commerce, he gained enough experience to become a driving force in a successful campaign to reform the tariff laws that were holding back the development of the company.  In 1909, King Victor Emmanuel III of Italy appointed Pirelli as a Senator of the Kingdom of Italy.

The company expanded rapidly from the 1880s after Pirelli began the industrial production of electrical conductors and underwater electric cables. Pirelli laid the first submarine telegraph cables in the Red Sea and the Mediterranean on behalf of the Italian government, and was engaged by the Spanish government to lay submarine cables between Spain, the Balearic Islands and Morocco. 

But it was Pirelli’s identifying the potential of tyre manufacturing that was to turn Pirelli & Co into an industrial giant. In 1891 it began the production of bicycle tyres and in 1901 tyres for cars and motorcycles. 

The Pirelli Family tomb in the
Monumental Cemetery in Milan

The company’s foreign expansion began with a subsidiary factory opened in Spain in 1902, shortly before Pirelli’s two sons, Piero and Alberto, joined the business. Factories were built in countries across Europe, in Great Britain, Turkey and the Americas. Eventually the Pirelli businesses at home and abroad employed more than 55,000 people. 

Pirelli adopted the famous elongated ‘P’ in the company logo in 1906, and began his company’s long and successful association with motor sport. The motor car race from Peking to Paris in 1906 was won on Pirelli tyres. Today, Pirelli is the exclusive tyre partner for the FIA Formula One World Championship and for the FIM World Superbike Championship.

More recently, the company was the primary sponsor of Inter-Milan football club between 1995 and 2021 and has sponsored other football teams in Europe and South America. 

Although it is 92 years since Giovanni Battista Pirelli died - he was laid to rest in the Monumental Cemetery of Milan - the company name lives on, albeit since 2015 under Chinese ownership. It employed 31,000 people at 19 facilities in 12 countries with a market capitalisation of $6.69 billion as of May, 2024. 

The Pirelli family tomb at the Monumental Cemetery is marked by a monument, the Edicola Pirelli, designed by the Milan architect Luca Beltrami.

The beautiful waterfront at the Lake Como
village of Varenna, Pirelli's birthplace

Travel tip:

Established by local fishermen in the eighth century, Varenna, where Pirelli was born, is an enchanting village nestled on the eastern shore of Lago di Como in northern Italy, located about 23km (14 miles) along the shore from the town of Lecco just opposite the peninsula of land where the lake divides into its Lago di Como and Lago di Lecco forks. Varenna offers stunning views of the lake and surrounding mountains, while the village is known for the vibrant, pastel-coloured houses that line the waterfront, and the narrow, steep streets leading away from the water. Historic sites include the 11th-century Chiesa di San Giovanni Battista and the beautiful Villa Monastero, which features well tended gardens and a museum. The Passeggiata degli Innamorati (Lovers' Walk) is a romantic lakeside promenade perfect for leisurely strolls.  Varenna hosts cultural events and festivals throughout the year, celebrating Italian traditions and arts.

The Pirelli Tower used to be
the tallest building in Italy

Travel tip:

In 1950, Alberto Pirelli, who had succeeded his father, Giovanni Battista Pirelli as president and owner of the Pirelli tyre company, commissioned the architect Gio Ponti to build a skyscraper in the area where the corporation's first factory was located in the 19th century. Ponti was assisted in the project by Pier Luigi Nervi and Arturo Danusso. Built between 1956 and 1958, it became a symbol not only of Milan, but also of the economic recovery of Italy after the devastation of World War II. At 127m (417 feet) and with 32 floors, it was initially the tallest building in Italy until the pinnacle of the Mole Antonelliana in Turin was restored in 1961. Characterized by curtain wall façades and tapered sides, it was among the first skyscrapers to abandon the customary block form and was hailed as one of the most elegant tall buildings in the world. In a career that spanned six decades, Ponti completed more than 100 architectural projects around the world, including 46 in Milan, his home city, but the Pirelli Tower is still his most famous. Pirelli sold the building to the Lombardy regional government in 1978. 

Also on this day:

1660: The birth of Saint Veronica Giuliani

1888: The birth of tenor Tito Schipa

1983: Pope John Paul II visits prison to forgive would-be assassin

1985: Terror attack at Rome’s Fiumicino Airport 

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Giuseppe Sarti – composer

Musician and teacher whose work inspired Mozart 

Giuseppe Sarti composed more than 50
operas in a career spanning half a century 

Giuseppe Sarti, who composed more than 50 operas and a large quantity of liturgical music, was baptised on this day in 1729 in Faenza, in what used to be the Papal States, but is now part of the region of Emilia-Romagna.

Also sometimes referred to as Il Domenichino, Sarti was playing the organ in Faenza by the time he was 13, but he then went to Bologna to study the organ and composition. He returned to Faenza to become organist at the cathedral and the director of the theatre there and began writing operas.

He was successful with his first opera, Pompeo in Armenia, which is believed to have been first performed in 1752. It was seen as establishing his musical capabilities while he was still in his early 20s.

After his second opera, Il re pastore, was well received in Venice in 1753, Sarti travelled to Copenhagen, where he was to spend the next 20 years. 

He worked in various jobs, including that of music director at the court of King Frederick V of Denmark, and he produced 30 operas in Italian and Danish at the Italian Opera there.

After he returned to Italy, Sarti became director of the Conservatorio dell’Ospedaletto in Venice in 1775. He moved to Milan in 1779, to become choirmaster of Milan Cathedral.

While he was there, he wrote many of his operas, which became increasingly popular, and a large amount of sacred music for the cathedral.  He also attracted many students, including the composer, Luigi Cherubini. 

Mozart (above) included an aria by
Sarti in his own opera, Don Giovanni

In 1784 he accepted an invitation to become court conductor in St Petersburg to Empress Catherine II of Russia, who became known as Catherine the Great. He took over the post in succession to the Neapolitan opera composer Giovanni Paisiello, who had served the Empress for eight years.

While he was in St Petersburg, Sarti established a music conservatory, investigated the laws of acoustics, and invented a device for calculating sound vibrations to determine pitch standards.

The Academy of Science in St Petersburg appointed Sarti as an honorary member because of his discoveries.

Among his most popular operas were Ciro riconosciuto (1754), Didone abbandonata (1762), Le gelosie villane (1776), Achille in Sciro (1779), Giulio Sabino (1781), Fra i due litiganti il terzo gode (1782), and Armida e Rinaldo (1786).

Sarti's opera, Fra I due litiganti il terzo gode, was admired by Mozart to the extent that he introduced an aria from it into the dinner scene of his opera, Don Giovanni. Mozart's opera, Le nozze di Figaro, is also thought to have been influenced by the same Sarti opera, which Mozart is believed to have heard in Vienna in 1784. 

Giuseppe Sarti died at the age of 73 in 1802 in Berlin, when he was on his way back from Russia to Italy.

Surviving manuscript copies of some of his works are now kept in an archive of musical works in the Municipal Library at Montecatini Terme in Tuscany.

Faenza's duomo, the Cattedrale di San Pietro
Apostolo, where Sarti wrote his earliest operas

Travel tip: 

Giuseppe Sarti’s baptism was registered on 1 December in Faenza and he was possibly born in the town on the same day. At that time, Faenza was part of the Papal States, an area of Italy that was under the direct rule of the Pope between 756 and 1850. It has now become part of the Emilia-Romagna region, and is about 50 kilometres south east of Bologna. The city is famous for the manufacture of a type of decorative majolica-ware known as faience. It is also home to the International Museum of Ceramics, which has examples of ceramics from ancient times, the Middle Ages and the 18th and 19th centuries, as well as displaying work by important contemporary artists. The museum is in Viale Baccarini in Faenza. For more information visit www.micfaenza.org.

Milan's imposing duomo, where Sarti
composed much of his sacred music

Travel tip:

Sarti was choirmaster at Milan Cathedral, which is also known as the Duomo of Milan, where he taught pupils, including Cherubini, and wrote many of his operas and pieces of sacred music. Milan’s duomo is the largest church in Italy and the fifth largest in the world. Construction of the impressive church began in 1386 using marble brought into the city along Milan’s Navigli canals. Although it was consecrated as a Cathedral in 1418, building work on the Duomo was not finally completed until the 19th century, when Napoleon arranged for the façade to be finished before his coronation was held there.

Also on this day:

1455: The death of sculptor Lorenzo Ghiberti

1958: The birth of athlete Alberto Cova

1964: The birth of footballer Salvatore Schillaci

2003: The death of bobsleigh champion Eugenio Monti

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Arnoldo Mondadori - publisher

Business launched with socialist newspaper became biggest in Italy

Arnoldo Mondadori (left) pictured with Georges 
Simenon, one of the authors of the early gialli

Arnoldo Mondadori, who at the age of 17 founded what would become Italy’s biggest publishing company, was born on this day in 1889 in Poggio Rusco, a small Lombardian town about 40km (25 miles) southeast of Mantua.

As the business grew, Mondadori published Italian editions of works by Winston Churchill, Thomas Mann and Ernest Hemingway among others, as well as by some of Italy’s own literary giants, including Gabriele D’Annunzio and Eugenio Montale.

Mondadori was the publisher of news magazines such as Epoca, Tempo and Panorama, launched the women’s magazine, Grazia, struck a deal with Walt Disney to publish children’s magazines, and introduced Italy to detective fiction with a series of crime mysteries called Gialli Mondadori, whose yellow (giallo) covers eventually led to gialli becoming a generic term in the Italian language, used not only to identify a detective novel but to describe unsolved mysteries in real life. 

His Oscar Mondadori paperback novels, sold on newsstands, made fiction accessible to much wider audiences than previously, while he set up the Club degli Editori as Italy’s first mail-order book club.

The third of six children born to Domenico Secondo, an itinerant shoemaker, and his wife, Ermenegilda, Arnoldo was forced to give up his formal education at a young age in order to contribute to the family’s income. 

The tradition of gialli crime novels
was started by Mondadori

After the family had moved to Ostiglia, on the banks of the Po river, Arnoldo had a series of jobs and became an active socialist. His publishing career began when he began working in a stationery shop, which gave him access to a printing press.

After teaching himself how to operate the machine, he began to publish a socialist newspaper called Luce.  He enjoyed his new working environment and with the aid of a benefactor was able to raise enough money to buy the shop and its press. 

Mondadori proved to be an astute businessman, soon recognising that handsome profits could be made by producing textbooks for Italy’s growing education system. In 1912 he launched the La Scolastica imprint with Aia Madama, a collection of folk tales assembled by his friend, Tomaso Monicelli, an Ostigliese scholar whose collaboration encouraged other noteworthy authors to sign up with Mondadori. 

The outbreak of World War One interrupted the growth of the company, although Mondadori struck on another profitable idea by publishing illustrated newspapers to entertain soldiers on the front line. 

After the end of hostilities, the business expanded rapidly, with new partners coming on board, bringing investment and resources that enabled Mondadori to move his headquarters to Milan, open a production centre in Verona and an administrative office in Rome. One such partner, a well-connected Milan industrialist called Senatore Borletti, enabled Mondadori to make valuable contacts inside the increasingly powerful Fascist party, which turned out to be vital when the Fascist government introduced strict controls in the education system.

It was Borletti who helped persuade D’Annunzio, the aristocratic writer, soldier and nationalist politician, to join Mondadori when he retired to his home on Lake Garda to devote his later years to writing poetry and plays.

Arnoldo Mondadori turned his business 
into Italy's biggest publishing company

In 1921, Mondadori acquired the rights to the popular Children’s Encyclopaedia but his ambitions were not limited to the education sector. Seeking to strengthen his relationship with the Fascist government, Mondadori commissioned Margherita Sarfatti, a well-known art critic, to write a biography of the Fascist leader, Benito Mussolini. Entitled Dux, it was a largely sympathetic work which met with the approval of the Duce himself and proved to be a best-seller.

This cosying up to the regime proved to be worthwhile when the decision was made in 1928 to require schools to teach from just one, state-sanctioned textbook. Soon, almost a third of these textbooks were being printed and distributed by Mondadori and in time he had a virtual monopoly.

Nonetheless, this shrinking of the market in school books required Mondadori to establish other business models.

Encouraged by Luigi Rusca, a translator and director of the company, who had seen the success of the genre in the United States, Mondadori moved into publishing crime fiction.  At first, it was foreign writers such as Raymond Chandler, Dashiell Hammett, Georges Simenon, Agatha Christie and Erle Stanley Gardner whose stories began to appear in Italian translation. Yet they were so successful, with 5,000 copies sold in the first month following the launch, that Italian writers began to take an interest in the genre and in 1931 the first truly Italian giallo - Alessandro Varaldo’s Il Sette Bello - was added to the series.

In 1935, the publishing house further diversified through an agreement with Walt Disney to publish children's magazines based on Disney comics characters, a deal which ran until 1988. Grazia magazine launched in 1938.

The present headquarters of Arnaldo Mondadore
Editore at Segrate, an eastern suburb of Milan

World War Two had severe consequences for the company, who had to move its headquarters to Verona after Milan was subjected to heavy allied bombing.  Mondadori and his family sought refuge in Switzerland.

After the war, the business shifted more and more towards magazine publishing, but books remained a large part of Mondadori’s success, particularly the Oscar Mondadori series, which was launched in 1965 with Hemingway’s A Farewell to Arms. In the same year, the number of people employed by the company, which stood at 335 in 1950, topped 3,000.

Arnoldo Mondadori died in 1971 at the age of 81, after which the control of the business passed to the younger of his two sons, Giorgio, who had been chairman at the time of his father’s death. Arnoldo was survived by his wife, Andreina.

Giorgio commissioned the Mondadori group’s impressive headquarters at Segrate on the outskirts of Milan but left the company in 1976 after his two sisters, Cristina and Mimma, merged their shares to acquire a controlling interest, putting Cristina’s husband, Mario Formenton, in charge.

Since 1991, Arnoldo Mondadori Editore has been controlled by Fininvest, the holding company established by the late Silvio Berlusconi. The former Italian prime minister’s daughter, Marina, has been chair since 2003.

The elegant parish church of Santissimo
Nome di Maria in Poggio Rusco

Travel tip:

Poggio Rusco, where Arnoldo Mondadori was born, is a town of around 6,500 inhabitants, to which visitors can experience the authentic culture and cuisine of the Oltrepò Mantovano area. Surrounded by fertile fields and canals, Poggio Rusco has an impressive 16th-century castle, an elegant parish church, and an ancient tower that overlooks the town. Local specialties include tortelli di zucca, the pumpkin-filled pasta, and salame mantovano, a typical cured meat. Poggio Rusco is well placed as a base from which to explore the nearby cities of Mantua, Verona, Ferrara, Bologna and Modena, which are all within an hour's drive.

The art nouveau Palazzina Mondadori in Ostiglia,
once the home of La Sociale print workshop

Travel tip:

Ostiglia, where Mondadori launched his business career in 1907, is a small town located along the ancient Via Claudia Augusta Padana, overlooking the Po River, in a strategic position once exploited by the Romans. The area around Ostiglia, which lies just under 35km (22 miles) southeast of Mantua, is popular with visitors for its network of nature trails, many of them in the Paludi di Ostiglia nature reserve, which is home to 175 bird species. There are also many cycle routes, including one that links Ostiglia with the city of Treviso in Veneto, which follows the path of the disused 120km (75 miles) Treviso-Ostiglia military railway line. The centre of Ostiglia is notable for its mediaeval towers and art nouveau houses, while the archaeological museum tells the town’s history from its days as the Roman trading post, Hostilia. The Roman historian Cornelius Nepote, who was born there, as was Ermanno, Marquis of Verona, who built the town’s castle. Mondadori's first printing house, La Sociale, can be visited as part of the art nouveau Palazzina Mondadori, which today houses Arnoldo Mondadori's personal and private library, consisting of about 1,000 volumes. The building is equipped with classrooms, multimedia and exhibition halls used to promote reading in conjunction with the Fondazione Mondadori.

Also on this day:

293: The death of San Giusto of Trieste

1418: The birth of builder and diarist Gaspare Nadi

1475: The death of condottiero Bartolomeo Colleoni

1893: The birth of car designer Battista ‘Pinin’ Farina

1906: The birth of film director Luchino Visconti

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