Adolfo Fumagalli - pianist and composer

‘Virtuoso of the left hand’ had brief but influential career

Adolfo Fumagalli was hailed as a 'first-rate'
pianist by Hungarian great Franz Liszt

The pianist and composer Adolfo Fumagalli, who is chiefly remembered for his extraordinary ability to play complicated pieces with only his left hand, was born on this day in 1828 in Inzago, a small town about 28km (17 miles) east of Milan.

Born into a family rich in musical talent, Fumagalli became known at a young age for his technical prowess and expressive style, a dazzling performer playing in the conventional two-handed fashion.

He studied piano at the Milan Conservatory from the age of nine to 19. It is noted that, as a 12 or 13-year-old, his performance playing variations on a march from Gioachino Rossini 's opera L'assedio di Corinto in the Conservatory hall created excitement.

Fumagalli made his public debut in Milan in 1848, at the age of 20. His talent was greeted with enthusiastic acclaim and he was soon captivating audiences across Europe at recitals in Turin, Paris, Belgium and Denmark. A letter written in 1853 by the great Hungarian composer Franz Liszt, described Fumagalli as a 'first-rate' pianist.

His switch to playing with one hand came not out of necessity, as was the case, for example, with the Austrian-born virtuoso Paul Wittgenstein after losing his right arm during World War One, but as part of a Romantic-era tradition among pianists to dazzle audiences with feats of technical brilliance.

Fumagalli saw playing with his left hand only as a daring artistic challenge to push the boundaries of what could be achieved with a single hand on the keyboard.

He composed pieces of his own but it was for his adaptation - for the left-hand only - of existing pieces that he became widely known and admired.

Of these so-called fantasie - fantasies - perhaps his most famous work, the “Grande Fantaisie sur Robert le Diable” by Meyerbeer, became a benchmark of virtuosity. 

Fumagalli in caricature, smoking
a cigar while playing left-handed

There is a caricature drawing of Fumagalli standing beside a piano, playing with his left hand while holding a cigar in his right hand, which might leave the impression that he was merely a novelty act, rather than a serious performer. 

In fact, apart from showcasing his technical ingenuity and staggering dexterity, he left an important legacy, having demonstrated for the benefit of aspiring pianists with injuries or other limitations that their handicaps could be overcome.

Other notable pieces in Fumagalli’s repertoire included operatic fantasies on Vincenzo Bellini’s Norma, Gaetano Donizetti’s Lucia di Lammermoor, and Giuseppe Verdi’s I Puritani, which critics applauded for his imaginative reworking and interpretive depth. 

Fumagalli, whose brothers Carlo, Disma, Polibio, and Luca also became accomplished musicians and composers, would almost certainly have enjoyed a long career playing before audiences around the world had he been blessed with better health. 

However, after returning to Italy in 1854 following a period on tour, he developed tuberculosis and his health began to falter markedly. He continued to perform but on May 3, 1856, just two days after he had given a concert in Florence, he died.

He was just 27 years old and his death shocked the musical world, cutting short a career that many believed was on the cusp of greatness. 

Much of Fumagalli’s work has been lost but some pieces exist. Ferruccio Busoni, an Italian pianist popular in Europe and America in the late 19th and early 20th centuries, included some of Fumagalli’s works in his active repertoire.

More recently, the Milanese pianist Adalberto Maria Riva has revived interest in Fumagalli’s music through both recordings and performances.

The sumptuous Villa Rey is one of several villas
lining the banks of the Martesana Canal in Inzago 

Travel tip:

With a population of around 11,000 today, Inzago is perhaps three times the size it was at the time of Adolfo Fumagalli’s birth, when it was a small town halfway between Milan and Bergamo surrounded by farmland. Today it is part of the Milan metropolitan area, although some 28km (11 miles) from the centre of the Lombardy capital. Its farming roots are still strong and a cattle fair is held in the town every Monday.  The town is divided in two by the Martesana Canal, which has a number of elegant villas – once the summer residences of noble Milanese families – along its banks. Many of these have returned to their former splendour in recent decades thanks to some private individuals who have renovated them. Among the most notable are Villa Aitelli, Villa Magistretti, Villa Rey and Villa Facheris. 

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The historic Milan Conservatory boasts an impressive
roll call of celebrated former pupils 

Travel tip:

The Milan Conservatory - also known as Conservatorio di musica “Giuseppe Verdi” di Milano - was established by a royal decree of 1807 in Milan, capital of the Napoleonic Kingdom of Italy. It opened the following year with premises in the cloisters of the Baroque church of Santa Maria della Passione in Via Conservatorio. Though Verdi famously failed his entrance exam here in 1832, the conservatory was later named in his honour, reflecting his towering influence on Italian music. By the 19th century, the conservatory had become a hub for public performances and contemporary music programs, embracing both tradition and innovation. More recently, it has become the first Italian conservatory to offer education across all musical languages, from classical to jazz and experimental forms.  The largest institute of musical education in Italy, its alumni as well as Adolfo Fumagalli include Giacomo Puccini, Amilcare Ponchielli, Arrigo Boito, Pietro Mascagni, Riccardo Muti and Ludovico Einaudi.

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More reading:

The 19th century violin virtuoso considered to be Paganini’s successor

Giuseppe Verdi, the composer who became a national symbol

The Italian jazz pianist who learned at the feet of American greats

Also on this day:

1882: The birth of Futurist painter Umberto Boccioni

1956: The birth of Carlo Urbani, the microbiologist who identified SARS virus

2012: The death of three-times Giro d’Italia champion Fiorenzo Magni 

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Bernardo Pisano – musician and priest

First composer to have collection of his music printed

A page from an early printed collection
of music by Bernardo Pisano

Bernardo Pisano, who is believed to have been the first composer of the Italian madrigal, was born on this day in 1490 in Florence.

Pisano - sometimes known as Pagoli - was so important in musical circles during his lifetime that he is also thought to have been the first composer anywhere in the world to have a printed collection of secular music devoted entirely to himself.

Although he was born in Florence, it is supposed that, because he used the name Pisano, he must have also spent some time living in Pisa. 

As a young man, he sang and studied music at the Church of the Santissima Annunziata in Florence. In 1512, he became maestro di cappella there in addition to supervising the choristers and singing in the chapels himself. 

As a favourite of the Medici family, he was appointed to sing in the papal chapel in Rome in 1514 after Cardinal Giovanni de’ Medici became Pope Leo X. While there, he also taught Francesco Corteccia, an organist and composer for Cosimo I de’ Medici.

Pisano stayed in Rome for the rest of his life, singing in the papal chapel choir, and he acquired ecclesiastical benefices from the Medici at the cathedrals of Seville and Lerida in Spain.

However, he made the mistake of returning to Florence in 1529 during the three-year period of republican government of the city. He was seized and imprisoned because he was known to have close connections to the Medici family. While he was being kept prisoner, he was accused of being a papal spy and tortured.

After the siege of Florence in 1529, the city was recaptured by papal troops and the Medici were returned to power there. Pisano was released and was able to go back to live in Rome.

Raphael's portrait of Pope Leo X, who
was Pisano's friend and patron

Pisano had written sacred music during his time as maestro di cappella at the Church of the Annunziata. But he was later to be more influential as a composer of secular music and he was believed to be history's first madrigalist.

Madrigals were sung during the 15th and 16th centuries by groups of between two and eight voices. In 1520, a Venetian printer published ‘Musica di Messer Bernardo Pisano sopra del canzone del Petrarca’. While the pieces in the collection were not actually called madrigals, they contained features that have been recognised in retrospect as being distinctive of the madrigal genre. 

The collection was made up of verses by the poet Petrarch set to music by Pisano. He was influenced by the literary theories of the poet and scholar Pietro Bembo, who was a secretary to Pope Leo X and later became a Cardinal appointed by Pope Paul III.

This publication was also the first known collection of secular music by a single composer to be printed. 

Later composers who became masters of the madrigal genre are known to have been aware of this work by Pisano and to have copied some of his stylistic traits from it.

In 1546, Pope Paul III appointed Pisano as maestro di cappella of his private chapel. Among the singers in his group was a Franco/Flemish musician, Jacques Arcadelt, who was later to become famous as a madrigal composer. 

Bernardo Pisano died in 1548 in Rome. He is buried in the Church of Santa Maria sopra Minerva next to the two Medici popes who had been his friends and patrons.

 Giovanni Battista Caccini's Renaissance-style
facade of the Basilica della Santissima Annunziata

Travel tip:

The Basilica della Santissima Annunziata, where Bernardo Pisano was maestro di cappella, is a minor Catholic basilica near the centre of Florence. The church was founded in 1250 by the seven original members of the Servite order and is located in Piazza Santissima Annunziata. In 1252 a friar was commissioned to produce a painting of the Annunciation for the church. He was said to have despaired about being able to do justice to the face of the Virgin and eventually fell asleep while working on it, but when he woke again the painting had been miraculously completed. He attributed this to the work of an angel. The painting has since attracted many pilgrims to visit it, including Pope Alexander VI, who gave a silver effigy to the church. It has since become the tradition for brides in Florence to visit the church to leave their bouquets there.

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The Gothic interior of the Basilica di Santa Maria
sopra Minerva in Rome, where Pisano is buried

Travel tip:

The Basilica di Santa Maria sopra Minerva, where Bernardo Pisano is buried, is in Piazza della Minerva in Rome. The name of the church is derived from the fact that the original structure was built directly over the ruins of a temple dedicated to the Egyptian goddess Isis, that had been wrongly ascribed to the Greek/Roman goddess Minerva. It is located to the east of the Pantheon in the Pigna rione of Rome in the ancient district known as Campus Martius. Dominican friars began building the present Gothic church structure in 1280, modelling it on Santa Maria Novella in Florence. In 1431 the church and adjacent convent was the site of a papal conclave, when 14 Cardinals sitting in the sacristy elected Pope Eugenius IV. After his death, a second conclave was held there in 1447 when 18 Cardinals elected Pope Nicholas V. The church houses a marble sculpture by Michelangelo, Cristo della Minerva, representing the figure of Christ carrying the cross, which is located to the left of the main altar.

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More reading:

How the madrigal genre influenced the composer Monteverdi 

The madrigal writer also known for a brutal murder

The Medici musician who invented the madrigal comedy

Also on this day:

1492: The death of Renaissance painter Piero della Francesca

1812: The death of Ascanio Sobrero, the chemist who discovered nitroglycerine

1935: The birth of tenor Luciano Pavarotti

2006: The death of film director Gillo Pontecorvo

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Lucia Valentini Terrani - opera singer

Colaratura mezzo-soprano noted for velvety softness of agile voice

Lucia Valentini Terrani in 1982: The singer had a
powerful stage presence as well as a brilliant voice 

The opera singer Lucia Valentini Terrani, who became one of Italy’s most captivating mezzo-sopranos, blessed with an agile, velvety voice and magnetic stage presence, was born on this day in 1946 in Padua, in the Veneto region.

Equally at home in contralto roles, she was among the most notable interpreters of the 18th and 19th century bel canto repertoire and was a major influence on the way the Gaetano Rossini repertoire evolved over the last three decades of the 20th century.

After her debut in 1969 and breakthrough in 1973, Valentini Terrani sang at most of the world’s major opera houses, in South America and Russia as well as Europe and the United States.

Little is known about her early life in Padua before she attended the city’s Cesare Pollini Music Conservatory. From there she moved to the Benedetto Marcello Conservatory in Venice, where she was a student under the former soprano Iris Adami Corradetti.

There, she laid the foundations for her career. At that point, she performed as Lucia Valentini, making her debut in 1969 in Brescia as Angelina in Rossini’s La Cenerentola, a role that would become her signature. 

With its demanding coloratura and nuanced comedy elements, La Cenerentola showcased Valentini’s vocal brilliance but also her theatrical finesse. 

Following her triumph in the International Competition for New Rossini Voices organised by the broadcaster Rai in 1972, her big breakthrough came in 1973, again in La Cenerentola, this time at Teatro alla Scala in Milan. Stepping in for Teresa Berganza, one of the most popular and admired mezzo-sopranos of the modern era, Valentini reprised the Angelina role to great acclaim. The performance effectively launched her international career.

Alberto Terrani said he was "spellbound
by the beauty of her face" when they met

It was around this time that she met Alberto Terrani, an actor, at a party in Padua. He described being “spellbound by the beauty of her face” and “enraptured by her voice when she started to sing.”

They fell in love and were married in 1973, at which point he gave up his own career to become her manager and she added his name to hers

Valentini Terrani’s artistry was deeply entwined with Rossini’s music. She mastered both his comic heroines and his more florid, serious roles, such as Arsace in Semiramide, Tancredi, and Malcolm in La donna del lago. 

The last three were so-called “trouser roles”, in which a male character is sung by a female singer. Valentini Terrani’s versatile, expressive and richly coloured voice allowed her to perform such roles with convincing masculinity and emotional depth. 

Yet her repertoire was not limited to Rossini and his genre. She also ventured into baroque opera, portraying Medea in Cavalli’s Giasone, Dido in Purcell’s Dido and Aeneas, and Bradamante in Handel’s Alcina, as well as dramatic and lyrical roles such as Eboli in Don Carlos, Carmen, Charlotte in Werther, and Quickly in Falstaff. 

Her international engagements took her to the Metropolitan Opera (debuting in 1975 as Isabella in L’italiana in Algeri), Covent Garden, Paris, Moscow, Buenos Aires, and beyond. 

Valentini Terrani's career was cut short
after she was diagnosed with leukemia

On her visits to Moscow, she embraced Russian opera, performing with distinction in Stravinsky’s Oedipus Rex and Mussorgsky’s Boris Godunov. 

Valentini Terrani’s career was cut short when she was diagnosed with leukemia in 1996. Encouraged by her friend and fellow opera singer José Carreras, who had recovered from the disease, she travelled to the Fred Hutchinson Cancer Research Center in Seattle, where he had been treated successfully. Sadly, though, she died there in 1998 aged just 51, following complications from a bone marrow transplant.

Her legacy endures not only in recordings and memories but also in Padua, where a square near the Teatro Verdi bears her name.  There is also a small hotel in Padua, supported by charity, to accommodate hospital visitors and patients in need of repeated treatment, named the Casa di Accoglienza Lucia Valentini Terrani.

It was inspired by an act of generosity by the singer shortly before she died in Seattle, when she was so dismayed to find that the relatives of fellow patients were sleeping in their cars because accommodation was so expensive that she asked her husband to pay for their hotel rooms.

The Basilica di Sant'Antonio,
with its Byzantine domes

Travel tip:

Lucia Valentini Terrani’s home city of Padua, in Veneto, has a population of around 217,000. It is rich in history, art and architectural treasures. The biggest attractions for visitors include the Scrovegni Chapel, a medieval gem that houses a fresco cycle by Giotto often cited as the dawn of Renaissance painting; the Basilica of Saint’Antonio, notable for its Byzantine-style domes, that houses the relics of St. Anthony and features masterpieces by Donatello; the Palazzo della Ragione, once the seat of Padua’s medieval government and today a civic building with a bustling food market on the ground floor, the elegant Piazza dei Signori, with its beautiful Renaissance clock tower; and Prato della Valle, a vast oval space, built on the site of a former Roman amphitheatre and one of Europe’s largest public squares, which features statues of historic figures around a central island. 

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Brescia's Roman heritage is visible in the ruins
of the Tempio Capitolino in Piazza del Foro

Travel tip:

Brescia, where Valentini Terrani made her public debut, is a city in Lombardy midway between Bergamo and Verona often described as an underrated cultural gem, a mix of Roman and medieval heritage. The Santa Giulia Museum, housed in a former monastery and a UNESCO World Heritage, showcases Roman villas, medieval frescoes, and treasures such as the Desiderius Cross, while Brescia’s ancient heart includes the Capitolium Temple and Forum and other Roman remains that date back to 73AD. Perched on the Colle Cidneo, with panoramic views over the city, is the well-preserved Castello di Brescia.  In the centre of the city, the Piazza della Loggia is a Renaissance square with an astronomical clock and elegant arcades, while the Piazza Paolo VI is home to two cathedrals - the Duomo Vecchio and the Duomo Nuovo, bringing together Romanesque and Baroque styles side by side.  

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Also on this day:

1875: The birth of flautist Leonardo De Lorenzo

1941: The birth of artist and designer Ugo Nespolo

1967: The birth of Tiziana ‘Tosca’ Donati

1991: The Mafia murder of Palermo businessman Libero Grassi

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Gianna Nannini – singer and songwriter

Performer’s interests inspired her ideas for songs

Gianna Nannini on stage at the Kia Metropol
Arena in Nuremburg as part of a 2024 tour

One of Italy’s best-known pop singers and composers, Gianna Nannini, was born on this day in 1954 in Siena in Tuscany. She has composed and recorded many hit songs and has sung duets with well-known artists, ranging from Andrea Bocelli to Sting.

Her composition, Fotoromanzo, peaked at number one for four consecutive weeks in the Italian singles chart. It won musical awards and has since been covered by many other artists and has featured in the soundtrack of a film. Another of her songs, Bello e impossibile, was a hit both in Italy and across Europe.

The daughter of a confectionery manufacturer, Nannini studied the piano in Lucca and then went to the University of Milan to read composition and philosophy. She made her first album, Gianna Nannini, which achieved wide success, in 1976, and she has since produced 30 albums of songs.

Her intellectual interests have led to her becoming involved in some unusual artistic projects, such as when she composed the music for the film A Midsummer Night’s Dream, directed by Gabriele Salvatores, in which she also played the part of Titania.

In the 1990s, Nannini composed the music for two short operas, and she worked with the director Michelangelo Antonioni on a video clip that was filmed to go with Fotoromanzo.

Bruno Bartoletti – operatic conductor

Florentine maestro conquered hearts in Chicago

Bruno Bartoletti spent more than 50 years at Lyric
Opera Chicago as conductor and artistic director  

Internationally acclaimed operatic conductor Bruno Bartoletti, who conducted and served as an artistic director at Lyric Opera Chicago for more than 50 years, was born on this day in 1926 in Sesto Fiorentino in Tuscany.

Bartoletti is recognised as having shaped the excellent reputation of Lyric Opera Chicago for staging great productions of Italian opera masterpieces, as well as modern works. He also directed Teatro dell’Opera di Roma and Maggio Musicale Fiorentino, and was principal conductor at the Danish Royal Opera.

His father, Umberto, was a blacksmith who played the clarinet in a band, and as a young boy Bruno Bartoletti played the piccolo. One of his teachers recognised his musical talent, and her husband, who was the sculptor Antonio Berti, recommended him to the Cherubini conservatory, where he studied the flute and the piano.

Bartoletti went on to play in the orchestra of the Maggio Musicale Fiorentino and then became a pianist on the staff of Teatro Comunale in Florence.

He assisted conductors such as Artur Rodzinski, Dimitri Mitropoulos, Vittorio Gui and Tullio Serafin, who was the one who encouraged Bartoletti to study conducting.

Bartoletti made his professional debut as
a conductor in Florence in 1953

In 1953, Bartoletti made his professional conducting debut at Teatro Comunale in Florence with Giuseppe Verdi’s opera Rigoletto.

Bartoletti made his debut as a conductor in the United States in 1956 with Lyric Opera Chicago when he conducted Verdi’s Il trovatore, after Tullio Serafin had been taken ill. He had been recommended to the theatre by the Italian baritone, Tito Gobbi. 

He subsequently became principal conductor of the Royal Danish Opera between 1957 and 1960.

From 1956 until 2007, Bartoletti conducted 600 performances of 55 different operas for Lyric Opera of Chicago. He became their principal conductor in 1964 and continued in that role until his retirement in 1999. 

He also became co-artistic director at Lyric Opera and was later named sole artistic director. He worked with many famous opera singers, including Placido Domingo, Luciano Pavarotti and Renata Tebaldi. 

His final appearance at Lyric Opera was in 2007 when he conducted Verdi’s La traviata.

Bartoletti died the day before
his 87th birthday in 2013

After his retirement, Bartoletti was given the title of artistic director emeritus by Lyric Opera for the rest of his life.

Bartoletti was awarded the title of Cavaliere di Gran Croce della Repubblica Italiana by the Italian Government, and he was made a member of the Accademia di Santa Cecilia, one of the oldest and most prestigious musical institutions in the world. In his later years, he taught at the Accademia Chigiana in Siena. Bartoletti conducted his final opera, Manon Lescaut, in 2011.

With his wife, Rosanna, he had two daughters and five grandchildren.  He died in Florence the day before his 87th birthday in 2013.

He has been acknowledged as a superb interpreter of 19th century and early 20th century Italian opera, but Bartoletti also embraced modern music and Slavic works, such as Bedrich Smetana’s Bartered Bride and Modest Mussorgsky’s Boris Godunov, during his career, although he is said to have rarely conducted symphonies.

Sesto Fiorentino's historic Palazzo Pretorio was
built at the end of the 15th century

Travel tip:

Bartoletti’s home town, Sesto Fiorentino, known locally as simply Sesto, is a town within the metropolitan area of Florence in Tuscany, situated about 12km (7.5 miles) to the northwest. With a population of around 49,000. It is famous above all for its tradition of ceramics. Once an ancient Etruscan settlement, it began to flourish at the time of ancient Romans, thanks to its position along the Via Cassia. Today, there are more than 100 pottery producers in Sesto Fiorentino, the first having been founded there in 1735 by Marquis Carlo Ginori. Now under the name Richard-Ginori, the company is still located in Sesto, which also hosts a state school for teaching pottery, L'Istituto Statale d'Arte. Notable buildings in Sesto Fiorentino include the beautiful Romanesque parish church of San Martino and the Palazzo Pretorio, built at the end of the 15th century as the seat of the podestà, the local representative of Florentine authority. The 15th century façade is still decorated with the coats of arms of the families who exercised power over the town between the 15th and 16th centuries.

The new Teatro del Maggio Musicale Fiorentino
has been the home of the festival since 2014

Travel tip:

The Maggio Musicale Fiorentino is an annual festival in Florence that has been held since 1933. It was started by Luigi Ridolfi Vay da Verrazzano, a politician and entrepreneur who also founded the AC Fiorentina football club, in conjunction with the conductor Vittorio Gui and another politician, Carlo Delcroix, who was its first president. It usually takes place from the end of April to the beginning of July and includes operas, concerts, ballets and prose performances. It has its origins in the ancient tradition of the musical festivals of May, called maggiolate. Originally, the festival was staged at the Teatro Comunale in Corso Italia, on the edge of the city’s historic centre, about 1.5km (1 mile) from the Ponte Vecchio along the Arno river.  Since 2014, the festival has had its own base at the new Teatro del Maggio Musicale Fiorentino, situated less than a kilometre away on land opposite the public park known as Le Cascine. Designed by Paolo Desideri, it was inaugurated in 2011 with a performance of Beethoven's Ninth Symphony conducted by Zubin Mehta. The square in front of the theatre is named Piazza Vittorio Gui in honour of the festival’s founder.

Also on this day:

1465: The birth of statesman and political adviser Mercurino Arborio di Gattinara

1918: The death of opera composer and librettist Arrigo Boito

1940: Italy enters World War Two

1959: The birth of football manager Carlo Ancelotti

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Angelina Mango - singer-songwriter

2024 Sanremo winner whose parents both competed for coveted prize

Angelina Mango represented Italy at
Eurovision after winning at Sanremo

The singer-songwriter Angelina Mango, whose career reached its high point so far when she won Italy’s annual Sanremo Festival in 2024, was born on this day in 2001 in the town of Maratea in Basilicata.

Mango’s father, Pino Mango, who died in 2014, was a seven-times contestant at Sanremo between 1985 and 2007, achieving his highest finish on his final appearance, when Chissà se nevica - Who Knows if it Snows - placed fifth on the overall vote.

Her mother, Laura Valente, twice trod the famous stage at the Ariston Theatre - Sanremo’s host venue since 1977 - as the lead singer with the group Matia Bazar, finishing fourth in 1993 with Dedicato a te (Dedicated to You).

Angelina Mango’s victory came at the first attempt at the age of 22 when her song La noia (Boredom), which she co-wrote, won the most votes in a strong field.

She was the first female singer to win Sanremo since Arisa triumphed with Contravento (Against the Wind) in 2014.

Following a tradition whereby the winner of the Festival of Italian Song, to give Sanremo its official title, is invited to represent Italy at the Eurovision Song Contest, Mango presented a shortened version of La noia in the final in Malmo in May, finishing a respectable seventh out of 25 contestants.

Mango grew up in Lagonegro, a small town in the northern part of Basilicata where her father was born. She wrote her first song at the age of six, entitled Mi sono innamorata di me (I Fell in Love with Myself). Growing up close to her older brother, Filippo, she was performing for audiences even before entering her teens, singing in a band called Black Lake, in which Filippo played the drums. 

Angelina Mango's father, Pino, performing at his
first Sanremo Festival, 39 years before his daughter

Her voice was good enough for her to sing backing vocals on some of her father’s recordings and even record a duet with him, a version of The Beatles hit Get Back, which featured on what proved tragically to be his final studio album, L’amore e invisibile (Love is Invisible), in May 2014.

In December of the same year, while performing in a charity concert, Pino - generally known simply as Mango - suffered a fatal heart attack on stage at the age of 60.

Pino’s death had a profound effect on Angelina’s life. She quit high school and in 2016 moved with her mother and brother to Milan, her mother’s home city. She enrolled to study modern literature at another high school but dropped out after a month.

When Filippo, who is five years older, began to play the drums in a band in Milan, she joined as a singer.  Audiences began to appreciate her vocal talent and in 2020 she released her first single and EP. In 2021 she performed in Milan Music Week and entered Sanremo Giovani, a competition for up-and-coming young artists that runs parallel to the main festival, although she did not make the televised final rounds.

After signing a contract with Sony Music, her first major break came in 2022 when she participated in Amici di Maria De Filippi, a talent show on Canale 5, Italy’s biggest commercial television channel, in which she won the singing section and finished second overall.

Eyecatching costumes are part of
Angelina Mango's performing style

The appearance provided the platform for a series of successful singles and she was invited to perform at a number of important concerts, including the New Year’s Eve special - Capodanno in musica - on Canale 5.

More singles followed, with Che t’o dico a fa’ (What Did I Tell You to Do?) climbing to No 2 in the Italian singles charts, followed by a sell-out tour.

Success at Sanremo came in February 2024, her performances at the festival, which spans five nights and is broadcast live on Rai Uno, including an emotional interpretation of La rondine - The Swallow - a song written by her father.

Three months after Sanremo, Mango released her first album, Poké melodrama. She was invited to perform the single Melodrama during the final of Amici di Maria De Filippi. The album’s songs became part of the soundtrack of the Italian summer and Poké Melodrama reached No 1 in the Italian album charts.  Another single from the album, Per due come noi - For Two Like Us - a duet performed with Olly, the singer-songwriter and rapper who would win Sanremo 2025, climbed to No 1 in the singles chart.

The only downside of an otherwise highly successful 2025 came right at the end, when a major new tour of Italy had to be cancelled after just three performances when Angelina developed inflammation of the pharynx, which meant she was unable to sing.

The enormous statue of Christ the Redeemer 
looms over Maratea and the surrounding area

Travel tip:

Maratea, the town where Angelina Mango was born, today refers to a collection of settlements near the coast of the Tyrrhenian Sea of which the most interesting is Maratea itself, an historic hilltop village of steep, narrow streets and 44 churches around a charming central square, Piazza Buraglia, which has an elegant fountain at its centre and a variety of shops, bars and restaurants. Lively in the evenings, it has been likened to the famous Piazzetta di Capri, but without the hordes of visitors. The coastline below the village, a natural paradise of fine sandy beaches interspersed with rocky cliffs, has seen Maratea referred to as the Pearl of the Tyrrhenian Sea. Looming above the area is the enormous statue of Christ the Redeemer, a structure made from a mixture of concrete, white cement and marble from Carrara that was erected at the summit of nearby Monte San Biagio in 1965. At 21 metres (69ft) high and with an arm span of 19m (62ft), it is second in size only to the Christ of Corcovado in Rio de Janeiro. 

The church of St Nicholas sits atop a promontory
in the mediæval village of Lagonegro in Basilicata

Travel tip: 

Situated in the valley of the Noce river some 27km (17 miles) northeast of Maratea, Lagonegro, where Angelina Mango grew up and the birthplace of her father, Pino, is a picturesque mediæval village that probably took its name from the dark waters of an Apennine lake once located nearby. The village is divided into two parts: the old village, which clings to a promontory around the ruins of the feudal castle, in which the Church of St. Nicholas, dating back to the 10th century, is the most prominent feature, and the new part, characterised by a large tree-lined square known locally as the "Piano". The old village, enclosed by the remains of the medieval towers and walls, is accessed via a scenic flight of steps leading to an entrance gate known as the Porta di Ferro.  Lagonegro attracts tourists in the winter, thanks to the ski slopes of nearby Mount Sirino, and in summer for its walking trails among the cool forests.

Also on this day:

1598: The death of philosopher Jacopo Mazzoni

1762: The birth of physicist and professor Giovanni Aldini

1886: The death of physician and Garibaldi strategist Agostino Bertani

1920: The birth of politician Nilde Iotti

1926: An airship leaves Rome to make the first flight over the North Pole

1991: Moby Prince car ferry disaster

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Anna Caterina Antonacci – soprano

Acclaimed performer has perfected her portrayal of Rossini heroines

Anna Caterina Antonacci's vocal 
skills were largely self-taught

Italian opera singer Anna Caterina Antonacci, who is considered one of the finest sopranos of her generation, was born on this day in 1961 in Ferrara in Emilia-Romagna.

Particularly known for her roles in Rossini’s operas, Antonacci has been awarded many prizes and honours during her career. In 2021, she was elected as one of the ‘Accademici Effettivi’, by the panellists of the General Assembly of the Accademia Nazionale di Santa Cecilia, one of the oldest, and most prestigious, musical institutions in the world.

After studying in Bologna, Antonacci entered the chorus at the Teatro Comunale di Bologna in 1981. She made her solo debut in 1984 in Pistoia as the Contessa di Ceprano, in Rigoletto, by Giuseppe Verdi. In 1986, in Arezzo in Tuscany, she sang the role of Rosina, the heroine of Gioachino Rossini’s comic opera The Barber of Seville.

Eight years later, she made her debut at the Royal Opera House in Covent Garden in London as Elcia in Mosè in Egitto, another opera by Rossini. In 2006, Antonacci appeared at the Royal Opera House again, this time singing with the German-Austrian tenor, Jonas Kaufman.

Among her many operatic performances, the majority have been as a mezzo-soprano playing Rossini heroines, such as Dorliska in Torvaldo e Dorliska, Ninetta in La gazza ladra, Semiramide in Semiramide, Ermione in Ermione, Elisabetta in Elisabetta, regina d'Inghilterra, Elena in La donna del lago, Zelmira in Zelmira, Elcia in Mosè in Egitto, Anaï in Moïse and Angelina in La Cenerentola.  

She has also appeared in La Voix Humaine, a one act opera for a soprano and orchestra, composed by Francis Poulenc, at the Opera-Comique in Paris in 2013.

Anna Caterina Antonacci (right, foot on stool) in
a scene from Bizet's Carmen on stage in Paris

The soprano was married to the Italian water polo player, Luca Giustolisi, who won a bronze medal in the 1996 summer Olympics in Atlanta in the USA, and they had a son, Gillo.

Sadly, Antonacci was widowed in 2023 after Luca Giustolisi died of cancer at the age of 53, and she went to live in Paris. She has been recognised by the French Government with the award of the Chevalier de l’Ordre National de la Legion d’honneur, the highest national distinction anyone can receive in France.

She has won many prizes and awards during her career and has produced some acclaimed recordings of her operatic roles.

This summer (2025), Antonacci will be performing at Teatro Fenice in Venice, in the role of Madame de Croissy in Poulenc’s Dialogues des Carmélites. 

She is now based at Verbier in Switzerland. 

The Castello Estense in Ferrara sits at
the heart of the historic city

Travel tip:

Ferrara, where Anna Caterina Antonacci was born, is a city in Emilia-Romagna, about 50 kilometres to the north east of Bologna. It was ruled by the Este family between 1240 and 1598 and they built an enormous castle for themselves to live in and to impress their guests. Building work on the magnificent, moated castle, which is in the centre of the city, began in 1385 and it was added to and improved by successive rulers of Ferrara until the end of the Este line. Parts of Ferrara have remained untouched in modern times and you can still see the narrow, mediæval streets to the west and south of the city centre, between the main thoroughfares of Via Ripa Grande and Via Garibaldi, which were part of the original core of the city in the middle ages. The impressive Este Castle was eventually purchased for 70,000 lire by the province of Ferrara in 1874, to be used as the headquarters of the Prefecture. Today, it is still  the highlight of the city for tourists to visit.

Pistoia's duomo, originally built in the
10th century, has a Romanesque facade

 

Travel tip:

Pistoia, where Anna Antonacci made her solo debut, is a pretty, mediæval walled city in Tuscany to the north west of Florence. The city developed a reputation for intrigue in the 13th century and assassinations in the narrow alleyways were common, using a tiny dagger called the pistole, which was made by the city’s ironworkers, who also specialised in manufacturing surgical instruments. The Cathedral of Saint Zeno, or the Duomo of Pistoia, is in the Piazza del Duomo in the centre of the city. Originally built in the 10th century, the cathedral has a façade in Romanesque style. Set around the Piazza del Duomo are the octagonal Battistero di San Giovanni in Corte, and the Palazzo dei Vescovi, an 11th-century palace. The palace was bought and restored by the Cassa di Risparmio di Pistoia, a regional bank, in the late 20th century and it now houses a museum complex. 

Also on this day:

1498: The birth of condottiero Giovanni dalle Bande Nere

1521: The birth of architect Francesco Laparelli

1622: The birth of mathematician and scientist Vincenzo Viviani

1801: The birth of philosopher and politician Vincenzo Gioberti 

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Gaetano Casanova - actor

Best known as father of history’s most celebrated Lothario

A painting by Tiepolo, Minuet at the Villa,
taken by some to represent Zanetta and Gaetano 

Gaetano Casanova, an actor and dancer who fathered two noted painters but, more famously, the notorious 18th century libertine Giacomo Casanova, was born on this day in 1697 in Parma.

From a family originally from the Aragon region of Spain, Gaetano followed the lead of his brother, Giambattista, in leaving the family home in 1713, at the age of 16. He became infatuated with a much older woman, Giovanna Benozzi, who was a commedia dell’arte actress with a touring troupe.

However, Benozzi, who went under the stage name of La Fragoletta - the Little Strawberry - was not so enthusiastic and instead married one of the troupe’s stars, Francesco Balletti, who hailed from a family of famous actors and was their specialist in the role of Arlecchino - Harlequin.

Crestfallen, the young Geatano left the troupe and went to Venice, where he found work at the Teatro San Samuele.

In the event, it was not long before he found a new romantic interest, this time in the daughter of a shoemaker who kept a workshop near where Gaetano was staying. Her name was Zanetta Farussi.

Zanetta’s parents did not approve of their relationship, yet after less than a year they were married in secret. Her father, Girolamo, died not long afterwards, supposedly from a broken heart. Gaetano persuaded her mother, Marcia, to accept the marriage only by promising that she would not follow him into the acting profession.

Francesco Casanova's painting, The Cavalry
Battle, is currently on display at The Louvre

It proved a hollow promise.  Gaetano had a good relationship with the owner of the Teatro San Samuele, Michele Grimani, who was charmed by Zanetta’s good looks and gave her a role.

Indeed, Michele paid such attention to Zanetta that when she and Gaetano’s first child, Giacomo, was born in 1725, he suspected that Michele might be the real father.

Nonetheless, he and Zanetta stuck together and teamed up with a popular acting company to go on tour in London, where their second child, Francesco, was born in 1727.  Giacomo stayed behind in Venice, in the care of the Grimani family.

They went on to have six children before Gaetano died, sadly, at the age of only 36 after developing an infection that stemmed from an ear abscess. 

Of the six children, Francesco and Giovanni both went on to become well known in their own right as painters.

Francesco, who trained initially in the workshop of the Venetian painter Giovanni Antonio Guardi, made his name painting battle scenes, a skill he learned from working with Francesco Simioni. At the height of his popularity, he sold paintings to King Louis XV of France and was commissioned by Catherine the Great of Russia.

Giacomo Casanova, whose
parentage was unclear

Giovanni, a painter of the neoclassicist school, also travelled, widely in Italy and also to Paris, where he was commissioned to paint a portrait of Clement XIII for the Sorbonne university, and to Dresden, where he lived for a while with his mother and his sister, Maria Maddalena, and taught at the Academy of Fine Arts.

Yet their places in history have largely been eclipsed by their brother, Giacomo, whose colourful life after graduating from the University of Padua with a degree in law saw him work at various times as a clergyman, military officer, violinist, businessman and spy.

He frequently embarked on passionate and risky affairs with women, who were often already married. He would regularly run out of money and on several occasions was imprisoned for debt.

Prosciutto di Parma, the ham that had become one
of the edible symbols of the Emilia-Romagna city

Travel tip:

Parma, where Gaetano Casanova was born, is an historic city in the Emilia-Romagna region, famous for food and music among other things. The home of Prosciutto di Parma ham and Parmigiano Reggiano cheese, it has a music conservatory named after Arrigo Boito, who wrote the libretti for many of the operas composed by Giuseppe Verdi, who was born near Parma at Busseto. Parma also has a prestigious opera house, the Teatro Regio. The city was given in 1545 as a duchy to the illegitimate son of Pope Paul III, whose descendants ruled Parma till 1731. An elegant city with an air of prosperity common to much of Emilia-Romagna, Parma’s outstanding architecture includes an 11th century Romanesque cathedral and the octagonal 12th century baptistery that adjoins it, the church of San Giovanni Evangelista, which has a beautiful late Mannerist facade and bell tower, and the Palazzo della Pilotta, which houses the Academy of Fine Arts, the Palatine Library, the National Gallery and an archaeological museum.

How the Teatro San Samuele may have looked
when Gaetano Casanova was an actor and dancer

Travel tip:

The Teatro San Samuele, where Gaetano Casanova found work on his arrival in Venice and where his wife, Zanetta Farussi, began her theatrical career, was an opera house and theatre at the Rio del Duca, between San Samuele and Campo Santo Stefano. It was first opened in 1656 in Venice and the playwright, Carlo Goldoni, was the theatre’s director between 1737 and 1741. The theatre was destroyed by fire in 1747 but then rebuilt and it remained a theatre until the building was demolished in 1894. San Samuele is in the San Marco sestiere and has a waterbus stop on the right bank of the Grand Canal before you reach the Rialto.  The San Samuele is one of three Venice theatres from its 18th century golden age - along with the San Moisé and San Cassiano or the San Samuele - that no longer exist. The San Benedetto closed in the early 20th century and was remodelled as a cinema.  Renamed Teatro Rossini in 1868 in honour of the composer Gioachino Rossini, it reopened as the Cinema Rossini in 1937. Nowadays, the building, in Salizzada de la Chiesa o del Teatro, which is between Teatro la Fenice and the Grand Canal in the San Marco district, holds a multi-screen cinema.

Also on this day:

1696: The birth of soprano Francesca Cuzzoni

1725: The birth of adventurer Giacomo Casanova

1894: The death of painter and printmaker Achille Vianelli

1959: The birth of Olympic marathon champion Gelindo Bordin

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Arturo Toscanini - conductor

Cellist who became orchestra leader by chance

Arturo Toscanini is remembered as one of the 
most influential figures in 20th century music

The brilliant conductor Arturo Toscanini was born on this day in 1867 in Oltretorrente, a working-class neighbourhood of Parma, now part of Emilia-Romagna.

Toscanini came to be recognised as one of the most influential musicians of the late 19th and early 20th century. An intense individual who was a perfectionist in everything he did, as well as having a brilliant ear for detail in orchestral performances, he also had the gift of being able to remember complete musical scores after only one reading. 

At various times, he was the music director at Teatro alla Scala in Milan and at the New York Philharmonic. He became particularly well known in the United States after he was appointed the first music director of the NBC Symphony Orchestra. 

Toscanini had the privilege of conducting the world premieres of many of the greatest operas of his lifetime, including Pagliacci, La bohème, La fanciulla del West and Turandot, as well as Siegfried, Götterdämmerung, Salome, Pelléas et Mélisande and Euryanthe. 

The son of a tailor, Toscanini developed an interest in music at an early age and won a scholarship to Parma Conservatory, where he studied the cello. 

Toscanini (right) and the composer Giacomo Puccini
enjoyed a close professional relationship

He joined the orchestra of an opera company, with whom he toured Brazil. It was there, in Rio de Janeiro, that the young Arturo picked up the conductor’s baton for the first time, although entirely through circumstance.

Prior to a presentation of Verdi’s Aida, the singers refused to work with the locally hired conductor, Leopoldo Miguez, who abruptly resigned. His replacement was subjected to booing from the audience, who were unhappy with his performance, and also resigned, leaving the orchestra without a conductor and the next performance only hours away.

Aware of his ability to remember whole scores, a member of the orchestra suggested giving the baton to Toscanini. Only 19 years old and with no conducting experience, Toscanini was reluctant at first but was eventually persuaded to accept the invitation, aware that the whole tour was at risk of being cancelled if he did not.

In the event, he led the two-and-a-half hour performance flawlessly, and entirely from memory. He found he had a natural talent for the job. The audience warmed to his charisma and intensity and applauded his musicianship. He kept the baton for another 18 operas as the tour unfolded with great success.

Toscanini became one of the
most sought-after conductors

Word spread of his ability and he soon found himself in demand. He continued to play the cello, but his talent as a conductor brought so much work that opportunities to take his seat in the orchestra became fewer and fewer.

He made his conducting debut in Italy at the Teatro Carignano in Turin in November, 1886, leading the premiere of a revised version of Alfredo Catalani’s Edmea. He soon broadened his repertoire to symphonic concerts, his reputation growing so fast that in 1898 he was named principal conductor at La Scala, at the age of just 31.

He remained at the Milan theatre, Italy’s principal opera house, for 10 years before he was lured away to America for the first time by Giulio Gatti-Casazza, the former general manager at La Scala, who had taken the same role at the Metropolitan Opera in New York and persuaded Toscanini to join him there. 

Toscanini spent seven seasons at the Met, returning to Europe in 1915. He was due to leave New York on the British liner RMS Lusitania on May 7 but decided at the last moment to depart a week earlier on the Italian liner Duca degli Abruzzi. It proved a mightily fortuitous decision: the Lusitania never made it to its intended destination, sinking off the coast of Ireland after being torpedoed by a German u-boat. A total of 1,197 passengers and crew perished.

He maintained his transatlantic lifestyle, conducting around Europe and in the United States, leading the New York Philharmonic-Symphony Orchestra between 1928 and 1936. He ceased working in his native Italy, however, after falling foul of the Fascist leader, Benito Mussolini.

Mussolini was keen to attach himself to Toscanini, whom he described as ‘the greatest conductor in the world’ and wished to promote as a symbol of Italian excellence. But Toscanini had little truck with Fascism, defying Mussolini by refusing to conduct the party’s official hymn, Giovinezza.

Toscanini's tomb at the Cimitero Monumentale
in Milan, where he was buried after his death at 89

Eventually, though, his defiance rebounded on him when he refused to lead a rendition of Giovinezza at a concert in Bologna in 1931, in spite of the presence in the audience of a leading Fascist official. Afterwards, Toscanini was set upon by Blackshirts and badly beaten. His passport was confiscated and he was put under surveillance. The passport was eventually returned following a public outcry and as Italy entered World War Two he left the country.

Prior to that, he had considered retirement. Instead, he embarked on a new chapter of his career, leading the newly-formed NBC Symphony Orchestra. When Toscanini did finally retire, in 1954, he was 87 years old.

Although he reportedly had numerous affairs, notably with the American soprano, Geraldine Farrar, Toscanini was married only once, to Carla De Martini, who was a teenager when they met. They remained together from their wedding in 1897 to her death in 1951. They had three children, a son, Walter, and daughters Wally and Wanda.

Toscanini died on January 16, 1957, having suffered a stroke on New Year's Day at his home in the Riverdale section of the Bronx in New York City. He was 89. His body was returned to Italy and buried at the Cimitero Monumentale in Milan. His tomb carries an epitaph based on a remark he is said to have made at the end of the 1926 premiere of Puccini's unfinished Turandot.

"Qui finisce l'opera, perché a questo punto il maestro è morto - Here the opera ends, because at this point the maestro died".

The house where Toscanini was
born is now a museum of his life

Travel tip:

The house in Borgo Rodolfo Tanzi, in the Oltretorrente district of Parma, where Arturo Toscanini was born, is now a museum of his life, open to the public between 10am and 6pm from Wednesday to Sunday, closing on Monday and Tuesday. A 15-minute walk from the city centre and close to the sprawling green space of the Parco Ducale, the house was one shared by the Toscaninis and three other families. His father, a tailor who fought in Garibaldi’s army in the campaign to unite Italy, used the downstairs room as a workshop. Among the exhibits on display are photographs, theatre programmes and posters, letters to and from composers with whom he worked, such as Giacomo Puccini and Richard Strauss, and some of the clothes he wore to conduct. There is a letter from Albert Einstein, the German physicist and noted campaigner against racism, praising Toscanini for standing up to the Fascists.

Parma's 12th century baptistery
is among the city's main sights

Travel tip:

Parma is an historic city, famous for its Prosciutto di Parma ham and Parmigiano Reggiano cheese, the true ‘parmesan’. In 1545 the city was given as a duchy to the illegitimate son of Pope Paul III, Alessandro Farnese, whose descendants ruled Parma till 1731. As well as Toscanini, the city’s musical heritage includes the composer, Giuseppe Verdi, who was born near Parma at Bussetto. The city has a prestigious opera house, the Teatro Regio, and a Conservatory named in honour of Arrigo Boito, who wrote the libretti for many of Verdi’s operas.  An elegant city with an air of prosperity common to much of Emilia-Romagna, Parma’s outstanding architecture includes an 11th century Romanesque cathedral and the octagonal 12th century baptistery that adjoins it, the church of San Giovanni Evangelista, which has a beautiful late Mannerist facade and bell tower, and the Palazzo della Pilotta, which houses the Academy of Fine Arts, the Palatine Library, the National Gallery and an archaeological museum.

Also on this day:

1347: The birth of Saint Catherine of Siena

1541: The birth of Francesco I, Grand Duke of Tuscany

1546: The birth of poet and courtesan Veronica Franco

1625: The death of poet Giambattista Marino

1927: The birth of politician Tina Anselmi

1940: The birth of record-breaking pop star Mina 

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