The 1870 Rome plebiscite

When the Eternal City defied the Pope to be part of the new Italy

Romans celebrate the result of the
vote outside the Palazzo Senatorio

Citizens of Rome voted overwhelmingly in favour of becoming part of the new Italy on this day in 1870, less than two weeks after the city had been captured by the Italian army and the unification process was finally complete.

For nine years after the Kingdom of Italy was officially declared in 1861, Rome remained under the control of Pope Pius IX as the sovereign territory of the Church, even though much of the area that had been the Papal States had been captured by the unification forces by 1860. 

The city’s independence had been protected by a French garrison stationed there permanently by Emperor Napoleon III, a key Church ally, but the outbreak of the Franco-Prussian War in 1870 meant that the French soldiers had to be withdrawn.

In their absence, after attempts to persuade Pope Pius IX to agree a peaceful surrender had failed, Italian troops led by General Raffaele Cadorna breached the Aurelian Walls near Porta Pia early on the morning of September 20, and flooded into the city, needing only a few hours to be in complete control. There were casualties on both sides, although thankfully few.

Pius IX, who had been head of the Catholic Church since 1846, believed that retaining the sovereign territorial power held by the church for more than 1,100 years was vital to its spiritual authority.  He was also fiercely opposed to two of the leading figures in the Risorgimento movement, Giuseppe Garibaldi and Giuseppe Mazzini, whom he perceived as anti-Catholic.

But the people of Rome and the surrounding Lazio region, which was the last territorial remnant of the Papal States, wanted to be part of a unified Italy and Giovanni Lanza, who had been prime minister since December 1869, believed that a referendum would settle any arguments and legitimise the annexation of the territories.

Thus a plebiscite was organised for Sunday, October 2, 1870. Multiple polling stations, typically in public buildings, were set up across the city and region, which were open from early morning until the evening.

Voting eligibility was quite restricted at the time. Only males over the age of 21 were allowed to take part and they were required to meet certain property or tax‑paying requirements, often needing to prove their literacy as well. 

Pope Pius IX opposed the absorption of
Rome into the unified Kingdom of Italy 

The number of registered voters across Rome and Lazio was 167,548, of which there was a turnout of 80.75 per cent despite Pius IX asking Catholics to abstain.

When the results were announced the following day, there was an overwhelming majority in favour of becoming part of the unified kingdom.

In the city itself, the vote was ‘Yes: 40,785  No: 46’; in the Lazio region it was ‘Yes: 77,520  No: 857’.  Overall, 133,681 had voted in favour and only 1,507 against.

Rome was officially declared the capital of Italy in February, 1871. Before then, the status of capital city had been bestowed first on Turin (1861-65) and then Florence (1865-71).

Despite the numbers, Pope Pius IX remained steadfast in his opposition.

After the plebiscite had ratified annexation, the Italian government passed the Law of Guarantees offering personal inviolability for the pope, annual financial support, extra-territoriality for the Vatican and Lateran palaces, and the freedom to conduct diplomacy.

But Pius IX rejected the law entirely, arguing that accepting it would imply recognising Italy’s sovereignty over Rome. He continued to insist that the pope needed territorial sovereignty to remain politically independent and able to act freely in international affairs.

He declared himself a “prisoner in the Vatican”, refusing to leave the Apostolic Palace and refusing all contact with the Italian state.

His actions began a stand-off between the Papacy and the Italian state that persisted for almost 60 years in which a succession of popes refused to recognise Italy’s sovereignty and the Italian authorities in turn avoided interfering in Vatican affairs.

This awkward relationship came to be known as the ‘Roman Question’ and was not settled until the Lateran Treaty of 1929, agreed between Pope Pius XI and Benito Mussolini.

Under the terms of the treaty, the Vatican City was recognised as an independent, sovereign micro state, Catholicism was recognised as the sole official state religion of Italy, and a financial settlement was agreed that provided substantial financial compensation to the Holy See for the loss of its historical territories.

St Peter's Basilica is part of the Vatican City, the 
smallest sovereign state in the world

Travel tip:

The Vatican City, which occupies an area of 44 hectares (110 acres) within the city of Rome and has approximately 1,000 citizens, is the smallest sovereign state in the world by both area and population. It came into existence in 1929 when an agreement was signed between the Kingdom of Italy and the Holy See to recognise the Vatican as an independent state. The treaty - known as the Lateran Treaty - settled what had been a long-running dispute regarding the power of the Popes as rulers of civil territory within a united Italy.  The treaty was named after the Lateran Palace where the agreement was signed and although the signatory for the Italian government was the Fascist dictator Benito Mussolini, succeeding democratic governments have all upheld the treaty.  The major tourist attractions of St Peter’s Square and St Peter’s Basilica, the Vatican Museums, the Sistine Chapel and the Pinocateca Vaticana art gallery are all within Vatican territory. The Via della Conciliazione, the broad thoroughfare that connects St Peter's Square to Castel Sant'Angelo on the western bank of the Tiber, was built by Mussolini to symbolise the new accord between the Vatican and the Italian state.

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The Monumento al Bersaglieri
stands opposite Porta Pia

Travel tip:

Porta Pia is a gate in Rome’s ancient walls, named after Pope Pius lV, who commissioned Michelangelo to design it just before his death in Rome in 1564. You will find it at the end of Via XX Settembre, which goes off Piazza di San Bernardo, not far from the Quirinale Palace and the Trevi Fountain. It was a dozen metres to the west of the gate that Italian artillery created the breach in the wall through which soldiers from the Bersaglieri, an elite light-infantry corps of the Italian army, entered Rome on September 20, 1870, to complete the unification of Italy. A marble and bronze Monument to the Porta Pia Breach marks the spot. Opposite the gate, on the external side, at the centre of the Piazzale di Porta Pia, is the Monumento al Bersagliere, commissioned by Mussolini and erected in 1932 by Publio Morbiducci. The buildings between the two arches of the gate now contain the Historical Museum of the Bersaglieri.

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More reading:

The capture of Rome

How the Lateran Treaty confirmed the Vatican as an independent state

Alessandro la Marmora, founder of the Bersaglieri corps

Also on this day:

1538: The birth of Church reformer Saint Charles Borromeo

1821: The birth of soldier and politician Nino Bixio

1897: The birth of Mafia boss Joe Profaci

1950: The birth of anti-corruption magistrate Antonio Di Pietro

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Teresa Casati – revolutionary

Brave and beautiful noblewoman who fought for a free Italy

Teresa Casati was inspired by her
husband to fight for a united Italy

Teresa Casati, who has gone down in history as a heroine of the Risorgimento, was born into a noble family in Milan on this day in 1787. 

She was the older sister of Gabrio Casati, who was a Prime Minister of the Kingdom of Sardinia and twice served as President of the Italian Senate.

She married the revolutionary Federico Confalonieri, who became one of the leaders of the Italian National Party. Eventually she had to plead with Empress Carolina Augusta of Bavaria to spare her husband’s life, after he had been sentenced to death for his part in the Risorgimento, the 19th century political and social movement formed with the goal of creating a united, independent Italy.

Teresa was the eldest daughter of Count Gaspare Casati and his wife Maria Orrigoni of Ello. Her mother died when she was six, and her father married again. Although she was described as ‘withdrawn’ as a child, Teresa grew up to be very beautiful.

Her looks were praised by the poet Ugo Foscolo who wrote that she was a ‘young, holy and beautiful girl.’ The politician Giovanni Arravabene described her as ‘a woman in whom beauty, grace and gentle manners harmonised wonderfully together.’

Teresa received a proposal from the Duke of Pasquier, a French statesman, but her father talked her out of marrying him. However, after she met Confalonieri at a ball, and fell in love with him, her father agreed to let them marry. The couple had one child, who died when he was six years old.

Teresa often acted as Confalonieri’s go-between with other revolutionaries when her husband was away from Milan, passing on information to them from the letters he sent to her. She also became part of the Carbonari, a secret society associated with the Risorgimento.  

Anonymous informants told the Austrians that she had offered to kill one of their high-ranking officers with her own stiletto, but this was never proved against her.

When Confalonieri was eventually arrested and imprisoned by the Austrians, Teresa was not allowed to see him for a year and she would often be seen wearing mourning dress.

Federico Confalonieri spent many
years in a remote prison in Moravia

Eventually, she was granted permission to have short visits to see her husband, but the couple were always kept under guard. In 1823, Teresa travelled to Vienna accompanied by her brother, Gabrio, as well as her husband’s father and brother, to ask for Federico to be pardoned. But the Emperor, Francis I, told them that he had already ordered the death sentence and could not overturn it.

Teresa did not give up. She went to the Empress Carolina and convinced her to help them. The Empress tried to change her husband’s mind and eventually he agreed to have the sentence suspended.

Confalonieri was imprisoned in Spilberk Castle in Southern Moravia and before he was sent away he was allowed to embrace his wife for one last time. 

Teresa asked Marie Louise, Duchess of Parma if she could intercede with Emperor Francis I, who was the Duchess’s father, to give her permission to live in Brunn near the prison, but her request was turned down. 

Occasionally, plans were made by revolutionaries for Confalonieri’s escape from the prison, but none of them succeeded and so he remained behind bars.

Teresa Casati Confalonieri died of consumption - now known as tuberculosis - in September 1830, while in Erba near Lake Como in Lombardy.  Unaware of her death, Confalonieri continued to send her letters for another four and a half months.

Teresa was buried in the Casati family tomb and Alessandro Manzoni, the Milanese author of the classic novel, I Promessi Sposi, who was a supporter of Teresa and her husband, wrote the epitaph inscribed on it.

In 2011, there was an exhibition at the Spazio Oberdan in Milan called Rose d'Italia: "Il Risorgimento invisibile" lombardo (Roses of Italy: The invisible Risorgimento in Lombardy), which celebrated the contribution of Teresa Casati Confalonieri. 

The City of Muggio Theatre Competition created an award named after Teresa Casati Confalonieri in 2024. 

A film, Loyalty of Love, was made about Teresa’s life in 1934. Another, Il conte Aquila, a title Federico Confalonieri was also known by, was made about her husband’s life in 1955. 

Palazzo Confalonieri, where Teresa
and Federico lived in Milan

Travel tip:

Teresa Casati and Federico Confalonieri lived at Palazzo Confalonieri, in Via Monte di Pietà 14 in Milan. There is a plaque on the facade of the palazzo recording their patriotic activity in the cause of the independence of Lombardy-Veneto from the Austrian Empire. Federico was arrested at the house in 1821 and was at first condemned to death, but was later sentenced to life imprisonment in Spilberk Castle in Southern Moravia, which was used as a prison by the Austrian Empire. Via Monte di Pietà is located on the edge of Milan’s fashionable Brera district and just minutes away from some of the city’s most iconic cultural and historical landmarks. Within a short walk are the Pinacoteca di Brera art gallery, the Brera Botanical Garden, the Poldi Pezzoli Museum and the Teatro alla Scala opera house.  One of Italy's premier art galleries, housed in a grand palace, the Pinacoteca di Brera has masterpieces by Caravaggio, Raphael, and Mantegna among others.

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The 11th century bell tower
at the church of Sant'Eufemia

Travel tip: 

Erba, where Teresa Casati Confalonieri died, is a comune - municipality - in the province of Como located about 40 kilometres, 25 miles, north of Milan and to the southeast of Lake Como. It has a Romanesque church, Sant’Eufemia, which has an 11th century bell tower. There are also  remains of a medieval castle there. Things to see around Erba include the Eremo San Salvatore, an historic hillside hermitage offering panoramic views of the surrounding Brianza landscape, Borgo di Villincino, a well-preserved medieval hamlet featuring ancient stone walls and narrow cobblestone alleys, and Teatro Licinium, an outdoor open-air stone theatre built into a natural green amphitheatre, hosting performances in the summer months. 

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More reading:

How the poet Lord Byron helped the Carbonari in Ravenna

The revolutionary who became an English knight

The story of Gabriele Rossetti, poet and revolutionary

Also on this day:

1630: The birth of Ranuccio II Farnese, Duke of Parma

1688: The birth of Maria Luisa of Savoy

1944: The birth of mountaineer Reinhold Messner

1961: The birth of mountaineer Nives Meroi

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Execution of four Carbonari in Ravenna

The day the city was draped in black

Tancredi Scarpelli's depiction of the 
scene following the executions

Four members of the secret society known as I Carbonari (the charcoal burners) were executed by hanging in a public square in Ravenna on this day in 1828.

The executions, thought to have taken place in one of the main squares in the centre of the city, possibly Piazza del Popolo, were carried out by the notorious papal executioner, Giovanni Battista Bugatti, who was nicknamed Mastro Titta, a slang version of maestro di giustizia, master of justice.

The four victims were found guilty of plotting to kidnap and assassinate Cardinal Agostino Rivarola, who had been sent to Ravenna to defend papal authority and clamp down on revolutionaries. 

Bugatti was the official executioner for the Papal States from 1796 to 1865. While working for six different popes, he executed 516 people by either beating, beheading or hanging them.

On this occasion in Ravenna, acting on behalf of the Papal Legate, he conducted the executions of Luigi Zanoli, Ortolani Angiolo, Gaetano Montanari, and Gaetano Rambelli.

The four unfortunate men were all believed to be members of the anticlerical Carbonari society.

The Vatican’s enforcer in the Romagna, Cardinal Rivarola, had issued mass condemnations against I Carbonari, and as a result, in 1826, shots had been fired at his carriage and a member of his entourage had died, although Rivarola had escaped unhurt.

Following an investigation into the incident ordered by Pope Leo XII, the death penalty had been dealt out to the four people accused of carrying out the shooting.

On the day of the execution, the square where it took place was completely occupied by the military to prevent anyone from getting near the gallows.

All shops, and the windows and doors of houses were closed, and many of them were draped in black. The streets were completely empty, reflecting the mood of the population, as the wagon containing the prisoners made its way through the deserted city surrounded by soldiers.

Agostino Rivarola, the cardinal who
survived an attempted assassination

The prisoners all refused the offer of confessing to two friars who were present at the gallows before they were put to death. As they mounted the steps to the gallows the four men shouted: ‘Viva Italia! Down with the papacy,’ before they were hanged.

The Carbonari was an informal network of secret revolutionary societies active in Italy from about 1800 to 1831. They were a focus for people who were unhappy with the repressive political situation in Italy. The secret societies played their part in the process leading to the Risorgimento and eventually to Italian unification.

They adopted the name 'Carbonari' because they used the charcoal-burning trade in the forested, mountainous regions of the Apennines, where the group originated, as cover for their clandestine meetings.

The English poet Lord Byron lived for two of the six years he spent in Italy in Ravenna, to be near Teresa Guiccioli, the young, beautiful wife of Count Alessandro Guiccioli, who he had been introduced to at a social gathering in Venice. During his time in Ravenna, he enjoyed the excitement of being part of I Carbonari, after being introduced to the society by Teresa’s father, Ruggiero Gamba, and her brother, Pietro Gamba.

Byron relished the secret meetings in pine forests outside Ravenna and even allowed members of the group to hide weapons and ammunition in his apartment. If Byron had been found to be housing the weapons, he would have been arrested and almost certainly imprisoned, or expelled from Austrian-controlled territory, but his fellow Carbonari believed he was less likely to be condemned to death because he was an English Lord.

The poet believed in the cause of fighting for a free Italy, but he left Ravenna to follow Teresa and her father and brother, after they had been exiled  to Florence, without ever having the chance to take part in a revolt against the Austrians. 

Giovanni Battista Bugatti had become the official executioner of the Papal States at the age of 17 and served the popes Pius VI, Pius VII, Leo XII, Pius VIII, Gregory XVI and Pius IX. Charles Dickens wrote about Bugatti in Pictures of Italy, after watching one of his executions in 1845. 

When Bugatti retired from his work, he was given a residence and a pension by the Pope and he wrote his memoirs. He died in 1869 in Senigallia in Le Marche, the town where he had been born. A book claiming to be his memoirs was published in 1891. The memoirs devoted an entire chapter to the execution of Leonida Montanari in Ravenna in 1825, who was the brother of Gaetano Montanari, one of the four men executed in Ravenna on 13 May 1828.

The Basilica di Sant Vitale is
famous for its stunning mosaics

Travel tip:

Ravenna in Emilia-Romagna, was the capital city of the western Roman empire in the fifth century. It is known for its well-preserved late Roman and Byzantine architecture and has eight UNESCO world heritage sites. The Basilica of San Vitale is one of the most important examples of early Christian Byzantine art and architecture in Europe. Ravenna also houses the tomb of the poet Dante Alighieri, who lived and died there after he was exiled from Florence. Byron was said to have found the tomb of the poet inspirational and would sit writing his poetry close to it while he was living in the city. Florence has repeatedly asked for Dante’s remains to be sent back to them, but Ravenna has always refused to relinquish them.  Ravenna’s cuisine reflects Romagna’s rustic traditions. Signature dishes include piadina, the region’s soft flatbread, cappelletti in broth or ragù, and passatelli, made from breadcrumbs, cheese, and nutmeg. Local grills feature castrato (mutton), which is highly prized in the region for its bright red colour, white fat, and intense flavour.  Mussels from Marina di Ravenna feature on menus as well. 

Piazza del Popolo was the site of
Ravenna's public executions

Travel tip:

Piazza del Popolo, where public executions took place, is at the heart of the city of Ravenna and for more than 700 years has been home to the palaces of power, such as the town hall and the prefecture building, which was once home to the Papal Legation. Now a lively square with open-air cafés and bars, it is the convergence point of many streets. It has a Venetian feel because Venice added twin columns similar to the pair in Piazzetta San Marco during the period they ruled over Ravenna. The Venetian authorities governed the city from the Palazzetta Veneziana between 1441 and 1509.  The origin of the square dates back to the late 13th century, when the Da Polenta family became masters of the city. The palatial residence of Bernardino da Polenta became the political hub of the city and remained so until it was demolished in 1681, when it was replaced by the current Town Hall.

More reading:

How Lord Byron became a Ravenna revolutionary

Gabriele Rossetti, the poet and academic who became a key Carbonari figure

The strange life of Mastro Titta, souvenir seller and executioner

Also on this day:

1726: The death of composer and singer Francesco Pistocchi

1804: The birth of Venetian patriot Daniele Manin

1909: The first Giro d’Italia

1935: The birth of entrepreneur Luciano Benetton

1938: The birth of politician Giuliano Amato

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Edmondo De Amicis - writer and journalist

Author whose most famous work became a staple text in Italian schools

Edmondo De Amicis's first writing
drew on his service in the Italian Army

The writer, journalist and former soldier Edmondo De Amicis, famous as the author of Cuore, his imagined diary of a schoolboy in Turin, was born on this day in 1846 in Oneglia, now part of modern Imperia in Liguria.

Through its daily diary entries by the book’s central character, Enrico, interspersed with uplifting stories told by one of his teachers, Cuore - published for the first time in 1886 - came to be seen as something of a moral compass for young people growing up in post-unification Italy.

At a time when the newly-formed Italian State was keen to impose its authority over a Catholic Church that had vehemently opposed unification and still refused to recognise the new Kingdom of Italy, Cuore’s emphasis on values such as patriotism, compassion, diligence, and respect for authority, resonated deeply with the new secular government, reflecting exactly the moral and civic ideals it wished to be at the heart of society.

It became a staple in Italian public schools, remaining so for the best part of a century. Moreover, its appeal extended well beyond the borders of the fledgling Italian nation and was adapted and translated into at least 25 languages, earning De Amicis international acclaim.

Although Cuore - Heart - was by some way the biggest success of his literary career, De Amicis also won praise for the travel books he wrote while working as a foreign correspondent for the Rome newspaper La Nazione. 

One of these - Constantinople (1877) - was seen as the best description of the Turkish city now known as Istanbul to be published in the 19th century. A new edition of the book was published in 2005.

In addition to Cuore, De Amicis, who was a member of Italy’s Chamber of Deputies for the Italian Socialist Party between 1906 and his death in 1908, wrote a number of later novels that reflected his interest in such matters as social reform, education, and workers’ rights.

De Amicis himself had been born into a wealthy family. His father, Francescso, was a royal banker in the salt and tobacco sector. His original home in Oneglia and the one to which the family moved in Cuneo, Piedmont, when he was two years old, were both spacious and elegant properties.

Cuore became staple reading for
generations of Italian schoolchildren

Growing up in Cuneo, he initially looked destined for a military career. After studying at the Candellero military college in Turin, he enrolled at the Military Academy of Modena at age 16, graduating with the rank of second lieutenant.

This experience, shaped as it was by Italy’s turbulent path towards unification, profoundly influenced his destiny. As an officer in the Royal Italian Army, he participated in the Third War of Independence and fought in the Battle of Custoza in 1866. Italy’s defeat by Austria left De Amicis deeply disillusioned, leading him to resign from military service and turn to writing.

At first, it was as a military journalist, moving to Florence to edit L'Italia militare, the official publication, for whom he wrote military sketches, later collected in a book entitled La vita militare - Military Life. His vivid portrayals of army life were well received and became the launch pad for his new career. 

De Amicis soon became a news journalist and travel writer, journeying across Europe, North Africa, and the Near East. Travel books such as Spagna (1873), Olanda (1874), and the aforementioned Costantinopoli (1878) were celebrated for their rich descriptions and cultural insights, blending reportage with literary flair.

It was Cuore, however, that was the turning point of his literary life. Its themes promoted a strong sense of national identity, emphasising loyalty to Italy, respect for its institutions and admiration for its heroes, especially those who made the ultimate sacrifice on the battlefield. 

The stories told by young Enrico’s teacher, meanwhile, taught virtues such as honesty, courage, humility and compassion, while often featuring children from different regions of Italy, reinforcing unity through shared values.

De Amicis entered Italian politics
towards the end of his life

The book caused some controversy, too, by making no reference to religion. The nuns, priests or other religious mentors that featured in other moral tales were conspicuous by their absence. This upset the Catholic Church, already reeling from the capture of the Papal States and Rome in 1870, which completed unification and reduced the pope to a mere spiritual leader, having previously been effectively the monarch of his domain.

De Amicis ultimately returned to Piedmont, with homes in Turin and Pinerolo. It was the school life of his sons Furio and Ugo, students at the Boncompagni Elementary School in Turin, that inspired him to write Cuore. 

His last years were overshadowed by sadness, at the death of his mother, his fractious relationship with his wife and ultimately the suicide of Furio, his eldest son. It prompted him to leave Turin soon after the turn of the century, thereafter leading a nomadic existence that included time in Florence and Catania, in Sicily.

He died during a stay in Bordighera, in Liguria, where he suffered a cerebral haemorrhage while resident at the then Hotel Regina, which he had chosen as his base because George MacDonald, a Scottish poet he admired, had lived there a few years earlier. The building, at Via Vittorio Veneto 34, has commemorative plaques to them both. 

De Amicis was laid to rest in the family tomb, in the monumental cemetery of Turin.

Piazza Dante is a the central square in the part 
of Imperia that makes up the former Oneglia

Travel tip:

Oneglia, where De Amicis was born, was a town about 120km (75 miles) from Genoa along the western coast of Liguria. It was joined to Porto Maurizio in 1923 by Fascist ruler Benito Mussolini to form the municipality known as Imperia. The area has become well known for cultivating flowers and olives and there is a Museum of the Olive in the part of the city that used to be Oneglia. One of Italy’s most famous olive oil producers and connoisseurs, Filippo Berio, was born in Oneglia in 1829.  The Porto Maurizio area is characterised by steep, narrow streets and loggias with an elevated position offering views across the Ligurian Sea, while the Oneglia part of Imperia is on the whole a modern town, one exception being the streets behind the Calata Cuneo in the port area. Today, Imperia is part industrial port and part tourist resort.  What used to be Oneglia is at the eastern end of Imperia, around Piazza Dante, which is at the centre of a long shopping street, Via Aurelia.

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Picturesque side streets are part
of the charm of Bordighera

Travel tip:

Bordighera, where De Amicis died, is a small, picturesque town on Italy’s western Riviera, just 20km (12 miles) from Italy’s border with France. It is famous for its flower industry and was a popular holiday destination for the British during Queen Victoria’s reign. Being situated where the Maritime Alps meet the sea, it enjoys the benefit of a climate that invariably produces mild winters. It was the first town in Europe to grow date palms. Its seafront road, the Lungomare Argentina - named in honour of a visit to the town by Evita Peron in 1947 - is 2.3km (1.4 miles) long and is said to be the longest promenade on the Italian Riviera. Queen Margherita of Savoy - wife of Umberto I - had a winter palace, Villa Margherita, in the town.  Bordighera was the scene of a meeting in 1941 between Italy’s Fascist leader, Benito Mussolini, and his Spanish counterpart, Francisco Franco, to discuss Spain’s entry to World War Two on the side of Italy and Germany, although in the end Spain remained nominally neutral.

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More reading:

Maria Montessori and the launch of what became a worldwide network of schools

How the first free public school in Europe opened in Frascati, just outside Rome

A soldier-turned-writer who fought alongside unification hero Garibaldi

Also on this day:

1581: The birth of Baroque master Domenichino 

1898: The birth of Prince Amedeo, Duke of Aosta

1928: The birth of anarchist Giuseppe Pinelli, inspiration for Dario Fo play

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Anita Garibaldi – national heroine of Italy

Brave wife of Giuseppe Garibaldi was a freedom fighter

Anita Garibaldi met her future husband
in Brazil and they married in Uruguay

Anita Garibaldi, the Brazilian wife of Italy’s revolutionary hero Giuseppe Garibaldi, died in the arms of her husband on this day in 1849 in Mandriole, near Ravenna, in Emilia-Romagna.

She was pregnant and also ill with malaria, but she was having to retreat from Austrian and French troops with the Garibaldian Legion. After her death, her body had to be hurriedly buried, and it was said to have been later dug up by a dog.

A Brazilian revolutionary, Anita had fought alongside Garibaldi in his campaigns, after meeting him in her home country in 1839.

She was born Ana Maria di Jesus Ribeiro in 1821 in Laguna in Brazil. She was the third of ten children born to a poor family. At the age of 14 she was forced to marry, but her husband later abandoned her to join the Brazilian Imperial Army.

Anita met Garibaldi, who was a sailor of Ligurian descent, after he had left Europe in 1836 and was fighting on behalf of the separatist Riograndense republic in southern Brazil. They fell in love immediately and she joined him on his ship, the Rio Pardo.

She soon saw military action in battles at Imbituba, and Laguna, during which she fought at the side of her lover.

Anita was said to have been a skilled horsewoman, who taught Garibaldi about the Gaucho culture of the Pampas of southern Brazil. It was claimed by one of Garibaldi’s comrades that she had the strength and courage of a man, with the charm and tenderness of a woman. She was reputed to have been very beautiful with an oval-shaped face and remarkable eyes.

During one battle, Anita and Garibaldi became separated and Anita was captured. Her guards told her Garibaldi was dead, but she did not believe them. She asked if she could search the battleground for his body and they agreed, but she could not find him, which gave her hope.

Garibaldi and Anita fought together
in the defence of Rome in 1849

When she came across a horse, she mounted it and escaped at a gallop. The soldiers chased her and shot and killed her horse and so she waded into a river to escape from them. 

After they had given her up for dead, she spent four days wandering, without food or drink, in woodland in the area, until she encountered someone who gave her something to eat.

Eventually, Anita was able to get in touch with the rebels and she was reunited with Garibaldi in Vacaria. 

A few months later, their first child, Menotti, was born. He had a skull deformity resulting from Anita’s fall from the horse, but he grew up to be a freedom fighter and accompanied Garibaldi on his campaigns in Italy.

In 1841, Anita and Garibaldi moved to Montevideo in Uruguay and they were married there in 1842. They went on to have another three children.

After Garibaldi took command of the Uruguayan fleet, Anita participated in his defence of Montevideo against Argentina in 1847.

Anita accompanied Garibaldi when he returned to Italy to join in the revolutions of 1848, where he fought against the Austrians.

In 1849, Garibaldi joined in the defence of the newly-proclaimed Roman Republic against Neapolitan and French intervention. But after Rome fell to the French at the end of June that year, Garibaldi and Anita found themselves forced to flee with their troops from the French and Austrian soldiers.

A magazine illustration imagines Anita with
Garibaldi in the last moments of her life

After Anita’s death in the farmhouse in Mandriole, Garibaldi continued to honour her memory. When he hailed Victor Emmanuel II as King of the newly-united Italy, 12 years later, he was wearing Anita’s striped scarf over his south American poncho.

Anita Garibaldi is recognised as a national heroine in Brazil and has squares named after her and a museum dedicated to her memory,

In Italy, her legacy was used by Mussolini in 1932, when there was a discussion about removing Garibaldi’s statue from the top of the Gianicolo. 

Mussolini not only refused to remove the statue of Garibaldi, but also said he would erect a statue of Anita Garibaldi on the same hill. The resulting statue depicted her mounted on a rearing horse holding her baby son close to her, while brandishing a pistol, as she leads her husband’s army to victory.

Garibaldi carries Anita through the 
Comacchio lagoons (Pietro Bauvier)

Travel tip:

Fattore Guiccioli, the farmhouse where Anita Garibaldi died in Mandriole, is in the countryside between Casal Borsetti and Sant’Alberto, just south of the lagoons of Comacchio. Garibaldi stumbled across the farmhouse while looking for shelter for him and Anita as they made their escape across Romagna. The building now houses an exhibition of relics and mementoes of Garibaldi’s flight through the area. There is a replica of Anita’s death bed, as the original one was burnt during the Nazi occupation of Italy during World War II, and there are two paintings dedicated to her. A memorial stone marks the site of her original burial place near the farmhouse. 

The tomb of Anita Garibaldi on the Gianicolo
hill in Rome, topped by an equestrian statue

Travel tip:

The Gianicolo, or Janiculum, one of the hills outside the walls of ancient Rome, has monuments to many Italian patriots who fought during the Risorgimento for the unification of Italy. It is regarded as one of the best locations to enjoy a scenic view of the centre of the city, with its domes and bell towers. When Anita’s statue was erected there in 1932, the event was celebrated with a three-day commemoration ceremony. On the first day, Anita’s remains were brought to Rome, on the second day, her remains were interred in the base of the monument built in her memory, which was placed near the equestrian statue of her husband, and on the third day, her monument was inaugurated officially by Mussolini.

 

Also on this day:

1463: The birth of banker Lorenzo di Pierfrancesco de’ Medici

1470: The birth of noblewoman Lucrezia Maria Romola de’ Medici

1590: The birth of Pope Urban VII

1994: The death of politician Giovanni Spadolini

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Pino Aprile – journalist

Author wrote about unification from the point of view of the South

Pino Aprile has enjoyed a long
career as a writer and journalist

Writer Pino Aprile, who became internationally famous as the author of Terroni, a book outlining 'all that has been done to ensure that the Italians of the south became Southerners', was born on this day in 1950 in Gioia del Colle, in Puglia.

Terroni was first published in 2010, a year before Italy celebrated the 150th anniversary of becoming a unified country. Over 200,000 copies were sold in Italy and an English version of Terroni, translated by Ilaria Marra Rosiglioni, was published in 2011.

With the stage set for the tricolore to fly proudly over a year of celebrations in Italy, Terroni appeared just before the party started, to provide readers with stark examples of what Aprile claims happened to people living in the south of the country when troops fighting for Victor Emmanuel II arrived in their towns and villages.

The catalogue of alleged massacres, executions, rapes, and torture that Aprile details in Terroni are hard to read about. Aprile himself says that at times he was tempted to walk away from the whole project. But he persevered because he was determined to set out the South’s version of events during the Risorgimento in Italy for readers to consider. 

At the beginning of the book there is a publisher’s note explaining that the singular noun terrone is an offensive term used by people in northern Italy to describe those from southern Italy. The word is from the term terra, meaning dirt or land, and to call someone a terrone implies that they are ignorant, uneducated, lazy, unwilling to work, rude, and of poor hygiene. 

Giuseppe Garibaldi, whose
soldiers stand accused

Italy’s Corte di Cassazione (the equivalent of a Supreme Court) has upheld the decision of a lower court that the term terrone is derogatory and offensive.

Aprile says he grew up not realising what had really happened in the area he was born in during the Risorgimento, because the history was never taught in schools. He had not realised that the people in the South who were labelled as brigands and executed were in fact Bourbon soldiers defending their homeland and that their wives and children were allegedly killed by Giuseppe Garibaldi’s soldiers just because they were considered brigands by association.

He had also never known that the Kingdom of the Two Sicilies was one of the most industrialised places in the world, only just behind England and France, before it was invaded by Garibaldi and his men. 

Aprile writes: “The South has been deprived of its institutions; it has been deprived of its industries, its riches and of its ability to react. It has also been deprived of its people, with an emigration that was induced or forced…”

He says that while we think of the North of Italy today as prosperous, and the South as poor, the reverse was the case when Garibaldi set out to unify Italy. And he claims large quantities of money and valuable items were taken from the South to pay off the debts of the North. 

For the reader, references to the war crimes he says were committed during the military campaign to unify Italy are disturbing to say the least. Millions were either killed or wounded and at the very least forced to abandon their homes and land, leading to mass emigration from the south of Italy to the United States and South America.

Terroni sold more
 than 200,000 copies

But Aprile ends Terroni on a hopeful note saying: "I believe that there is no other land in Europe today that has a more promising future, and as many riches to offer than our South."

Aprile is the author of numerous other books, some of which have been translated into English. During his career as a journalist, Aprile was deputy editor of the magazine, Gente, and editor of the magazine, Oggi and he worked for Tg1, the Rai news programme, and TV7.  He also worked with Sergio Zavoli on the investigative series, Journey South.

Although he was born in Gioia del Colle and brought up in the Puglian coastal city of Taranto, Aprile spent many years living and working in Milan. He now lives in the Castelli Romani region of Lazio.

Pino Aprile is celebrating his 75th birthday today.

The well-preserved throne room inside
Gioia del Colle's historic castle

Travel tip:

Gioia del Colle, where Pino Aprile was born, is a comune of Bari in Puglia. It is situated on top of a hill between the Adriatic and Ionian seas. The town’s castle dates from the Byzantine period but it was enlarged by the Normans and Swabians, who successively dominated the area. The main church, initially dedicated to Saint Peter when it was built in the 11th century, but later renamed Madonna della Neve, contains historic frescoes. Gioia del Colle is famous for its production of mozzarella and for its Gioia del Colle Primitivo wine.

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The remains of the Greek
Temple of Poseidon

Travel tip:

The coastal city of Taranto in Puglia, where Pino Aprile grew up, is an important port as well as an Italian naval base. It was founded by the Greeks in the eighth century BC and had become one of the largest cities in the world with a population of about 300,000 by 500 BC. There are several ruined Greek temples, some dating back to the sixth century BC. The old city or Città Vecchia retains the same street layout as when the Byzantines rebuilt it after it had been damaged by the Saracens in 927AD. Taranto has a Big Sea, the natural harbour where the ships are moored, which is separated from its Little Sea, which is actually a lagoon, by a cape. Taranto is famous for its mussels, which are given their distinctive flavour by the special conditions of salinity of the Little Sea. It is also said to be where the Tarantella, a frenetic dance, originated as a response to being bitten by a supposedly venomous spider.

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Also on this day: 

1339: The Battle of Parabiago

1549: The birth of Francesco Maria II della Rovere, last Duke of Urbino

1778: The death of groundbreaking scientist Laura Bassi

1816: Rossini’s Barber of Seville premieres in Rome

1993: The death of car maker Ferruccio Lamborghini

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Michele Novaro - composer

Patriot who wrote music for Italian national anthem

Michele Novaro was an opera
singer as well as a composer

The composer and singer Michele Novaro, who wrote the music that accompanies Goffredo Mameli’s words in Italy’s national anthem, was born on this day in 1818 in Genoa.

While not as actively involved in the Risorgimento movement as Mameli, who took part in various insurrections and died fighting alongside Giuseppe Garibaldi in the battle for a unified, independent Italy, Novaro was a patriot nonetheless.

A committed liberal in his politics, he was a supporter of the cause of independence and composed the music for several patriotic songs in addition to Mameli’s Il canto degli Italiani - The Song of the Italians - which is also known as Fratelli d'Italia (Brothers of Italy) and L’inno di Mameli (Mameli’s hymn).

The oldest of five children, Novaro was born into a theatrical background. His father, Gerolamo, was a stagehand at the Teatro Carlo Felice, the Genoa opera house. His mother, Giuseppina Canzio, was the sister of a well-known painter, scenographer and impresario, Michele Canzio.

Novaro attended singing school and achieved a respectable standard as an opera singer. He was good enough to sing in the Genoese premiere of Gaetano Donizetti's opera Gianni di Calais.

He spent three seasons in Vienna as the second resident tenor at Vienna’s Porta Carinthia theater, returning to Italy to take up a post as second tenor and choirmaster at the Teatro Regio and Teatro Carignano in Turin.

Goffredo Mameli, who was killed
fighting alongside Garibaldi

Novaro willingly gave his services in the cause of independence by writing music to patriotic songs, as well as organising fundraisers in support of Garibaldi. 

He and Mameli, who was also from Genoa, were friends and in 1847 after Mameli had written the words for the song that would earn him immortality it was Novaro he sought out to write a suitable score. 

Novaro is said to have received the text of Mameli’s poem at the Turin home of the patriotic writer, Lorenzo Valerio. He immediately sketched out a first draft of the music, which he then completed on his return to his home, staying up late into the night to perfect it.

The writer Anton Giulio Barrili, another friend of Novaro, later wrote about the birth of Il canto degli Italiani, quoting what Novaro had told him following his first sight of the song at Valerio’s home.

‘I sat at the harpsichord, with Goffredo's verses on the music stand, and I strummed, I murdered that poor instrument with my convulsed fingers, always with my eyes on the hymn, putting down melodic phrases, one on top of the other, but a thousand miles away from the idea that they could adapt to those words. 

‘I got up, dissatisfied with myself; I stayed a little longer at Valerio's house, but always with those verses before my mind's eye. I saw that there was no remedy; I took my leave, and ran home. 

‘There, without even taking off my hat, I threw myself at the piano. The tune I had strummed at Valerio's house came back to my mind: I wrote it down on a sheet of paper, the first that came to hand: in my agitation I turned the lamp over on the harpsichord, and consequently also on the poor sheet of paper: this was the original of the hymn "Fratelli d'Italia".’

Friends paid for a memorial for 
Novaro in Staglieno cemetery

Despite leaving his mark on Italian history, Novaro never achieved fame or fortune.

Such money as he did make, he ploughed into setting up a free choral school in Genoa, to which he devoted his later years.  Struggling with declining health and financial difficulties, he died in October, 1885.

His former students arranged for a funeral monument to be erected to him in his hometown in the Monumental Cemetery of Staglieno, next to the tomb of Giuseppe Mazzini, another major Risorgimento figure who was among his heroes.

Although Il canto degli Italiani was very popular during Italian unification and the following decades, it was not until a century later that it became Italy’s national anthem.

At the time the Kingdom of Italy came into being in 1861, the republican and Jacobin connotations of Fratelli d'Italia were difficult to reconcile with the new state's constitution as a monarchy rather than the republic that Mazzini and his supporters craved. 

The new kingdom instead adopted Marcia Reale (Royal March), the House of Savoy's official anthem, written by Napoleone Giotti and set to music in 1831 by Giuseppe Gabetti. 

Italy finally became a republic after World War Two, following a referendum that rejected the monarchy. On October 12, 1946, it chose Il canto degli Italiani as a provisional national anthem. It retained its de facto status until December 2017, when it was at last recognised as the Italian anthem by law.

The Teatro Carlo Felice in Genoa, where
Novaro's father worked as a stagehand

Travel tip:

The port city of Genoa (Genova), where Michele Novaro was born, is the capiital of the Liguria region. Once a powerful trading centre, the city’s wealth was built on its shipyards and steelworks, but it also boasts many fine buildings, many of which have been restored to their original splendour.  The Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy. At the time of Novara’s birth, the City Architect was Carlo Barabino, a prominent Neoclassicist who designed the Teatro Carlo Felice Opera, the Palazzo dell'Accademia, and the facades of several other buildings. The theatre opened in 1828. 

The Palazzo Reale - Royal Palace - in Turin is
a reminder of the wealth of the Savoy family

Travel tip:

The Savoy dynasty left a significant mark on Turin, shaping its architecture, culture, and overall identity. The Royal Palace served as the opulent official residence of the Savoy kings for centuries. Its lavish interiors, including the Throne Room and the Royal Apartments, offer a glimpse into the grandeur of the dynasty. Housed within the Royal Palace, the Royal Armoury is now a museum boasting an impressive collection of weapons and armour. Also located inside the Royal Palace, the Savoy Gallery houses a remarkable collection of paintings by Italian and European masters, including works by Rubens, Van Dyck, and Canaletto.  Beyond the city, a network of Savoy palaces, villas, and castles is scattered throughout Piemonte. The city’s Duomo - the Cattedrale di San Giovanni Battista - was built between 1491 and 1498 in Piazza San Giovanni. The Chapel of the Holy Shroud, where the Turin Shroud is kept, was added in 1668. Some members of the House of Savoy are buried in the Duomo while others are buried in the Basilica di Superga on the outskirts of the city.

Also on this day: 

1573: The birth of Baroque artist Giovanni Battista Crespi

1896: The birth of writer Giuseppe Tomasi di Lampedusa

1916: The birth of film director Dino Risi

1956: The birth of racing driver Michele Alboreto

1967: The birth of model and singer Carla Bruni

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Manfredo Fanti - military general

Risorgimento hero who founded Royal Italian Army

Manfredo Fanti's battlefield skills
were vital to the unification campaign

The Italian general Manfredo Fanti, a key figure in the Italian Wars of Independence in the mid-19th century and the founder of the Royal Italian Army, was born on this day in 1806 in Carpi, a town about 20km (13 miles) northwest of Modena in what is now Emilia-Romagna.

Although he ultimately had a disagreement with Giuseppe Garibaldi, the figurehead of the Italian Unification movement, Fanti is still regarded as one of the heroes of the Risorgimento, as a result of the military victories he engineered against the Austrians in the second war of independence, which liberated Lombardy from foreign control, and against the Papal States and the Bourbons in the final push for unification in 1860.

Between the second and third wars of independence, after he had been appointed Minister of War in the Cavour government, Fanti organised the absorption of the army of the League of Central Italy into the Royal Sardinian Army, which he was later able to decree would take the name of the Royal Italian Army.

He also played a key role in freeing Italy from foreign domination and completing unification. As Garibaldi was leading his Expedition of the Thousand in the conquest of Sicily, Fanti led the simultaneous campaign in central Italy, winning significant victories against the armies of the Papal States and in the northern territories of the Bourbon-controlled Kingdom of the Two Sicilies.

Fanti grew up as a citizen of the Duchy of Modena and, in 1825, was admitted into the Pioneer Corps of the army of Duke Francesco IV d'Este. He studied at the military college in Modena, where he obtained a degree in engineering.

The Battle of Castelfidardo saw Fanti
lead one of several key victories

Already drawn towards the vision of revolutionaries such as Giuseppe Mazzini and the growing Risorgimento movement, he took part in the uprising of 1830-31 in Modena before it was put down by the Austrian army, who condemned Fanti to be hanged. He escaped to France and later assisted the exiled Mazzini in his failed attempt to invade and capture the territories of Savoy.

He then moved to Spain, where he served in the army during a battle for power between the regent, Maria Cristina of Bourbon, and the supporters of Don Carlos, who felt he was the legitimate heir to the late King Ferdinand VII, before returning to Italy in 1848 to fight against the Austrians, who controlled most of northern Italy at the time. 

Assisted by French troops, he commanded a Lombard brigade of the Sardinian-Piedmontese Army, distinguishing himself on the battlefield with courage and tactical astuteness to win key victories at Palestro, Magenta, and Solferino in the Second Italian War of Independence, which ended with the Armistice of Villafranca and the return of Lombardy to Italian rule, along with most of the northern Italian states, although the Austrians initially retained control of Venetia.

Fanti supported but later had a
disagreement with Garibaldi

Fanti then organised the army of the Central Italian League, which included Tuscany, Modena, Parma, and Romagna, and prepared it for the annexation by Piedmont, the leading state of the Italian unification movement. 

In January 1860 , Camillo Count of Cavour, who returned to his position as prime minister of Sardinia-Piedmont after resigning following the Villafranca armistice, made Fanti his Minister for War and the Navy.

When the Expedition of the Thousand began in May, Fanti was appointed head of the army corps in central Italy. He again was an important figure on the battlefield, playing a significant part in the Battle of Castelfidardo and in the conquest of Perugia, which led to the Piedmontese annexation of Papal State territories in Marche and Umbria. 

He then became general of the army and chief of staff of the army in southern Italy, defeating the Bourbons at Mola and organising the successful siege of the fortress at Gaeta. 

Fanti's opposition to the admission of  5,000 officers of Garibaldi's volunteers into the new Royal Italian Army, with no loss of rank, was one of the reasons for his resignation from the army and government in June 1861, although the death of Cavour was also a factor.

He agreed to return the following year, taking command of an army corps in Florence, but fell ill soon afterwards. He died in Florence in April 1865 at the age of 59. His body was returned to Carpi, where he is buried in the Cathedral Basilica of Santa Maria Assunta.  There is a monument to Fanti in Piazza San Marco in Florence by the sculptor Pio Fedi, erected in 1873.

The Cathedral Basilica of Santa Maria Assunta
in Carpi, where Manfredo Fandi is buried 

Travel tip:

Carpi, which sits in the Padana plain, the area of flat and fertile land through which the Po river flows, became a wealthy town during the era of industrial development in Italy as a centre for textiles and mechanical engineering. Its historic centre, which features a town hall housed in a former castle, is based around the Renaissance square, the Piazza Martiri, the third largest square in Italy, which is surrounded by historical buildings such as the Palazzo Pio di Savoia, the Cathedral Basilica of Santa Maria Assunta, and the Teatro Comunale. The Palazzo Pio di Savoia houses the Museum of the Deportation, dedicated to the victims of the Nazi concentration camps, and the Museum of the City, which displays artworks and artefacts from Carpi’s past. Carpi was a major centre of the Italian Resistance movement in World War Two and there is a memorial at the site of the former Fossoli concentration camp, where thousands of Jews, political prisoners, and resistance fighters were detained and deported.

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The monumental sculpture in Castelfidardo
that commemorates the 1860 battle 

Travel tip:

Castelfidardo, which can be found about 21km (13 miles) south of the port of Ancona in the Marche region, is a charming hill town with a historical significance. It is renowned as the home of the accordion, which was actually patented in Austria in 1829 but underwent substantial redesign in Castelfidardo, where production of the instrument began in the late 19th century with the establishment of a factory opened by Paolo Soprani, who had bought one of the Austrian models after realising its potential. At one time 51,000 accordions were manufactured in the town in a single year, although production declined after World War Two as musical tastes changed. Nonetheless, it is still home to half of the accordion factories in the whole of Italy. There is inevitably an Accordion Museum, while the Monument of the Battle of Castelfidardo is commemorated with a dramatic monumental sculpture in the town’s Parco delle Rimembranze, by the Venetian sculptor Vito Pardo, which depicts in bronze a charge of infantrymen led by a figure on horseback descending from a mountain of white travertine boulders. 

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More reading:

How the Battle of Solferino led to the founding of the Red Cross

Why Mazzini was the ideological inspiration for Italian unification

The Frenchman who called for Italians to unite as a single people

Also on this day:

1507: The death of Renaissance painter Gentile Bellini

1821: The death in Rome of English poet John Keats

1822: The birth of archaeologist Giovanni Battista de Rossi

1834: The birth of ill-fated Sicilian banker Emanuele Notarbartolo 

1910: The birth of painter Corrado Cagli

(Picture credits: Carpi basilica by Attilios; Castelfidardo sculpture by Ermanon; via Wikimedia Commons)

(Painting of Battle of Castelfidardo by Giovanni Gallucci, Palazzo Comunale, Ancona)

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