Showing posts with label Teatro alla Scala. Show all posts
Showing posts with label Teatro alla Scala. Show all posts

28 May 2024

The night Maria Callas made an audience weep

La Scala witnesses a stunning performance

Maria Callas's interpretation of Violetta was seen as the finest performance of her stage career
Maria Callas's interpretation of Violetta was
seen as the finest performance of her stage career
Maria Callas gave a stunning performance that has gone down in history as her greatest ever portrayal of Violetta in La traviata on this day in 1955 at Teatro alla Scala opera house in Milan.

After the opening night of the production on May 28, it was reported in the press that Callas had driven the audience into a frenzy with her wonderful singing and powerful acting as she played the part of Giuseppe Verdi’s doomed heroine, who was a beautiful courtesan.

The character of Violetta is considered by opera experts to be one of the three finest roles ever portrayed by Callas and it is ranked alongside her performances in Vincenzo Bellini’s Norma and Gaetano Donizetti’s Lucia di Lammermoor.  

The staging by director Luchino Visconti for the 1955 production of La traviata provided the perfect setting for Callas with its ornate décor and costumes.

The conductor, Carlo Maria Giulini, later confessed that he had wept in the orchestra pit as she had sung.

At the end members of the audience cried out Callas’s name, sobbed uncontrollably and showered the stage with red roses, which the tearful singer picked up as she took a solo bow.

Callas shone in Visconti's lavish Belle Époque stage settings
Callas shone in Visconti's lavish
Belle Époque stage settings
This gesture proved too much for tenor Giuseppe Di Stefano, who felt she was monopolising the attention of the audience. He stormed off the stage at the end of the performance and left the show for good that night.

Callas had moved the audience to tears in the scene where Violetta agrees to renounce Alfredo, the man she loves, to avoid spoiling the wedding prospects of his sister.

Sadly, Callas had only a few years of her career left ahead of her. After she left her husband for shipping magnate Aristotle Onassis in 1959, she hardly ever performed on stage again. Onassis subsequently left her to marry Jackie Kennedy and Callas died in 1977, aged just 53. 

Thankfully, her performance on that memorable night was recorded and the complete May 28 production can still be listened to on CD, MP3 and streaming platforms.

Verdi’s opera La traviata had premiered at La Fenice opera house in Venice about 100 years earlier. It was based on the 1852 novel by Alexander Dumas, La dame aux camelias.

La traviata means ‘fallen woman’ and refers to the main character, Violetta, who is a courtesan. The opera featured some of the most challenging and revered music in the entire soprano repertoire.

Milan's Teatro alla Scala, opened in 1778, is the most famous opera house in the world
Milan's Teatro alla Scala, opened in 1778, is the
most famous opera house in the world
Travel tip:

Teatro alla Scala in Milan is Italy’s most famous opera house and Maria Callas made her debut there in 1950 as Aida.  The theatre, known to Italians simply as La Scala, is the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The mediaeval Rocca Scaligera castle is the dominant feature of the Sirmione skyline
The mediaeval Rocca Scaligera castle is the
dominant feature of the Sirmione skyline
Travel tip:

Maria Callas spent some happy years living in Sirmione, a resort on Lake Garda in Italy, after she married her first husband, Giovanni Battista Meneghini, an Italian businessman.  Villa Callas, which is still privately owned today, looks the same as it did when it was first purchased by Meneghini in the 1950s as a holiday home for the couple. There is a plaque outside the villa recording the dates when Maria Callas lived there. Sirmione, the historic centre of which is on a peninsula that divides the southern part of Lake Garda, is known for its thermal baths and Rocca Scaligera, a mediaeval castle overlooking the lake. Visitors can look round a museum dedicated to the life and performances of Maria Callas. At the the tip of the peninsula is the archaeological site of Grotte di Catullo, which encompasses a Roman villa, a museum and olive trees. 

Also on this day:

1369: The bith of condottiero Muzio Attendolo Sforza

1606: Caravaggio attacks and kills a man in Rome

1692: The birth of opera composer Geminiano Giacomelli

1839: The birth of author and journalist Luigi Capuana

1987: The birth of cricketer Leandro Jayarajah

1999: Da Vinci’s Last Supper goes back on display in Milan after 20 years of restoration


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26 June 2023

Claudio Abbado – conductor

The distinguished career of a multi award-winning musician

Claudio Abbado had a long and successful career in music
Claudio Abbado had a long and
successful career in music
The internationally acclaimed orchestra conductor Claudio Abbado was born on this day in 1933 in Milan.

Abbado was musical director at Teatro alla Scala, the opera house in his native city, from 1972 to 1980 and remained affiliated to the theatre until 1986. He was the principal conductor of the Vienna Philharmonic and the London Symphony Orchestra and was appointed director of the Vienna State Opera and the Berlin Philharmonic.

Born into a musical family, Abbado studied the piano with his father, Michelangelo Abbado from being eight years old. His father was a professional violinist and a professor at the Giuseppe Verdi Conservatory in Milan. His mother, Maria Carmela Savagnone, was a pianist and his brother, Marcello, became a concert pianist, a composer, and a teacher.

The Nazis occupied Milan during his childhood and his mother spent time in prison for harbouring a Jewish child. Abbado grew up to have anti-fascist political beliefs.

Abbado studied piano, composition and conducting at the Milan Conservatory. After deciding to be a conductor, he went to study in Vienna, winning the Koussevitsky prize in 1958 and the Metropolitan Prize in 1963. He made his conducting debut in Trieste in 1958 and his conducting debut at La Scala in 1960.

After being engaged by the New York Philharmonic, he began a successful international career. He was principal guest conductor of the Chicago Symphony Orchestra, founder and director of Lucerne Festival Orchestra, founder and director of Mahler Chamber Orchestra, founding Artistic Director of Orchestra Mozart, and music director of European Youth Orchestra

Claudio Abbado made his conducting debut in Trieste in 1958 at the age of 25
Claudio Abbado made his conducting debut in
Trieste in 1958 at the age of 25

While serving as musical director of La Scala, Abbado was credited with broadening the repertoire of the theatre and lifting standards. He also introduced inexpensive performances for students and working people. Experts praised him for his attention to detail and his robust rhythmic grasp. He was particularly strong on German and Italian 20th century operatic traditions.  

Abbado had a son and daughter from his first marriage, a son from his second marriage, and a son as a result of his four-year relationship with the Russian-born British violinist Viktoria Mullova.

In 2013, Italian President Giorgio Napolitano appointed Abbado to the Italian Senate as a Senator for life.

One of the leading conductors of his generation, Abbado died in Bologna in 2014 at the age of 80. As a tribute to him, La Scala’s orchestra, conducted by Daniel Barenboim, performed the slow movement of Beethoven’s Symphony No 3 to an empty theatre, with the performance relayed to a crowd in the square in front of the opera house and live streamed via La Scala’s website.

The Teatro alla Scala in Milan was originally built almost 250 years ago
The Teatro alla Scala in Milan was originally
built almost 250 years ago
Travel tip:

Milan’s Teatro alla Scala, known to Italians simply as La Scala, has become the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The Teatro Massimo in Palermo had been dark for 23 years when it was reopened in 1997
The Teatro Massimo in Palermo had been dark
for 23 years when it was reopened in 1997
Travel tip:

Palermo’s Teatro Massimo became a symbol of Italy’s fight back against the Mafia when Claudio Abbado conducted the Berlin Philharmonic in a concert there in 1997. The largest opera house in Italy, the Teatro Massimo had been closed for supposedly minor refurbishments in 1974, but with the Mafia controlling local government, no money was made available for the work. However, after the murder of Giovanni Falcone, the city turned against the Mafia and maestro Abbado was invited to conduct there at its grand reopening after the theatre had been dark for 23 years.

Also on this day:

1906: The birth of singer and actor Alberto Rabagliati

1944: British bombers attack San Marino

1968: The birth of footballer Paolo Maldini


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20 August 2021

Carla Fracci – ballerina

Brilliant Romantic dancer brought ballet to the people

Fracci performed at most of the world's top ballet theatres
Fracci performed at most of the
world's top ballet theatres 
Destined to become one of the greatest ballerinas of the 20th century, Carolina ‘Carla’ Fracci was born on this day in 1936 in Milan.

Carla became a leading dancer of the La Scala Theatre Ballet in her home town and then worked with the Royal Ballet in London, Stuttgart Ballet, Royal Swedish Ballet and American Ballet Theatre, becoming known for her interpretations of leading characters in Romantic ballets such as Giselle, Swan Lake and Romeo and Juliet.

As a small child during World War Two, she had been sent to live with relatives in the countryside, but after the war ended, she returned to Milan and her mother took her and her sister to sit the La Scala Theatre ballet school entrance exam.

She has said of her early days at the school that she found it boring and a terrible chore, but after performing alongside Margot Fonteyn in The Sleeping Beauty when she was 12, Carla changed her mind about ballet training and started working hard to make up for lost time.

After joining La Scala Theatre Ballet on graduating, Carla was promoted to a soloist within a year. In 1958 she was asked to fill in for the French ballerina, Violette Verdy, in Cinderella, which led to her being promoted to the role of principal dancer with the company.

A picture of Fracci early in her career at La Scala Theatre Ballet
A picture of Fracci early in her
career at La Scala Theatre Ballet
Carla left La Scala Theatre Ballet to pursue a career a freelance ballet dancer and  she performed with star partners such as Mikhail Baryshnikov and Rudolf Nureyev.

In 1964, Carla married theatre director Beppe Menegatti and they later had a son, Francesco.

In the late 1980s, Carla began directing ballet companies in Italy. She also helped bring ballet to the people with an open-air performance in Paestum and ballet displays in public squares and schools.

Carla played a vital role in securing a stronger appreciation of ballet in Italy than it had had in the first of the century. The Italian Government acknowledged her achievements with honours in 1983, 2000 and 2003.

After Carla retired from ballet, the family made their home in Florence. Carla died on 27 May this year (2021) in Milan from cancer. She was 84 years of age.

The classically designed Teatro alla Scala in Milan, better known simply as La Scala
The classically designed Teatro alla Scala in
Milan, better known simply as La Scala
Travel tip:

Milan’s famous Teatro alla Scala, the ballet and opera house of world renown, was founded after a fire in 1776 destroyed the Teatro Regio Ducale, which until then had been the home of opera in Milan. The cost of the new theatre, built on the former location of the church of Santa Maria alla Scala to a design by the great neoclassical architect Giuseppe Piermarini, was borne by the owners of the boxes at the Ducale, in exchange for possession of the land and for renewed ownership of their boxes. The theatre, inaugurated on August 3, 1778 with a production of Antonio Salieri's opera L'Europa riconosciuta, was originally known as the Nuovo Regio Ducale Teatro alla Scala, which was in time shortened to Teatro alla Scala and ultimately to La Scala, by which it is usually known today.  

The second Temple of Hera at Paestum, built around 2,500 years ago
The second Temple of Hera at Paestum,
built around 2,500 years ago


Travel tip:

Paestum, where Fracci gave an open-air performance, is situated on the coast of Campania about 40km (25 miles) south of Salerno and 10km (six miles) north of Agropoli. It is best known for the extraordinary archaeological site a mile inland that contains three of the best preserved Greek temples in the world, which were once part of the town of Poseidonia - built by Greek colonists from Sybaris, an earlier Greek city in southern Italy, in around 600BC.  The relics cover a large area and takes as much as two hours to explore, but there are several bars close by and a hotel and restaurant just outside the site.

Also on this day:

1561: The birth of court musician Jacopo Peri

1799: The death by hanging of republican noblewoman Eleonora Fonseca Pimentel 

1937: The birth of Stelvio Cipriani, award-winning composer of film scores


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9 March 2020

Nabucco premieres in Milan

Verdi opera that became a symbol of the Risorgimento


The bill advertising the first staging of Nabucco at La Scala in Milan
The bill advertising the first staging
of Nabucco at La Scala in Milan
The opera Nabucco, with music by Giuseppe Verdi and a libretto by Temistocle Solera, was first performed on this day in 1842 at Teatro alla Scala in Milan.

The opera contains the famous chorus Va, pensiero, a lament for a lost homeland that many Italians now regard as their unofficial national anthem.

The opera and Verdi himself have become synonymous with the Risorgimento, the period in the 19th century when people worked to free the Italian states of foreign domination and unite them under the leadership of Victor Emmanuel, the King of Sardinia and Duke of Savoy.

It is said that during the last years of the Austrian occupation of Lombardia and the Veneto, for example, that Italian patriots adopted Viva Verdi as a slogan and rallying call, using the composer’s name as an acronym for 'Vittorio Emanuele Re d’Italia' - 'Victor Emmanuel, King of Italy'.

On the day of the composer’s funeral in Milan in 1901, a crowd of 300,000 people filled the streets and sang Va, pensiero, conducted by Arturo Toscanini, a moving event that showed how Verdi’s music had helped unite the Italian nation.

But Verdi nearly didn’t take up the offer to compose the music for Nabucco.

Verdi took up the offer to write the  music for Nabucco with reluctance
Verdi took up the offer to write the
music for Nabucco with reluctance
After a terrible two-year period, during which his young wife and two children had all died as a result of illnesses, Verdi had vowed never to compose music again.

During a chance meeting with Bartolomeo Merelli, La Scala’s impresario, Verdi was given a copy of Solera’s libretto, which had been rejected by another composer.

Verdi later recalled in his memoirs how he took the libretto home, threw it on the table with a violent gesture and it opened up in front of him. Verdi’‘s eye fell on the phrase, ‘Va, pensiero, sull’ali dorate’  - 'Fly, thought, on golden wings'.

He tried to ignore the libretto but eventually found himself sitting at the piano and setting the words to music.

It is claimed he was still reluctant about working on the score and tried to take the manuscript back to Merelli, but the impresario stuffed the libretto back in Verdi’s pocket, threw him out of his office and locked the door.

Verdi went home and continued to work on the music and by the autumn of 1841 the opera was complete.

The opening performance at La Scala on 9 March 1842 was an immediate success, establishing Verdi as a major composer. The opera is still regularly performed all over the world today.

Verdi's future wife, Giuseppina Strepponi, was a member of the original cast
Verdi's future wife, Giuseppina Strepponi,
was a member of the original cast
The original cast included the soprano Giuseppina Strepponi, who would later become Verdi's second wife.

Nabucco is named after King Nebuchadnezzar, who featured in the books of Jeremiah and Daniel in the Bible, and the opera follows the plight of the Jews he conquered and exiled. The chorus Va, pensiero - also known as the 'Chorus of the Hebrew Slaves' - captured the feeling of national pride among Italians at the time who were still living under Austrian domination.

In 1981 a journalist proposed replacing Italy’s official national anthem with Va, persiero. This never happened, but the political party Lega Nord - now La Lega - adopted it as its official hymn and the chorus is now sung at all party meetings.

In 2011, after conducting Va, pensiero at the Teatro dell’Opera in Rome, the conductor Riccardo Muti made a speech protesting about cuts in Italy’s arts budget and then invited the audience to sing along in support of culture and patriotism.

Milan's Teatro alla Scala, one of the world's most prestigious opera houses, is right in the centre of the city
Milan's Teatro alla Scala, one of the world's most prestigious
opera houses, is right in the centre of the city
Travel tip:

Teatro alla Scala is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants which was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.


Rome's Teatro dell'Opera, rebuilt in the 1920s by the architect Marcello Piacentini, seats 1600 spectators
Rome's Teatro dell'Opera, rebuilt in the 1920s by the
architect Marcello Piacentini, seats 1600 spectators
Travel tip:

The Teatro dell’Opera in Rome, where conductor Riccardo Muti invited the audience to join in the chorus Va, pensiero in 2011, is a 1600-seat opera house in Piazza Beniamino Gigli. It was originally opened in 1880 as the Costanzi Theatre and has undergone several changes of name and many improvements over the years.

17 November 2019

Premiere of Verdi’s first opera

Oberto, Conte di San Bonifacio performed at La Scala


The title page of the libretto for the opera's debut season in Milan
The title page of the libretto for the
opera's debut staging in Milan
Giuseppe Verdi’s first opera to be performed made its debut at Teatro alla Scala in Milan on this day in 1839.

Oberto, Conte di San Bonifacio, which Verdi had written over a period of four years, is an opera in two acts. It is thought to have been based on an existing libretto by Antonio Piazza, reworked as a new libretto by Temistocle Solera, an Italian novelist.

Piazza’s libretto had been given to Verdi by Pietro Massini, director of the Società Filarmonica, a choral group to whom he had been introduced by Vincenzo Lavigna, the maestro concertatore at La Scala, of whom Verdi was a private pupil.

It was given the title of Rocester and Verdi was keen to see it produced in Parma, at the opera theatre nearest to his home town of Busseto, where he held the post of maestro di musica of the municipal orchestra

However, Parma said they had no interest in staging new works and instead an approach was made to Milan. Whether Rocester actually became the basis for Oberto is subject to some disagreement among academics.

Verdi is said to have been invited to meet the La Scala impresario, Bartolomeo Merelli, who had been given good reports of Oberto’s musical quality and offered to put it on during the 1839 season. It was received well enough on its premiere to be given another 13 additional performances.  Merelli was impressed enough to commission Verdi to write three more operas.

Ignazio Marini was the first to perform the role of Oberto
Ignazio Marini was the first
to perform the role of Oberto
The first of those, Un giorno di regno, a comedy, was a flop, being pulled after only one night. While he was writing it, Verdi’s wife, Margherita, had died of encephalitis, aged only 26, leaving him heartbroken. At one point, it is claimed he vowed never to compose another work, but was persuaded to continue.  In the event, his third opera, originally titled Nabucodonosor and later renamed as Nabucco, was a triumph, setting him on the road to musical immortality.

The action in Oberto, Conte di San Bonifacio, is set in Bassano del Grappa, in the Veneto region of northern Italy, at and around Ezzelino da Romano's castle.

Following a battle fought between Oberto, Count of San Boniface, and the Salinguerra, led by Ezzelino da Romano, the vanquished Oberto retreats to Mantua.

Meanwhile, his daughter Leonora has been seduced and abandoned by Riccardo, Count of Salinguerra, and Riccardo is about to marry Cuniza, Ezzelino's sister. Leonora makes her way to Bassano on Riccardo's wedding day, intent on confronting him.

The opening night cast, under the direction of conductor Eugenio Cavallini, featured the bass Ignazio Marini in the role of Oberto, with soprano Antonietta Marini-Rainieri as Leonora, the English mezzo-soprano Mary Shaw as Cuniza, mezzo-soprano Marietta Sacchi as Cuniza’s confidante, Imelda, and tenor Lorenzo Salvi in the role of Riccardo.

The opera is only occasionally performed today, although in celebration of the Verdi bicentennial, it was staged by La Scala in April/May 2013.

Bassano del Grappa is famous for Andrea Palladio's timber  bridge over the Brenta river, built between 1124 and 1209
Bassano del Grappa is famous for Andrea Palladio's timber
bridge over the Brenta river, built between 1124 and 1209
Travel tip:

Bassano del Grappa, where Oberto is set, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.





The church of San Michele Arcangelo in Busseto, where Giuseppe Verdi played the organ as a young man
The church of San Michele Arcangelo in Busseto, where
Giuseppe Verdi played the organ as a young man
Travel tip:

Busseto is a town in the province of Parma, about 40km (25 miles) from the city of Parma. Verdi was born in the nearby village of Le Roncole but moved to Busseto in 1824. The area has plenty to offer Verdi fans, who can visit the house where he was born, in 1813, in Le Roncole, the churches of Santa Maria degli Angeli and San Michele Arcangelo, where he played the organ, the Palazzo Orlandi and the Villa Verdi, two of his homes, the Teatro Giuseppe Verdi, which was named in his honour, and the Casa Barezzi, the home of his patron, Antonio Barezzi, which now houses a permanent exhibition of objects and documents related to Verdi and the Barezzi family.



9 May 2019

Carlo Maria Giulini - conductor

Boy violinist who became a maestro of the baton


Giulini conducted some of the world's  great orchestras in a long career
Giulini conducted some of the world's
great orchestras in a long career
Carlo Maria Giulini, who conducted many of the world’s great orchestras in a career spanning 54 years, was born on this day in 1914 in Barletta, a town on the Adriatic coast 66km (41 miles) north of the port city of Bari.

Appointed musical director of Teatro alla Scala in Milan in 1953, he went on to become one of the most celebrated conductors of orchestral performances, developing long associations with the Chicago Symphony Orchestra and the Philharmonia of London in particular, as well as the orchestra of the Royal Opera House, Covent Garden, the Vienna Symphony Orchestra and the Los Angeles Philharmonic.

He became renowned for projecting serene authority from the podium, as well as his selfless devotion to the score. A handsome man who was always impeccably tailored, he had a magisterial presence. Initially most recognised for the breadth and detail he brought to the operas of Verdi and Mozart, he eventually became as well known for his orchestral repertoire.

Carlo Maria Giulini was born to a Neapolitan mother and a father from Lombardy. Although born in the south of Italy, he was raised in Bolzano, which was part of Austria until 1915. For Christmas in 1919, when he was five, Giulini was given a violin and he progressed rapidly thanks to local instructors, notably a pharmacist who was also a violinist, whom he nicknamed Brahms.

Giulini with his wife Marcella de Girolami, to whom he was married for more than half a century
Giulini with his wife Marcella de Girolami, to whom
he was married for more than half a century
When the distinguished Italian violinist and composer Remy Principe gave a recital in Bolzano in 1928, he invited Giulini to study with him at Italy's foremost conservatory, the Accademia Nazionale di Santa Cecilia in Rome. He soon won a place in the academy’s prestigious orchestra.

He played under such giants of conducting as Bruno Walter, Wilhelm Furtwängler, Richard Strauss, Igor Stravinsky, and Otto Klemperer. Giulini’s first public performance was the Brahms Symphony No. 1 under Walter.

In 1940, Giulini won a competition with the prize of a chance to conduct the St. Cecilia orchestra. However, before the concert took place at which he was due to conduct, he was drafted into the Italian army and sent to the front in Croatia, in spite of being unequivocally opposed to Benito Mussolini and a committed pacifist. He refused to fire his gun at human targets.

In 1942, on a 30-day break in Rome, he married Marcella de Girolami, his girlfriend since 1938. They would remain together until her death 53 years later.

Giulini began his career mainly conducting opera, first for the Rai radio orchestra
Giulini began his career mainly conducting
opera, first for the Rai radio orchestra 
In September 1943, the Armistice between Italy and Allied armed forces was signed, but the occupying Nazis refused to abandon Rome. When Giulini's Italian commander ordered his troops to fight on, Giulini went into hiding, living for nine months in a tunnel underneath a home owned by his wife's uncle, along with two friends and a Jewish family. There were posters around Rome showing his face with instructions that he be shot on sight.

After the Allies liberated Rome in June 1944, Giulini - one of the few conductors not tainted by associations with Fascism - was chosen to lead the Accademia's first post-Fascist concert, held in July 1944. On the programme was the Brahms Symphony No. 4, which would become almost his signature work, one that he conducted 180 times over the course of his career.

In 1948, Giulini conducted his first opera, a production of Verdi’s La Traviata for Italian radio, before conducting his first theatre production of the same opera in Bergamo in 1950.

After hearing Giulini’s radio broadcast of Debussy's La mer, the great conductor Arturo Toscanini asked to meet Giulini and recommended him to be musical director at La Scala. He took up the post in 1953, although in the event he resigned after members of the audience jeered Maria Callas during a run of operas in 1956.

In 1958, Giulini conducted a highly acclaimed production of Verdi's Don Carlos at the Royal Opera House in London - directed by Luchino Visconti - and although he returned to Covent Garden several more times, and to other venues in Europe, he became so disillusioned with some of the modern visual interpretations of classic works that he effectively quit opera in 1965 to concentrate on orchestral works. Even the Metropolitan Opera in New York could not persuade him to change his mind.

Giulini, who worked into his 80s, had a long association with the Chicago Symphony Orchestra
Giulini, who worked into his 80s, had a long association
with the Chicago Symphony Orchestra
In 1955 he made his American debut with the Chicago Symphony Orchestra, leading to a 23-year association with the orchestra, of which he was principal guest conductor from 1969 to 1972 and continued to appear with them regularly until 1978. In 1956, he began his association with the Philharmonia of London.

In addition to his role in Chicago, he was music director of the Vienna Symphony from 1973 to 1976. From 1978 to 1984, he served as principal conductor and music director of the Los Angeles Philharmonic, launching his tenure there with performances of Beethoven's 9th Symphony.

In addition to being in great demand as a guest conductor of major orchestras around the world, Giulini made numerous recordings with the Philharmonia in London.

Two Mozart recordings, Don Giovanni and Le Nozze Di Figaro, brilliantly produced by Walter Legge, were recalled as exceptional. The recordings that followed during the early 1960s reflected a London concert repertory that included music by Schubert, Brahms, Dvorak, Tchaikovsky, Debussy and Ravel, as well as brilliant Rossini overtures and memorable performances of the Verdi Requiem.

Giulini often said that he found the public role of being a conductor uncomfortable and that ideally he would prefer to do no publicity at all. Yet he had an eccentric side that appeared to enjoy fame, to the extent that during his time in Los Angeles he would sometimes be spotted driving around in an open-top Mercedes, wearing sunglasses, a flowing scarf and a large hat that could scarcely fail to get him noticed.

His later years in America were marred somewhat by the ill health and eventual death of his wife in 1995, not long after which, in 1998, he announced his retirement, returning to Italy and living in the area around Brescia in Lombardy, where he died in 2005 at the age of 91.

The city of Bolzano is set against a backdrop of  stunning Alpine views
The city of Bolzano is set against a backdrop of
 stunning Alpine views
Travel tip:

Bolzano, where Giulini grew up, is a city in the South Tyrol province of northern Italy, also known as Alto Adige. It is in a valley amid hilly vineyards. A gateway to the Dolomites mountain range in the Italian Alps, it has a medieval city centre, where can be found wooden market stalls are laid out with Alpine cheese, ham and dark, seeded loaves. Bolzano us the home of the South Tyrol Museum of Archaeology, which features a Neolithic mummy called Ötzi the Iceman. Nearby is the imposing 13th-century Mareccio Castle, and the Duomo di Bolzano with its Romanesque and Gothic architecture.

The beautiful 14th century Basilica di Santa Maria Maggiore in Barletta
The beautiful 14th century Basilica di Santa
Maria Maggiore in Barletta
Travel tip:

Giulini’s home town of Barletta is a working port with modern suburbs and an attractive historic centre, where one of the most famous sights is an ancient bronze 'Colossus', thought to be the oldest surviving bronze Roman statue. The identity of the figure the statue represents is not clear but one theory is that it is the Byzantine Emperor Marcian and that the statue’s original home was in Constantinople.  Barletta has a beautiful 12th century cathedral, renovated in the 14th century, the Basilica of Santa Maria Maggiore.

More reading:

How a chance opportunity changed conductor Arturo Toscanini's life

The life of the passionate maestro Riccardo Muti

Why Luchino Visconti was known as the aristocrat of Italian cinema

Also on this day:

1740: The birth of composer Giovanni Paisello

1946: Italy's King Victor Emmanuel III abdicates

2013: The death of fashion designer Ottavio Missoni


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4 April 2019

Niccolò Antonio Zingarelli - composer

Neapolitan who snubbed Napoleon wrote 37 operas


Niccolò Zingarelli was one of the most  successful composers of his time
Niccolò Zingarelli was one of the most
successful composers of his time
The composer Niccolò Antonio Zingarelli, who wrote 37 mainly comic operas and more than 500 pieces of sacred music, was born on this day in 1752 in Naples.

His success made him one of the principal composers of opera and religious music of his time. At various points in his career, he was maestro di cappella - music director - at Milan Cathedral, choir master at the Sistine Chapel and director of the Naples Conservatory.

Many of Zingarelli’s operas were written for Teatro alla Scala in Milan. Early in his career he worked in Paris, which held him in good stead later when he was arrested after refusing to conduct a hymn for the newly-born son of the Emperor Napoleon, who at the time was the self-proclaimed King of Italy.

Sometimes known as Nicola, the young Zingarelli studied from the age of seven at the Conservatorio di Santa Maria di Loreto, which was the original conservatory of Naples, dating back to 1537. He was tutored by Fedele Fenaroli, whose pupils also included Domenico Cimarosa and, later, Giuseppe Verdi, and also by Alessandro Speranza.

As a young man, Zingarelli earned a living as a violinist, while also composing. His first opera, Montezuma, was successfully produced at Teatro di San Carlo in Naples in 1781. Four years later Alsinda was staged at La Scala, the first of a series of his operas produced there until 1803.

Zingarelli refused to conduct a service for Napoleon's new son at the Sistine Chapel
Zingarelli refused to conduct a service for
Napoleon's new son at the Sistine Chapel
In 1789, he was invited to Paris to compose Antigone to a libretto by Jean-François Marmontel for the Opéra. He might have stayed longer in Paris had the French Revolution not driven him to Switzerland.

From there he returned to Milan, where in 1793 he became music director at the Duomo.

A year later, Zingarelli moved again, to take up the post of maestro di cappella at the Basilica della Santa Casa in Loreto, in Marche, an important and prestigious position at the time. He stayed there for 10 years, composing a large number of sacred works, at the same time continuing to write operas for La Scala and other theatres.

When he left Loreto, it was to become music director and choir master at the Sistine Chapel in Rome, where he composed cantatas on poems by Torquato Tasso and Dante.

It was in Rome that he wrote Berenice (1811), an opera that achieved great popularity, although two operas he composed for La Scala, Il mercato di Monfregoso (1792), based on a play by Carlo Goldoni, and Giulietta e Romeo (1796), inspired by William Shakespeare’s play, are said to be his finest work.

It was in 1811 that he was asked to conduct a Te Deum - a short religious service, held to bless an event or give thanks, which is based on the Latin hymn of the same name - for Napoleon, to celebrate the emperor’s new-born son.  As an Italian patriot, however, he felt he could not and, as a consequence of his public refusal, was arrested.

As it happened, though, Napoleon was a fan of his music and not only allowed Zingarelli to go free, he also awarded him a state pension.

In 1813, he left Rome to return to Naples, where he became director of the Conservatorio di San Sebastiano, before moving to the current site, the Conservatorio di San Pietro a Majella, in 1826. By then, he had also replaced Giovanni Paisiello as choir master of Naples Cathedral, a position he held until his death, in 1837, in Torre del Greco, just along the coast.

The huge Basilica della Santa Casa sits at the highest point of Loreto and therefore dominates the skyline
The huge Basilica della Santa Casa sits at the highest point
of Loreto and therefore dominates the skyline
Travel tip:

The hill town of Loreto, about 5km (3 miles) inland from the Adriatic coast about 25km (16 miles) south of Ancona and a similar distance north of Civitanova Marche, is easily identified from a distance away by the dome of the basilica, which stands taller than anything else in the area. The Basilica della Santa Casa takes its name from the rustic stone cottage that once occupied its site - and indeed is preserved inside the structure of the cathedral - which was said to be the place of refuge to which angels brought the Madonna as a safe haven after the Saracens who had invaded the Holy Land. The beautiful basilica itself is a late Gothic structure upon which Giuliano da Maiano, Giuliano da Sangallo and Donato Bramante all worked at different times. Inside, there are artworks by Luca Signorelli and Lorenzo Lotto, who died there in 1556.

Torre del Greco was once a thriving upmarket seaside resort, as depicted in this late 19th century postcard
Torre del Greco was once a thriving upmarket seaside
resort, as depicted in this late 19th century postcard
Travel tip:

Torre del Greco was once part of Magna Graecia – Great Greece – in the eighth and seventh centuries BC but its name is thought to originated in the 11th century AD when a Greek hermit was said to have occupied an eight-sided coastal watch tower called Turris Octava. From the 16th century it became popular with wealthy families and even Italian nobility, who built elaborate summer palaces there. The area is largely run down these days but in the 19th century and early 20th century Torre del Greco enjoyed its peak years as a resort to which wealthy Italians flocked, both to enjoy the sea air and as a point from which to scale Vesuvius via a funicular railway. A thriving café scene developed, and the art nouveau Gran Caffè Palumbo became famous across the country.  Since the 17th century it has been a major producer of coral jewellery.

More reading:

Why Carlo Goldoni is seen as the greatest Venetian dramatist

The story of the troubled Renaissance poet Torquato Tasso

How Domenico Cimarosa developed the model for comic opera

Also on this day:

1951: The birth of singer-songwriter Francesco De Gregori

1960: The birth of businesswoman Daniela Riccardi

1963: The birth of politician and journalist Irene Pivetti


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15 March 2019

Cesare Beccaria - jurist and criminologist

Enlightened philosopher seen as father of criminal justice


Cesare Beccaria became part of the literary  circle in 18th century Milan
Cesare Beccaria became part of the literary
circle in 18th century Milan
The jurist and philosopher Cesare Beccaria, who is regarded as one of the greatest thinkers of the so-called Age of Enlightenment in the 18th century, and whose writings had a profound influence on justice systems all over the world, was born on this day in 1738 in Milan.

As the author of a treatise On Crimes and Punishments (1764), which was a ground-breaking work in the field of criminal law and the approach to punishing offenders, Beccaria is considered by many academics to be the father of criminal justice.

The treatise, which Beccaria compiled when he was only 26 years old, condemned the death penalty on the grounds that the state does not possess the right to take lives and declared torture to be a barbaric practice with no place in a civilised, measured society.

It outlined five principles for an effective system of criminal justice: that punishment should have had a preventive deterrent function as opposed to being retributive; that punishment should be proportionate to the crime committed; that the probability of punishment should be seen as a more effective deterrent than its severity; that the procedures of criminal convictions should be public; and that to be effective, punishment needed to be prompt.

The reception for his ideas was such that Beccaria, who was somewhat reserved in character, became an international celebrity. He was celebrated in particular in France, where On Crimes and Punishment was published in French in 1766 and was reprinted seven times in six months. English, German, Polish, Spanish, and Dutch translations followed and an American edition was published in 1777.

Beccaria was born in this palace in the Via Brera in central Milan
Beccaria was born in this palace in
the Via Brera in central Milan
Although in many countries the death penalty was not abolished until the late 20th century and is still practised in some parts of the world, in other aspects Beccaria’s treatise exerted significant influence on criminal-law reform throughout western Europe, as well as in Russia, Sweden and the former Habsburg Empire. It also informed legislation in several American states. Founding fathers Thomas Jefferson and John Adams were among those who endorsed his work.

Beccaria was brought up in Milan’s 18th century aristocracy. His father was the Marchese Gian Beccaria Bonesana. They lived in a palace in After attending the Jesuit college at Parma, Beccaria graduated in law from the University of Pavia in 1758.

His primary field of interest was mathematics and economics but he was encouraged by friends to join a literary society, through which be became acquainted with many French and British political philosophers. Much of its discussion focused on reforming the criminal justice system and Beccaria was particularly influenced by the French political philosopher Montesquieu, whose principal work was The Spirit of Laws. 

Nothing Beccaria achieved subsequently came close to the importance of On Crimes and Punishment, although he was to become a prominent economist. In 1768 he accepted the chair in public economy and commerce at the Palatine School in Milan, where his lectures formed the basis of another seminal work, published posthumously under the title Elementi di economia pubblica - Elements of Public Economy - in which he discussed ideas about the division of labour and the relations between food supply and population long before they became common currency.

Giuseppe Grandi's statue of Cesare Beccaria in Piazza Beccaria in Milan
Giuseppe Grandi's statue of Cesare
Beccaria in Piazza Beccaria in Milan
In 1771 he was appointed to the Supreme Economic Council of Milan, where he concerned himself with measures such as monetary reform, labour relations, and public education. A report written by Beccaria is said to have influenced the adoption of the metric system in France.

In his later years, Beccaria was distracted by health and family matters, including property disputes with his two brothers and sister. Although from a philosophical standpoint, he greeted the start of the French Revolution in 1789 with enthusiasm, his horror and dismay at the violence that ensued caused him much sadness and he became withdrawn. He died in 1974 at the age of only 56.

Beccaria was married twice and had five children. Through the first of them, Giulia, he was the grandfather of Alessandro Manzoni, the novelist whose most famous work I promessi sposi - The Betrothed - was one of the first Italian historical novels and is seen as a masterpiece of Italian literature.

Milan's Teatro alla Scala - commonly known as "La Scala" -
was built in the late 18th century
Travel tip:

The cultural golden age experienced by Italy in common with much of Europe in the 18th century included the construction of Milan’s most famous cultural landmark, the theatre and opera house Teatro alla Scala. Built to replace the Teatro Regio Ducale, which was destroyed in a fire, the theatre was designed by the neoclassical architect Giuseppe Piermarini. The initial design was rejected by Count Firmian, the governor of what was then Austrian Lombardy, but a second plan was accepted in 1776 by Empress Maria Theresa. The new theatre was built on the former location of the church of Santa Maria alla Scala, from which the theatre gets its name.




The Palatine School is one of the oldest and
most prestigious schools in Milan
Travel tip:

The Palazzo delle Scuole Palatine - the Palace of the Palatine School - is located in Piazza Mercanti, which was Milan’s medieval city centre. It was once the seat of the most prestigious higher schools in the city and many  notable Milanese scholars studied or taught there. The current building dates back to 1644, when it was rebuilt by the architect Carlo Buzzi to replace an older one that had been destroyed in a fire. The school was established in Piazza Mercanti under Giovanni Maria Visconti, the second Visconti Duke of Milan. The building is decorated with several monuments, including a plaque with an epigram by the Roman poet Ausonius celebrating Milan as the "New Rome" of the fourth century, a statue of Saint Augustine by sculptor Pietro Lasagna.

18 January 2019

Katia Ricciarelli - operatic soprano

Star whose peak years were in ‘70s and ‘80s


Katia Ricciarelli was at her peak
for about two decades
The opera singer Katia Ricciarelli, who at her peak was seen as soprano who combined a voice of sweet timbre with engaging stage presence, was born on this day in 1946 at Rovigo in the Veneto.

She rose to fame quickly after making her professional debut as Mimi in Giacomo Puccini’s La Bohème in Mantua in 1969 and in the 1970s was in demand for the major soprano roles.

Between 1972 and 1975, Ricciarelli sang at all the major European and American opera houses, including Lyric Opera of Chicago (1972), Teatro alla Scala in Milan (1973), the Royal Opera House, Covent Garden (1974) and the Metropolitan Opera (1975).

In 1981, she began an association with the Rossini Opera Festival in Pesaro that she maintained throughout the ‘80s.

In addition to her opera performances, Ricciarelli also appeared in a number of films.

Ricciarelli performed at most of Europe and America's major opera houses
Ricciarelli performed at most of Europe and
America's major opera houses
She was Desdemona in Franco Zeffirelli's film version of Giuseppe Verdi's Otello in 1986, alongside Plácido Domingo. In 2005 she won the best actress prize Nastro d'Argento, awarded by the Italian film journalists, for her role in Pupi Avati's La seconda notte di nozze (2005).

During her peak years, Desdemona was one of her signature roles, while she was also lauded for her Giulietta in Vincenzo Bellini’s I Capuleti e i Montecchi and for her interpretations of Gaetano Donizetti’s Anna Bolena.

Ricciarelli’s most well received Rossini roles were Bianca in Bianca e Falliero, Elena in La donna del lago and and Amenaide in Tancredi.

As her career progressed, however, critics felt her voice became weaker and without some of its former lustre, which some have attributed to her being pushed into heavy, highly dramatic roles, such as Puccini’s Tosca or Verdi’s Aida, which were not suited to her voice.

Ricciarelli often performed alongside José
Carreras, with whom she enjoyed a romance
Some opera audiences are notoriously unforgiving. Her Aida at the Royal Opera House in 1983 was greeted with whistles, while in 1986 in Trieste her debut as Bellini’s Norma provoked a similar reaction.

Her career as a singer at the top level ended in the early 1990s. She made her last appearance at the Metropolitan Opera in 1990 alongside Domingo in Otello.

Born Catiuscia Mariastella Ricciarelli to a poor family in Rovigo, she was brought up by her mother after her father died while she was very young.

She loved singing as a child and, once she was old enough to work, began to save money so that she could enrol at the Benedetto Marcello Conservatory of Venice, where she had the opportunity to study with the soprano Iris Adami Corradetti.

Essentially a lyric soprano, following her operatic debut in 1969 she won the Voci Verdiane competition, organised by Italy’s national broadcaster Rai, and established herself as a superb Verdi singer, hailed as the “new Tebaldi” after Renata Tebaldi, a soprano popular in the postwar years who, coincidentally, had made her stage debut in Rovigo in 1944, two years before Ricciarelli was born.

Katia Ricciarelli has appeared regularly on Italian TV since she ended her career in opera
Katia Ricciarelli has appeared regularly on Italian TV
since she ended her career in opera
Although her operatic prowess began to wane, Ricciarelli’s career did not. She took up the position of artistic director of the Teatro Politeama di Lecce in 1998 and in the first decade of the new century turned increasingly to acting and appeared in television dramas such as Don Matteo alongside Terence Hill.

In 2005, after being nominated artistic director of the Sferisterio Opera Festival in Macerata, she began her professional relationship with the director Pupi Avati, who would later cast her in his film The Friends of the Margherita Bar (2009).

The following years brought a brief flirtation with politics as a centre-left candidate for the municipal council elections in Rodi Garganico, a beach resort near Foggia where she spent many summer holidays, more television work, an autobiography published in 2008 and a performance at La Fenice in Venice to mark her 40 years in music, in which she performed duets with pop singers Massimo Ranieri and Michael Bolton, among others.

A regular guest on variety and talk shows on Italian television, in 2006 she participated in the reality show La fattoria (Italian version of The Farm) on Canale 5.

Ricciarelli was married for 18 years to the TV presenter Pippo Baudo, the couple divorcing in 2004. She had previously had a relationship with her fellow opera star José Carreras that spanned 13 years.


Piazza Vittorio Emanuele is Rovigo's main square
Travel tip:

Rovigo is a town of around 52,000 people in the Veneto, which stands on the plain between the Po and the Adige rivers, about 80km (50 miles) southwest of Venice and 40km (25 miles) northeast of Ferrara, on the Adigetto Canal.  The architecture of the town has both Venetian and Ferrarese influences. The main sights include a Duomo dedicated to the  Martyr Pope Steven I, originally built before the 11th century, but rebuilt in 1461 and again in 1696, and the Madonna del Soccorso, a church best known as La Rotonda, built between 1594 and 1606 by Francesco Zamberlan of Bassano, a pupil of Palladio, to an octagonal plan, and with a  campanile, standing at 57m (187ft), that was built according to plans by Baldassarre Longhena (1655–1673). The walls of the interior of the church are covered by 17th centuries paintings by prominent provincial and Venetian artists, including Francesco Maffei, Domenico Stella, Pietro Liberi, Antonio Zanchi and Andrea Celesti. There are the ruins of a 10th century castle, of which two towers remain.

The beach at Roci Garganico is famed for  its soft sand and shallow waters
The beach at Roci Garganico is famed for
its soft sand and shallow waters
Travel tip:

Rodi Garganico is a seaside resort in the Apulia region, a 100km (62 miles) drive northeast from Foggia on a promontory east of the Lago di Varano lagoon. It part of the Gargano National Park.  It has for centuries been a major centre for the production of citrus fruits such us Arance del Gargano (Gargano Oranges) and the Limone Femminiello del Gargano (Gargano Lemons), both with DOP (Protected Designation of Origin) status under European Union regulations.  As well as its many kilometres of sandy beaches, Rodi Garganico attracts visitors for the local cuisine, which features orange salad, salad with wild onions, many fish dishes and a good variety of local wines.

More reading:

Alessandro Safina - the pop-opera star who made his stage debut alongside Katia Ricciarelli

Why Renata Tebaldi was said to have 'the voice of an angel'



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