Ugo Mulas - photographer

Images of street life in Milan and of New York art scene won acclaim

Ugo Mulas began his photography
career in Milan in the 1950s

The photographer Ugo Mulas, much admired for the way he captured the street atmosphere of postwar Milan and for his portraits of Andy Warhol and others in the Bohemian New York art scene of the 1960s, was born on this day in 1928 in Pozzolengo, a small town near the southern tip of Lake Garda.

At one time part of Milan’s fashion community, another of Mulas’s claims to fame is having been the photographer who discovered Veruschka, a German aristocrat who became part of the supermodel generation of Twiggy and Jean Shrimpton in the 60s. 

Known for his meticulous approach to composition and lighting, and for the candid, spontaneous style of his work, illness denied Mulas a long life but he is widely seen as a pioneering figure in photography who had a profound impact on the art form.

Little is known about Mulas’s early life other than that he studied at a classical lyceum and moved to Milan initially to study law, but then switched his focus to art, enrolling at the Accademia di Belle Arti di Brera.

He was drawn towards the company of the artists and intellectuals who frequented the nearby Bar Jamaica. 

A fashionable hang-out at different times for artists such as Piero Manzoni and Lucio Fontana, writers Allen Ginsberg and Salvatore Quasimodo, designers Achille Castiglioni and Ettore Sottsass and actors Dario Fo and Mariangela Melato, it was the Jamaica and its clientele that sparked Mulas to begin taking photographs.

Armed with a compact Leica camera, Mulas developed an eye for pictures that captured the essence of everyday life. In the Brera and beyond, around Milano Centrale station, where people from all walks of life paused in the waiting rooms, and in other locations, he created a visual record of life in a city at the forefront of Italy’s postwar recovery in the early 1950s.

Mulas first gave notice of his photographic talent
with his street scenes in postwar Milan 

He became a regular at the Jamaica, where in addition to taking photographs he made numerous contacts in the fashion industry and the media, which led to his first paid assignment in 1954, when he was invited by the Venice Biennale to cover the exhibition as its official photographer. It was a relationship that would continue until 1972.

The following year he opened his own studio in Milan and his work would soon be illustrating the pages of publications such as Settimo Giorno, Rivista Pirelli, Domus and Vogue, as well as supporting advertising campaigns for clients including Pirelli and Olivetti.

Away from fashion, art and architecture, Mulas still enjoyed taking his camera on to the streets to photograph Italians in their day-to-day life. It was while he was shooting street scenes in Florence, in 1959, that his eyes were drawn towards a woman whose 6ft 3ins frame would make her stand out in any crowd.

This was Veruschka von Lehndorff, a German aristocrat whose father, a member of the German resistance movement in World War Two, had been executed in 1944 for plotting to assassinate Adolf Hitler. She was in Florence in the late 50s to further her study of art.

Mulas’s striking images of her long-limbed elegance found their way to the desk of Diana Vreeland, editor of the US edition of Vogue. It was the start of a modelling career that would see Veruschka paid $10,000 for a single day’s shooting at her peak.

Among the projects for which Mulas won particular acclaim were his 1964 series on the Argentine-Italian artist Lucio Fontana, his reportage on the Sculture nelle città exhibition in Spoleto in 1962 and the series devoted to Ossi di sepia, the collection of poems by Eugenio Montale.

Mulas came into contact with the American art scene at the 1964 Venice Biennale, where his encounters with a number of American artists, art critics, and the art dealer Leo Castelli led him to travel to New York City.

Andy Warhol (right), with the American poet Gerard
Malanga, photographed by Ugo Mulas in New York

The New York art scene in the 1960s was a vibrant and transformative period, marked by a variety of groundbreaking movements and innovative artists.  Mulas was drawn in particular to the Bohemian atmosphere of the Pop Art scene. He won the trust of artists such as Jasper Johns and Roy Lichtenstein and installed himself as a fly on the wall within the studios of six artists he would follow closely over three visits: those of Johns, Lichtenstein, Marcel Duchamp, Andy Warhol, Barnett Newman, and Robert Rauschenberg. 

His collection of more than 100 photographs from this period became the subject of an exhibition and a book. 

From the late 1960s, Mulas began working in theatre, contributing to the stage design for many  productions at Milan's Piccola Scala theatre and the Teatro Comunale di Bologna.

As a photographer, Mulan would continually experiment, always pursuing new ideas for composition, plot and framing. Some of his contemporaries suggested that through his art he sought to understand the depths of human souls. In the late 1960s, he began work on a new series, entitled La Verifiche - the Verification - that was an attempt to analyse the photographic process and identify its value.

It turned out to be his last work of substance. Diagnosed with cancer in 1970, he continued to work for as long as he had the strength but in March 1973, soon after the release of his last book, La Photographie, in which he recorded all his ideas and observations on art and photography, he died at home in Milan at the age of 45, survived by his wife, Antonia “Nini” Bongiorno.

Before he died, Mulas established the Archivio Ugo Mulas, in Via Giovanni Battista Piranesi in Milan, which houses, manages copyright and sales and promotes the artistic work of Ugo Mulas.

The Castello di Pozzolengo in the historic town
close to Lake Garda dates back to the 10th century

Travel tip:

Pozzolengo, where Mulas was born, is a small town in Lombardy, close to the border with the Veneto region and about halfway between Brescia and Verona. Situated just a few kilometres south of Lake Garda, it is surrounded by low hills lined with vines. Its origins can be traced to the Bronze Age, while Roman relics have also been discovered in the area. It has a mediaeval castle, built in the 10th century at the highest point of Monte Fluno, and a 12th century Benedictine monastery, the Abbazia di San Virgilio, now converted to a golf resort. The town’s vineyards produce the Lugana DOC wine, while other local products include saffron and a salami called salame morenico di Pozzolengo. In the 19th century Pozzolengo was the scene of a number of battles which led to the independence and unification of Italy, in particular, of the Battle of Solferino and San Martino in June 1859. Fought between the Austrian and Franco-Sardinian armies with the participation of over 230,000 soldiers, the battle resulted in a victory for the Franco-Sardinian forces, bringing to an end the Second Italian War of Independence.

The Palazzo Brera in Milan is home to the 
prestigious Accademia di Belle Arti di Brera

Travel tip:

The Accademia di Belle Arti di Brera, sometimes shortened to Accademia di Brera, where Ugo Mulas studied after initially pursuing a law degree, is now a state-run tertiary public academy of fine arts in Via Brera in Milan, in a building it shares with the Pinacoteca di Brera, Milan's main public museum for art. The academy was founded in 1776 by Maria Theresa of Austria and shared its premises with other cultural and scientific institutions. The main building, the Palazzo Brera, was built in about 1615 to designs by Francesco Maria Richini.  The Brera district is so named because in around the ninth century, for military purposes, it was turned into a ‘brayda’ – a Lombardic word meaning ‘an area cleared of trees’. For a long time a magnet for artists and writers, the Brera district remains one of Milan’s most fashionable neighbourhoods, its narrow streets lined with trendy bars and restaurants. As the traditional home of many artists and writers, the area has a Bohemian feel that has brought comparisons with Montmartre in Paris.

Also on this day:

1665: The death of painter and printmaker Elisabetta Sirani

1809: The birth of sculptor Giovanni Maria Benzoni

1909: The birth of movie actor Lamberto Maggiorani

1938: The birth of journalist and talk show host Maurizio Costanzo

Home

Giuseppe Morello - gangster

Sicilian established first New York crime ‘family’

Morello was known as 'the claw'
because of a deformed right hand

The Mafia boss Giuseppe Morello, who is credited with building the first of the New York gangs to be known as a crime ‘family’, was born on this day in 1867 in the notorious Sicilian crime stronghold of Corleone, a small town in a mountainous area 50km (31 miles) inland from the island’s capital, Palermo.

Morello had a deformed right hand with a single finger that was always bent, on account of which he became known as Joe l’artiglio - Joe ‘the claw’.

Along with three half-brothers, Morello established the 107th Street Mob in the East Harlem district of Manhattan in the late 1890s, a time when it had a substantial Italian population. The gang is recognised as the organisation that would eventually evolve into the Genovese crime family, the oldest of the New York Mafia’s so-called Five Families.

Also known as Piddu, a Sicilian diminutive of Giuseppe, and sometimes Peter among other names, Morello is thought to have been brought up among the criminal underworld in Sicily on account of his widowed mother, Angelina, marrying Bernardo Terranova, a prominent member of the Corleonesi Mafia.

Giuseppe was only six years old at the time but when he reached maturity, he and his half-brothers, Vincenzo, Ciro and Nicolò, began to take part in Mafia activity.

The young Morello is thought to have emigrated to the United States in around 1892 to escape imprisonment in Sicily after a counterfeiting operation he was running had been exposed. He was also suspected of killing a witness to a murder in Corleone.

He settled initially in the south, taking labourer’s work on sugar cane plantations in Louisiana and cotton plantations in Texas, where he was later joined by other members of his family, including his mother and stepfather, his Sicilian wife, Rosa, and their son, Calogero.

East Harlem in the early 1900s was an area of
New York with a large Italian community

In 1897 Morello moved to New York, accompanied at first by Vincenzo, Ciro and Nicolò. Known as the East 107th Street Mob, they began extorting money from local businesses.

They established links with other criminals, notably another Corleonesi, Ignazio ‘the Wolf’ Lupo, the Mafia boss in Little Italy, Manhattan, who would later marry Morello's half sister, Salvatrice, and Vito Cascio Ferro, a Sicilian with connections to the notorious Black Hand gangsters who terrorised the Little Italy neighbourhood.

As the Morello crime family grew, their rackets extended to loan sharking, fake Italian lottery tickets and robbery and their territory expanded to other parts of Manhattan and The Bronx. They were the first criminal organisation in New York to develop sophisticated money laundering methods through legitimate businesses such as stores and restaurants. 

They also introduced the practice of extorting small amounts of money each week from business owners in exchange for "protection" rather than taking large sums that would put them out of business. 

The Morello gang maintained their grip by dealing ruthlessly with anyone who crossed them or tried to stand up to them. Lupo, his main enforcer, was said to be responsible for more than 60 murders in a 10-year period, often disposing of victims by forcing their dismembered corpses in large wooden barrels, which would then be dumped the sea, left on street corners or in back alleys, or shipped to other cities with labels carrying addresses that did not exist.

Ignazio Lupo was Morello's
ruthless enforcer

In 1903, the group began a major counterfeiting ring. Cascio Ferro, known as Don Vito, printed $5 bills in Sicily and smuggled them into the United States.  By 1905, Morello had created the largest, most influential Sicilian crime family in New York City and was recognised as capo di tutti capi (boss of bosses) by other Mafia leaders.

It was Vito Cascio Ferro who is thought to have murdered the New York police detective Joe Petrosino in Palermo in 1909, in revenge for an investigation that ultimately saw Morello and Lupo jailed. 

Morello and Lupo were both released after serving only nine years of their sentences but emerged to find the New York crime scene dominated by conflicts between rival gangs.

Nicolò, the youngest of his three-half brothers, had taken control of Morello activities but in 1916 was killed by the Neapolitan boss in Brooklyn, Pellegrino Morano, as part of the Mafia-Camorra War.

Morello found himself under threat from Salvatore D’Aquila, his former lieutenant, who was now a boss himself and ordered Morello killed.

Morello fled to Sicily, where - thanks to his chief ally, Giuseppe Masseria - he foiled a plot to kill him in Sicily and returned to New York, becoming consigliere to Masseria, with whom he enjoyed some prosperity throughout the Prohibition years of the 1920s.

However, during the so-called Castellammarese War, between 1930 and 1931, in which Masseria and Morello fought against a rival group based in Brooklyn, led by Salvatore Maranzano and Joseph Bonanno, Morello was killed on August 15, 1930, while collecting cash receipts in his East Harlem office, his murderer almost certainly acting on the orders of Maranzano.

Masseria himself was killed the following year, shot dead in a restaurant in Brooklyn, the victim of a plot by some ambitious mobsters he had recruited himself but who now turned against him, including Charles ‘Lucky’ Luciano, Joe Adonis, Vito Genovese and Albert Anastasia, all of whom would go on to become powerful Mafia figures in their own right. Luciano took control of Morello-Masseria operations and the organisation was known as the Luciano family from 1931 until 1957, when power shifted to Genovese.

The church of San Domenico in one of the most
historic Corleone streets, Via XXIV Maggio

Travel tip:

Corleone, a town of around 12,000 inhabitants in the province of Palermo, was once dominated by Arabs before falling into the hands of the Normans.  Its strategic position overlooking the main routes between Palermo and Agrigento meant it was on the frontline in many wars.  At one time the town had two castles and was encircled by a defensive wall.  Its association with the Mafia began in the 1960s following the outbreak of violence that followed the killing of clan boss Michele Navarra. The link was solidified when author Mario Puzo decided his main character in The Godfather would be known as Vito Corleone after a United States immigration official processing the arrival of Vito Andolini mistook his place of origin for his surname. In fact, several real life Mafia bosses, including Tommy Gagliano, Gaetano Reina, Jack Dragna, Luciano Leggio, Leoluca Bagarella, Salvatore Riina and Bernardo Provenzano, came from Corleone and the Corleonesi clan dominated the Sicilian Mafia in the 1980s and 1990s, when they were seen as the most violent and ruthless group ever to take control.

Palermo's majestic Cathedral of the Assumption of
the Virgin Mary has many architectural elements

Travel tip:

Although Palermo’s reputation has suffered at times because of the Mafia’s presence, visitors to Sicily’s capital these days would normally witness nothing to suggest that the criminal underworld exerts any influence on daily life.  Situated on the northern coast of the island, Palermo is a vibrant city with a wealth of beautiful architecture bearing testament to a history of northern European and Arabian influences.  The church of San Cataldo on Piazza Bellini is a good example of the fusion of Norman and Arabic architectural styles, having a bell tower typical of those common in northern France but with three spherical red domes on the roof, while the city’s majestic Cathedral of the Assumption of Virgin Mary includes Norman, Moorish, Gothic, Baroque and Neoclassical elements. Palermo’s opera house, the Teatro Massimo, is the largest in Italy and the third biggest in Europe.

Also on this day:

1660: The birth of Baroque composer Alessandro Scarlatti

1894: The birth of architect Michele Busiri Vici

1913: The birth of car designer Pietro Frua

1930: The birth of campaigning politician Marco Pannella

Home

Salvatore Di Vittorio – composer and conductor

Musician has promoted his native Palermo throughout the world

Salvatore Di Vittorio is the musical director and
 conductor of the Chamber Orchestra of New York

Salvatore Di Vittorio, founding music director and conductor of the Chamber Orchestra of New York, was born on this day in 1967 in Palermo in Sicily.

Also a composer, Di Vittorio has written music in the style of the early 20th century Italian composer, Ottorino Respighi, who, in turn, based his compositions on the music he admired from the 16th and 17th centuries.

Di Vittorio has been recognised by music critics as respectful of the ancient Italian musical tradition and also as an emerging, leading interpreter of the music of Ottorino Respighi.

He began studying music when he was a child with his father, Giuseppe, who introduced him to the operas of Giuseppe Verdi and Giacomo Puccini. He went on to study composition at the Manhattan School of Music and Philosophy at Columbia University.

He has since worked with orchestras all over the world and composed music for them to perform and has also taught music in New York.

In 2007, Di Vittorio was invited by Elsa and Gloria Pizzoli, Respighi’s great nieces, to edit and complete several of the composer’s early works, including his first Violin Concerto, composed in 1903.

Di Vittorio has been honoured by his
home city of Palermo

Di Vittorio premiered and then recorded his completed versions of Respighi’s music, along with his own Overtura Respighiana. The recordings were released in 2011.

He has also edited Respighi’s 1908 orchestration of Claudio Monteverdi’s Lamento di Arianna, from the 1608 opera, Arianna.

In November 2012, the critics acclaimed his neo-classical compositions after the world premiere of Di Vittorio’s Sinfoni No 3 Templi di Siciliana with the Orchestra Sinfonica Siciliana at the Teatro Politeama Garibaldi in Palermo.

He completed Respighi’s orchestration of the 1913 Tre Linche - Three Art Songs - in time for the 100th anniversary of the compositions in 2013.

In 2019, Di Vittorio completed the first printed edition of Respighi’s second violin concerto, ‘all’Antica.

Di Vittorio has been awarded the Medal of Palermo from Mayor Leoluca Orlando, in recognition of his contribution to promoting the city of Palermo around the world.

Ottorino Respighi was the inspiration
for Di Vittorio's music

In 2016, Di Vittorio became the first Italian-born composer to be invited to donate an autograph manuscript of his work to the Morgan Library and Museum’s world-renowned music archive. He composed La Villa d’Este a Tivoli in 2015 for the Morgan on the occasion of its exhibition, City of the Soul: Rome and the Romantics.

In June 2019, Di Vittorio recorded a second album of his music, which included several world premiere recordings and his new, fourth symphony.

He has said he is fascinated by storytelling in music and is known for his lyrical, symphonic poems, which are often inspired by classical antiquity and show connections to the Italian Renaissance and Baroque periods.

Di Vittorio lives with his family in both Palermo and New York.

Mount Etna, still an active volcano, is a dominant
presence in the east of the island of Sicily

Travel tip:

Sicily is the largest island in the Mediterranean, just off the toe of Italy’s boot. The ancient ruins, diverse architecture and wonderful cuisine enjoyed by visitors are all testament to the island’s colourful history. Watching over the island is Mount Etna, a volcano that is still active. The capital city, Palermo, where Salvatore di Vittorio was born, has a wealth of beautiful architecture, plenty of shops and markets and is home to the largest opera house in Italy, the Teatro Massimo.

The Teatro Politeama Garibaldi in Palermo staged the world
premiere of Di Vittorio's Sinfoni No 3 Templi di Siciliana

Travel Tip:

The Teatro Politeama Garibaldi, where Salvatore Di Vittorio conducted the Orchestra Sinfonica Siciliana playing his Sinfoni No 3 Templi di Siciliana on the occasion of its world premiere, is in Piazza Ruggero Settimo in the historic centre of Palermo. It is the second most important theatre in the city, after the Teatro Massimo. The theatre was inaugurated as the Teatro Municipale Politeama in 1874, but after the death of Giuseppe Garibaldi in 1882, it was decided to name the theatre after him. The theatre was finally completed in 1891 and opened by King Umberto I and Queen Margherita, who were treated to a performance of Giuseppe Verdi’s Otello, featuring the tenor Francesco Tamagno., who had sung Otello in the first performance of the opera in 1887.

Also on this day:

1885: The birth of tenor Giovanni Martinelli

1965: The birth of actress Valeria Golino

1968: Soave is awarded DOC status


Home

Giulio Gatti-Casazza - impresario

Manager who transformed the New York Met

Gatti-Casazza was manager at La Scala in
Milan before working in New York

Giulio Gatti-Casazza, the impresario who as general manager transformed the Metropolitan Opera in New York into one of the world’s great houses, was born on this day in 1869 in Udine in northeast Italy.

The former general manager at La Scala in Milan, Gatti-Casazza was in charge of the Met for 27 years, from 1908 to 1935.

In that time, having brought with him from Milan the brilliant conductor and musical director Arturo Toscanini, he not only attracted almost all of the great opera singers of his era but set the highest standards for the company, which have been maintained to the present day.

Gatti-Casazza also pulled off the not inconsiderable feat of rescuing the Met from the brink of bankruptcy after the stock market crash of 1929.

The young Gatti-Casazza had studied engineering after leaving school, graduating from the Genoa Naval School of Engineering, yet the love of opera was in the family. His father was manager of the Teatro Comunale, the municipal theatre in Ferrara, where they had moved when Giulio was young, and he succeeded his father in that role in 1893.

He proved very effective, combining his knowledge of opera with a natural gift for management. His success attracted attention and in 1898, at the age of just 29, he was recommended by the composer Arrigo Boito as a suitable candidate to be general manager at Teatro alla Scala - universally known as La Scala - in Milan.

A photograph taken at a dinner held in honour of Gatti-
Casazza and Toscanini at the Hotel St Regis in New York

Gatti-Casazza was appointed at the same time as Toscanini, also 29, was hired as principal conductor, having made his mark already in Buenos Aires and Turin.

At La Scala, he undertook a complete administrative overhaul and redefined the house’s purpose, turning it from a commercial theatre to a centre of excellence, dedicated to the advancement of the musical arts. It soon came to be seen as a temple of opera in Europe comparable with the opera houses of Paris and Vienna.

Again, his achievements were soon noted further afield, and in 1908 came an offer from Otto Kahn, chairman of the board of the Metropolitan Opera, to go to New York. 

Toscanini was persuaded to go with him, while another bonus was the opportunity to work again with Enrico Caruso, the brilliant Neapolitan tenor who had been given his debut at La Scala by Gatti-Casazza in 1900. Caruso had been at the Met since 1903, hired by the Austrian impresario Heinrich Conried, Gatti-Casazza's predecessor as general manager.

Gatti-Casazza with his first wife, the
soprano Frances Alda, in 1921

Early in their tenure, Gatti-Casazza and Toscanini arranged for the great composer Giacomo Puccini, whose fame had been established by the success of La Bohème and Tosca, to oversee a production of Madama Butterfly as well as commissioning him to write La Fanciulla del West for Caruso and their Czech soprano Emmy Destinn. The opera had its world premiere at the Met in 1910.

Under Gatti-Casazza's leadership, the Met’s reputation grew exponentially and most of the world’s celebrated singers in the early 20th century were only too eager to appear there, including Frances Alda, Amelita Galli-Curci, Lily Pons, Giovanni Martinelli, Beniamino Gigli, Titta Ruffo and Giacomo Lauri-Volpi.

Gatti-Casazza became the toast of the New York cultural scene, twice featuring on the cover of Time Magazine as one of the first Italians to be afforded that honour.

Although he suffered a blow in 1915 when Toscanini decided to return to Italy, by far the biggest crisis to face Gatti-Casazza in New York was the Wall Street Crash of 1929, which prevented a planned move of the company to a new home at the Rockefeller Centre and revealed large holes in the Met’s finances.

Along with other staff, Gatti-Casazza took a cut in salary in a bid to keep the business going. But it was mainly his willingness to embrace new opportunities that enabled him to ride out the storm.

One of the first to see records as a way to build a Metropolitan Opera brand, he had responded to the travel restrictions of the First World War by encouraging and promoting American singers and when Paul Cravath, who had succeeded Khan as chairman of the board, signed a contract with the National Broadcasting Company to deliver weekly radio broadcasts of concerts - beginning with Engelbert Humperdinck’s Hansel and Gretel on Christmas Eve, 1931 - Gatti-Casazza took on the challenge with typical entrepreneurial enthusiasm.

Twice married - first to the New Zealand-born soprano Frances Alda and later to the Italian ballerina Rosina Galli, he retired from his position at the Met in 1935 and returned to Italy, working again in Ferrara until his death in 1940.

The Piazza della Libertà is the architectural showpiece
of the northeastern city of Udine

Travel tip:

Udine is an attractive and wealthy provincial city and the gastronomic capital of Friuli-Venezia Giulia. Udine's most attractive area lies within the medieval centre, which has Venetian, Greek and Roman influences. The main square, Piazza della Libertà, features the town hall, the Loggia del Lionello, built in 1448–1457 in the Venetian-Gothic style, and a clock tower, the Torre dell’Orologio, which is similar to the clock tower in Piazza San Marco - St Mark's Square - in Venice.  The city was part of the Austrian Empire between 1797 and 1866 and retains elements of a café society as legacy from that era, particularly around Piazza Matteotti, known locally as il salotto di Udine - Udine's drawing room.

Find hotels in Udine with TripAdvisor

The Castello Estense, built in the later years of the 14th
century, dominates the centre of Ferrara

Travel tip:

The Este family ruled the city of Ferrara in Emilia-Romagna between 1240 and 1598, the character of the urban landscape established in that time still visible in the narrow, medieval streets to the west and south of the city centre, between the main thoroughfares of Via Ripa Grande and Via Garibaldi. The centre is dominated by the magnificent, moated Este Castle (Castello Estense), on which work began in 1385 and which was added to and improved by successive rulers of Ferrara until the end of the Este line. The castle was purchased for 70,000 lire by the province of Ferrara in 1874 to be used as the headquarters of the local prefecture.


More reading:

The chance career-change that turned Arturo Toscanini from cellist to world famous conductor

Arrigo Boito, the composer and patriot who fought with Garibaldi

Enrico Caruso, the tenor some call the greatest of all time

Also on this day:

1702: The birth of Sicilian architect Giovanni Basttista Vaccarini

1757: The birth of eye surgeon Giuseppe Forlenza

1857: The birth of sculptor Giuseppe Moretti

(Picture credit: Castello Estense by Massimo Baraldi)

Home

Gaetano Russo - sculptor

Creator of New York’s Christopher Columbus Monument

Gaetano Russo's monument to Christopher
Columbus has been in place since 1892

The sculptor Gaetano Russo, famous for having created the monument dedicated to Christopher Columbus at Columbus Circle in New York, was born on this day in 1847 in the Sicilian city of Messina.

Russo’s 13ft (3.96m) statue of the 15th century Genoese explorer, carved from a block of Carrara marble, stands on top of a 70ft (21.3m) granite column, decorated with bronze reliefs depicting the Niña, the Pinta and the Santa Maria, Columbus’s three caravel sailing ships.  At the foot of the column there is an angel holding the globe.

Unveiled on October 12, 1892 on the 400th anniversary of Columbus’s voyage to the Americas, the statue was a gift to the city from New York’s Italian-American community, funded by a campaign by an Italian-language newspaper, Il Progresso.

For the laying of the statue’s cornerstone, a procession took place from Little Italy to what is now called Columbus Circle, at the southern end of Central Park, a distance of 6.5km (4.2 miles). Close to 10,000 people are said to have attended the dedication ceremony.

Additional ornamentation around the base of the column depicts Columbus’s journey, American patriotic symbols, and allegorical figures. The monument was restored in 1992 on the occasion of the 500th anniversary of his transatlantic crossing.

The Columbus Circle intersection, seen from the air, is
an important part of the geography of New York City

Columbus Circle, at the intersection of Broadway, Central Park West, Central Park South (West 59th Street) and Eighth Avenue, has a symbolic importance to New Yorkers, as the traditional geographic centre of the city.

For decades, the Hagstrom Map Company sold maps that showed the areas within 25 miles (40km) or 75 miles (121km) of Columbus Circle. Even today, the New York City government employee handbook defines 'long-distance travel' as a trip beyond a 75-mile (121km) radius of Columbus Circle.

The monument came under threat in 2018 as part of a nationwide review of whether figures regarded traditionally as American heroes, and who were celebrated in statues and other monuments, deserved their status. Columbus was controversial for having taken back indigenous people from the Caribbean to sell in Spain as slaves and there were calls for the statue to be taken down.

However, after Governor of New York Andrew Cuomo, who is descended from Campanian immigrants, had spoken out on behalf of his fellow Italian-Americans in upholding the importance of Columbus in the links between the two countries, it was announced that the statue would stay in place but that there would be notices placed in or around Columbus Circle explaining the history of Columbus and of the monument.

The angel holding a globe on the pedestal
of the Christopher Columbus Monument

Gaetano Russo was born in Via dell’Oliveto in Messina and baptised in the nearby church of San Leonardo.

Little is known about his early life until 1870, when he received a grant to go to Rome where he studied with Girolamo Masini and Giulio Monteverde.

He worked in both Rome and his native Sicily. In the capital he was commissioned to sculpt bas-reliefs for the facade of the building that now houses the Academy of Dramatic Art, the pediments of the Policlinico Umberto I and the cenotaph dedicated to Felice Bisazza.

In Messina he was commissioned to make funerary sculptures for the monumental cemetery and the monument to Marco Miceli Puglisi, dated 1877, on which stands an imposing winged figure.

No record of Russo exists after 1908 and it is assumed that he died in the devastating earthquake of the same year that destroyed much of Messina and may have killed up to 200,000 people. It is known that his brothers, Letterio and Stellario, both perished and that all the buildings in and around Via dell'Oliveto, a heavily populated area of ​​the city, disappeared.

Messina's 12th century cathedral, originally built by the
Normans, suffered serious damage in the 1908 earthquake

Travel tip:

Messina is a city in the northeast of Sicily, separated from mainland Italy by the Strait of Messina. It is the third largest city on the island and is home to a large Greek-speaking community. The 12th century cathedral in Messina has a bell tower which houses one of the largest astronomical clocks in the world, built in 1933. Originally built by the Normans, the cathedral, which still contains the remains of King Conrad, ruler of Germany and Sicily in the 13th century, had to be almost entirely rebuilt following the earthquake in 1908, and again in 1943, after a fire triggered by Allied bombings.

Gaetano Russo sculpted the figures in the pediment
over the entrance to the Policlinico Umberto I in Rome

Travel tip:

Located in the San Lorenzo quarter, the Policlinico Umberto I of Rome, where Russo sculpted the bas relief figures decorating the pediment over the main entrance, is the polyclinic of the faculty of medicine and surgery of the Sapienza Università di Roma. The city’s main hospital, it is the second largest public hospital in Italy. Its construction was promoted by Italian physicians and politicians Guido Baccelli and Francesco Durante and began in 1883 to plans by Giulio Podesti and Filippo Laccetti. The opening was presided over by the then university rector Luigi Galassi and by King Umberto I, after whom it is named.


More reading:

The Alabama legacy of Giuseppe Moretti

How Corrado 'Joe' Parnucci made his made on Michigan

The genius of Gian Lorenzo Bernini

Also on this day:

1891: The birth of World War One flying ace Luigi Olivari

1941: The death of  mathematician Tullio Levi-Civita

1966: The birth of footballer Stefano Eranio


Home

Primo Carnera - boxer

Heavyweight’s career dogged by ‘fix’ rumours

Primo Carnera became world heavyweight
champion in New York in 1933

The boxer Primo Carnera, who was world heavyweight champion between 1933 and 1934, was born on this day in 1906 in a village in Friuli-Venezia Giulia.

After launching his professional career in Paris in 1928, Carnera moved to the United States in 1930 and spent many years there, returning from time to time to Italy, where he had a house built for himself and his family, but not permanently until he was in declining health and decided he would like to spend his final years in his home country.

He won 89 of his 103 fights, 72 by a knockout, although there were suspicions that many of his fights were fixed by the New York mobsters who made up his management team, even including the victory over the American Jack Sharkey that earned him the world title.

Physically, he was a freak.  Said to have weighed 22lbs at birth he had grown to the size of an adult man by the time he was eight. By adulthood, he was a veritable giant, by Italian standards, standing 6ft 6ins tall when the average Italian man was 5ft 5ins.  His fighting weight was as high at times as 275lb (125kg).

Born into a peasant family in the village of Sequals, around 45km (28 miles) west of Udine, at the northern edge of a plain bordering the Friulian preAlps, Carnera had little option but to leave the area as soon as he was strong enough to work.

Primo Carnera, who stood 6ft 6ins tall, towered above
the average man of his day, as this news cutting shows

In the aftermath of the First World War, Sequals was a place of devastation and deprivation, with no prospect of finding employment.

Carnera left at the age of 12, finding his way to France where he did labourer's work, carrying bags of cement, laying bricks or cutting stones. At 17, he joined a travelling circus, where he was variously paraded as a freakshow giant, a strongman, and a wrestler.

He entered the fight business after a journeyman French heavyweight came across him in a park and recommended him to a boxing manager called Leon See.  Within two weeks, he was in the ring and within less than 18 months had a wins to losses record of 16-2.

Even then, given Carnera’s lack of technique, there were suspicions that See’s underworld connections were playing a big part in his success. His physical size made him a money-spinner in terms of tickets sales and it was in the interests of both his own camp and his opponents’ for his reputation to grow.

Vincent 'Mad Dog' Coll, an Irish villain who
was part of Carnera's management team

See took him to the United States, where it was not long before his management team was populated by characters with such dubious names as Vincent ‘Mad Dog’ Coll and Owney ‘The Killer’ Madden, both of whom were involved in organised crime.

In his United States debut at Madison Square Garden, Carnera’s opponent fell in unlikely fashion only a minute into the fight and over the next four years Carnera’s bouts followed a similar pattern.

The press nicknamed him ‘the Ambling Alp’ because of his slow movement around the ring and his poor technique yet he remained a major draw. It has been suggested that he even believed his own publicity, convincing himself that his fists somehow packed superpowers.

His winning of the world title came as a major surprise because Sharkey had beaten him comprehensively only a year before.  However, when it was not in the interests of his mobster connections for him to win, Carnera often took a heavy beating.

For example, when he defended his world title against Max Baer in June 1934 he was knocked to the canvas 13 times before losing on a technical knock-out.

Yet he was allowed to continue his career and retired only when a combination of kidney failure and diabetes made it impossible for him to continue.

Carnera ahead of his 1935 fight with future
world champion Joe Louis, who knocked him out

His post-retirement life was carefully planned, Carnera announcing in 1930 that he wanted to build a luxurious house in Sequals to which he intended to retire.  The project was completed in 1932, when architect Mariano Pittana unveiled a cutting edge design featuring Anglo-Saxon and Art Nouveau features. Carnera remained in the United States but returned to Italy for holidays.

Carnera holds the second-most victories of all heavyweight champions with 88. His 71 career knockouts is the most of any world heavyweight champion, yet his legacy will be forever tarnished by the accusation that many of his fights had pre-arranged outcomes.

In addition to boxing, Carnera enjoyed an acting career in which he appeared in more than 10 films, and wrestled professionally as well.

His story entered popular culture in several ways, with his life depicted in a number of books and films, notably Budd Schulberg’s 1947 novel, The Harder They Fall, which was about a giant boxer whose fights are fixed.

It was made into a film by the Canadian producer and director Mark Robson in 1956, starring Humphrey Bogart.  Controversially, it featured Max Baer, playing a fighter the mob could not fix, who destroys the giant in his first fair fight.

There were obvious parallels with the real-life Baer-Carnera fight two decades before. In response, Carnera sued the film company, but was unsuccessful.

Married since 1939 to Giuseppina Kovačič, a post office clerk from Gorizia, Carnera became an American citizen in 1953, when he and his wife opened a restaurant in Los Angeles. They had two children, Umberto and Giovanna Maria.

Carnera died in 1967 in Sequals from a combination of liver disease and diabetes. He was 60 years old.

The Villa Carnera in Sequals is open to visitors

Travel tip:

The Villa Carnera in the pleasant village of Sequals can be found in the Via Roma, set back from the road near the junction with Via San Giovanni.  In what was then a relatively poor community, with simple houses built from local stone, Carnera’s large art Nouveau house, equipped with running water, electric light and heating, seemed like a fantasy palace.  Since 2012, the villa, which was sold by the Carnera family to a private individual in 1972, has been open to the public on Sunday afternoons from May to the end of October, displaying an exhibition about Carnera’s life.

The Corso Vittorio Emanuele II in Pordenone

Travel tip:

Pordenone, in whose province Sequals falls, is an attractive small city of around 50,000 people with a rich history reflected in many beautiful palaces, churches, frescoes and monuments. The city centre has many elegant pedestrianised streets, including the historical Corso Vittorio Emanuele II, linking Piazza Cavour with the Gothic-Romanesque cathedral, which contains among other artworks a painting attributed to the Venetian artist Tintoretto.

More reading:

Vito Antuofermo, the farmer's son who became world champion

How Giuseppe Curreri became Johnny Dundee

The Sicilian boxer whose son was the legendary Frank Sinatra

Also on this day:

1797: The birth of mezzo-soprano Guiditta Pasta

1954: Trieste becomes part of Italy


Home

Alex Zanardi - racing driver and Paralympian

Crash victim who refused to be beaten

Ex-motor racing champion Alex Zanardi won his first
 Paralympic gold medals at the 2012 Games in London

Alessandro 'Alex’ Zanardi, a title-winning racing driver who lost both legs in an horrific crash but then reinvented himself as a champion Paralympic athlete, was born on this day in 1966 in the small town of Castel Maggiore, just outside Bologna.

Zanardi was twice winner of the CART series - the forerunner of IndyCar championship of which the marquee event is the Indianapolis 500 - and also had five seasons in Formula One.

But in September 2001, after returning to CART following the loss of his contract with the Williams F1 team, Zanardi was competing in the American Memorial race at the EuroSpeedway Lausitz track in Germany when he lost control of his car emerging from a pit stop and was struck side-on by the car of the Canadian driver Alex Tagliani.

The nose of Zanardi’s car was completely severed as Tagliani's car slammed into Zanardi's cockpit, just behind the front wheel, and the Italian driver suffered catastrophic injuries. Rapid medical intervention saved his life after he lost almost 75 per cent of his blood volume but both legs had to be amputated, one at the thigh and the other at the knee.

Zanardi driving for the Williams F1 team at the 1999
Canada Grand Prix in Montreal

For most drivers, it would have been the end of their career yet Zanardi, although he would never compete in open wheel racing again, fought back from his injuries, learned how to use prosthetic legs he designed himself and, within just 19 months of his accident, was back behind the wheel.

Extraordinarily, he first returned to Lausitz in a gesture of defiance, completing the 13 laps that remained of his fateful 2001 race in a car adapted with hand-operated brake and accelerator controls.

But this was to be no belated farewell to his sport. Noting that his lap times were fast enough to have put him fifth on the grid of the 2003 German 500 event that followed his appearance on the track, Zanardi plotted a comeback.

In a touring car modified to allow the use of prosthetic feet, he made his comeback in a competitive race in October 2003 in a European Touring Car Championship race at Monza and finished seventh. The following season Zanardi returned to racing full-time, driving for Roberto Ravaglia's BMW Team Italy-Spain. 

Zanardi in action for the Italian team at the 2016 Paralympics
in Rio de Janeiro, where he won two gold medals

The series evolved into the World Touring Car Championship in 2005 and Zanardi was to race for BMW for five seasons. Incredibly, he won four races, his first coming in August 2005 at Oschersleben in Germany, no more than 220km (137 miles) from Lausitz.

If that were not enough proof of his extraordinary and undiminished zest for competition, halfway through his five seasons with BMW, Zanardi took up handcycling, a Paralympic sport in which paraplegic athletes race one another in a kind of high-tech tricycle.

He finished fourth in the handcycle category at the New York Marathon of 2007 after just four weeks of training

In 2009 he won the Venice Marathon in the category for the disabled, riding his wheelchair in 1hr 13 mins 56 secs and the 2010 Rome City Marathon in 1:15.53. In 2011, at his fourth attempt, Zanardi won the New York Marathon in his handcycling class.

Zanardi drove in the World Touring Car
Championships for BMW after his crash

Selected for the Italian team at the 2012 London Paralympics, Zanardi won gold in the men's road time trial H4 by a margin of 27.14 seconds as well as the individual H4 road race, plus a silver medal for Italy in the mixed team relay H1-4.  These events took place at Brands Hatch, a motor racing circuit where Zanardi had previously competed in a car.

Zanardi has won an impressive 10 gold medals at four World Championships and picked up two more golds - in the H5 road time trial and the H2-5 mixed team replay - at the Rio Paralympics in 2016.

He has also become a major force in Ironman events and only last month set a world record for a disabled athlete en route to an amazing fifth place overall at the Ironman Italy Emilia-Romagna.  Taking on 2700 mainly able-bodied athletes, he completed the course - made up of a 3.8km (2.4 miles) sea swim, 180km (112 miles) of handcycling and a 42.2km (26.2 miles) wheelchair marathon - a time of 08:26.06, smashing his own world record, set in Barcelona, by more than half an hour.

His Barcelona time of 08:58.59 had made him the first disabled athlete to complete an Ironman triathlon in less than nine hours.

Born into a working class family in Castel Maggiore, Zanardi began racing go-karts at the age of 13, his father, Dino, having been persuaded it was safer than allowing him to ride a motorcycle on public roads.

He stepped up to Formula Three car racing in 1988 and won his first important title in 1990, moving into F1 the following year. His F1 career was the least successful of all his ventures, yielding just one point from his sole podium finish in 41 starts.

Zanardi, who suffered tragedy as a child when his sister, Cristina, died in a road accident, has been married since 1996 to Daniela. They have a son, Niccolò, who was born three years before his accident. He has co-written two books about his life -  Alex Zanardi: My Story (2004) and Alex Zanardi: My Sweetest Victory (2004).

The Villa Zarri, in Castel Maggiore, is now the home
to a distillery producing some of Italy's finest brandy

Travel tip:

Castel Maggiore, where Zanardi was born, is a municipality of more than 18,000 inhabitants that was formerly known as Castaniolo. Its origins are Roman and it did not become Castel Maggiore until the early 1800s, when workshops opened to make agricultural machinery and tools.  The surrounding countryside is notable for a number of beautiful private villas built for the ancient noble families of the area, including Villa Zarri, now a renowned brandy distillery.

Bologna's Piazza Maggiore with the Basilica San Petronio

Travel Tip:

The history of Bologna itself can be traced back to 1,000BC or possibly earlier, with a settlement that was developed into an urban area by the Etruscans, the Celts and the Romans.  The University of Bologna, the oldest in the world, was founded in 1088.  Bologna's city centre, which has undergone substantial restoration since the 1970s, is one of the largest and best preserved historical centres in Italy, characterised by 38km (24 miles) of walkways protected by porticoes.  At the heart of the city is the beautiful Piazza Maggiore, dominated by the Gothic Basilica of San Petronio, the largest brick built church in the world.

More reading:

How Riccardo Patrese became a key figure in the glory years of Williams F1

The brilliance of Mario Andretti, conqueror of F1 and IndyCar

Elio de Angelis - the last of the 'gentleman racers'

Also on this day:

The Feast Day of St John of Capistrano

1457: The Doge of Venice, Francesco Foscari, is thrown out of office


Home