Showing posts with label Barletta. Show all posts
Showing posts with label Barletta. Show all posts

27 July 2024

Mauro Giuliani – virtuoso guitarist

Maestro who perfected his technique so that his instrument seemed to sing

Mauri Giuliani was a 19th century
pioneer of guitar music
Leading 19th century guitarist and composer Mauro Giuliani was born on this day in 1781 in Bisceglie, a small town on the Adriatic coast near Bari in Puglia.

Growing up to become an accomplished cellist, singer and composer, Giuliani toured Europe playing in concerts and he became a musical celebrity while he was living in Vienna. He was  invited to play in chamber concerts in the botanical gardens of Schönbrunn Palace - the main summer residence of the Habsburg rulers - with other top musicians.

Giuliani moved to live in Barletta, also on the Adriatic coast when he was very young, where he learnt to play the cello, an instrument he never completely abandoned. But he began to devote himself to learning the six-string guitar, becoming a skilled performer on it very quickly.

Although he married Maria Guiseppe del Monaco and they had a son while he was living in Barletta, Giuliani moved abroad and settled in Vienna without his family, where he learnt the classical instrumental style and began to publish his own compositions. He went on to play in concerts all over Europe, defining a new role for the guitar in music.

He got to know Rossini and Beethoven and in 1814 he was appointed guitar virtuoso di camera to Empress Marie Louise, Napoleon’s second wife. In 1815, Giuliani appeared alongside a famous violinist and cellist in a series of concerts in the botanical gardens of Schönbrunn Palace, which were named the Dukaten Concerte, reflecting the price of the tickets, which was one ducat. He was also the official concert artist for the celebrations of the congress of Vienna in the same year.

The Schönbrunn Palace, summer residence of the Habsburgs in Vienna, where Giuliani performed
The Schönbrunn Palace, summer residence of the
Habsburgs in Vienna, where Giuliani performed
Giuliani played the cello in the orchestra that gave the first performance of Beethoven’s Seventh Symphony. He had many of his compositions published in Vienna, which all showed a marked Italian influence, in particular, that of the music of Rossini. Giuliani also developed a teaching career while he was in the city. 

During his time in Vienna, he had a relationship with Anna Wiesenberger, with whom he had four daughters. After he left Vienna in 1819, he went on a concert tour of Bohemia and Bavaria before returning to Italy. He spent time in Venice and Trieste but finally settled in Rome.

In 1822, he brought one of his daughters, Emilia, over from Vienna to live with him, and she was educated in a nunnery in Rome. 

Giuliani travelled to Naples regularly to be with his father, who by then was seriously ill. In Naples there was a good reception for his artistry on the guitar and he was able to publish some of his compositions with Neapolitan publishers.

Giuliani's solo pieces are still widely performed today
Giuliani's solo pieces are
still widely performed today
In 1826, he performed in Portici in Naples before Francesco I and the Bourbon court. He frequently appeared on stage playing duets with his daughter, Emilia, who had also become a skilled performer on the guitar.  

Guliani died in Naples in 1829. According to contemporary accounts, people who had heard Giuliani play the guitar were said to have found his expression and tone astonishing, and felt that he made the instrument seem to sing. Some said the sound he produced called to mind the lute players that had gone before.

Giuliani produced 150 compositions for the guitar and he also composed music for the guitar with an orchestra, and for guitar duets with a violin, or flute.

His concertos and solo pieces are still widely performed by professional guitarists today. Although, he did not publish a Method, the studies and exercises he left behind are still used in the training for a guitarist.

The bust of Giuliani in central Bisceglie
The bust of Giuliani
in central Bisceglie

Travel tip: 

Bisceglie, where Giuliani was born, is in the province of Barletta-Andria-Trani in Puglia, in southern Italy. The city looks out over the Adriatic and lies between Trani and Molfetta. A centre for agriculture and textiles, it dates back to prehistoric times and there are Bronze Age remains to be seen.  Its name is thought likely to be a derivation from the Latin word vigilae, meaning watchtowers. It was awarded Blue Flag beach certification in 2001 for high environmental and quality standards. An historic old city and a pleasant harbour area have made it a destination for tourists. There is a bronze bust of Mauro Giuliani, in Piazza Vittorio Emanuele II. There is also a small museum celebrating his life and achievements in Via Cardinale Dell'Olio.


The Colossus of Barletta
The Colossus
of Barletta
Travel tip:

Barletta, where Giuliani grew up and learnt to play the cello, is a city with around 95,000 inhabitants on the Adriatic coast to the north of Trani. The area includes part of the battlefield of Cannae, an important archaeological site famous for the battle in 216 BC between the Romans and the Carthaginians, won by Hannibal. Barletta is home to the Colossus of Barletta, a bronze statue representing a Roman Emperor - thought to be Theodosius II - which stands at about 4m (13 feet) tall and is the largest surviving statue from the late Roman Empire.  According to folklore, the statue - known as Eraclio - once saved the city from a Saracen attack by convincing the Saracens that Barletta’s inhabitants were giants.  Barletta was recognised as Città d’Arte of Puglia in 2005 because of its beautiful architecture. 



Also on this day:

1835: The birth of Nobel Prize-winning poet Giosuè Carducci

1915: The birth of tenor Mario Del Monaco

1922: The birth of actor and director Adolfo Celi

1939: The birth of singer Peppino di Capri


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9 May 2019

Carlo Maria Giulini - conductor

Boy violinist who became a maestro of the baton


Giulini conducted some of the world's  great orchestras in a long career
Giulini conducted some of the world's
great orchestras in a long career
Carlo Maria Giulini, who conducted many of the world’s great orchestras in a career spanning 54 years, was born on this day in 1914 in Barletta, a town on the Adriatic coast 66km (41 miles) north of the port city of Bari.

Appointed musical director of Teatro alla Scala in Milan in 1953, he went on to become one of the most celebrated conductors of orchestral performances, developing long associations with the Chicago Symphony Orchestra and the Philharmonia of London in particular, as well as the orchestra of the Royal Opera House, Covent Garden, the Vienna Symphony Orchestra and the Los Angeles Philharmonic.

He became renowned for projecting serene authority from the podium, as well as his selfless devotion to the score. A handsome man who was always impeccably tailored, he had a magisterial presence. Initially most recognised for the breadth and detail he brought to the operas of Verdi and Mozart, he eventually became as well known for his orchestral repertoire.

Carlo Maria Giulini was born to a Neapolitan mother and a father from Lombardy. Although born in the south of Italy, he was raised in Bolzano, which was part of Austria until 1915. For Christmas in 1919, when he was five, Giulini was given a violin and he progressed rapidly thanks to local instructors, notably a pharmacist who was also a violinist, whom he nicknamed Brahms.

Giulini with his wife Marcella de Girolami, to whom he was married for more than half a century
Giulini with his wife Marcella de Girolami, to whom
he was married for more than half a century
When the distinguished Italian violinist and composer Remy Principe gave a recital in Bolzano in 1928, he invited Giulini to study with him at Italy's foremost conservatory, the Accademia Nazionale di Santa Cecilia in Rome. He soon won a place in the academy’s prestigious orchestra.

He played under such giants of conducting as Bruno Walter, Wilhelm Furtwängler, Richard Strauss, Igor Stravinsky, and Otto Klemperer. Giulini’s first public performance was the Brahms Symphony No. 1 under Walter.

In 1940, Giulini won a competition with the prize of a chance to conduct the St. Cecilia orchestra. However, before the concert took place at which he was due to conduct, he was drafted into the Italian army and sent to the front in Croatia, in spite of being unequivocally opposed to Benito Mussolini and a committed pacifist. He refused to fire his gun at human targets.

In 1942, on a 30-day break in Rome, he married Marcella de Girolami, his girlfriend since 1938. They would remain together until her death 53 years later.

Giulini began his career mainly conducting opera, first for the Rai radio orchestra
Giulini began his career mainly conducting
opera, first for the Rai radio orchestra 
In September 1943, the Armistice between Italy and Allied armed forces was signed, but the occupying Nazis refused to abandon Rome. When Giulini's Italian commander ordered his troops to fight on, Giulini went into hiding, living for nine months in a tunnel underneath a home owned by his wife's uncle, along with two friends and a Jewish family. There were posters around Rome showing his face with instructions that he be shot on sight.

After the Allies liberated Rome in June 1944, Giulini - one of the few conductors not tainted by associations with Fascism - was chosen to lead the Accademia's first post-Fascist concert, held in July 1944. On the programme was the Brahms Symphony No. 4, which would become almost his signature work, one that he conducted 180 times over the course of his career.

In 1948, Giulini conducted his first opera, a production of Verdi’s La Traviata for Italian radio, before conducting his first theatre production of the same opera in Bergamo in 1950.

After hearing Giulini’s radio broadcast of Debussy's La mer, the great conductor Arturo Toscanini asked to meet Giulini and recommended him to be musical director at La Scala. He took up the post in 1953, although in the event he resigned after members of the audience jeered Maria Callas during a run of operas in 1956.

In 1958, Giulini conducted a highly acclaimed production of Verdi's Don Carlos at the Royal Opera House in London - directed by Luchino Visconti - and although he returned to Covent Garden several more times, and to other venues in Europe, he became so disillusioned with some of the modern visual interpretations of classic works that he effectively quit opera in 1965 to concentrate on orchestral works. Even the Metropolitan Opera in New York could not persuade him to change his mind.

Giulini, who worked into his 80s, had a long association with the Chicago Symphony Orchestra
Giulini, who worked into his 80s, had a long association
with the Chicago Symphony Orchestra
In 1955 he made his American debut with the Chicago Symphony Orchestra, leading to a 23-year association with the orchestra, of which he was principal guest conductor from 1969 to 1972 and continued to appear with them regularly until 1978. In 1956, he began his association with the Philharmonia of London.

In addition to his role in Chicago, he was music director of the Vienna Symphony from 1973 to 1976. From 1978 to 1984, he served as principal conductor and music director of the Los Angeles Philharmonic, launching his tenure there with performances of Beethoven's 9th Symphony.

In addition to being in great demand as a guest conductor of major orchestras around the world, Giulini made numerous recordings with the Philharmonia in London.

Two Mozart recordings, Don Giovanni and Le Nozze Di Figaro, brilliantly produced by Walter Legge, were recalled as exceptional. The recordings that followed during the early 1960s reflected a London concert repertory that included music by Schubert, Brahms, Dvorak, Tchaikovsky, Debussy and Ravel, as well as brilliant Rossini overtures and memorable performances of the Verdi Requiem.

Giulini often said that he found the public role of being a conductor uncomfortable and that ideally he would prefer to do no publicity at all. Yet he had an eccentric side that appeared to enjoy fame, to the extent that during his time in Los Angeles he would sometimes be spotted driving around in an open-top Mercedes, wearing sunglasses, a flowing scarf and a large hat that could scarcely fail to get him noticed.

His later years in America were marred somewhat by the ill health and eventual death of his wife in 1995, not long after which, in 1998, he announced his retirement, returning to Italy and living in the area around Brescia in Lombardy, where he died in 2005 at the age of 91.

The city of Bolzano is set against a backdrop of  stunning Alpine views
The city of Bolzano is set against a backdrop of
 stunning Alpine views
Travel tip:

Bolzano, where Giulini grew up, is a city in the South Tyrol province of northern Italy, also known as Alto Adige. It is in a valley amid hilly vineyards. A gateway to the Dolomites mountain range in the Italian Alps, it has a medieval city centre, where can be found wooden market stalls are laid out with Alpine cheese, ham and dark, seeded loaves. Bolzano us the home of the South Tyrol Museum of Archaeology, which features a Neolithic mummy called Ötzi the Iceman. Nearby is the imposing 13th-century Mareccio Castle, and the Duomo di Bolzano with its Romanesque and Gothic architecture.

The beautiful 14th century Basilica di Santa Maria Maggiore in Barletta
The beautiful 14th century Basilica di Santa
Maria Maggiore in Barletta
Travel tip:

Giulini’s home town of Barletta is a working port with modern suburbs and an attractive historic centre, where one of the most famous sights is an ancient bronze 'Colossus', thought to be the oldest surviving bronze Roman statue. The identity of the figure the statue represents is not clear but one theory is that it is the Byzantine Emperor Marcian and that the statue’s original home was in Constantinople.  Barletta has a beautiful 12th century cathedral, renovated in the 14th century, the Basilica of Santa Maria Maggiore.

More reading:

How a chance opportunity changed conductor Arturo Toscanini's life

The life of the passionate maestro Riccardo Muti

Why Luchino Visconti was known as the aristocrat of Italian cinema

Also on this day:

1740: The birth of composer Giovanni Paisello

1946: Italy's King Victor Emmanuel III abdicates

2013: The death of fashion designer Ottavio Missoni


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24 January 2018

Farinelli – music’s first superstar

Castrato rated among all-time opera greats


The castrato Carlo Broschi, known as Farinelli, in a 1752 painting by Jacopo Amigoni
The castrato Carlo Broschi, known as Farinelli, in
a 1752 painting by Jacopo Amigoni
The opera singer Carlo Broschi – better known by his stage name of Farinelli – was born on this day in 1705 in the city of Andria in what is now Apulia.

Farinelli was a castrato, a type of classical male singing voice that was enormously popular from the 16th to the 18th century, one which had an enormous range and flexibility, a little like a female soprano but subtly different.

It was achieved through the somewhat barbaric practice of castrating a male singer before puberty, which is why there are no castrati today. Among other things, the procedure caused changes in the development of the larynx, meaning the voice effectively never breaks, and of the bones, including the ribs, which grew longer than in non-castrated boys and gave the castrato singer considerably enhanced lung power and capacity.

Although many survived and, like Farinelli, went on to enjoy a normal lifespan, the practice was hugely risky and there were many deaths not only from post-operative infections but also from overdoses of opium or other narcotic drugs administered as painkillers, or else from the compression of the carotid artery in the neck employed as a means of rendering the boy unconscious.

During the early part of the 18th century, when castrato singers were in demand and could earn a considerable income, many poor families had their sons castrated in the hope that they would turn out to have beautiful voices that would provide the family with a route out of poverty.  Legally, a castration could be carried out only if there was a medical need, but tenuous reasons were often accepted with little argument.

Another depiction by Amigoni of the artist in a fantasised setting
Another depiction by Amigoni of the
artist in a fantasised setting
Farinelli’s story was somewhat different. His father, Salvatore Broschi, was a composer and maestro di cappella at Andria’s cathedral, and both he and Carlo’s mother, Caterina Barrese, were related to nobility. They were a well-to-do family.

Carlo had natural singing talent and, after the family had moved from Barletta, a coastal town not far from Andria, to Naples, primarily so his brother, Riccardo, could enroll at the Conservatory of Santa Maria di Loreto, he began to receive lessons from the renowned composer and voice teacher, Nicola Porpora.

There are differing versions of how he came to be castrated. One is that, after Salvatore Broschi died unexpectedly at the age of just 36 in 1717, the family suddenly faced financial insecurity and, knowing that Porpora was an especially gifted coach of castrati voices, Riccardo took the decision that Carlo should be castrated. But this is disputed by some historians, who argue that at 12 years old he was too old for the procedure to have saved his voice and that he probably underwent it earlier, while his father was alive.

Whatever the truth was, Carlo Broschi’s singing talent developed rapidly under Porpora’s tutelage and he made his stage debut at the age of 15 in one of Porpora’s own compositions, a serenata entitled Angelica e Medoro, with a libretto by the poet Pietro Trapassi, who would go on to be famous in his own right under the name of Metastasio.

It is thought Broschi adopted Farinelli as his stage name as a nod to the help provided for the family in paying for his singing lessons by the Farino brothers, who were wealthy Neapolitan lawyers and music lovers.

he cathedral at Andria, where Farinelli's father was the maestro di cappella
The cathedral at Andria, where Farinelli's father was
the maestro di cappella
Farinelli’s extraordinary voice, described by one critic as “a penetrating, full, rich, bright and well-modulated soprano voice, with a range from the A below middle C to the D two octaves above middle C”, soon made him famous across Italy and beyond.

After making his Rome debut in 1722, he sang in Vienna in 1724, then Parma and Milan in 1726, subsequently performing in Munich and again in Vienna.  In 1729, he was engaged to perform in two works by Metastasio during the carnival season in Venice, appearing at the Teatro San Giovanni Grisostomo alongside some of the greatest singers of his time.

Audiences were large and appreciative. In addition to his handsome appearance fees, Farinelli was regularly showered with lavish gifts and acquired a wealth to go with his fame.

In 1734, he moved to London, where he was signed up by Senesino, an Italian contralto-castrato who had formed his own company, the Opera of the Nobility, performing at a theatre in Lincoln’s Inn Fields, with Porpora as a composer. 

The company paid Farinelli £1,500 per season – an enormous salary for the times and possibly swelled to £5,000 with gifts – although the sum was not sustainable in the long run and by the end of his time in London he was performing for much more modest fees.

Farinelli's tomb at the Certosa cemetery in Bologna
Farinelli's tomb at the Certosa
cemetery in Bologna
When Farinelli left London in 1737, his career took a turn that removed him from the public arena for good but assured his financial security.  Summoned to Madrid by the Spanish queen, Elisabetta Farnese, in the hope that his voice might help lift her husband King Philip V, out of his depression, he was offered the position of Chamber Musician to the King.

He kept that position for 22 years, performing private concerts nightly for the royal couple and developing a still closer relationship with their successors, King Ferdinand VI and his wife, Barbara of Portugal, with whom he sang duets.

With a generous pension guaranteed, he left Spain in 1759 after Ferdinand was succeeded by Charles III, who was no music lover.  He retired to Bologna, where he had owned property since 1732, and died there in 1782, by then a rather lonely figure who had outlived most of his contemporaries.

He was buried at the Capuchin monastery of Santa Croce in Bologna and removed to the Certosa cemetery in Bologna after the monastery was destroyed during the Napoleonic wars.

Hotels in 

The Castel del Monte, outside Andria
The Castel del Monte, outside Andria
Travel tip:

Andria, where Farinelli was born, is a city well off the usual visitor trail yet is a substantial place with a population of more than 100,000, the fourth largest municipality of the Apulia region, an important centre of the agricultural service industry and a producer of wine, olives and almonds. Situated some 60km (37 miles) northwest of the port of Bari, it is about 210km (130 miles) almost due east of Naples across the peninsula. The centre of the city is Piazza Catuma and a short distance away is Piazza Duomo, the site of a 12th century cathedral. About 15km (10 miles) south of the city is the impressively well preserved 13th century Castel del Monte, built by the Emperor Frederick II, who was particularly fond of the area.


The Norman motte and bailey castle at Barletta
The Norman motte and bailey castle at Barletta
Travel tip:

Like Andria, the nearby coastal city of Barletta, where Farinelli grew up, is not a well known destination among tourists, with those who do visit the area tending to gravitate towards Trani, the attractive fishing port a few kilometres south. Yet Barletta is known for its sandy beaches to the north and south of the city and its reputation as a centre for concrete and cement production should not put off would-be visitors, who will find an attractive and historic old town and an impressive Norman castle of the traditional motte and bailey structure that was built in the 10th century, when it served as a hostel for soldiers heading for the Holy Land during the crusades.


Also on this day:















28 June 2017

Pietro Mennea – Olympic sprint champion

200m specialist won gold at Moscow in 1980


Pietro Mennea at his first Olympics in 1972
Pietro Mennea at his first Olympics in 1972
Pietro Mennea, one of only two Italian sprinters to win an Olympic gold, was born on this day in 1952 in the coastal city of Barletta in Apulia.

Mennea won the 200m final at the Moscow Olympics in 1980, depriving Britain's Allan Wells of a sprint double. In doing so, Mennea emulated his compatriot, Livio Berruti 20 years earlier in Rome.

He held the world record at 200m for almost 17 years, from 1979 until 1996.  His time of 19.72 seconds remains the European record.

It would stand as the world record for 16 years, nine months and 11 days, until Michael Johnson ran 19.66 at the US Olympic trials in 1996.

As well as winning his gold medal, outrunning Britain’s Allan Wells in the last 50m, Mennea’s other great Olympic feat was to reach the 200m final at four consecutive Games, the first track athlete to do at any distance. He also won the bronze medal in Munich in 1972, was fourth in 1976 at Montreal and seventh place in Los Angeles in 1984.

At his last Olympics, in 1988, he carried the Italian flag at the opening ceremony.

Famous for his rather frantic running style, Mennea set the 200m record on September 12 1979 at the World University Games in Mexico City, his time surpassing the record of 19.83, set by the American sprinter Tommie Smith on the same track at the 1968 Olympics.

Pietro Mennea gets down to his mark at the start of his duel with Allan Wells (left) in the 1980 Moscow final
Pietro Mennea gets down to his mark at the start of his duel
with Allan Wells (left) in the 1980 Moscow final
Although there were some who questioned the authenticity of the record because of the advantages of lower air resistance at high altitudes, Mennea won plenty of races at low altitudes as well.

Known in Italy as “la freccia del sud”  - “the arrow of the south” – he also won gold at the European Championships in Rome in 1974 and Prague in 1978, where he also took the gold in the 100m.

Mennea was born in Barletta, on the Adriatic coast, the son of a tailor. When he was young, the story goes, he would bet against car owners that he could take on their Alfa Romeos and Porsches over 50 metres and win.

Blessed with such pace, it didn't take him long to make an impact on the track. He was a double Italian champion at 19 in 1971. The 1972 Olympics at Munich, where he won a bronze medal, was his first international championship.

His career was not without controversy. After retiring, Mennea admitted taking supplements of human growth hormone, though he added that it was not illegal at the time.

After retiring from sprinting, Mennea drew on the extensive qualifications he acquired as a student, including degrees in political science, law, physical education and literature.  He had been a student at the University of Bari at the time when Aldo Moro, who had been prime minister of Italy and would be again, was a professor.

Mennea was a politician in later life
Mennea was a politician in later life
He practised as a lawyer and a sports agent, working for some years on behalf of the football team, Salernitana. He was an elected politician, serving from 1999 to 2004 as a member of the European parliament, where he lobbied for independent dope-testing authorities in sport.

Mennea also stood at the 2001 general election is a candidate for the Senate in Barletta-Trani under the centre-left Italy of Values banner but was not elected. In 2002 he was a candidate for mayor of Barletta with the centre-right party Forza Italia, but was defeated in the first round.

He died in 2013 aged only 60 after a battle with cancer. Hundreds of Italian athletics fans filed past his open coffin and the headquarters of the Italian Olympic committee in Rome, where World Cup winner Dino Zoff and Olympic boxing champion Nino Benvenuti were among those who paid their respects.  His funeral took place at the Basilica of Santa Sabina on the Aventine Hill, not far from the Circus Maximus.

The Basilica of Santa Sabina in Rome
The Basilica of Santa Sabina in Rome
Travel tip:

Santa Sabina is perched high above the Tiber river, next to small public park Giardino degli Aranci (Garden of Oranges), which has a scenic terrace overlooking Rome. The oldest extant Roman basilica in Rome, dating back to the fifth century, it preserves its original colonnaded rectangular plan and architectural style, which is said to represent the crossover from a roofed Roman forum to the churches of Christendom.

The Basilica of Santa Maria Maggiore in Barletta
The Basilica of Santa Maria Maggiore in Barletta
Travel tip:

Mennea’s home city of Barletta lies about 60km (37 miles) north of Bari on the Adriatic coast. It is a working port with modern suburbs and an attractive historic centre, where one of the most famous sights is an ancient bronze 'Colossus', thought to be the oldest surviving bronze Roman statue. The identity of the figure the statue represents is not clear but one theory is that it is the Byzantine Emperor Marcian and that the statue’s original home was in Constantinople.  Barletta has a beautiful 12th century cathedral, renovated in the 14th century, the Basilica of Santa Maria Maggiore.

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