Michele Novaro - composer

Patriot who wrote music for Italian national anthem

Michele Novaro was an opera
singer as well as a composer

The composer and singer Michele Novaro, who wrote the music that accompanies Goffredo Mameli’s words in Italy’s national anthem, was born on this day in 1818 in Genoa.

While not as actively involved in the Risorgimento movement as Mameli, who took part in various insurrections and died fighting alongside Giuseppe Garibaldi in the battle for a unified, independent Italy, Novaro was a patriot nonetheless.

A committed liberal in his politics, he was a supporter of the cause of independence and composed the music for several patriotic songs in addition to Mameli’s Il canto degli Italiani - The Song of the Italians - which is also known as Fratelli d'Italia (Brothers of Italy) and L’inno di Mameli (Mameli’s hymn).

The oldest of five children, Novaro was born into a theatrical background. His father, Gerolamo, was a stagehand at the Teatro Carlo Felice, the Genoa opera house. His mother, Giuseppina Canzio, was the sister of a well-known painter, scenographer and impresario, Michele Canzio.

Novaro attended singing school and achieved a respectable standard as an opera singer. He was good enough to sing in the Genoese premiere of Gaetano Donizetti's opera Gianni di Calais.

He spent three seasons in Vienna as the second resident tenor at Vienna’s Porta Carinthia theater, returning to Italy to take up a post as second tenor and choirmaster at the Teatro Regio and Teatro Carignano in Turin.

Goffredo Mameli, who was killed
fighting alongside Garibaldi

Novaro willingly gave his services in the cause of independence by writing music to patriotic songs, as well as organising fundraisers in support of Garibaldi. 

He and Mameli, who was also from Genoa, were friends and in 1847 after Mameli had written the words for the song that would earn him immortality it was Novaro he sought out to write a suitable score. 

Novaro is said to have received the text of Mameli’s poem at the Turin home of the patriotic writer, Lorenzo Valerio. He immediately sketched out a first draft of the music, which he then completed on his return to his home, staying up late into the night to perfect it.

The writer Anton Giulio Barrili, another friend of Novaro, later wrote about the birth of Il canto degli Italiani, quoting what Novaro had told him following his first sight of the song at Valerio’s home.

‘I sat at the harpsichord, with Goffredo's verses on the music stand, and I strummed, I murdered that poor instrument with my convulsed fingers, always with my eyes on the hymn, putting down melodic phrases, one on top of the other, but a thousand miles away from the idea that they could adapt to those words. 

‘I got up, dissatisfied with myself; I stayed a little longer at Valerio's house, but always with those verses before my mind's eye. I saw that there was no remedy; I took my leave, and ran home. 

‘There, without even taking off my hat, I threw myself at the piano. The tune I had strummed at Valerio's house came back to my mind: I wrote it down on a sheet of paper, the first that came to hand: in my agitation I turned the lamp over on the harpsichord, and consequently also on the poor sheet of paper: this was the original of the hymn "Fratelli d'Italia".’

Friends paid for a memorial for 
Novaro in Staglieno cemetery

Despite leaving his mark on Italian history, Novaro never achieved fame or fortune.

Such money as he did make, he ploughed into setting up a free choral school in Genoa, to which he devoted his later years.  Struggling with declining health and financial difficulties, he died in October, 1885.

His former students arranged for a funeral monument to be erected to him in his hometown in the Monumental Cemetery of Staglieno, next to the tomb of Giuseppe Mazzini, another major Risorgimento figure who was among his heroes.

Although Il canto degli Italiani was very popular during Italian unification and the following decades, it was not until a century later that it became Italy’s national anthem.

At the time the Kingdom of Italy came into being in 1861, the republican and Jacobin connotations of Fratelli d'Italia were difficult to reconcile with the new state's constitution as a monarchy rather than the republic that Mazzini and his supporters craved. 

The new kingdom instead adopted Marcia Reale (Royal March), the House of Savoy's official anthem, written by Napoleone Giotti and set to music in 1831 by Giuseppe Gabetti. 

Italy finally became a republic after World War Two, following a referendum that rejected the monarchy. On October 12, 1946, it chose Il canto degli Italiani as a provisional national anthem. It retained its de facto status until December 2017, when it was at last recognised as the Italian anthem by law.

The Teatro Carlo Felice in Genoa, where
Novaro's father worked as a stagehand

Travel tip:

The port city of Genoa (Genova), where Michele Novaro was born, is the capiital of the Liguria region. Once a powerful trading centre, the city’s wealth was built on its shipyards and steelworks, but it also boasts many fine buildings, many of which have been restored to their original splendour.  The Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy. At the time of Novara’s birth, the City Architect was Carlo Barabino, a prominent Neoclassicist who designed the Teatro Carlo Felice Opera, the Palazzo dell'Accademia, and the facades of several other buildings. The theatre opened in 1828. 

The Palazzo Reale - Royal Palace - in Turin is
a reminder of the wealth of the Savoy family

Travel tip:

The Savoy dynasty left a significant mark on Turin, shaping its architecture, culture, and overall identity. The Royal Palace served as the opulent official residence of the Savoy kings for centuries. Its lavish interiors, including the Throne Room and the Royal Apartments, offer a glimpse into the grandeur of the dynasty. Housed within the Royal Palace, the Royal Armoury is now a museum boasting an impressive collection of weapons and armour. Also located inside the Royal Palace, the Savoy Gallery houses a remarkable collection of paintings by Italian and European masters, including works by Rubens, Van Dyck, and Canaletto.  Beyond the city, a network of Savoy palaces, villas, and castles is scattered throughout Piemonte. The city’s Duomo - the Cattedrale di San Giovanni Battista - was built between 1491 and 1498 in Piazza San Giovanni. The Chapel of the Holy Shroud, where the Turin Shroud is kept, was added in 1668. Some members of the House of Savoy are buried in the Duomo while others are buried in the Basilica di Superga on the outskirts of the city.

Also on this day: 

1573: The birth of Baroque artist Giovanni Battista Crespi

1896: The birth of writer Giuseppe Tomasi di Lampedusa

1916: The birth of film director Dino Risi

1956: The birth of racing driver Michele Alboreto

1967: The birth of model and singer Carla Bruni

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Francesco Ferruccio - military leader

Florentine soldier celebrated in Italy’s national anthem 

Francesco Ferruccio's statue in the
courtyard of the Uffizi in Florence

Francesco Ferruccio, the military leader whose heroic attempt to defend Florence against the powerful army of the Holy Roman Empire is recalled in Italy’s national anthem, died on the battlefield on this day in 1530.

A Florentine by birth, Ferruccio had been charged with leading the army of the Republic of Florence as the city came under attack during the War of the League of Cognac, when the Pope Clement VII connived with the emperor Charles V to overthrow the republic and restore power in Florence to his own family, the Medici.

Despite being outnumbered, Ferruccio’s soldiers engaged the Imperial forces at Gavinana, just outside Florence, killed their leader and drove them back, only for the enemy to be reinforced by the arrival of 2,000 German mercenaries under the leadership of the condottiero, Fabrizio Maramaldo.

His army almost annihilated, Ferruccio was taken prisoner and, despite being wounded, was stabbed in the throat by Maramaldo and bled to death, an act considered against the code of chivalrous conduct that honourable soldiers were expected to observe.

It was seen as so cowardly that the word maramaldo entered the Italian language as a noun with the same meaning as villain, while maramaldesco is an adjective used to describe someone as ruthless or villainous.

More than 300 years later, Goffredo Mameli, the poet and patriot, recalled Ferruccio in the lyrics of a song, Il Canto degli Italiani, that would later be adopted as the national anthem of the united Italy.

Also known as Inno di Mameli - Mameli's Hymn - and by its opening line Fratelli d'Italia - Brothers of Italy - the song cites a number of heroic figures and historical events that Mameli considered inspirational, particularly in the Italian fight for independence, Ferruccio’s defence of Florence being one of them. 

Goffredo Mameli's anthem
made its debut in 1847

The reference to Ferruccio occurs in the penultimate verse of the full version, in the lines

ogn'uom di Ferruccio
ha il core, ha la mano

which is translated as 

Every man hath the heart
and hand of Ferruccio

Scipio Africanus, the Roman general who defeated Hannibal at the final battle of the Second Punic War in 201BC, and Balilla, the nickname of a boy who started a revolt against the Habsburg forces in Genoa in 1746, are also part of Mameli’s narrative, along with the Battle of Legnano in 1176 and the uprising of 1282 known as the Sicilian Vespers.

Francesco Ferruccio began his working life as a merchant’s clerk and then a city official in Florence but was attracted by the idea of being a soldier and trained under Giovanni dalle Bande Nere, the Medici condottiero who would die in battle in 1526, ironically fighting on behalf of Pope Clement VII.

Appointed military commissioner by the Florentine Republic, which had been re-established in 1527, Ferruccio began the defence of Florence against Imperial ambitions by recapturing Volterra, which had been occupied by an Imperial garrison.

After Empoli fell to Imperial forces and Florence came under siege, Ferruccio proposed a march on Rome, threatening to sack the city if Clement VII did not agree to a peaceful settlement that would allow Florence to retain its independence.

But this plan was rejected as the Republican leaders opted for a more conservative approach. Ferruccio grouped his forces in Pisa only to be laid low with a fever for a month, finally engaging with the enemy at Gavinana, about 50km (31 miles) northwest of Florence.

His army was successful initially, driving the Imperial troops back and killing their leader, Philibert de Chalon, Prince of Orange, but was repelled when Maramaldo’s mercenaries arrived.  Nine days after Ferruccio himself was killed by his cowardly rival, Florence surrendered.

Pistoia's octagonal Battistero di San Giovanni
in the Tuscan city's medieval centre

Travel tip:

Gavinina is a village a short distance from Pistoia, a pretty medieval walled city in Tuscany, about 40km (25 miles) northwest of Florence. The city developed a reputation for intrigue in the 13th century and assassinations in the narrow alleyways were common, using a tiny dagger called the pistole, made by the city’s ironworkers, who also specialised in manufacturing surgical instruments. At the centre of the town is the Piazza del Duomo, where the Cathedral of San Zeno, which has a silver altar, adjoins the octagonal Battistero di San Giovanni in Corte baptistery. On the same square is the 11th century Palazzo dei Vescovi.

The historic walled town of Volterra southwest
of Florence enjoys an elevated position

Travel tip:

The walled hilltop town of Volterra, some 65km (40 miles) southeast of Pisa and 52km (32 miles) southwest of Florence, is an enchanting place to visit which still has traces of its Etruscan history, including the city’s walls and the remains of an Etruscan Acropolis, and is much quieter than nearby San Gimignano, yet is just as appealing for its narrow medieval streets and its beautiful central square, Piazza del Priori. The Palazzo dei Priori, the town hall that stands over the square, contains medieval frescoes, while its bell tower offers expansive views.  The Guarnacci Etruscan Museum has a substantial collection of artifacts.

Also on this day:

1486: The birth of famed Roman courtesan, Imperia Cognati

1546: The death of architect Antonio da Sangallo the Younger

1778: Milan’s opera house, Teatro alla Scala, is inaugurated

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Goffredo Mameli - writer

Young poet wrote the stirring words of Italian national anthem

Goffredo Mameli, as depicted in a portrait on
display in the Museum of the Risorgimento

Patriot and poet Goffredo Mameli died on this day in 1849 in Rome.

A follower of political revolutionary Giuseppe Mazzini and a supporter of the Risorgimento movement, Mameli is the author of the words of the Italian national anthem, Fratelli d’Italia.

Mameli was the son of a Sardinian admiral and was born in Genoa in 1827 where his father was commanding the fleet of the Kingdom of Sardinia.

As he grew up he became interested in the theories of Mazzini and he joined a political movement that supported the idea of a united Italy.

Mameli was a 20-year-old student when he wrote the words that are still sung today by Italians as their national anthem.  They were sung to music for the first time in November 1847 to celebrate the visit of King Charles Albert of Sardinia to Genoa.

The anthem is known in Italian as L’inno di Mameli or Mameli’s hymn.

Mameli became involved in the movement to expel the Austrians from Italy and joined Garibaldi’s army. He also became director of a newspaper that launched a press campaign urging the people to rise up against Austria.

He died after being accidentally injured in the leg by the bayonet of one of his colleagues during a battle. The wound became infected and his leg had to be amputated. He died as a result of the infection two months before his 22nd birthday.

Mameli’s Hymn, or Fratelli d’Italia as it is sometimes referred to because of its opening line, is played on Italian state occasions and embraced by Italian sports fans and competitors with great enthusiasm at events all over the world.

Football commentators noted how passionately Italy's footballers sang the words before their matches at Euro 2016.

After Italian unification, the official hymn of the House of Savoy, Marcia Reale - Royal March - was adopted as the Italian national anthem.

But after Italy became a republic in 1946, L’inno di Mameli was chosen as the new national anthem. This was made official by a law passed in November 2012.

Mameli's original manuscript

Travel tip:

The first manuscript of the words to the anthem is preserved at the Istituto Mazziniano, part of the Museum of the Risorgimento which is located within the house where Mazzini was born in Via Lomellini in Genoa. It appears in a book belonging to Mameli in which he recorded his notes, thoughts and writing. There is also a copy of the first printed version of the hymn with hand annotations by Mameli himself.

Travel tip:

Mameli’s tomb is in the Cimitero Monumentale del Verano in Piazzale del Verano near the Basilica of San Lorenzo fuori le Mura in Rome, but his remains were transferred during the Fascist era to the mausoleum for Garibaldi soldiers on the Gianicolo hill in Rome.

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