Arturo Toscanini - conductor

Cellist who became orchestra leader by chance

Arturo Toscanini is remembered as one of the 
most influential figures in 20th century music

The brilliant conductor Arturo Toscanini was born on this day in 1867 in Oltretorrente, a working-class neighbourhood of Parma, now part of Emilia-Romagna.

Toscanini came to be recognised as one of the most influential musicians of the late 19th and early 20th century. An intense individual who was a perfectionist in everything he did, as well as having a brilliant ear for detail in orchestral performances, he also had the gift of being able to remember complete musical scores after only one reading. 

At various times, he was the music director at Teatro alla Scala in Milan and at the New York Philharmonic. He became particularly well known in the United States after he was appointed the first music director of the NBC Symphony Orchestra. 

Toscanini had the privilege of conducting the world premieres of many of the greatest operas of his lifetime, including Pagliacci, La bohème, La fanciulla del West and Turandot, as well as Siegfried, Götterdämmerung, Salome, Pelléas et Mélisande and Euryanthe. 

The son of a tailor, Toscanini developed an interest in music at an early age and won a scholarship to Parma Conservatory, where he studied the cello. 

Toscanini (right) and the composer Giacomo Puccini
enjoyed a close professional relationship

He joined the orchestra of an opera company, with whom he toured Brazil. It was there, in Rio de Janeiro, that the young Arturo picked up the conductor’s baton for the first time, although entirely through circumstance.

Prior to a presentation of Verdi’s Aida, the singers refused to work with the locally hired conductor, Leopoldo Miguez, who abruptly resigned. His replacement was subjected to booing from the audience, who were unhappy with his performance, and also resigned, leaving the orchestra without a conductor and the next performance only hours away.

Aware of his ability to remember whole scores, a member of the orchestra suggested giving the baton to Toscanini. Only 19 years old and with no conducting experience, Toscanini was reluctant at first but was eventually persuaded to accept the invitation, aware that the whole tour was at risk of being cancelled if he did not.

In the event, he led the two-and-a-half hour performance flawlessly, and entirely from memory. He found he had a natural talent for the job. The audience warmed to his charisma and intensity and applauded his musicianship. He kept the baton for another 18 operas as the tour unfolded with great success.

Toscanini became one of the
most sought-after conductors

Word spread of his ability and he soon found himself in demand. He continued to play the cello, but his talent as a conductor brought so much work that opportunities to take his seat in the orchestra became fewer and fewer.

He made his conducting debut in Italy at the Teatro Carignano in Turin in November, 1886, leading the premiere of a revised version of Alfredo Catalani’s Edmea. He soon broadened his repertoire to symphonic concerts, his reputation growing so fast that in 1898 he was named principal conductor at La Scala, at the age of just 31.

He remained at the Milan theatre, Italy’s principal opera house, for 10 years before he was lured away to America for the first time by Giulio Gatti-Casazza, the former general manager at La Scala, who had taken the same role at the Metropolitan Opera in New York and persuaded Toscanini to join him there. 

Toscanini spent seven seasons at the Met, returning to Europe in 1915. He was due to leave New York on the British liner RMS Lusitania on May 7 but decided at the last moment to depart a week earlier on the Italian liner Duca degli Abruzzi. It proved a mightily fortuitous decision: the Lusitania never made it to its intended destination, sinking off the coast of Ireland after being torpedoed by a German u-boat. A total of 1,197 passengers and crew perished.

He maintained his transatlantic lifestyle, conducting around Europe and in the United States, leading the New York Philharmonic-Symphony Orchestra between 1928 and 1936. He ceased working in his native Italy, however, after falling foul of the Fascist leader, Benito Mussolini.

Mussolini was keen to attach himself to Toscanini, whom he described as ‘the greatest conductor in the world’ and wished to promote as a symbol of Italian excellence. But Toscanini had little truck with Fascism, defying Mussolini by refusing to conduct the party’s official hymn, Giovinezza.

Toscanini's tomb at the Cimitero Monumentale
in Milan, where he was buried after his death at 89

Eventually, though, his defiance rebounded on him when he refused to lead a rendition of Giovinezza at a concert in Bologna in 1931, in spite of the presence in the audience of a leading Fascist official. Afterwards, Toscanini was set upon by Blackshirts and badly beaten. His passport was confiscated and he was put under surveillance. The passport was eventually returned following a public outcry and as Italy entered World War Two he left the country.

Prior to that, he had considered retirement. Instead, he embarked on a new chapter of his career, leading the newly-formed NBC Symphony Orchestra. When Toscanini did finally retire, in 1954, he was 87 years old.

Although he reportedly had numerous affairs, notably with the American soprano, Geraldine Farrar, Toscanini was married only once, to Carla De Martini, who was a teenager when they met. They remained together from their wedding in 1897 to her death in 1951. They had three children, a son, Walter, and daughters Wally and Wanda.

Toscanini died on January 16, 1957, having suffered a stroke on New Year's Day at his home in the Riverdale section of the Bronx in New York City. He was 89. His body was returned to Italy and buried at the Cimitero Monumentale in Milan. His tomb carries an epitaph based on a remark he is said to have made at the end of the 1926 premiere of Puccini's unfinished Turandot.

"Qui finisce l'opera, perché a questo punto il maestro è morto - Here the opera ends, because at this point the maestro died".

The house where Toscanini was
born is now a museum of his life

Travel tip:

The house in Borgo Rodolfo Tanzi, in the Oltretorrente district of Parma, where Arturo Toscanini was born, is now a museum of his life, open to the public between 10am and 6pm from Wednesday to Sunday, closing on Monday and Tuesday. A 15-minute walk from the city centre and close to the sprawling green space of the Parco Ducale, the house was one shared by the Toscaninis and three other families. His father, a tailor who fought in Garibaldi’s army in the campaign to unite Italy, used the downstairs room as a workshop. Among the exhibits on display are photographs, theatre programmes and posters, letters to and from composers with whom he worked, such as Giacomo Puccini and Richard Strauss, and some of the clothes he wore to conduct. There is a letter from Albert Einstein, the German physicist and noted campaigner against racism, praising Toscanini for standing up to the Fascists.

Parma's 12th century baptistery
is among the city's main sights

Travel tip:

Parma is an historic city, famous for its Prosciutto di Parma ham and Parmigiano Reggiano cheese, the true ‘parmesan’. In 1545 the city was given as a duchy to the illegitimate son of Pope Paul III, Alessandro Farnese, whose descendants ruled Parma till 1731. As well as Toscanini, the city’s musical heritage includes the composer, Giuseppe Verdi, who was born near Parma at Bussetto. The city has a prestigious opera house, the Teatro Regio, and a Conservatory named in honour of Arrigo Boito, who wrote the libretti for many of Verdi’s operas.  An elegant city with an air of prosperity common to much of Emilia-Romagna, Parma’s outstanding architecture includes an 11th century Romanesque cathedral and the octagonal 12th century baptistery that adjoins it, the church of San Giovanni Evangelista, which has a beautiful late Mannerist facade and bell tower, and the Palazzo della Pilotta, which houses the Academy of Fine Arts, the Palatine Library, the National Gallery and an archaeological museum.

Also on this day:

1347: The birth of Saint Catherine of Siena

1541: The birth of Francesco I, Grand Duke of Tuscany

1546: The birth of poet and courtesan Veronica Franco

1625: The death of poet Giambattista Marino

1927: The birth of politician Tina Anselmi

1940: The birth of record-breaking pop star Mina 

Home

The night Maria Callas made an audience weep

La Scala witnesses a stunning performance

Maria Callas's interpretation of Violetta was
seen as the finest performance of her stage career

Maria Callas gave a stunning performance that has gone down in history as her greatest ever portrayal of Violetta in La traviata on this day in 1955 at Teatro alla Scala opera house in Milan.

After the opening night of the production on May 28, it was reported in the press that Callas had driven the audience into a frenzy with her wonderful singing and powerful acting as she played the part of Giuseppe Verdi’s doomed heroine, who was a beautiful courtesan.

The character of Violetta is considered by opera experts to be one of the three finest roles ever portrayed by Callas and it is ranked alongside her performances in Vincenzo Bellini’s Norma and Gaetano Donizetti’s Lucia di Lammermoor.  

The staging by director Luchino Visconti for the 1955 production of La traviata provided the perfect setting for Callas with its ornate décor and costumes.

The conductor, Carlo Maria Giulini, later confessed that he had wept in the orchestra pit as she had sung.

At the end members of the audience cried out Callas’s name, sobbed uncontrollably and showered the stage with red roses, which the tearful singer picked up as she took a solo bow.

Callas shone in Visconti's lavish
Belle Époque stage settings

This gesture proved too much for tenor Giuseppe Di Stefano, who felt she was monopolising the attention of the audience. He stormed off the stage at the end of the performance and left the show for good that night.

Callas had moved the audience to tears in the scene where Violetta agrees to renounce Alfredo, the man she loves, to avoid spoiling the wedding prospects of his sister.

Sadly, Callas had only a few years of her career left ahead of her. After she left her husband for shipping magnate Aristotle Onassis in 1959, she hardly ever performed on stage again. Onassis subsequently left her to marry Jackie Kennedy and Callas died in 1977, aged just 53. 

Thankfully, her performance on that memorable night was recorded and the complete May 28 production can still be listened to on CD, MP3 and streaming platforms.

Verdi’s opera La traviata had premiered at La Fenice opera house in Venice about 100 years earlier. It was based on the 1852 novel by Alexander Dumas, La dame aux camelias.

La traviata means ‘fallen woman’ and refers to the main character, Violetta, who is a courtesan. The opera featured some of the most challenging and revered music in the entire soprano repertoire.

Milan's Teatro alla Scala, opened in 1778, is the
most famous opera house in the world

Travel tip:

Teatro alla Scala in Milan is Italy’s most famous opera house and Maria Callas made her debut there in 1950 as Aida.  The theatre, known to Italians simply as La Scala, is the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The mediaeval Rocca Scaligera castle is the
dominant feature of the Sirmione skyline

Travel tip:

Maria Callas spent some happy years living in Sirmione, a resort on Lake Garda in Italy, after she married her first husband, Giovanni Battista Meneghini, an Italian businessman.  Villa Callas, which is still privately owned today, looks the same as it did when it was first purchased by Meneghini in the 1950s as a holiday home for the couple. There is a plaque outside the villa recording the dates when Maria Callas lived there. Sirmione, the historic centre of which is on a peninsula that divides the southern part of Lake Garda, is known for its thermal baths and Rocca Scaligera, a mediaeval castle overlooking the lake. Visitors can look round a museum dedicated to the life and performances of Maria Callas. At the the tip of the peninsula is the archaeological site of Grotte di Catullo, which encompasses a Roman villa, a museum and olive trees. 

Also on this day:

1369: The bith of condottiero Muzio Attendolo Sforza

1606: Caravaggio attacks and kills a man in Rome

1692: The birth of opera composer Geminiano Giacomelli

1839: The birth of author and journalist Luigi Capuana

1987: The birth of cricketer Leandro Jayarajah

1999: Da Vinci’s Last Supper goes back on display in Milan after 20 years of restoration

Home

Leo Nucci – operatic baritone

Singer renowned for his interpretation of Rigoletto

Leo Nucci's voice has maintained
its power even in his 70s

One of the most famous baritones in the world, Leo Nucci, was born on this day in 1942 in Castiglione dei Pepoli, a small town south of Bologna and, since making his stage debut in 1967, has been delighting opera audiences for more than 50 years.

The singer has performed his signature role of Giuseppe Verdi's Rigoletto more than 500 times all over the world. He had planned to retire in 2020, but changed his mind during the first Covid-19 lockdown when the area around his home near the city of Lodi was declared a red zone and subject to the toughest restrictions imposed by the Italian government.

He has said that he lost colleagues and friends to Covid and had the opportunity for reflection while he remained at his home, listening to the sounds of nature, broken only by the sirens of hundreds of ambulances taking victims of the virus to hospital. It was then he realised he ought to move forward in his career and play his role as a singer fully in order to be useful to others.

At the start of his career, Nucci studied with Giuseppe Marchese and won several singing competitions. He first appeared on stage in Spoleto as Figaro in Gioachino Rossini's Il barbiere di Siviglia. He then joined the chorus of La Scala in Milan. He made his solo debut there in 1975 when he again played Figaro.

He quickly became an international star and made his debut at London’s Royal Opera House in 1978 as Miller in Verdi's Luisa Miller. He played Renato/Ankerstrom in Un ballo in maschera, also by Verdi, at New York’s Metropolitan Opera in 1980. He then played the same role at the Paris Opera in 1981.

Nucci in his signature role, Rigoletto, which
he has performed more than 500 times

During his career he has appeared with such stars as Luciano Pavarotti, Joan Sutherland and Placido Domingo. In 2019, Nucci sang during the celebrations for the Verdi anniversary Verdi in Parma. Long associated with Verdi's baritone roles, Nucci’s singing and acting abilities have been displayed most notably in the roles of Rigoletto, Macbeth, the Count di Luna in Il trovatore, Iago in Otello and Falstaff.

He is married to the soprano Adriano Anelli, with whom he has a daughter. They first met in La Scala’s restaurant and, three and a half years after they were married, they appeared in Rigoletto together.

After lockdown restrictions were lifted in Italy, Nucci returned to the stage at the age of 78 in Verdi's La traviata, which was performed at La Scala and at the Arena di Verona.

He has been a trombone player for many years but more recently has learnt to play the cello. He has also embarked on directing the staging of operas, drawing on his years of performing experience.

The Palazzo Pepoli in Castiglione dei Pepoli
dates back to the late 15th century

Travel tip:

Castiglione dei Pepoli, Nucci's place of birth, can be found about 55km (34 miles) south of Bologna in Emilia Romagna, at the foot of Monte Gatta, in the Bolognese Apennines, on the border with Tuscany. It enjoys spectacular views over the valley of Brasimone. The small town takes its name from the noble Pepoli family of Bologna. At the centre, a small medieval square features the ancient Palazzo Pepoli, built towards the end of the 15th century, which is now the municipal administration headquarters. On the opposite side of the square stands a beautiful clock tower built in 1724.  According to legend, the nearby Santuario della Madonna di Bocca di Rio was built in the place where, in 1480, two shepherds had an apparition of the Virgin who asked them to erect in that forest a temple in her honour. The sanctuary has become a destination for pilgrimages from all over Italy.

Piazza della Vittoria in the centre of Lodi is
rated one of Italy's most beautiful squares

Travel tip:

Lodi, the city in the area where Nucci made his home, is in Lombardy, about 45km (28 miles) southeast of Milan and on the right bank of the River Adda. The main square, Piazza della Vittoria, has been listed by the Touring Club of Italy as among the most beautiful squares in Italy and it has porticoes on all four sides. Nearby Piazza Broletto has a 14th century marble baptismal font from Verona. Notable buildings include the 12th-century Romanesque cathedral, the 15th century church of the Incoronata. Lodi is an important agricultural and industrial centre noted for cheese, ceramics, wrought iron, and wool products. Historically, it is famous for being the scene of the first major battle led by the young Napoleon Bonaparte, who defeated the Austrians in the Battle of Lodi in 1796.  

Also on this day:

1118: The death of Adelaide del Vasto, Countess of Sicily

1839: The birth of politician Antonio Starabba, Marchese di Rudini

1858: The birth of gold prospector Felice Pedroni

1881: The birth of artist and illustrator Fortunino Matania

Home

Enrico Tamberlik – tenor

Imposing king of the high C sharp

At the height of his career, Enrico Tamberlik was
Italy's most admired tenore robusto

Opera singer Enrico Tamberlik, who is remembered for the quality of his remarkable high notes, was born on this day in 1820 in Rome.

At the height of his career, Tamberlik, whose name is also sometimes spelt Tamberlick, sang regularly at the Royal Opera House in London and in St Petersburg, Paris and America.

The singer is believed to have been of Romanian descent but was born in Italy and did all his vocal training in Naples, Bologna and Milan.

At the age of 17 Tamberlik made his debut in a concert and then made his first appearance on the operatic stage as Gennaro in Lucrezia Borgia by Gaetano Donizetti at the Teatro Apollo in Rome.

In 1841 he appeared under the name Enrico Danieli at the Teatro Fondo in Naples as Tybalt in I Capuleti e I Montecchi by Vincenzo Bellini.

A year later he made his debut at Teatro San Carlo in Naples under the name Enrico Tamberlik, which he used from then onwards.

Tamberlik made his London debut as Masaniello in Louis Auber’s La Muette de Portici at Covent Garden in 1850.

Enrico Tamberlik sang at the leading opera houses
of the world in a career spanning 45 years

In St Petersburg in 1862 in the premiere performance of Giuseppe Verdi’s La forza del destino, he appeared as Don Alvaro, a role that had been written specially for him.

He went on to sing in Moscow, Paris, Buenos Aires, Lisbon, Madrid and Barcelona with his extensive repertoire, which included all the leading tenor roles of the time.

Tamberlik was especially praised for the resonance and power of his high C sharp.  He succeeded Gaetano Fraschini as Italy’s leading ‘tenore robusto’.

He was said to have had an imposing appearance that helped him become an exciting interpreter of dramatic roles.

His last singing engagement in London was at Her Majesty’s Theatre in 1877. After touring Spain in 1881 he retired from the operatic stage. Tamberlik died in Paris three days before his 69th birthday.

The tenor Francesco Tamagno, whose career overlapped with that of Tamberlik, was regarded as his foremost successor. Tamagno made recordings in Italy in 1903 for the Gramophone and Typewriter Company and critics believe an echo of Tamberlik’s resonant voice and style has been preserved in them.

The Teatro Apollo in Rome as it would have looked
when Tamberlik was enjoying peak popularity

Travel tip:

The Teatro Apollo in Rome, where Tamberlik made his first appearance in an opera, was created from a medieval tower, the Torre dell’Annona, which had once acted as a prison. It became the Teatro Tordinona in the 17th century and then the Teatro Apollo in the late 18th century. The biggest theatre in Rome, it hosted the premieres of two Verdi operas but was demolished in 1888 when the embankments of the Tiber were built. A white marble fountain remains as a memorial marking the sport where the theatre once stood.

The Teatro di San Carlo in Naples, just around the corner
from Piazza Plebiscito, remains an important opera house

Travel tip:

Teatro di San Carlo in Naples, where Tamberlik first appeared under his own name, is the oldest opera house in the world, having opened in 1737, way ahead of La Scala in Milan and La Fenice in Venice. Built in Via San Carlo close to Piazza Plebiscito, the main square in Naples, Teatro di San Carlo quickly became one of the most important opera houses in Europe, renowned for its excellent productions. The theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and took just eight months to build. Both Donizetti and Rossini served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè in Egitto were performed there.


Home

Gaspare Campari - drinks maker

Bar owner who created classic red aperitif

Gaspare Campari created his eponymous
liqueur while running a bar in Novara

Gaspare Campari, whose desire to mix distinctive and unique drinks for the customers of his bar resulted in the creation of the iconic Campari aperitif, was born on this day in 1828 in Cassolnovo, a small town approximately 30km (19 miles) southwest of Milan.

He founded the company, subsequently developed by his sons, Davide and Guido, that would grow to such an extent that, as Gruppo Campari, it is now the sixth largest producer of wines, spirits and soft drinks in the world with a turnover of more than €1.8 billion.

Gaspare was the 10th child born into a farming family in the province of Pavia, where Cassolnovo is found, but he had no ambition to work on the land.  After working in a local bar, at the age of 14 he went to Turin, then the prosperous capital of the Kingdom of Piedmont-Sardinia.

He obtained an apprenticeship to Giacomo Bass, the Swiss proprietor of a pastry and liqueur shop on Piazza Castello.  He is also said to have worked at the historic Ristorante Del Cambio, on Piazza Carignano, as a waiter and dishwasher.

In 1850, by then in his early 20s and armed with the knowledge he had acquired in about eight years in Turin, he moved to Novara, some 100km (62 miles) northeast of Turin and about 50km (31 miles) west of Milan.

The Caffè Campari inside Milan's historic Galleria
Vittorio Emanuele II remains a popular bar today

There he rented the Caffè dell’Amicizia, in a prime spot at the junction of Corso Italia and Corso Cavour.  He built up a large clientele and began to experiment by making innovative new alcoholic concoctions for his customers.  Among them was a bitter aperitif he made by blending herbs and fruits, including the cascarilla plant and the chinotto orange.

Its distinctive red colour was created in the original version by the addition of carmine dye, derived from crushed cochineal beetles, although that ingredient is not used today.  Gaspare called it Bitter all’uso D’Hollanda, after a drink he had tasted on a visit to the Netherlands, but it was not long before patrons of the bar began to refer to it as Bitter del Signor Campari, and eventually simply Campari.  He began to bottle it in a workshop at the back of his premises, launching the Campari brand in 1860.

Married while in Novara, eventually becoming father to five children, he decided in 1862 to relocate to Milan, where he acquired a bar opposite the city's magnificent Gothic cathedral.  Five years later, as part of a plan to create a vast Piazza del Duomo, the building containing Campari’s car was earmarked for demolition.  Thankfully, Gaspare was handsomely compensated and moved into prestigious premises inside the new Galleria Vittorio Emanuele II, the glass-vaulted shopping arcade that links Piazza del Duomo with Piazza della Scala.

Fortunato Depero's classic Camparisoda bottle
was designed in 1932 and is still in use today

It is said that the bar, situated on the left-hand side at the Piazza del Duomo entrance to the Galleria and named Caffè Campari, became a meeting place for musicians and composers, with Giuseppe Verdi, Giacomo Puccini, Arrigo Boito and the music publisher Giulio Ricordi among those supposed to have visited.

When Gaspare died in 1882, aged just 54, his widow, Letizia, is said to have taken control of the company until his son, Davide, who had been born in the same year that his father had moved into the Galleria. Guido took over the running of the bar.

In 1904, production of Campari moved to a factory at Sesto San Giovanni, a growing industrial town to the north of Milan, which would remain in operation until 2005, when a new production site was opened in Novi Ligure, in the province of Alessandria in Piedmont.

Fiercely marketed by Davide, the famous drink became known across Italy and beyond, especially after the launch in 1932 of Camparisoda, the mix of Campari liqueur and soda water still sold in its trademark conical bottle, designed by the Futurist artist Fortunato Depero.

Nowadays, the Campari Group is a massive drinks conglomerate, with a portfolio of brands that includes Aperol and Grand Marnier liqueurs, SKYY Vodka, Wild Turkey bourbon, Glen Grant Scotch whisky, Bisquit Cognac and Cinzano vermouth.

The multi-tiered 121-metre high cupola of Novara's
Basilica of San Gaudenzio

Travel tip:

Novara, where Gaspare first created his famous drink, is in the Piedmont region. It is the second biggest city in the region after Turin. Founded by the Romans, it was later ruled by the Visconti and Sforza families. In the 18th century it was ruled by the House of Savoy. In the 1849 Battle of Novara, the Sardinian army was defeated by the Austrian army, who occupied the city. This led to the abdication of Charles Albert of Sardinia and is seen as the beginning of the Italian unification movement.  The most imposing building in Novara is the Basilica of San Gaudenzio, which has a 121-metre high cupola.

Novara hotels from Booking.com

The Piazza Delle Piane is an elegant square in the centre
of Novi Ligure, flanked by the Palazzo Delle Piane.

Travel Tip:

In the 17th and 18th centuries, the town of Novi Ligure, where Campari switched production in 2005, was once a renowned inland resort for rich Genoese families, whose numerous noble palaces adorn the historical centre. These include Palazzo Negroni, Palazzo Durazzo and Palazzo Delle Piane, situated in Piazza Delle Piane.  Novi has retained part of its walls, erected in 1447 and partly demolished in the 19th century, together with the tower of the Castle.  There is a museum, the Museo dei Campionissimi, devoted to Fausto Coppi and another famous cyclist, Costante Girardengo, who were both born there.  The town is now a centre for the production of chocolate, notably the Novi brand.

Find a hotel in Novi Ligure with Booking.com

Also on this day:

1501: The birth of botanist Pietro Andrea Mattioli

1863: The birth of writer and patriot Gabriele D’Annunzio

1921: The birth of business giant Gianni Agnelli


Home

Nabucco premieres in Milan

Verdi opera that became a symbol of the Risorgimento

The bill advertising the first staging
of Nabucco at La Scala in Milan

The opera Nabucco, with music by Giuseppe Verdi and a libretto by Temistocle Solera, was first performed on this day in 1842 at Teatro alla Scala in Milan.

The opera contains the famous chorus Va, pensiero, a lament for a lost homeland that many Italians now regard as their unofficial national anthem.

The opera and Verdi himself have become synonymous with the Risorgimento, the period in the 19th century when people worked to free the Italian states of foreign domination and unite them under the leadership of Victor Emmanuel, the King of Sardinia and Duke of Savoy.

It is said that during the last years of the Austrian occupation of Lombardia and the Veneto, for example, that Italian patriots adopted Viva Verdi as a slogan and rallying call, using the composer’s name as an acronym for 'Vittorio Emanuele Re d’Italia' - 'Victor Emmanuel, King of Italy'.

On the day of the composer’s funeral in Milan in 1901, a crowd of 300,000 people filled the streets and sang Va, pensiero, conducted by Arturo Toscanini, a moving event that showed how Verdi’s music had helped unite the Italian nation.

But Verdi nearly didn’t take up the offer to compose the music for Nabucco.

Verdi took up the offer to write the
music for Nabucco with reluctance

After a terrible two-year period, during which his young wife and two children had all died as a result of illnesses, Verdi had vowed never to compose music again.

During a chance meeting with Bartolomeo Merelli, La Scala’s impresario, Verdi was given a copy of Solera’s libretto, which had been rejected by another composer.

Verdi later recalled in his memoirs how he took the libretto home, threw it on the table with a violent gesture and it opened up in front of him. Verdi’‘s eye fell on the phrase, ‘Va, pensiero, sull’ali dorate’  - 'Fly, thought, on golden wings'.

He tried to ignore the libretto but eventually found himself sitting at the piano and setting the words to music.

It is claimed he was still reluctant about working on the score and tried to take the manuscript back to Merelli, but the impresario stuffed the libretto back in Verdi’s pocket, threw him out of his office and locked the door.

Verdi went home and continued to work on the music and by the autumn of 1841 the opera was complete.

The opening performance at La Scala on 9 March 1842 was an immediate success, establishing Verdi as a major composer. The opera is still regularly performed all over the world today.

Verdi's future wife, Giuseppina Strepponi,
was a member of the original cast

The original cast included the soprano Giuseppina Strepponi, who would later become Verdi's second wife.

Nabucco is named after King Nebuchadnezzar, who featured in the books of Jeremiah and Daniel in the Bible, and the opera follows the plight of the Jews he conquered and exiled. The chorus Va, pensiero - also known as the 'Chorus of the Hebrew Slaves' - captured the feeling of national pride among Italians at the time who were still living under Austrian domination.

In 1981 a journalist proposed replacing Italy’s official national anthem with Va, persiero. This never happened, but the political party Lega Nord - now La Lega - adopted it as its official hymn and the chorus is now sung at all party meetings.

In 2011, after conducting Va, pensiero at the Teatro dell’Opera in Rome, the conductor Riccardo Muti made a speech protesting about cuts in Italy’s arts budget and then invited the audience to sing along in support of culture and patriotism.

Milan's Teatro alla Scala, one of the world's most prestigious
opera houses, is right in the centre of the city

Travel tip:

Teatro alla Scala is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants which was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

Rome's Teatro dell'Opera, rebuilt in the 1920s by the
architect Marcello Piacentini, seats 1600 spectators

Travel tip:

The Teatro dell’Opera in Rome, where conductor Riccardo Muti invited the audience to join in the chorus Va, pensiero in 2011, is a 1600-seat opera house in Piazza Beniamino Gigli. It was originally opened in 1880 as the Costanzi Theatre and has undergone several changes of name and many improvements over the years.

Rome hotels by Booking.com

Also on this day:

1454: The birth of explorer Amerigo Vespucci

1809: The birth of statesman and winemaker Bettino Ricasoli

1908: The founding of the Milan football club Internazionale

1948: The birth of politician Emma Bonino


Home






Home

Premiere of Verdi’s first opera

Oberto, Conte di San Bonifacio performed at La Scala

The title page of the libretto for the
opera's debut staging in Milan

Giuseppe Verdi’s first opera to be performed made its debut at Teatro alla Scala in Milan on this day in 1839.

Oberto, Conte di San Bonifacio, which Verdi had written over a period of four years, is an opera in two acts. It is thought to have been based on an existing libretto by Antonio Piazza, reworked as a new libretto by Temistocle Solera, an Italian novelist.

Piazza’s libretto had been given to Verdi by Pietro Massini, director of the Società Filarmonica, a choral group to whom he had been introduced by Vincenzo Lavigna, the maestro concertatore at La Scala, of whom Verdi was a private pupil.

It was given the title of Rocester and Verdi was keen to see it produced in Parma, at the opera theatre nearest to his home town of Busseto, where he held the post of maestro di musica of the municipal orchestra

However, Parma said they had no interest in staging new works and instead an approach was made to Milan. Whether Rocester actually became the basis for Oberto is subject to some disagreement among academics.

Verdi is said to have been invited to meet the La Scala impresario, Bartolomeo Merelli, who had been given good reports of Oberto’s musical quality and offered to put it on during the 1839 season. It was received well enough on its premiere to be given another 13 additional performances.  Merelli was impressed enough to commission Verdi to write three more operas.

Ignazio Marini was the first
to perform the role of Oberto

The first of those, Un giorno di regno, a comedy, was a flop, being pulled after only one night. While he was writing it, Verdi’s wife, Margherita, had died of encephalitis, aged only 26, leaving him heartbroken. At one point, it is claimed he vowed never to compose another work, but was persuaded to continue.  In the event, his third opera, originally titled Nabucodonosor and later renamed as Nabucco, was a triumph, setting him on the road to musical immortality.

The action in Oberto, Conte di San Bonifacio, is set in Bassano del Grappa, in the Veneto region of northern Italy, at and around Ezzelino da Romano's castle.

Following a battle fought between Oberto, Count of San Boniface, and the Salinguerra, led by Ezzelino da Romano, the vanquished Oberto retreats to Mantua.

Meanwhile, his daughter Leonora has been seduced and abandoned by Riccardo, Count of Salinguerra, and Riccardo is about to marry Cuniza, Ezzelino's sister. Leonora makes her way to Bassano on Riccardo's wedding day, intent on confronting him.

The opening night cast, under the direction of conductor Eugenio Cavallini, featured the bass Ignazio Marini in the role of Oberto, with soprano Antonietta Marini-Rainieri as Leonora, the English mezzo-soprano Mary Shaw as Cuniza, mezzo-soprano Marietta Sacchi as Cuniza’s confidante, Imelda, and tenor Lorenzo Salvi in the role of Riccardo.

The opera is only occasionally performed today, although in celebration of the Verdi bicentennial, it was staged by La Scala in April/May 2013.

Bassano del Grappa is famous for Andrea Palladio's timber
bridge over the Brenta river, built between 1124 and 1209

Travel tip:

Bassano del Grappa, where Oberto is set, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

The church of San Michele Arcangelo in Busseto, where
Giuseppe Verdi played the organ as a young man

Travel tip:

Busseto is a town in the province of Parma, about 40km (25 miles) from the city of Parma. Verdi was born in the nearby village of Le Roncole but moved to Busseto in 1824. The area has plenty to offer Verdi fans, who can visit the house where he was born, in 1813, in Le Roncole, the churches of Santa Maria degli Angeli and San Michele Arcangelo, where he played the organ, the Palazzo Orlandi and the Villa Verdi, two of his homes, the Teatro Giuseppe Verdi, which was named in his honour, and the Casa Barezzi, the home of his patron, Antonio Barezzi, which now houses a permanent exhibition of objects and documents related to Verdi and the Barezzi family.

Also on this day:

1494: The death of philosopher Giovanni Pico della Mirandola

1503: The birth of the Mannerist painter Bronzino

1878: Umberto I survives assassination attempt

1938: The birth of disgraced businessman Calisto Tanzi


Home

Salvatore Di Vittorio – composer and conductor

Musician has promoted his native Palermo throughout the world

Salvatore Di Vittorio is the musical director and
 conductor of the Chamber Orchestra of New York

Salvatore Di Vittorio, founding music director and conductor of the Chamber Orchestra of New York, was born on this day in 1967 in Palermo in Sicily.

Also a composer, Di Vittorio has written music in the style of the early 20th century Italian composer, Ottorino Respighi, who, in turn, based his compositions on the music he admired from the 16th and 17th centuries.

Di Vittorio has been recognised by music critics as respectful of the ancient Italian musical tradition and also as an emerging, leading interpreter of the music of Ottorino Respighi.

He began studying music when he was a child with his father, Giuseppe, who introduced him to the operas of Giuseppe Verdi and Giacomo Puccini. He went on to study composition at the Manhattan School of Music and Philosophy at Columbia University.

He has since worked with orchestras all over the world and composed music for them to perform and has also taught music in New York.

In 2007, Di Vittorio was invited by Elsa and Gloria Pizzoli, Respighi’s great nieces, to edit and complete several of the composer’s early works, including his first Violin Concerto, composed in 1903.

Di Vittorio has been honoured by his
home city of Palermo

Di Vittorio premiered and then recorded his completed versions of Respighi’s music, along with his own Overtura Respighiana. The recordings were released in 2011.

He has also edited Respighi’s 1908 orchestration of Claudio Monteverdi’s Lamento di Arianna, from the 1608 opera, Arianna.

In November 2012, the critics acclaimed his neo-classical compositions after the world premiere of Di Vittorio’s Sinfoni No 3 Templi di Siciliana with the Orchestra Sinfonica Siciliana at the Teatro Politeama Garibaldi in Palermo.

He completed Respighi’s orchestration of the 1913 Tre Linche - Three Art Songs - in time for the 100th anniversary of the compositions in 2013.

In 2019, Di Vittorio completed the first printed edition of Respighi’s second violin concerto, ‘all’Antica.

Di Vittorio has been awarded the Medal of Palermo from Mayor Leoluca Orlando, in recognition of his contribution to promoting the city of Palermo around the world.

Ottorino Respighi was the inspiration
for Di Vittorio's music

In 2016, Di Vittorio became the first Italian-born composer to be invited to donate an autograph manuscript of his work to the Morgan Library and Museum’s world-renowned music archive. He composed La Villa d’Este a Tivoli in 2015 for the Morgan on the occasion of its exhibition, City of the Soul: Rome and the Romantics.

In June 2019, Di Vittorio recorded a second album of his music, which included several world premiere recordings and his new, fourth symphony.

He has said he is fascinated by storytelling in music and is known for his lyrical, symphonic poems, which are often inspired by classical antiquity and show connections to the Italian Renaissance and Baroque periods.

Di Vittorio lives with his family in both Palermo and New York.

Mount Etna, still an active volcano, is a dominant
presence in the east of the island of Sicily

Travel tip:

Sicily is the largest island in the Mediterranean, just off the toe of Italy’s boot. The ancient ruins, diverse architecture and wonderful cuisine enjoyed by visitors are all testament to the island’s colourful history. Watching over the island is Mount Etna, a volcano that is still active. The capital city, Palermo, where Salvatore di Vittorio was born, has a wealth of beautiful architecture, plenty of shops and markets and is home to the largest opera house in Italy, the Teatro Massimo.

The Teatro Politeama Garibaldi in Palermo staged the world
premiere of Di Vittorio's Sinfoni No 3 Templi di Siciliana

Travel Tip:

The Teatro Politeama Garibaldi, where Salvatore Di Vittorio conducted the Orchestra Sinfonica Siciliana playing his Sinfoni No 3 Templi di Siciliana on the occasion of its world premiere, is in Piazza Ruggero Settimo in the historic centre of Palermo. It is the second most important theatre in the city, after the Teatro Massimo. The theatre was inaugurated as the Teatro Municipale Politeama in 1874, but after the death of Giuseppe Garibaldi in 1882, it was decided to name the theatre after him. The theatre was finally completed in 1891 and opened by King Umberto I and Queen Margherita, who were treated to a performance of Giuseppe Verdi’s Otello, featuring the tenor Francesco Tamagno., who had sung Otello in the first performance of the opera in 1887.

Also on this day:

1885: The birth of tenor Giovanni Martinelli

1965: The birth of actress Valeria Golino

1968: Soave is awarded DOC status


Home

Carlo Bergonzi – operatic tenor

Singer whose style was called the epitome of Italian vocal art

Carlo Bergonzi made his professional opera debut in
the role of Figaro in Rossini's The Barber of Seville

Carlo Bergonzi, one of the great Italian opera singers of the 20th century, died on this day in 2014 in Milan.

He specialised in singing roles from the operas of Giuseppe Verdi, helping to revive some of the composer’s lesser-known works.

Between the 1950s and 1980s he sang more than 300 times with the Metropolitan Opera of New York and the New York Times, in its obituary, described his voice as ‘an instrument of velvety beauty and nearly unrivalled subtlety’.

Bergonzi was born in Polesine Parmense near Parma in Emilia-Romagna in 1924. He claimed to have seen his first opera, Verdi’s Il Trovatore, at the age of six.

He sang in his local church and soon began to appear in children’s roles in operas in Busseto, a town near where he lived.

Bergonzi spent two years in a prisoner
of war camp during World War II 

He left school at the age of 11 and started to work in the same cheese factory as his father in Parma.  At the age of 16 he began vocal studies as a baritone at the Arrigo Boito Conservatory in Parma.

During World War II, Bergonzi became involved in anti-Fascist activities and was sent to a German prisoner of war camp. After two years he was freed by the Russians and walked 106km (66 miles) to reach an American camp.

On the way he drank unboiled water and contracted typhoid fever. He later recovered, but when he returned to the Arrigo Boito Conservatory after the war he weighed just over 36kg (80lb).

Bergonzi made his professional debut as a baritone in 1948 singing the role of Figaro in Gioachino Rossini’s The Barber of Seville. Other baritone parts followed but Bergonzi soon realised the tenor repertoire was more suited to his voice. After retraining he made his debut as a tenor in the title role of Andrea Chenier at the Teatro Petruzzelli in Bari in 1951.

The same year he sang at the Coliseum in Rome in a 50th anniversary concert commemorating Verdi’s death. The Italian radio network RAI engaged Bergonzi for a series of broadcasts of the lesser-known Verdi operas.

Carlo Bergonzi and Maria Callas (left) performed
together at the Metropolitan Opera

These included I due Foscari, Giovanna d’Arco and Simon Boccanegra.

He made his La Scala debut in 1953 creating the title role in Jacopo Napoli’s opera Mas’Aniello. His London debut came in 1953 and his American debut followed in 1955 in Chicago.

After he appeared at the Metropolitan Opera for the first time the following year he received a glowing review from the New York Times.

He continued to sing at the Met for the next 30 years, appearing opposite such famous sopranos as Maria Callas, Victoria de los Angeles and Leontyne Price. He sang in a performance of Verdi’s Requiem at the Met in 1964 in memory of President John F. Kennedy, under the baton of Georg Solti. His last role at the Met was Rodolofo in Verdi’s Luisa Miller in 1988.

Bergonzi’s chief Italian tenor rivals during his career were Franco Corelli and Mario Del Monaco but he outlasted them both, continuing to sing in concerts into the 1990s.

Franco Corelli's was one of Bergonzi's
rivals among Italian operatic tenors

In May 2000 it was announced he was to sing the title role in Verdi’s Otello in a concert in New York. It attracted a great deal of interest and Jose Carreras, Placido Domingo and Luciano Pavarotti were all in the audience.

Sadly, Bergonzi was unable to finish the performance because his voice had been affected by the air conditioning in his dressing room and a substitute tenor had to sing in his place.

After retiring, Bergonzi mentored many famous tenors and the soprano, Frances Ginsberg, was also one of his pupils.

Bergonzi died 12 days after his 90th birthday in Milan, leaving a widow and two sons. He was laid to rest in the Vidalenzo Cemetery, not far from Polisene Parmense.

He left a legacy of beautiful recordings of individual arias and complete operas, including works by Verdi, Giacomo Puccini, Pietro Mascagni and Ruggero Leoncavallo.

The church of the Beata Vergine di Loreto

Travel tip:

The village of Polisene Parmense, where Bergonzi was born, is about 40km (25 miles) northwest of Parma and around 20km (12 miles) south of Cremona. In January 2016 it merged with Zibello to form the new municipality of Polesine Zibello.  The village contains two buildings of interest - the church of the Beata Vergine di Loreto, also known as Madonnina del Po, which was built between 1846 and 1920 to preserve an effigy fresco of Our Lady of Loreto that had been discovered in an ancient shrine, and the nearby Antica Corte Pallavicina, a fortress that dates back to the 13th century.

The entrance to Bergonzi's restaurant in Busseto, I due Foscari

Travel tip:

Busseto, where Bergonzi sang as a child, is a town in the province of Parma, about 40km (25 miles) from the city of Parma. Verdi was born in the nearby village of Le Roncole but moved to Busseto in 1824. Bergonzi owned a house there and after his retirement also opened a restaurant and hotel there, I due Foscari, named after the Verdi opera about court intrigue in Venice. At the time of his death, I due Foscari was still being run by his son, Marco.

More reading:

How Italy mourned the loss of Giuseppe Verdi

Why Franco Corelli was called 'the prince of tenors'

Pietro Mascagni - a reputation built on one brilliant opera

Also on this day:

1467: The Battle of Molinella sees artillery used for the first time in warfare

1654: The birth of baroque musician Agostino Steffani

1883: The birth of Alfredo Casella, the musician who revived interest in Vivaldi

Home


Home