Irpinia earthquake

A day that saw whole towns reduced to rubble in southern Italy

Aerial pictures show the remains of 
the village of Castelnuovo di Conza

An earthquake that has been described as ‘the worst catastrophe in the history of the Italian republic’ shook Campania and parts of Basilicata and Puglia on this day in 1980.

The earthquake, which takes its name from the geographical area of Campania known as Irpinia, had a moment magnitude of 6.9 and left 2,483 people dead, about 7,700 injured, and more than 250,000 homeless. The first shock lasted for a little more than a minute, but it was to change the lives forever of the residents in the worst hit towns and villages in the region.

The earthquake struck at 18:34 local time and after 70 seconds of shaking there were many aftershocks. Waves from it were felt as far away as Sicily and the Po Valley.

The village of Castelnuovo di Conza, in the province of Salerno, was at the centre of the blast and was virtually destroyed. Of the 1500 inhabitants, about 500 died or were injured after being trapped in the rubble of their homes, including both local policemen. About 80 per cent of the buildings were either destroyed, or partially collapsed, leaving many people homeless.

It was left to the local children and old people to dig for any survivors and the Mayor of the village later said they had been forced to wait for three days for help to arrive from outside the area. 

In nearby Sant’Angelo dei Lombardi, in the province of Avellino, 300 people were killed, including 27 children in an orphanage. Many historical buildings were left in ruins and some of them were never rebuilt. 

Scenes of devastation were witnessed in many
towns and villages across the Irpinia area

In Naples, a ten-storey apartment building collapsed as a result of the tremor. Many buildings suffered extensive structural damage and had to be propped up to make them safe afterwards, leading to years of disruption to the lives of the people living there.

In Balvano in the province of Potenza in Basilicata, 100 people were killed when a mediaeval church collapsed during a service. Many of them were children and teenagers and the disaster effectively wiped out an entire generation of the local people.

The University of Basilicata was later built in Potenza on a site that had been flattened by the earthquake. It was seen as an attempt to persuade young people to stay in the area rather than moving north or emigrating to another country.  

Many landslides were triggered and rail traffic throughout Italy came to a complete standstill. The terrible situation was made worse by people trying to leave the affected areas in such large numbers that the roads became blocked.

On November 26, Italian president Sandro Pertini addressed the nation in a televised broadcast. He condemned the delays in rescuing people from the ruins after the earthquake and the failures that had been revealed in state intervention in the worst affected areas.

President Sandro Pertini, second 
left, on a visit to the affected zone

As a result, Extraordinary Commissioner Giuseppe Zamberletti was appointed to coordinate rescue efforts and to communicate with the local mayors. In 1982, Zamberletti was appointed Minister for Civil Protection Co-ordination and a few months later the Department of Civil Protection was established in Italy.

When the 40th anniversary of the earthquake disaster was commemorated in Italy in 2020, some of the reconstruction work in the worst affected areas had still not been finished.

Although the Italian Government were said to have spent 59 trillion lire, and West Germany sent 32 million dollars and the US 70 million dollars to help, it is believed subsequently that some of the funds were misappropriated by Italian politicians and by the Camorra, who subsequently became involved in the construction industry.

On average, a significant earthquake happens every four years in Italy. The most recent was an earthquake of 5.1 moment magnitude in 2023 in Tuscany, when one person died and there was severe damage in some areas.

In 1976, more than 900 people died after an earthquake of 6.5 moment magnitude in Friuli, and in 1857, 10,000 people died after an earthquake of 7.0 moment magnitude in Basilicata.

If the Irpinia earthquake is the worst since the Republic of Italy was established in 1946, the most devastating in Italy’s history, at least in terms of reliable estimates of deaths, occurred in 1908 with its epicentre below the Straits of Messina. It caused catastrophic damage to the cities of Messina and Reggio Calabria with at least 75,000 and perhaps as many as 200,000 killed, the larger figure based on comparison of census data collected before and after the disaster.

The Benedictine Abbey of San Guglielmo
al Goleto is just outside Sant'Angelo

Travel tip:

Sant’ Angelo dei Lombardi is a town in the province of Avellino in Campania. It is situated on a hilltop and has a cathedral and a Lombard castle. The Benedictine Abbey of San Guglielmo al Goleto is nearby. A famous former resident of the town is the Italian-American actor and businessman Charles A Gargano, who was born in the town in 1934. He was the US Ambassador to Trinidad and Tobago during the presidencies of Ronald Reagan and George H W Bush. After the earthquake the Lombard castle was restored to its original mediaeval structure and is today home to an archive and museum.

Avellino's duomo, the Cattedrale
di Santa Maria Assunta

Travel tip:

The town of Avellino is the capital of the province of Avellino and an important centre on the road from Salerno to Benevento in Campania. It has its origins in the ancient Roman settlement, Abellinum, although the present town was founded by the Lombards and ruled at different times by the Byzantines, Normans, Swabians, Angevin, Aragonese, the Viceroy of Spain, the Austrians and the Bourbons. The 1980 Irpinia earthquake represented a turning point for the town and province because afterwards money flowed in for investment in the infrastructure. There are now many businesses in the area, such as FMA, who produce Fiat engines for car manufacturers. But the production of tobacco, wine and hazelnuts is still important to the local economy. Avellino has a cathedral, dedicated to Santa Maria Assunta, that was built in the 12th century with a neoclassical facade added in 1891.

Also on this day:

1553: The birth of botanist Prospero Alpini

1921: The birth of singer and actor Fred Buscaglione

1941: The birth of actor Franco Nero

1955: The birth of composer Ludovico Einaudi

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Antonio Landieri - Camorra victim

Family fought for 12 years to establish son’s innocence

Antonio Landieri's disability meant he was unable
to escape as Camorra gunmen opened fire

A 12-year-fight to clear the name of an innocent victim of a Camorra clan war began on this day in 2004 when 25-year-old Antonio Landieri, a disabled resident of the notorious Vele di Scampia housing complex in Naples, was shot dead outside a recreation club where he had been playing table football with some friends.

Antonio and his friends were leaving the club, at the side of a square known to be frequented by drug dealers, when a car pulled up a short distance away from them in Via Labriola. A group of armed men emerged from the car and began shooting at them.

His friends instinctively ran away but Antonio, who could walk but only with severely restricted mobility - the consequence of complications at birth that left him partially paralysed - could not keep up and was hit several times in the back. He died in the arms of his mother, who had heard the shots being fired and ran down 11 flights of stairs from the family’s apartment in the run-down complex, fearful for her son’s safety.

The shooting made headlines in the local papers, who reported it as the latest event in a rapidly evolving war between rival Camorra gangs that would leave 70 dead in six months.  The dead man, they said, was associated with the Di Lauro clan which controlled much of Scampia; the attackers were from the Amato-Pagano clan from neighbouring Secondigliano.

Antonio Lampieri’s family insisted this was not the case but few people other than relatives and close friends believed them. The police refused to allow Antonio a public funeral on the grounds that it could lead to more criminality. 

The Vele di Scampia apartment blocks acquired
their name because their shape resembled sails

As far as the authorities, the press and most of the city’s population were concerned, Antonio had been an international drug dealer who often travelled between Italy and Colombia. 

His family’s bid to convince people otherwise was not helped by the reputation of the Vele, also known as the Sette Palazzi - the Seven Palaces.

A large urban housing project built between 1962 and 1975, the Vele di Scampia consisted of seven massive apartment blocks, constructed to house between 40,000 to 70,000 people. The blocks were dubbed vele (sails) for their triangular shape.

The complex was inspired by modernist housing developments pioneered by French-Swiss architect Charles-Édouard Jeanneret, known as Le Corbusier.  

The architect in charge, Francesco Di Salvo, was a specialist in low-cost housing and the Vele di Scampia buildings were designed to provide only subsistence-level dwellings. Although they were deliberately minimal, they were to have many shared exterior spaces. Di Salvo believed he could construct apartment blocks that recreated the spirit of the alleys and courtyards of historic Naples, crowded but congenial.

But costs soon exceeded the city’s budget for the project, with funds frequently stolen, and the green spaces, schools, common areas and playgrounds that were meant to become the pulsating heart of a thriving community never materialised. 

The promised public transport links with central Naples were never built and the Sette Palazzi turned into a hotspot for organised crime. Prostitution and drug-dealing took place openly. The police only occasionally took any notice and Scampia, which like Secondigliano had been a rural village before Naples began to expand, became a symbol for urban decline.

Naples mayor Luigi De Magistris
commended the Landieri family

Three of the seven blocks were demolished in 1997, 2000 and 2003. Yet 40,000 residents, some of whom had been displaced by the earthquake that hit the Naples area in 1980, remained squeezed into the four remaining blocks. Many outsiders believed that no one would choose to stay in the Vele unless they were involved in crime.

Antonio’s parents, Enzo and Raffaella, never gave up their fight to achieve justice for their son, despite being offered money by the family of one of the gunmen as compensation in return for giving up their quest for the truth.

They were helped in their cause by numerous groups and associations set up to campaign on their behalf, by a tenacious anti-mafia prosecutor, Maurizio De Marco, and ultimately by evidence given by eight different Camorra pentiti - informants who had struck deals with prosecutors to reduce their own sentences.

The process took 12 years but it was finally established that the intended victims were the Meola brothers, Vittorio and Salvatore, who were Di Lauro affiliates.  Antonio Landieri had been mistaken for a Meola associate known to have difficulty walking.  

In 2017, Landieri’s parents at last learned that their son was to be given official state recognition as an innocent victim of the Camorra. The mayor of Naples, Luigi De Magistris, commended the family for “never giving up in the search for truth and in the pursuit of justice".

The five individuals named as the perpetrators of the killing were sentenced to life imprisonment. Others involved had died before the case came to trial.

Landieri has been honoured in a number of ways in Scampia, with a tree planted in his name near Piazza Giovanni Paolo II, an annual poetry competition held for the Antonio Landieri prize and the local football stadium renamed Stadio Antonio Landieri.

A book dedicated to him - entitled Al di là della neve, storie di Scampia (Beyond the Snow, Stories of Scampia) - written by his cousin, Rosario Esposito La Rossa, won the 2008 Siani Prize.

Roberto Saviano's book put
Scampia in the spotlight

Travel tip: 

Though hardly a tourist attraction in the conventional sense, Scampia attracts some visitors, particularly because of the notoriety of the Vele. The area was immortalised by the author and investigative journalist Roberto Saviano in his book, Gomorrah, which documented Saviano's infiltration and investigation of a number areas of business and daily life controlled or affected by the Camorra.  Scenes from both the film and TV series based on the book were filmed in the neighbourhood, some inside the actual Vele complex. It was seen in a better light, however, when US actor Stanley Tucci’s culinary series, Searching for Italy, ventured into the area to feature a bistrot run by local volunteers. The intention to demolish the complex’s remaining blocks was announced in 2016 and residents began moving out in 2019 but it was later announced that one block was to be preserved and repurposed as offices. 

The Piazza del Plebiscito is the largest
public square in the city of Naples

Travel tip:

Scampia, which is just a 10-minute drive from Naples’s Capodichino international airport, is less than 10km (six miles) from the centre of the city, which many tourists do visit. They are drawn by such attractions as Teatro di San Carlo, the oldest continuously active venue for public opera in the world; the large open space of the Piazza del Plebiscito, which adjoins the Palazzo Reale; the Capodimonte Royal Palace and Museum, which houses works by Caravaggio, Raphael and Botticelli; the Santa Chiara religious complex; the elegant, glass-domed Galleria Umberto I, a 19th century shopping arcade; and the 12th century Castel dell'Ovo, located on a promontory and offering beautiful views of the harbour and Mount Vesuvius, the volcano - officially still active, although dormant since 1944 - that overlooks the city.

Also on this day:

1835: The birth of criminologist Cesare Lombroso

1891: The birth of entrepreneur Giovanni Buitoni

2007: The death of author and journalist Enzo Biagi

Vino Novello goes on sale

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Michele Giuttari – crime writer and police officer

Cop-turned-novelist with inside knowledge of police investigations

Michele Giuttari's novels draw on his experience
as a high-ranking Italian police officer

Michele Giuttari, who headed the police in Florence and used his experience working on investigations into Mafia activities and dangerous criminals to become a successful crime writer, was born on this day in 1950 in Novara di Sicilia, a village in the province of Messina in Sicily.

After studying for a degree in Jurisprudence at the University of Messina, Giuttari qualified as a lawyer. He joined the Polizia di Stato as a commissario in 1978 and later rose through the ranks to take charge of the Florentine police between 1995 and 2003.

Giuttari first served in Calabria, where he held positions in the Squadra Mobile of Reggio Calabria and Cosenza. He then joined the Anti-Mafia investigation department and served first in Naples and then in Florence, where he became head of the Judicial Investigation section, and succeeded in jailing several key Mafia figures.

During his time in command of the Squadra Mobile in Florence, Giuttari was responsible for reopening the Monster of Florence case and proving that the so-called monster was not simply a lone serial killer but was, in fact, a group of killers.

After retiring from serving in the Polizia di Stato, Giuttari started crime writing and has now written a series of novels featuring his character, Commissario Michele Ferrara, the latest, entitled Sangue sul Chianti (Blood on Chianti), having been published in 2021.

Seven novels in the Ferrara series have been published in English, the first of which - entitled A Florentine Death - will fascinate readers who are interested in learning about the methods or seeing into the minds of the Italian police. The book had been published in Italy under the title Scarabeo.

Michele Giuttari has made many appearances on
television in Italy to talk about his life and work

The hero, Commissario Ferrara - the equivalent of Chief Superintendent in the English police - is the head of the Squadra Mobile in Florence, about which Giuttari can write with authority. He can describe what really happens in  murder investigations, interviewing suspects, and organising armed police operations.

As well as providing an authentic account of police procedure in a multiple murder investigation, Giuttari delivers a cleverly plotted mystery that becomes increasingly more gripping as it reaches its dramatic conclusion.

A Death in Tuscany, the second Commissario Ferrara novel published in English, is also fascinating because it offers even more glimpses behind the scenes of an Italian police station and gives the readers the feeling that they are on the inside of a major police investigation.

In this novel, the reader finds out more about the man behind the job title and about his earlier life in Sicily.

Ferrara finds he is up against the Mafia as well as ruthless drugs bosses, and even his own Commissioner, who is enraged both by his unorthodox behaviour during the investigation and because he has fallen foul of the Carabinieri, pressures Giuttari himself has obviously experienced at times during his career.

The Death of a Mafia Don
is available in English  

The next in the series - The Death of a Mafia Don - starts with a bomb exploding near Commissario Ferrara’s car in the centre of Florence, leaving the head of the Squadra Mobile injured. There is an urgent need to find out who was responsible to prevent further atrocities, but with Ferrara  unconscious and in hospital, his loyal colleagues are forced to start the investigation without him.

This is a fast moving novel about terrorism and Mafia activity in Italy seen from the perspective of the security forces. It shows the way the police and the Carabinieri often work together and there is a realistic portrait of Florence as the backdrop for the action.

Former policeman Giuttari has now achieved international success with his crime novels, which have been published in more than 100 countries, and he has won several literary awards, including the Fenice Europa for La Loggia degli Innocenti and the Camaiore Letteratura Gialla for Il Basilisco.

In a film made about the Monster of Florence murders, the character of Giuttari was played by the actor Giorgio Colangeli.

A typical street in historic
Novara di Sicilia

Travel tip:

Situated about 70km (43 miles) southwest of Messina in the northeastern corner of Sicily, Michele Guittari’s beautiful home village of Novara di Sicilia is rich in history and traditions. Built on a hillside at the point where the Nebrodi mountains meet the Peloritani range, it was founded and inhabited by Greeks, then by Romans and Arabs and later conquered by the Normans. The remains of a Norman castle can be found near the Chiesa di San Giorgio. In the village’s historic centre, the Duomo di Santa Maria Assunta, built in the 16th century, has a sandstone façade typical of the area, with a wide staircase leading to an essentially Renaissance interior. Just 5km (3.5 miles) from the centre of the village is the Abbazia di Santa Maria, which dates back to the 12th century and is said to be the best example of a Cistercian building in Sicily. 

The Cattedrale di Santa Maria Assunta - Cosenza's
duomo - lies at the heart of the mediaeval city

Travel tip:

Calabria is a part of Italy which did not traditionally attract large numbers of overseas tourists but is becoming more popular thanks to beautiful coastal towns and villages such as Tropea, San Nicola Arcella and Pizzo, while the inland city of Cosenza - where Michele Giuttari once worked - has been described as epitomising the “unkempt charm of southern Italy” with a history that can be traced back to the third century, when there was a settlement called Consentia, the capital of the Brutti tribe. Over subsequent years, the area was captured by the Visigoths, the Lombards, the Saracens, the Normans and the Spanish before the Risorgimento and unification saw it become part of the new Italy.  At the heart of the mediaeval old city, with its network of steep, narrow streets, is a cathedral originally built in the 11th century and modified many times subsequently.  The old town also boasts the 13th century Castello Svevo, built on the site of a Saracen fortification, which hosted the wedding of Louis III of Naples and Margaret of Savoy,  but which the Bourbons used as a prison.

Also on this day:

1576: The birth of Cardinal and art collector Scipione Borghese

1878: The birth of conductor Tullio Serafin

1886: The birth of vaudeville star Guido Deiro 

1922: The birth of actor Vittorio Gassman

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Mauro Giuliani – virtuoso guitarist

Maestro who perfected his technique so that his instrument seemed to sing

Mauri Giuliani was a 19th century
pioneer of guitar music

Leading 19th century guitarist and composer Mauro Giuliani was born on this day in 1781 in Bisceglie, a small town on the Adriatic coast near Bari in Puglia.

Growing up to become an accomplished cellist, singer and composer, Giuliani toured Europe playing in concerts and he became a musical celebrity while he was living in Vienna. He was  invited to play in chamber concerts in the botanical gardens of Schönbrunn Palace - the main summer residence of the Habsburg rulers - with other top musicians.

Giuliani moved to live in Barletta, also on the Adriatic coast when he was very young, where he learnt to play the cello, an instrument he never completely abandoned. But he began to devote himself to learning the six-string guitar, becoming a skilled performer on it very quickly.

Although he married Maria Guiseppe del Monaco and they had a son while he was living in Barletta, Giuliani moved abroad and settled in Vienna without his family, where he learnt the classical instrumental style and began to publish his own compositions. He went on to play in concerts all over Europe, defining a new role for the guitar in music.

He got to know Rossini and Beethoven and in 1814 he was appointed guitar virtuoso di camera to Empress Marie Louise, Napoleon’s second wife. In 1815, Giuliani appeared alongside a famous violinist and cellist in a series of concerts in the botanical gardens of Schönbrunn Palace, which were named the Dukaten Concerte, reflecting the price of the tickets, which was one ducat. He was also the official concert artist for the celebrations of the congress of Vienna in the same year.

The Schönbrunn Palace, summer residence of the
Habsburgs in Vienna, where Giuliani performed

Giuliani played the cello in the orchestra that gave the first performance of Beethoven’s Seventh Symphony. He had many of his compositions published in Vienna, which all showed a marked Italian influence, in particular, that of the music of Rossini. Giuliani also developed a teaching career while he was in the city. 

During his time in Vienna, he had a relationship with Anna Wiesenberger, with whom he had four daughters. After he left Vienna in 1819, he went on a concert tour of Bohemia and Bavaria before returning to Italy. He spent time in Venice and Trieste but finally settled in Rome.

In 1822, he brought one of his daughters, Emilia, over from Vienna to live with him, and she was educated in a nunnery in Rome. 

Giuliani travelled to Naples regularly to be with his father, who by then was seriously ill. In Naples there was a good reception for his artistry on the guitar and he was able to publish some of his compositions with Neapolitan publishers.

Giuliani's solo pieces are
still widely performed today

In 1826, he performed in Portici in Naples before Francesco I and the Bourbon court. He frequently appeared on stage playing duets with his daughter, Emilia, who had also become a skilled performer on the guitar.  

Guliani died in Naples in 1829. According to contemporary accounts, people who had heard Giuliani play the guitar were said to have found his expression and tone astonishing, and felt that he made the instrument seem to sing. Some said the sound he produced called to mind the lute players that had gone before.

Giuliani produced 150 compositions for the guitar and he also composed music for the guitar with an orchestra, and for guitar duets with a violin, or flute.

His concertos and solo pieces are still widely performed by professional guitarists today. Although, he did not publish a Method, the studies and exercises he left behind are still used in the training for a guitarist.

The bust of Giuliani
in central Bisceglie

Travel tip: 

Bisceglie, where Giuliani was born, is in the province of Barletta-Andria-Trani in Puglia, in southern Italy. The city looks out over the Adriatic and lies between Trani and Molfetta. A centre for agriculture and textiles, it dates back to prehistoric times and there are Bronze Age remains to be seen.  Its name is thought likely to be a derivation from the Latin word vigilae, meaning watchtowers. It was awarded Blue Flag beach certification in 2001 for high environmental and quality standards. An historic old city and a pleasant harbour area have made it a destination for tourists. There is a bronze bust of Mauro Giuliani, in Piazza Vittorio Emanuele II. There is also a small museum celebrating his life and achievements in Via Cardinale Dell'Olio.

The Colossus
of Barletta

Travel tip:

Barletta, where Giuliani grew up and learnt to play the cello, is a city with around 95,000 inhabitants on the Adriatic coast to the north of Trani. The area includes part of the battlefield of Cannae, an important archaeological site famous for the battle in 216 BC between the Romans and the Carthaginians, won by Hannibal. Barletta is home to the Colossus of Barletta, a bronze statue representing a Roman Emperor - thought to be Theodosius II - which stands at about 4m (13 feet) tall and is the largest surviving statue from the late Roman Empire.  According to folklore, the statue - known as Eraclio - once saved the city from a Saracen attack by convincing the Saracens that Barletta’s inhabitants were giants.  Barletta was recognised as Città d’Arte of Puglia in 2005 because of its beautiful architecture. 

Also on this day:

1835: The birth of Nobel Prize-winning poet Giosuè Carducci

1915: The birth of tenor Mario Del Monaco

1922: The birth of actor and director Adolfo Celi

1939: The birth of singer Peppino di Capri

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Francesco Durante – composer and teacher

Musician devoted his life to passing on his composing skills to others

Francesco Durante numbered many famous
pupils when he taught in Naples

An esteemed composer of religious and instrumental music, Francesco Durante was born on this day in 1684 at Frattamaggiore near Naples.

Durante was a highly regarded teacher at the Sant'Onofrio Conservatorio and the Santa Maria di Loreto Conservatorio and was also Chapelmaster at the Conservatorio dei Poveri di Gesú Cristo in Naples.

He had some famous pupils, among whom were Niccoló Jommelli, Niccoló Piccinni and Giovanni Battista Pergolesi, who became leading composers of the Neapolitan School of 18th century opera.

Durante studied music in Rome and at Naples, where he was a pupil at San Onofrio and is believed to have studied under Alessandro Scarlatti. He began his own teaching career at the Sant'Onofrio Conservatorio in 1710.

Between 1728 and 1742 he also taught at Santa Maria Loreto and the Conservatorio dei Poveri di Gesú Cristo.  He succeeded Leonardo Leo as principal teacher at Sant'Onofrio Conservatorio in 1745.

There was always rivalry between Leo’s students and his own pupils, who at various times included the composers Giovanni Paisiello, Tommaso Traetta and Leonardo Vinci.

Durante’s own compositions included motets, masses, requiems and oratorios. A pastoral mass for four voices and a setting of the Lamentations of Jeremiah are considered among his best works. He also composed for the harpsichord and for stringed instruments.

A collection of his works was presented to the Bibliothèque National in Paris by a Neapolitan collector of art and music and the Imperial library in Vienna also houses a collection of his manuscripts. He seems to have composed mainly sacred works and is considered by experts to have been one of the best composers of church music of his period.

Durante, who was married three times, died in Naples in 1755, aged 71.

The Piazza Umberto I in Frattamaggiore, with the
campanile of the Basilica of San Sossio 

Travel tip:

Frattamaggiore, where Durante was born, is a comune of Naples, about 15km (9 miles) north of the city, and 15 km southwest of Caserta. Known as Fratta to the locals, Frattamaggiore was named a Benedictine city in 1997 and was awarded the title of City of Art in 2008. It is thought to date back to before Roman times, but the first recorded mention of Frattamaggiore was in 921 AD. The patron saint of Frattamaggiore is Saint Sossius, or Sosius. His remains were first preserved at Miseno, but after the town was destroyed by the Saracens his followers moved to live in Frattamaggiore. The saint’s relics were recovered by Benedictines and preserved in a convent in Naples, but after the convent was suppressed during Napoleonic times, his relics were transferred to Frattamaggiore where they are preserved in a basilica dedicated to him.

The entrance to the Sant'Onofrio
Conservatory at Porta Capuana

Travel tip:

The Conservatorio di Sant'Onofrio at Porta Capuana, where Durante taught at the beginning and end of his career, was one of the four original Naples music conservatories. Founded in 1588, it was developed first as an orphanage. Almost one fifth of the students at the Conservatorio di Sant'onofrio were castrati. Its popularity declined during the Napoleonic period, and only 30 students remained when the conservatory merged with that of Santa Maria di Loreto in 1797. Porta Capuana is now a free-standing gateway that was once part of the Aragonese walls of the city and is situated between the city’s main railway station and the Duomo. The Conservatorio di Sant'onofrio, which was in time absorbed into the Naples Conservatory, used to be close to the Castel Capuano, which was originally a 12th century fortress but has been modified several times. Until recently, the castle was home to the city’s Hall of Justice, also known as the Vicaria, which housed legal offices and a prison.

More reading:

The opera buffa genius of Giovanni Battista Pergolesi

Why Domenico Cimarosa's Il Matrimonio Segreto is seen as one of the greatest comic operas

First night at Teatro di San Carlo

Also on this day: 

1425: The birth of Bianca Maria Visconti, Duchess of Milan

1675: The birth of Pope Benedict XIV

1941: The birth of cartoonist Franco Bonvicini

1958: The birth of crime writer Maurizio De Giovanni

1996: The death of car designer Dante Giacosa

(Picture credits: conservatory gate by Baku; via Wikimedia Commons)

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Alfonso II - King of Naples

Ruler forced to abdicate after one year

Alfonso II became King on the 
death of his father in 1494

Alfonso II, who became King of Naples in 1494 but was forced to abdicate after just one year, was born on this day in 1448 in Naples.

Also known as Alfonso II of Aragon, as heir to Ferdinand I he had the title Duke of Calabia from the age of 10. Blessed with a natural flair for leadership and military strategy, he spent much of his life as a condottiero, leading the army of Naples in a number of conflicts.

He contributed to the Renaissance culture of his father’s court, building the splendid palaces of La Duchesca and Poggio Reale, although neither survived to be appreciated today.

Alfonso II also introduced improvements to the urban infrastructure of Naples, building new churches, tree-lined straight roads, and a sophisticated hydraulic system to supply the city’s fountains. 

He became King of Naples with the death of his father in January 1494 but stepped down in favour of his son, Ferdinand II, in January the following year as the powerful army of Charles VIII of France, who had launched an invasion of the Italian peninsula in September, 1494, prepared to take the city.

Alfonso fled to Sicily, seeking refuge in a monastery at Mazara del Vallo on the southwestern coast, about 25km (15 miles) from Marsala in the province of Trapani.  He died there in December 1495 at the age of 47.

The eldest son of Isabella de Clermont, the first wife of King Ferdinand I, Alfonso II inherited the title of King of Jerusalem on his mother’s death. After being given a humanist education from tutors in his father’s court, he became a career soldier.

A drawing depicting the scene of Alfonso's
abdication in favour of his son, Ferdinand II

His battlefield skills were praised when in 1467, still only 19 years old, he helped the Florentines against Venice. 

Other notable campaigns included the war waged by the Kingdom of Naples and Pope Sixtus IV against Florence following the attempt by the Pazzi family to assassinate Lorenzo de’ Medici in 1478, the reversal of the Ottoman invasion of Otranto in 1481, and a major intervention against Venice in the War of Ferrara, also known as the Salt War, between 1482 and 1484.

Closer to home, he advised his father to impose severe repressive measures to crush the so-called Conspiracy of the Barons in 1485, which made him many enemies. 

By the time Alfonso ascended to the throne in Naples with the death of his father, the Kingdom’s coffers were exhausted and the chances of repelling the armies of Charles VIII were much reduced.  The French king had been encouraged to attack Naples by Alfonso’s brother-in-law, Ludovico Sforza, who saw a chance to reassert his power in Milan. 

Pope Alexander VI tried to persuade Charles VIII to use his resources against the Turks instead but without success. By early 1495, Charles was approaching Naples, having defeated Florence and the Neapolitan fleet under Alfonso's brother, Frederick, at Porto Venere, at which point Alfonso took flight, handing power to his son, Ferdinand II, who offered no resistance as Charles VIII seized the crown on behalf of his father, Louis XI, who had inherited the Angevin claim to Naples.

A bust at the Victoria and Albert Museum in
London, said to be of Ippolita Maria Sforza

Notorious for a somewhat debauched lifestyle and innumerable lovers, Alfonso II had three legitimate children by his one marriage, to Ippolita Maria Sforza, and two out of wedlock by Trogia Gazzella, a noblewoman.

Of Alfonso’s two major villas in Naples - La Duchesca and Poggio Reale - the latter, a complex said to have been designed by the architect Giuliano da Maiano, was said to be so beautiful that Charles VIII described it as an “earthly paradise”. 

Located in a district now known as Poggioreale, the Poggio Reale complex fell into disrepair after Charles had left, taking many of its treasures back to France. In the 17th century, an attempt was made to restore it under King Philip III of Spain but a resurgence of bubonic plague put paid to that, and part of the grounds became a burial place for lepers. Ultimately, a cemetery was built on top of the ruins.

After his death in Sicily, Alfonso’s remains were buried at the Duomo di Messina, the Cathedral Basilica of Santa Maria Assunta.

The Norman church of San Nicolò Regale in
Mazaro del Vallo, built in 1124

Travel tip:

Mazara del Vallo, where Alfonso II sheltered after fleeing Naples, is a port and resort at the mouth of the Mazara river on the southwest coast of Sicily, 25km (15 miles) from Marsala and just over 130km (80 miles) from the island’s capital, Palermo. Founded by the Phoenicians in the ninth century BC, it has passed under the control of the Greeks, Carthaginians, Romans, Vandals, Ostrogoths, Byzantines, Arabs, Normans, Angevins, Catalans, Savoys, Habsburgs and Bourbons before being conquered by Giuseppe Garibaldi in 1860 and joining the newly-formed Kingdom of Italy. Attractions include the remains of a Norman Castle built in 1073 and demolished in 1880, the church of San Nicolò Regale, which is a rare example of Norman architecture, built in 1124, and the simple church of San Vito a Mare, built in 1776 on the site of old Norman remains on the edge of the water. Arab influences can be enjoyed in the historic Kasbah Mazara del Vallo district, while the Museo del Satiro Danzante houses a bronze statue of a dancing satyr believed to have been sculpted by Greek artist Praxiteles, which was found at a depth of 500m (1,600 ft) in the Strait of Sicily by a fishing boat in 1998. 

The triumphal arch that forms the gate of the Castel
Nuovo in Naples, home of the Aragonese court

Travel tip:

The Aragonese court in Naples was based at Castel Nuovo, often known as the Maschio Angioino, the imposing castle that stands on the water’s edge in Naples, overlooking the Piazza Municipio. Alfonso of Aragon, who had conquered the throne of Naples in 1443, had the fortress completely rebuilt in its present form, entrusting the renovation of the old Angevin palace-fortress to an Aragonese architect, Guillem Sagrera. The five round towers, four of which were part of the square Angevin structure, reaffirmed the defensive role of the castle, while the castle’s status as a centre of royal power was underlined by the construction at the entrance, between the two western towers, of a triumphal arch, a masterpiece of Neapolitan Renaissance architecture which was the work of Francesco Laurana and others. It was built in 1470 and commemorates Alfonso of Aragon's entry into Naples in 1443.

Also on this day:

1333 and 1966: Devastating floods in Florence

1575: The birth of Bolognese painter Guido Reni

1737: The inauguration of Teatro di San Carlo

1964: The birth of crime writer Sandrone Dazieri

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Francesco Crispi – Italian Prime Minister

The ‘great patriot’ was of Albanian heritage

A photographic portrait from the 
1880s of Francesco Crispi 

The death at the age of  82 in Naples of the Italian statesman Francesco Crispi, who was a key figure during the Risorgimento, was announced on this day in 1901.

He was a close friend of Giuseppe Mazzini and Giuseppe Garibaldi, and it was Crispi who persuaded Garibaldi to invade Sicily in 1860 with his band of volunteers known as The Thousand. Quickly conquering Sicily, Garibaldi proclaimed himself dictator and named Crispi as Minister of the Interior.

Crispi was born in Ribera in Sicily in 1818. His father’s family were originally from Palazzo Adriano in south western Sicily, which had been founded by Orthodox Christian Albanians. Crispi was brought up to speak Italian, along with Greek, Albanian and Sicilian.

By the time he was 11, Crispi was attending a seminary in Palermo. He then studied law and literature at the University of Palermo, receiving a law degree in 1837.

Crispi founded his own newspaper, L’Oreteo, which brought him into contact with political figures. He wrote about the need to educate poor people, the damage caused by the wealth of the Catholic Church and the need for all citizens, including women, to be considered equal.

In 1845 he became a judge in Naples, where he became well known for his liberal and revolutionary ideas.

Crispi travelled to Palermo in 1847 to prepare for the revolution against the Bourbon monarchy in Sicily. Afterwards, he was appointed a member of the provisional Sicilian parliament and supported the separatist movement that wanted to break ties with Naples.  But when the Bourbons took back control of Sicily by force in 1849, Crispi was forced to flee the island.

The uprising against the Bourbons in Sicily in
1848, which Crispi and others encouraged

He took refuge first in France and then in 1849 he moved to Turin, where he worked as a journalist and met Mazzini, who was a Republican activist. Crispi was then arrested and sent to live in Malta by the Piedmontese.

From there he went to London, where he became a revolutionary conspirator and was involved in the Italian national movement.

After returning to Italy, Crispi travelled round Sicily in disguise, preparing for the conquering of the Kingdom of the Two Sicilies.

Crispi was appointed first secretary of state in the provisional government, where he found himself in opposition to Cavour, the prime minister of the Kingdom of Sardinia, who wanted to annex Sicily to Piedmont.

In the general election of 1861, before the establishment of the Kingdom of Italy, Crispi was elected a member of the Historical Left for the constituency of Castelvetrano, a seat he would hold for the rest of his life.

Crispi acquired the reputation for being aggressive and earned the nickname of Il Solitario, the Loner. In 1864 he deserted Mazzini and announced he was a monarchist. He told Mazzini in a letter: ‘The monarchy unites us, the republic would divide us.’ On the outbreak of the Franco-Prussian war, he worked to impede a projected alliance with France.

The assassination attempt that
Crispi survived in 1894

After the general election of 1976, Crispi was elected President of the Chamber of Deputies. He travelled to London and Berlin where he established friendly relationship with Gladstone and Bismarck. After the death of Victor Emmanuel II in 1878, Crispi secured a unitary monarchy with King Umberto taking the title of Umberto I of Italy, instead of Umberto IV of Savoy. He was then accused of bigamy and although his marriage to his third wife was ruled as valid, he was compelled to resign bringing the whole government down with him.

In 1881, Crispi was one of the main supporters of universal male suffrage and in 1887 he was appointed by the King as Prime Minister and Minister of Foreign Affairs. He abolished the death penalty, revoked anti strike laws, limited police powers, and reformed the penal code.

His government lost its majority after his Minister of Finance had to reveal a higher than planned deficit and Crispi resigned in 1891. He was asked to form a new government in 1893 and the following year had to declare a state of siege throughout Sicily.

In 1894, an anarchist tried to shoot Crispi but failed. Crispi introduced a series of anti-anarchist laws that strengthened his position.

During his second term, Crispi continued colonial expansion in East Africa, which led to the first Italo-Ethiopian war.

An attempt was made to prosecute Crispi for embezzlement, but a parliamentary commission refused to authorise it. He resigned his seat in parliament, but was re-elected in 1898 by his Palermo constituents.

After his health declined, Crispi died in Naples on the evening of Sunday, August 11, 1901, with his death announced the following morning. He is remembered as a colourful, patriotic politician. His fiery nature and turbulent personal and political life have been ascribed to his Albanian heritage. He was once saluted by Giuseppe Verdi as ‘the great patriot’ and streets in Italy are still named after him to this day.

One of the towers at
Castello di Poggio Diana

Travel tip:

Ribera, the birthplace of Francesco Crispi, is a town of almost 18,000 inhabitants situated about 50km (31 miles) from Agrigento on the southwest flank of the island of Sicily. Sometimes known as "the city of oranges" it sits on the Plain of San Nicola, between the valleys of the Verdura and Magazzolo rivers. The town's main sights include the 18th century Chiesa Madre, which remained closed for more than 30 years following an earthquake in 1968 but has been restored. Outside the town, on a gorge overlooking the Verdura river, is the Castello di Poggio Diana, built by Guglielmo Peralta in the 14th century. Agriculture is the town's main industry, involving the cultivation and marketing of the Washington navel orange - introduced by emigrants returned from the United States - and strawberries. 

The Via Francesco Crispi is in the heart of
Rome's historic city centre

Travel tip:

Many streets in Italy take the name of Francesco Crispi. The Via Francesco Crispi in Rome bisects the historical centre of the city between Piazza di Spagna and Piazza Barberini, a few minutes' walk away from the Villa Borghese, Piazza del Popolo and the Trevi Fountain. The Volpetti family's gourmet food business, established in 1870, is located on Via Francesco Crispi, as is the historic Crispi 19 restaurant, opened in 1873, and the upmarket Marini shoe shop. The street is also home to the Galleria Comunale d'Arte Moderna, a former16th-century monastery now turned museum housing a large collection of works by late 19th and early 20th century artists including  Giacomo Balla, Carlo Carrà, Arturo Dazzi, Giorgio de Chirico, Renato Guttuso, Giacomo Manzù and Giorgio Morandi.

Also on this day: 

1612: The death of Venetian composer Giovanni Gabrieli

1861: The birth of anarchist Luigi Galleani

1943: The death of mountaineer and photographer Vittorio Sella

1990: The birth of football Mario Balotelli

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Antonio Sacchini - composer

Masterpiece widely acknowledged only after tragic death

Antonio Sacchini, the son of a cook from
Florence, who learned music in Naples

The composer Antonio Sacchini, whose operas brought him fame in England and France in the second half of the 18th century and found favour with the Queen of France, Marie Antoinette, among others, was born on this day in 1730 in Florence.

His 1785 work Oedipe à Colone, which fell into the opera seria genre as opposed to the more light-hearted opera buffa, in which he also specialised, has best stood the test of time among his works, although it did not achieve popularity until after his death after initially falling victim to the political climate in the French court.

Sacchini came from humble stock. His father, Gaetano, was thought to be a cook, and it was through his work that the family moved to Naples when he was four, Gaetano having been employed by the future Bourbon King of Naples, Don Carlos, then the Duke of Parma and Piacenza.

This provided the opportunity for Sacchini to receive tuition at the Conservatorio di Santa Maria di Loreto, under the supervision of the composer Francesco Durante, where he learned the basics of composition, harmony and counterpoint, also developing impressive skills as a violinist and studying singing.

After Durante’s death in 1755, Sacchini began writing operas, which were performed by the students at the conservatory to great acclaim, leading to commissions from small theatres in Naples and ultimately the prestigious Teatro di San Carlo, where his first opera seria, Andromaca, was premiered in 1761.

The title page of the libretto for
Sacchini's L'olimpiade in 1763

The following year, by now himself teaching at the conservatory, he was given permission to present his work in Venice and the success of subsequent productions in Padua, Florence and Rome persuaded him to leave his teaching post and set up as an independent composer, initially basing himself in Rome.

More success followed. His comic operas for the Teatro Valle expanded his reputation, although in 1768, rather than continue his self-employment, he accepted a permanent post as director of the Conservatorio dell’Ospedaletto in Venice, a famous institution. There, he continued to compose operas and wrote sacred music both for the conservatory and various Venetian churches, while also acquiring a high reputation as a singing teacher. Among his pupils was Nancy Storace, the soprano for whom Mozart would later create the role of Susanna in Le nozze di Figaro.

With the encouragement of Charles Burney, the English music historian, composer and critic, Sacchini moved to London in 1772, taking with him Giuseppe Millico, one of the finest castrati then active on the European stage . In London, where he was based for the next nine years, he enjoyed some of his greatest triumphs and found great favour with British audiences. Burney felt he was the foremost composer of the decade. 

However, though he was well paid, his lifestyle meant that he kept little of what he earned. As his debts escalated, he made enemies and his departure for Paris in 1781 was both to escape debtors’ prison and evade the attention among others of Venanzio Rauzzini, a leading male singer on the London circuit, who claimed that Sacchini had appropriated a number of arias of his composition and claimed them as his own. 

As it happened, Sacchini’s arrival in Paris coincided with the visit of Austrian emperor Joseph II, who was familiar with Sacchini’s works and recommended Sacchini to his sister, Queen Marie Antoinette, for patronage. 

French Queen Marie Antoinette 
was an admirer of Sacchini's work

Less fortuitously, he arrived at a time when the music scene in the French capital had become decidedly political.

Marie Antoinette was known for her liking for foreign composers and handed Sacchini a lucrative contract with the Académie Royale de Musique, otherwise known as the Paris Opéra, to produce three new works. 

This was not well received by the head of the Académie Royale, Denis-Pierre-Jean Papillon de la Ferté, who was opposed to the queen's predilection for foreign music and plotted to delay the premiere of Sacchini’s first French opera, Renaud.

Sacchini also found himself caught up in the rivalry between supporters of the German opera composer Christoph Willibald Gluck and those of his Italian counterpart Niccolò Piccinni, one group seeking to undermine Sacchini's work, the other supporting it, but both inclined to change their view if they thought it might disadvantage the other side.

Marie Antoinette continued to support Sacchini until, under heavy pressure, she broke a promise to make his new French opera Oedipe à Colone (Oedipus at Colonus) the first opera to be performed at the new court theatre in Fontainebleau in 1786, explaining that she had effectively been forced to give that honour instead to a French composer.

Sacchini returned to his home in Paris, distraught. Already sick with gout, he took to his bed, refused to eat, and within three days he was dead, at the age of 56.

Oedipe à Colone is generally acknowledged as Sacchini’s masterpiece, remained in the repertoire of the Paris Opéra through the mid-19th century, enjoyed various revivals in the 20th century and as recently as 2005 was staged by the American company Opera Lafayette. 

A 17th century painting of the bustling Piazza del Mercato
in Naples illustrates how the area of the conservatory looked

Travel tip:

The Conservatorio di Santa Maria di Loreto, where Sacchini was a student and later a teacher, was the oldest of the four Naples conservatories that were eventually absorbed into the Conservatory of San Pietro a Majella. It was the fulcrum of the Neapolitan musical school between the 17th and 18th centuries. Built in 1537 during the Spanish expansion of Naples under the viceroy, don Pedro de Toledo, it stood between the present Piazza del Mercato and the Castello di Carmine, close to the main port area of the city. Like the other conservatories, it began life as an orphanage, where orphaned children were not only given food and accommodation but also an education. Music, initially, was one of a number of subjects taught but eventually took prominence as the conservatories became the founders of the Neapolitan school of music between the end of the 17th century and the beginning of the 18th. As a borgo - district - Santa Maria di Loreto ultimately ceased to exist after it was completely destroyed by bombing during the Second World War. The monastery that formed part of the original site was turned into a hospital but was flattened during an air raid in December, 1942.

Travel tip:

Teatro di San Carlo in Naples, which first staged an opera by Sacchini in 1761, can be found in Via San Carlo close to Piazza del Plebiscito, the main square in Naples. The theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and opened in 1737, some 41 years before Teatro alla Scala in Milan and 55 years before La Fenice in Venice. San Carlo is now believed to be one of the oldest, if not the oldest, functioning opera houses in the world. Both Gaetano Donizetti and Gioachino Rossini served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè were performed there.

Also on this day:

1497: The unsolved murder of Giovanni Borgia, brother of Cesare and Lucrezia

1800: The Battle of Marengo

1837: The death of poet and philosopher Giacomo Leopardi

1968: The death of Salvatore Quasimodo, Nobel Prize-winning poet

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