Giovanni Legrenzi – composer

Maestro’s Baroque music is still played today by enthusiasts

Giovanni Legrenzi came from a musical
family in Clusone, near Bergamo

Organist and composer Giovanni Legrenzi, who was influential in the development of late Baroque music in Italy, was baptised on this day in 1626 at Clusone, near Bergamo, which was at the time part of the Republic of Venice.

Legrenzi was to become one of the most prominent composers of opera, vocal, and instrumental music working in Venice in the late 17th century.

His father, Giovanni Maria Legrenzi, had been a professional violinist and composer. One of his brothers, Marco, was also a talented musician. The brothers are believed to have been taught music at home and they became used to performing in their local church.

Giovanni Legrenzi became organist at the Basilica of Santa Maria Maggiore in Bergamo and was ordained as a priest in 1651. He became resident chaplain at the church, but continued to be involved in music and was given the title of first organist in 1653. The music he composed for Mass and Vespers was published in 1654.

Legrenzi is believed to have been involved in a gambling scandal and his appointment as organist was not reconfirmed the following year, but the offence was not considered to be serious and he had been reinstated by February 1655.

However, towards the end of that year, Legrenzi had resigned from his position in Bergamo and in 1656 he became maestro di cappella at the Academy of the Holy Spirit in Ferrara.

The Ospedaletto, where Legrenzi
worked during his time in Venice

The Academy was founded by a fraternity of laymen who presented services with music for members of aristocratic circles in Ferrara.

Legrenzi’s position at the Academy gave him time to compose his own music and by the early 1660s he had published eight volumes of his work and had broken into the world of opera.

He ended his association with the Academy and supported himself with the proceeds of his published music and with his income from the land he owned in his native Clusone.

By 1670, he had settled in Venice, where he took up a position as a music teacher at Santa Maria dei Derelitti, more commonly known as the Ospedaletto, where he received commissions to compose oratorios.

He was a finalist for the appointment of maestro di cappella the Basilica of San Marco in 1676, losing by one vote, but later in the year he became maestro di coro at the Ospedale dei Mendicanti.

He became vice maestro at San Marco in 1682 and, by this time, he was one of the leading opera composers of his day. Among his students were Francesco Gasparini and Tomaso Albinoni.

Legrenzi finally became maestro di cappella at San Marco in 1685 but by this time his health was beginning to fail. He died in 1690, probably due to kidney stones, which caused him a lot of pain in his last few months.

His great nephew inherited his music and his books and produced four publications of Legrenzi’s work posthumously. Some of the composer’s unpublished work still survives in manuscript form.

Legrenzi composed 19 operas between 1662 and 1685, which were very popular in their day, but only a few have survived. Early music groups still perform his instrumental music and some of his surviving operas are performed at festivals.

The frescoed exterior of the Torre dell'orologio
is one of the attractions of Clusone

Travel tip:

Clusone, a town in Val Seriana, just outside Bergamo, where Legrenzi was born, has been chosen as one of I borghi piu belli d’Italia - the most beautiful villages in Italy. It was founded around 1300 BC.  Situated about 35km (22 miles) northeast of Bergamo, it nestles on a plain against the backdrop of the Alpi Orobie - the Orobic Alps - which is an area that attracts visitors all year round. Apart from its proximity to ski resorts, Clusone is famous for the frescoes that decorate some of its most significant buildings, such as the Municipio (Town Hall), the Torre dell'orologio (Clock Tower) and the Oratorio dei Disciplini (Oratory of the Disciplines), which has a macabre offering entitled The Triumph of Death. Clusone also hosts a prestigious annual jazz festival.

The Basilica of Santa Maria
Maggiore in Bergamo

Travel tip:

The Basilica di Santa Maria Maggiore in Piazza Duomo in Bergamo, where Legrenzi served as organist, dates back to the 12th century. It is one of the most prestigious buildings in Lombardy and has a richly decorated cupola from the 16th century and some fine Flemish and Florentine tapestries and works of art. At the back of the church is an elaborate white marble monument designed by Vincenzo Vela, marking the tomb of opera composer Gaetano Donizetti, who was born in Bergamo and returned to die in his native city. Nearby there is a monument to his teacher Simon Mayr, who was once maestro di cappella in the basilica. There is also an elaborately carved wooden confessional designed by Andrea Fantoni in 1704 and an altar rail with wood carvings following designs by the Renaissance artist Lorenzo Lotto.

Also on this day:

1612: The death of composer Giovanni Gabrieli

1861: The death of anarchist Luigi Galleani

1901: The death of politician Francesco Crispi

1943: The death of mountain photographer Vittorio Sella

1990: The birth of footballer Mario Balotelli

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Mauro Giuliani – virtuoso guitarist

Maestro who perfected his technique so that his instrument seemed to sing

Mauri Giuliani was a 19th century
pioneer of guitar music

Leading 19th century guitarist and composer Mauro Giuliani was born on this day in 1781 in Bisceglie, a small town on the Adriatic coast near Bari in Puglia.

Growing up to become an accomplished cellist, singer and composer, Giuliani toured Europe playing in concerts and he became a musical celebrity while he was living in Vienna. He was  invited to play in chamber concerts in the botanical gardens of Schönbrunn Palace - the main summer residence of the Habsburg rulers - with other top musicians.

Giuliani moved to live in Barletta, also on the Adriatic coast when he was very young, where he learnt to play the cello, an instrument he never completely abandoned. But he began to devote himself to learning the six-string guitar, becoming a skilled performer on it very quickly.

Although he married Maria Guiseppe del Monaco and they had a son while he was living in Barletta, Giuliani moved abroad and settled in Vienna without his family, where he learnt the classical instrumental style and began to publish his own compositions. He went on to play in concerts all over Europe, defining a new role for the guitar in music.

He got to know Rossini and Beethoven and in 1814 he was appointed guitar virtuoso di camera to Empress Marie Louise, Napoleon’s second wife. In 1815, Giuliani appeared alongside a famous violinist and cellist in a series of concerts in the botanical gardens of Schönbrunn Palace, which were named the Dukaten Concerte, reflecting the price of the tickets, which was one ducat. He was also the official concert artist for the celebrations of the congress of Vienna in the same year.

The Schönbrunn Palace, summer residence of the
Habsburgs in Vienna, where Giuliani performed

Giuliani played the cello in the orchestra that gave the first performance of Beethoven’s Seventh Symphony. He had many of his compositions published in Vienna, which all showed a marked Italian influence, in particular, that of the music of Rossini. Giuliani also developed a teaching career while he was in the city. 

During his time in Vienna, he had a relationship with Anna Wiesenberger, with whom he had four daughters. After he left Vienna in 1819, he went on a concert tour of Bohemia and Bavaria before returning to Italy. He spent time in Venice and Trieste but finally settled in Rome.

In 1822, he brought one of his daughters, Emilia, over from Vienna to live with him, and she was educated in a nunnery in Rome. 

Giuliani travelled to Naples regularly to be with his father, who by then was seriously ill. In Naples there was a good reception for his artistry on the guitar and he was able to publish some of his compositions with Neapolitan publishers.

Giuliani's solo pieces are
still widely performed today

In 1826, he performed in Portici in Naples before Francesco I and the Bourbon court. He frequently appeared on stage playing duets with his daughter, Emilia, who had also become a skilled performer on the guitar.  

Guliani died in Naples in 1829. According to contemporary accounts, people who had heard Giuliani play the guitar were said to have found his expression and tone astonishing, and felt that he made the instrument seem to sing. Some said the sound he produced called to mind the lute players that had gone before.

Giuliani produced 150 compositions for the guitar and he also composed music for the guitar with an orchestra, and for guitar duets with a violin, or flute.

His concertos and solo pieces are still widely performed by professional guitarists today. Although, he did not publish a Method, the studies and exercises he left behind are still used in the training for a guitarist.

The bust of Giuliani
in central Bisceglie

Travel tip: 

Bisceglie, where Giuliani was born, is in the province of Barletta-Andria-Trani in Puglia, in southern Italy. The city looks out over the Adriatic and lies between Trani and Molfetta. A centre for agriculture and textiles, it dates back to prehistoric times and there are Bronze Age remains to be seen.  Its name is thought likely to be a derivation from the Latin word vigilae, meaning watchtowers. It was awarded Blue Flag beach certification in 2001 for high environmental and quality standards. An historic old city and a pleasant harbour area have made it a destination for tourists. There is a bronze bust of Mauro Giuliani, in Piazza Vittorio Emanuele II. There is also a small museum celebrating his life and achievements in Via Cardinale Dell'Olio.

The Colossus
of Barletta

Travel tip:

Barletta, where Giuliani grew up and learnt to play the cello, is a city with around 95,000 inhabitants on the Adriatic coast to the north of Trani. The area includes part of the battlefield of Cannae, an important archaeological site famous for the battle in 216 BC between the Romans and the Carthaginians, won by Hannibal. Barletta is home to the Colossus of Barletta, a bronze statue representing a Roman Emperor - thought to be Theodosius II - which stands at about 4m (13 feet) tall and is the largest surviving statue from the late Roman Empire.  According to folklore, the statue - known as Eraclio - once saved the city from a Saracen attack by convincing the Saracens that Barletta’s inhabitants were giants.  Barletta was recognised as Città d’Arte of Puglia in 2005 because of its beautiful architecture. 

Also on this day:

1835: The birth of Nobel Prize-winning poet Giosuè Carducci

1915: The birth of tenor Mario Del Monaco

1922: The birth of actor and director Adolfo Celi

1939: The birth of singer Peppino di Capri

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Francesco Morlacchi - composer

Umbrian popularised Italian opera in Dresden

Francesco Morlacchi's work in Dresden
furthered the popularity of Italian opera

The composer Francesco Morlacchi, who spent much of his career working for the Saxon court in Dresden and helped popularise Italian opera not only in Germany but further afield, was born on this day in 1784 in Perugia.

Morlacchi composed more than 20 operas, the most successful of which is Tebaldo e Isolina, a romantic melodrama around a love affair between members of rival families, which had its premiere in Venice in 1822.

A contemporary of Gioachino Rossini, Morlacchi had the opportunity in the same year to succeed Rossini as the maestro di cappella of the royal theatres in Naples, including the Teatro di San Carlo opera house. However, he chose to remain in Dresden.

Morlacchi was born into a family of musicians. His father, Alessandro, was a violinist at Perugia’s Cattedrale di San Lorenzo, where his maternal great-uncle, Giovanni Mazzetti, was the organist.

He began composing at a young age, studying first under Mazzetti and later with the cathedral’s maestro di cappella, the Neapolitan Luigi Caruso. He furthered his education in Loreto in Marche with Niccolò Zingarelli, another Neapolitan. Eventually, he secured a place at the school of Stanislao Mattei in Bologna, where he met Rossini.

Morlacchi’s first significant success was the drama Corradino, which was staged at the Teatro Imperiale in Parma during the 1808 carnival. 

This success led to commissions from opera houses in Rome and Milan and it was another drama, Le Danaidi, which was performed at the Teatro Argentina in Rome in 1810 that attracted the attention of a music periodical in Leipzig.

A photograph of the original score of Tebaldo
e Isolina, published by Ricordi in Milan in 1822

The composer was encouraged by a singer of his acquaintance, the contralto Marietta Marcolini, to go to Dresden, where he was appointed deputy Kapellmeister in 1810. Following the success of his Raoul de Crequi at the court theatre in 1811, he was appointed music director for life.

His new duties slowed down his opera production to a degree. He was also expected to prepare much sacred music and occasional cantatas for ceremonial occasions. He was also faced with trying simultaneously to satisfy the conflicting desires of the court and those of the paying public. He was often given a hard time by the critics, who took the opportunity to attack the court’s favouring of the traditional over the innovations being introduced in German opera. 

His work in Dresden between 1816 and 1817 exemplified this in a series of operas written in the 18th century comic-style, including a Barber of Seville (1816) based on the old text set to music by Giovanni Paisiello in 1782. This contrasted sharply with Rossini’s Barber of Seville, which also debuted in 1816, in which the music was set to a more casual and progressive text by Cesare Sterbini.

Morlacchi’s personal circumstances changed in 1816 when his wife, Anna Fabrizi, whom he had married in Perugia in 1805 and who moved with him to Dresden in 1810, decided she was tired of life in Germany and returned home.  Morlacchi established a new relationship with a woman called Augusta Bauer, with whom he is thought to have had four children in addition to the son he fathered with Anna. 

Morlacchi worked on several operas with the
acclaimed 19th century librettist Felice Romani

Alongside his work for the court in Dresden, Morlacchi toured with his operatic works, including Boadicea at Teatro di San Carlo in Naples (1818), Gianni di Parigi and Donna Aurora at Teatro alla Scala in Milan (1818 and 1821).

For Teatro La Fenice in Venice, he wrote Tebaldo and Isolina (1822), Ilda d'Avenel (1824) and I Saraceni in Sicilia(1828), as well as Colombo for the inaugural season of the Teatro Carlo Felice in Genoa (1828). 

The libretti for I Saraceni in Sicilia and Colombo were among several written for him by Felice Romani, a poet and scholar of literature and mythology who wrote for Gaetano Donizetti and Vincenzo Bellini and was considered to be a librettist comparable with Pietro Metastasio and Arrigo Boito.

The opera that enjoyed the most lasting success was Tebaldo e Isolina, appreciated by the public for the libretto by Gaetano Rossi and the masterful interpretation by the singers, in particular the tenor Gaetano Crivelli and the castrato Giovanni Battista Velluti. Over the next 10 years, the opera was performed in around 40 cities in Italy and abroad.

Morlacchi’s health declined in his later years but he continued to travel and was in Naples in 1839. By 1841 he was seriously ill but attempted to journey to Italy again, apparently wishing to see his wife again in Perugia. However, the journey proved too taxing and he died while staying in a hotel in Innsbruck in October, at the age of 57. 

He was interred in Innsbruck but in January 1842, a funeral was held in Perugia cathedral that included an address by Antonio Mezzanotte, the Perugian friend to whom the composer left all his music. 

In 1874, Perugia’s Verzaro theatre was renamed after him. In 1951 the remains were moved from Innsbruck to the cathedral of Perugia.

The Fontana Maggiore sits in front of Perugia's
cathedral in Piazza IV Novembre

Travel tip:

Perugia, where Francesco Morlacchi was born and where his remains are buried in the Cattedrale di San Lorenzo, is an ancient city that sits on a high hilltop midway between Rome and Florence. In Etruscan times it was one of the most powerful cities of the period.  The capital of the Umbria region, It is also a university town with a long history, the University of Perugia having been founded in 1308.  The presence of the University for Foreigners and a number of smaller colleges gives Perugia a student population of more than 40,000.  The centre of the city, Piazza IV Novembre, which is where the cathedral is situated, has a mediaeval fountain, the Fontana Maggiore, which was sculpted by Nicolo and Giovanni Pisano.  The city’s imposing Basilica di San Domenico, built in the early 14th century also to designs by Giovanni Pisano, is the largest church in Umbria, with a distinctive 60m (197ft) bell tower and a 17th-century interior, designed by Carlo Maderno, lit by enormous stained-glass windows. The basilica contains the tomb of Pope Benedict XI, who died from poisoning in 1304.  The Teatro Morlacchi is about 300m from the Cattedrale di San Lorenzo in Piazza Francesco Morlacchi.

With a history of catastrophic fires, Venice's
Teatro La Fenice is aptly named

Travel tip:

Teatro La Fenice in Venice, for which Morlacchi wrote his most successful opera, Tebaldo and Isolina, has had a fascinating history. The theatre, in Campo San Fantin, which is not far from Piazza San Marco, was named La Fenice, the Phoenix, when it was originally built in the 1790s, to reflect the fact it was helping an opera company rise from the ashes after its previous theatre had burnt down. But in 1836, La Fenice itself was destroyed by fire, although it was quickly rebuilt. Then in 1996, when the theatre burnt down again, arson was suspected, leading to a long criminal investigation. La Fenice had to be rebuilt once more at a cost of more than 90 million euros and was not able to reopen for performances until 2003.

Also on this day:

1497: The murder of Giovanni Borgia

1730: The birth of composer Antonio Sacchini

1800: The Battle of Marengo

1837: The death of poet and philosopher Giacomo Leopardi

1968: The death of Nobel Prize-winning poet Salvatore Quasimodo

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Giuseppe Tartini – composer and violinist

Baroque musician also contributed to science

As well as composing for violin, Tartini
established a new technique for playing

Giuseppe Tartini, who was influential in the development of music by establishing the modern style of violin bowing, was born on this day in 1692 in Pirano in the Republic of Venice.

A violinist, baroque composer, and theorist, Tartini also formulated the principles of musical ornamentation and harmony.

His birthplace of Pirano was part of Venetian territory in the 17th century but is now named Piran and is part of Slovenia.

Tartini spent most of his career in Padua, where he went to study divinity and law and became an expert at fencing. Before he reached the age of 20, he had secretly married Elisabetta Premazore, a protégée of the Archbishop of Padua, but this led to him being arrested on charges of  abduction. He disguised himself as a monk and fled the city, taking refuge in a monastery in Assisi.

Later, Tartini was allowed to return to his wife by the archbishop after news that his violin playing had attracted favourable attention had reached him.

Tartini became principal violinist and maestro di cappella at the Basilica of Sant’Antonio in 1721 and he was invited to Prague in 1723 to direct the orchestra of the Chancellor of Bohemia.

After his return to Padua in 1728 he founded a school of violin playing and composition there.

Tartini composed more than 100 violin concertos and many sonatas, including the Trillo del Diavolo (Devil’s Trill). He also composed music for trios and quartets and religious works.

His playing was said to be remarkable because of its combination of technical and poetic qualities, and his bowing technique became a model for later violinists. He was invited to go on a concert tour of Italy in 1740.

Tartini contributed to the science of acoustics with his discovery of the Tartini tone, which was a third note, heard when two notes are played steadily and with intensity.

He wrote a treatise on music, Trattato di musica, in 1754 as well as a dissertation on the principles of music harmony and a treatise on ornamentation in music.

Tartini died in Padua in 1770 at the age of 77.

Giotto's frescoes lining the Scrovegni Chapel in Padua
considered among the world's great artworks

Travel tip:

The elegant city of Padua, where Tartini was principal violinist and maestro di cappella at the Basilica di Sant'Antonio, is an important centre for pilgrims. The Scrovegni Chapel contains frescoes by Giotto, considered to be among the greatest works of art in the world. Dedicated to Santa Maria della Carita (Saint Mary of the Charity), the chapel was decorated with frescoes by Giotto between 1303 and 1305. He was commissioned to paint the frescoes by Enrico degli Scrovegni, who was hoping to atone for the sins of usury committed by himself and his dead father. The frescoes narrate events in the lives of the Virgin Mary and Christ and the stunning scenes cover the interior walls of the chapel. On the wall opposite the altar is Giotto’s magnificent Universal Judgment, which tells the story of human salvation and includes the figure of Enrico degli Scrovegni offering up a model of the chapel to the Virgin Mary in a desperate bid to save his father from hell. For more information visit www.cappelladegliscrovegni.it

The Basilica di Sant'Antonio in Padua is
visited by some five million pilgrims each year

Travel tip:

The enormous Basilica di Sant’Antonio di Padova, sometimes known as the Basilica del Santo, where Tartini was principal violinist and maestro di cappella, is one of the most important places of Christian worship in the world. An estimated five million pilgrims visit the basilica every year to file past and touch the tomb of their beloved Sant’Antonio, a Franciscan monk who became famous for his miracles. The magnificent church, in Piazza del Santo, is an architectural masterpiece created between the 13th and 14th centuries, but it was later enriched with works of art by masters such as Titian, Tiepolo and the sculptor Donatello. 

Also on this day:

1492: The death of Medici ruler Lorenzo the Magnificent

1848: The death of composer Gaetano Donizetti

1868: The birth of equestrian pioneer Federico Caprilli

1929: The birth of historian Renzo De Felice

(The portrait of Giuseppe Tartini, by an anonymous artist, is housed in the Museo del Castello Sforzesco in Milan)

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Sylvano Bussotti - composer, writer and painter

The productive life of a Renaissance man with many strings to his bow

Sylvano Bussotti was described as a
modern Renaissance man

The multi-talented Sylvano Bussotti, a leading composer who was part of Italy’s avant-garde movement, was born on this day in 1931 in Florence.

Bussotti was also a painter, set and costume designer, opera director and writer. His operas and ballets were performed at the most prestigious theatres in Italy and abroad and he served as artistic director of Teatro La Fenice in Venice, the Puccini festival in Tuscany and the music section of the Venice Biennale.

Before he was five years old, Bussotti was learning to play the violin and he soon became a prodigy. He was also introduced to painting early in his life by his older brother and uncle.

At the Luigi Cherubini Conservatory in Florence, he studied harmony and counterpoint and learnt the piano, but he was unable to complete his studies and receive any official qualifications because of the start of World War II.

However, Bussotti continued to study composition on his own and, from 1958, he took private composition lessons with Max Deutsch in Paris.

Bussotti embarked on what has been described as an important editorial relationship with music publishers Casa Ricordi in 1956. His first composition to be performed in public, entitled Breve, was heard at a gallery in Dusseldorf in 1958.

The American mezzo-soprano Cathy  Berberian
with Bussotti at a performance in 1960

His compositions employed the use of graphic notation, which represented music through the realm of visual symbols instead of traditional music notation.

The composer received many awards and prizes for his music, both in Italy and abroad. In the 1960s he was invited to the United States to visit Buffalo and New York, by the Rockefeller Foundation.

His first opera, La passion selon Sade, was premiered in Palermo in 1965. Along with other composers of the time, Bussotti experimented with the interaction between sound, sign, and vision.

Bussotti also acted and sang himself and he directed films. He was a painter and graphic artist and his art works have been exhibited in many different countries. He wrote novels and poems and he was able to write most of the librettos for his own operas.

Later in life, Bussotti taught composition, analysis, and the history of musical theatre at academies in L’Aquila, Fiesole, and Stuttgart.

He served as the artistic director of La Fenice in Venice, directed the Puccini festival in Torre del Lago in Tuscany, and became director of opera at La Scala in Milan. He was head of the music section of the Venice Biennale from 1987 to 1991.

Bussotti was openly gay and his partner, the ballet dancer and choreographer Rocco Quaglia, collaborated with him on many of his projects.

The composer died at a nursing home in Milan after a long illness just before his 90th birthday. A five-day cultural event in Florence, which had been planned to celebrate Bussotti’s birthday, still went ahead in the city to celebrate his artistic achievements instead.

Bussotti has been sometimes described as a Renaissance man because of his many talents, which enabled him to combine different art forms creatively.

The Luigi Cherubini Conservatory is one
of the most important in Italy

Travel tip:

Sylvano Bussotti received his early musical education at the Luigi Cherubini Conservatory in Piazza delle Belle Arti in Florence, one of the most important music conservatories in Italy. The conservatory, which is not far from La Galleria dell’Accademia, is named after the 18th century composer, Luigi Cherubini, who was born in the city. The conservatory occupies part of a former nunnery, which was closed in the 18th century by the Grand Duke of Tuscany, Leopold II, who would go on to become Holy Roman Emperor.

Teatro La Fenice has risen from the 
ashes more than once in its history

Travel tip:

Teatro La Fenice in Venice, where Bussotti served as artistic director, has had a fascinating history. The theatre, in Campo San Fantin, which is not far from Piazza San Marco, was named La Fenice, the Phoenix, when it was originally built in the 1790s, to reflect the fact it was helping an opera company rise from the ashes after its previous theatre had burnt down. But in 1836, La Fenice itself was destroyed by fire, although it was quickly rebuilt. Then in 1996, when the theatre burnt down again, arson was suspected, leading to a long criminal investigation. La Fenice had to be rebuilt once more at a cost of more than 90 million euros and was not able to reopen for performances until 2003.

Also on this day:

1450: The death of Leonello d'Este, Marquis of Ferrara

1910: The birth of cycling champion Attilio Pavesi

1961: The birth of football coach Walter Mazzarri

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Carlo Eduardo Acton – composer and musician

Musical member of the Acton family was born in Naples

Carlo Acton was the nephew of the
former PM of Naples, Sir John Acton

Opera composer Carlo Eduardo Acton, who was part of the distinguished Italian-based branch of the Acton family, was born on this day in 1829 in Naples.

Carlo became a concert pianist and is particularly remembered for composing the opera Una cena in convitto.

His father, Francis Charles Acton, was the youngest son of General Joseph Acton, and he was also the younger brother of Sir John Acton, the sixth Baronet.

Sir John Acton, Carlo’s uncle, had served as Commander of the naval forces of the Grand Duchy of Tuscany and as the Prime Minister of the Kingdom of Naples while the city was under the rule of King Ferdinand IV. He was the son of Edward Acton, an English physician who had settled in France, and he was the great-grandson of Sir Walter Acton, the second Baronet.

Sir John had succeeded to the title and the family estate in Shropshire in 1791 on the death of his second cousin once removed.

Following his distinguished service in the navy of the Grand Duchy of Tuscany, Sir John was invited to Naples by Queen Maria Carolina and he was asked to reorganize the Neapolitan navy.

Sir John Acton served as prime minister
of Naples under the rule of Ferdinand IV

One of Sir John's grandchildren, John Dalberg-Acton (1834-1902), better known as Lord Acton, was an historian, English politician, and writer, also born in Naples. He was Regius Professor of Modern History at Cambridge from 1895 until his death. He edited the first series of the Cambridge Modern History, served as a Liberal Party MP and is remembered for coining the phrase 'power tends to corrupt, and absolute power corrupts absolutely' in a letter to an Anglican bishop.

Sir John’s younger brother, Francis Charles Acton, had married Esther Fagan, the daughter of the Irish painter, Robert Fagan, who had spent most of his career working in Rome and Sicily, but had fled to Naples to live there at a time when Napoleon’s armies were known to have been approaching Rome.

Francis and Esther had three sons, the talented musician Carlo, and his two brothers, Richard, and Edward.

Carlo learnt to play the piano and in addition to writing an opera, he composed sacred music. His most well-known sacred composition is his work, Tantum ergo.  

Carlo died at Portici, a small port to the south of Naples, in 1909, at the age of 89.

The Acton family's connection with Naples continued into the 20th century. Sir Harold Acton (1904-1994), the British writer, scholar, and aesthete who was born and died at Villa La Pietra outside Florence, was the author of an authoritative two-volume history of the kingdom of Naples under the Bourbons: The Bourbons of Naples (1957) and The Last Bourbons of Naples (1961).

The Villa Pignatelli is set in beautiful
gardens in Riviera di Chiaia

Travel tip:

An Acton family landmark worth seeing in Naples is Villa Pignatelli, a house commissioned by Carlo’s cousin, the seventh Baronet, Sir Ferdinand Richard Edward Dalberg-Acton, in 1826, three years before the birth of the composer. The villa is in the Riviera di Chiaia in Naples, which is a long street running along the sea front and the Doric columns along the front of the villa can still be seen from the road. It was designed as a neo-classical residence that would be the centrepiece of a park. The property has changed hands several time since the death of Sir Ferdinand in 1841. It was purchased by Carl Mayer von Rothschild, a member of the German family of financiers. Later, it was used by the Jewish community of Naples for services. It was then sold to the Duke of Monteleon, whose widow, Princess Rosa Fici, left it to the Italian state in her will in 1852. Villa Pignatelli now houses a coach museum and a collection of 18th and 19th century English and French vehicles.

The Royal Palace of Portici was built as a home
for Charles III of Spain, King of Naples and Sicily

Travel tip:

Portici, where Carlo Eduardo Acton died, is a town at the foot of Mount Vesuvius situated on the Bay of Naples, about eight kilometers (five miles) southeast of the city of Naples. The city had been destroyed by the eruption of Vesuvius in 1631, but was later rebuilt. Charles III of Spain, King of Naples and Sicily, built a royal palace in the town between 1738 and 1749. A botanical garden run by the Faculty of Agriculture of the University of Naples is now located there. The garden has an important collection of desert plants, which include specimens from South Africa and Madagascar. The gardens are open to the public from Monday to Friday in the mornings, and can be visited free of charge.

Also on this day:

79: Vesuvius erupts, destroying Pompeii and other cities

665: The death of Saint Patricia of Naples

1509: The birth of Borgia cardinal Ippolito II d'Este

1609: Galileo demonstrates the potential of telescope

1691: The birth of architect Alessandro Galilei 

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Orazio Vecchi – composer

Late Renaissance church musician wrote madrigal comedies to entertain audiences

Vecchi mixed sacred music with
pieces written for entertainment

Orazio Vecchi, who is regarded as a pioneer of dramatic music because of his innovative madrigal comedies, died on this day in 1605 in the city of Modena, in the Emilia-Romagna region.

His most famous composition, L’Amfiparnaso, was always intended as music for entertainment. It was a set of 15 pieces that were dramatic in nature, although they were not meant for the stage.

Vecchi is known to have been baptised in December 1550 in Modena. He was educated  at a Benedictine monastery and took holy orders.

He knew composers of the Venetian school, such as Giovanni Gabrieli, and he composed himself in the form of sacred music, such as masses and motets, as well as canzonette and madrigals for entertainment.

Vecchi served as maestro di cappella at the cathedral of Salò and as choirmaster at the cathedral of Reggio Emilia. He then became a canon at Correggio, where he was able to compose prolific amounts of music during his time there, before moving back to Modena, where he served as a priest and also had charge of the choir.

A woodcut of an actor delivering the prologue of
Orazio Vecchi's L'Amfiparnaso in Venice in 1597

In 1594 his madrigal comedy, L’Amfiparnaso, was premiered at Modena and it was published in an illustrated edition in 1597. In the same year, Vecchi visited Venice where he published a collection of canzonette. During his life, he published four volumes of sacred music and 13 volumes of canzonette, madrigals and madrigal comedies.

Duke Cesare d’Este appointed Vecchi his maestro di corte at the ducal court in Modena in 1598. The composer was put in charge of music at the court as well as the musical education of the Duke’s children. He accompanied the Duke to Rome and Florence in 1600 and while they were in Florence, Vecchi heard Jacopo Peri’s opera, Euridice. Vecchi died in Modena in 1605.

Vecchi has become renowned for his idea of grouping madrigals together in a new form called the madrigal comedy. This was light, popular, dramatic entertainment, which some regard as one of the precursors to opera. It included music of many types and even used burlesque and dramatic dialogue. There was no scenery and the audience would have been friends of the singers, so it cannot be considered as an early form of opera.

However, the sense of drama and contrast displayed in Vecchi’s work has caused experts to say that he led the way with dramatic music, even though they believe L’Amfiparnaso stands apart from the path that opera was to eventually take.

The Palazzo dei Principi in Corregio, which is
today home to a museum of archaeology and art

Travel tip:

Correggio, where Orazio Vecchi served as a canon and wrote much of his music, is a town in the Emilia-Romagna region. The Renaissance painter Antonio Allegri, who was known as Il Correggio, was born there in 1489. One of the main sights in Correggio is the elegant Palazzo dei Principi in Corso Cavour. In 1659 Correggio was annexed to the Duchy of Modena. The present Duke of Modena, Prince Lorenz of Belgium, Archduke of Austria-Este, is the current holder of the title of Prince of Correggio.

The Ducal Palace in Modena, which was built 
for Francesco I d'Este in the 17th century

Travel tip:

Modena, where Orazio Vecchi was born and died, is a city on the south side of the Po Valley in Emilia-Romagna. It is known for its car industry, as Ferrari, De Tomaso, Lamborghini, Pagani and Maserati have all been located there. The city is also well known for producing balsamic vinegar. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena. One of the main sights in the city is the huge, baroque Ducal Palace, which was begun by Francesco I on the site of a former castle in 1635, after Vecchi’s death. His architect, Luigi Bartolomeo Avanzini, created a home for him that few European princes could match at the time. The palace is now home to the Italian national military academy. 

Also on this day:

1461: The birth of cardinal and art collector Domenico Grimani

1743: The birth of cellist Luigi Boccherini

1953: The birth of actor and director Massimo Troisi

1977: The birth of operatic tenor Vittorio Grigolo

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Leonardo Leo - composer

Baroque musician known for his sense of humour

Leonardo Leo wrote or contributed to
more than 70 operas, mainly comic

A prolific composer of comic operas, Leonardo Leo was born on this day in 1694 in San Vito degli Schiavoni (now known as San Vito dei Normanni) in Apulia.

His most famous comic opera was Amor vuol sofferenza - Love requires suffering - which he produced in 1739. It later became better known as La finta frascatana, and received a lot of praise, but Leo was equally admired for his serious operas and sacred music. He has been credited with forming the Neapolitan style of opera composition.

He was enrolled as a young boy as a student at the Conservatorio della Pietà dei Turchini in Naples and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been speculated that he may have been taught by Alessandro Scarlatti, but it has since been proved by music historians that he could not possibly have studied with the composer, although he was obviously influenced by his compositions.

Leo’s earliest known work was a sacred drama, L’infidelta abbattuta, which was performed by his fellow students in 1712, while he was still a teenager.

His first opera, Pisistrato, was produced at the court theatre in Naples in 1714 and was much admired.

As an adult Leo held various posts at the royal chapel in Naples while continuing to write for the stage and teach at the conservatory.

Leo was a major influence in the 
development of opera's Neapolitan school 

In 1722 he added comic scenes to Francesco Gasparini’s Bajazet for a performance in Naples. He then started to compose his own comic operas in Neapolitan dialect, such as La ’mpeca scoperta in 1723 and L’Alidoro in 1740.

His most famous serious operas were Demofoonte (1735), Famace (1737) and L’Olimpiade (1737). With L’Olimpiade he became the first composer to introduce the chorus into Neapolitan opera.

Handel was so impressed with Leo’s opera, Catone in Utica, that he used some of the music from it in a performance at the King’s Theatre in London in 1732.

Leo died of a stroke in 1744 while he was composing new arias for a revival of his acclaimed opera, La finta frascatana.

Experts believe Leo was the first composer of the Neapolitan School to achieve a complete mastery over modern harmonic counterpart and agree that in his comic operas he reveals a keen sense of humour. He was to be one of the last major Italian Baroque composers and was well regarded as a teacher, with Niccolò Piccinni and Niccolò Jommelli among his students.

Leo wrote or contributed to about 70 operas, as well as composing oratorios, masses and instrumental works, some of which are still performed and are available on contemporary recordings. His Miserere (🎵Listen 🎵) for double choir and orchestra is regarded as his signature piece.

The Corso Leonardo Leo in San Vito dei Normanni
is typical of the town's quaint narrow streets

Travel tip:

San Vito dei Normanni, where Leonardo Leo was born, is a town with a population of around 20,000, situated about 24km (15 miles) west of Brindisi in the area of Puglia known as Salento. An attractive town of narrow streets lined with baroque-style churches and palaces and numerous restaurants and bars, it was formerly known as San Vito degli Schiavoni on account of a large number of Slavs - Schiavoni in Italian - who settled in the area after migrating from Dalmatia, on the opposite side of the Adriatic, to escape persecution by the Saracens in the 10th century. The town’s history, though, dates back much further, with archaeological remains discovered that show the area was inhabited during the Bronze Age. Things to see include the medieval Castello di Dentice Frasso, sometimes known as the Castello di San Vito, which overlooks the main piazza, and the beautiful Baroque church of San Giovanni Evangelista, built in soft Lecce stone.

Inside the Church of the Pietà dei Turchini, which
dates back to the time of the conservatory

Travel tip:

Founded in 1583, the Conservatorio della Pietà dei Turchini, where Leonardo Leo was a pupil, was the longest running of four Naples conservatories that were ultimately incorporated into the Real Collegio di Musica, which became the Conservatorio di San Pietro a Majella. Like the Conservatorio di Sant'Onofrio a Capuana, another of the four, it had been a charitable institution for the care of orphans and abandoned children. The church of the Pietà dei Turchini, which was built at around the same time as the conservatory, stands in Via Medina in the centre of Naples, not far from the Teatro di San Carlo opera house.

Also on this day:

1607: The birth of cardinal and arts patron Antonio Barberini

1623: The birth of composer Antonio Cesti

1953: The birth of Felice Casson - politician and magistrate

2002: The death of novelist Franco Lucentini

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Carlo Savina - film composer and musical director

Worked on major scores including The Godfather and Fellini’s Amarcord

Carlo Savina conducting in during his 
time working in TV and radio in the 1950s

Musical director Carlo Savina, who arranged soundtracks written by such luminaries of the film music industry as Ennio Morricone and Nino Rota, was born on this day in 1919 in Turin.

Savina was also a prolific film composer in his own right and is credited with writing or arranging the scores of at least 200 movies in a career spanning more than 35 years.

He won a David di Donatello award for Best Music for the 1985 crime drama The Pizza Connection, directed by Damiano Damiani and starring Michele Placido, a version of which was released in the United States as The Sicilian Connection.

Yet Savina is more frequently remembered for his work with Rota on the multi-award winning soundtrack of the first film in Francis Ford Coppola’s The Godfather trilogy in 1972 and with Federico Fellini the following year on Amarcord, the maestro’s semi-autobiographical film about growing up in a village in the Fascist Italy of the 1930s.  He worked with Fellini and Rota on many projects, including La Dolce Vita (1960), which remains their most famous collaboration.

Although the music in a film would always be attributed to the headline composer in the credits, the work done by the likes of Savina in matching their music to the scenes and in producing an edited version of the soundtrack for commercial release was invaluable.

Savina came from a musical family. His father was the first clarinet for the orchestra of the public radio broadcaster EIAR, based in their home city.

Savina, who played a wide range of instruments,
is shown accompanying a vocal group on guitar

As a child, Savina learned to play the violin and as a student attended the Giuseppe Verdi Conservatory in Turin, where he studied piano, violin, composition, and conducting. He obtained further qualifications from the National Education Ministry in the 1940s.

Savina explored many avenues in music, for a while conducting small orchestras or playing soloists at dance halls in Turin. 

His early classical compositions included sonatas for clarinet and violin and a quartet for wind instruments. Savina also wrote a small number of operas, one of which was performed at the Teatro dei Rozzi in Siena.

Immediately after the Second World War, he wrote music and songs for the popular market.  In the 1950s, he began to acquire national fame through his work with the national broadcaster Rai, who entrusted him with the direction of a large string orchestra. He had a prominent role in the musical direction on the experimental programmes made for Rai’s early television output in 1953.

Savina was in his 30s before the film industry began to be his focus.  His relationship with some of the world’s most famous film music composers  began at the outset, when he composed the music to Carlo Borghesio’s 1950 comedy Il monello della strada (The Street Brat) in partnership with Rota.

Savina worked with Nino Rota
on The Godfather and other titles

He worked with the great commedia all’italiana director Mario Monicelli on Totò cerca pace (Totò seeks peace) in 1954 and thereafter until the late 1960s was writing as many as a dozen soundtracks per year. His individual output, from spaghetti westerns, of which he scored more than 30, to horror films, began to lessen in the 1970s, but by then he was in demand to work with other composers.

As well as Morricone and Rota, he collaborated with Armando Trovajoli, Mario Nascimbene, Stanley Myers, Stephen Sondheim, Philippe Sarde, and Miklós Rózsa among the great big-screen music composers of his time.  

It was his relationship with Rota and Fellini that would prove the most enduring and successful, spanning almost 30 years until Rota’s death in 1979. Their last collaboration was on Fellini’s Orchestra Rehearsal, a 1978 film in which members of an orchestra go on strike against their conductor.

Savina, who wrote under various pseudonyms in his career, including Herbert Buckman, Charles Hanger and James Munshin, died in Rome in 2002 at the age of 82.

After his death, the Centro Sperimentale di Cinematografia, Rome’s historic film school, established the Premio Carlo Savina as an annual prize for composers of film music. Winners include Morricone, Davide Cavuti and Franco Piersanti, who among other things wrote the music for the TV series based on Andrea Camilleri’s Inspector Montalbano novels.

Elegant streets and a vibrant café
culture are a feature of Turin

Travel tip:

Turin, the capital city of the region of Piedmont, where Carlo Savina was born and grew up, has some fine architecture that illustrates its rich history as the home of the Savoy Kings of Italy. Piazza Castello, with the royal palace, royal library and Palazzo Madama, which used to house the Italian senate, is at the heart of ‘royal’ Turin.  An elegant, stylish and sophisticated city, Turin has much to commend it, from its many historic cafés to 12 miles of arcaded streets and some of the finest restaurants in Piedmont. In the 19th century, the city’s cafés were popular with writers, artists, philosophers, musicians and politicians among others, who would meet to discuss the affairs of the day.  The city’s duomo, the Cattedrale di San Giovanni Battista, as it is also known, was built between 1491 and 1498 in Piazza San Giovanni in Turin, on the site of an old Roman theatre.

The Centro Sperimentale di Cinematogrofia
in Rome was established in the 1930s

Travel tip:

The Centro Sperimentale di Cinematografia has its headquarters in Via Tuscolana in Rome, was established at the time when the city became the hub of the Italian film industry because of the nearby Cinecittà, a large studio complex to the south of the city, built during the Fascist era under the personal direction of Benito Mussolini and his son, Vittorio. The studios were bombed by the Allies in the Second World War but were rebuilt and used again in the 1950s for large productions, such as Ben-Hur, the 1959 epic starring Charlton Heston, the acclaimed soundtrack of which saw Carlo Savina work with the Hungarian-American composer Miklós Rózsa. These days a range of productions, from television drama to music videos, are filmed there and Cinecittà has its own dedicated Metro stop.

Also on this day:

1854: The birth of author Francis Marion Crawford

1945: The death of composer Pietro Mascagni

1980: The bombing of Bologna railway station

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