3 August

Imperia Cognati - courtesan

Prostitute who became a celebrity

Imperia Cognati, who acquired celebrity status in Rome in the early 16th century as a courtesan to a number of rich and powerful figures, was born on this day in 1486.  Courtesans were originally the female companions of courtiers of the papal court, whose duties required them to be educated and familiar with etiquette, so that they could participate in the formalities of court life and take part in polite conversation.  In time, however, in some cases their companionship became of a more intimate nature and they became the mistresses of their courtiers, who in the papal court were clerics not permitted to marry.  It was common, too, for courtesans to be the companions of several clients simultaneously.  They were in effect a new class of prostitute, refined and educated enough to hold their own in polite society.  Read more…

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Omero Antonutti - actor and voice dubber

Narrator of Oscar-winning Life is Beautiful had long career

The actor Omero Antonutti, who acted in around 60 films and was the Italian voice of many international stars, was born on this day in 1935 in Basiliano, a village about 13km (eight miles) west of the city of Udine in the Friuli-Venezia Giulia region of northeast Italy.   His most acclaimed performance came in Padre padrone, a 1977 film directed by Paolo and Vittorio Taviani, a Palme d’Or winner at Cannes that was considered by many critics to be the co-directing brothers’ finest work.  Antonutti worked with the Taviani brothers again on La notte di San Lorenzo (1982), which won the Grand Prix du Jury at Cannes, and Kaos (1984), in which he took the part of the playwright Luigi Pirandello in a film based on some of Pirandello’s own short stories.  He was often asked to portray significant figures in dramatisations of real-life events, such as Roberto Calvi, the ill-fated chairman of the Banco Ambrosiano. Read more…

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La Scala - opera and ballet theatre

First night at the world’s most famous opera house

Milan’s Teatro alla Scala was officially inaugurated on this day in 1778.  Known to Italians simply as La Scala, the theatre has become the leading opera house in the world and many famous artists have appeared there. A fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A group of 90 wealthy patrons, the owners of private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking that a new theatre be built.  The new theatre was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. The church was deconsecrated and demolished to make way for the theatre.  With the cost of the project met by the 90 patrons, who paid in advance for boxes, the new theatre was designed by neoclassical architect Giuseppe Piermarini and at the official opening on 3 August 1778, Antonio Salieri’s opera L’Europa riconosciuta was premiered.  Read more…

Antonio da Sangallo the Younger - architect

Talented Florentine was commissioned by the Popes

Antonio da Sangallo the Younger, who left his mark on Rome during the Renaissance, died on this day in 1546 in Terni in Umbria.  Sangallo was the chief architect on St Peter’s Basilica from 1520 onwards and built many other beautiful churches and palaces in the city and throughout the Papal States.  He was born Antonio Cordiani in Florence in 1484. His grandfather had been a woodworker and his uncles, Giuliano and Antonio da Sangallo, were architects.  The young man followed his uncles to Rome to pursue a career in architecture and ended up taking the name Sangallo himself.  He became an assistant to Donato Bramante and started by preparing sketches for his master.  Recognising his talent, Bramante gave Sangallo projects to complete with no more than an outline of the design and motifs.  Sangallo’s first major commission was for the Church of Santa Maria di Loreto in 1507.  Read more…

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Francesco Ferruccio - military leader

Florentine soldier celebrated in Italy’s national anthem 

Francesco Ferruccio, the military leader whose heroic attempt to defend Florence against the powerful army of the Holy Roman Empire is recalled in Italy’s national anthem, died on the battlefield on this day in 1530.  A Florentine by birth, Ferruccio had been charged with leading the army of the Republic of Florence as the city came under attack during the War of the League of Cognac, when the Pope Clement VII connived with the emperor Charles V to overthrow the republic and restore power in Florence to his own family, the Medici.  Despite being outnumbered, Ferruccio’s soldiers engaged the Imperial forces at Gavinana, just outside Florence, killed their leader and drove them back, only for the enemy to be reinforced by the arrival of 2,000 German mercenaries under the leadership of the condottiero, Fabrizio Maramaldo.  Read more...

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Book of the Day: The Renaissance Courtesan in Words, Letters and Images: Social Amphibology and Moral Framing, by Eugenio L Giusti

Although throughout history women had been confined to enclosed spaces, the advent of courtly life and culture required that men and women would share and interact in public arenas like the princely courts, intellectual salons, or gambling houses. But also in all of these public spaces behavioural rules and regulations aimed to control women’s bodies by equating honesty with chastity. The Renaissance Courtesan in Words, Letters and Images analyses how in the 16th, 17th and 18th centuries women in general, and in particular prostitutes and courtesans, repeatedly challenged those rules in the attempt to affirm their individual freedom. This analysis has three complementary approaches: first, an historical approach where census documents and sumptuary laws are investigated in order to describe the ways in which the political establishment unsuccessfully attempts to enforce its rules over women’s behaviour; second, a literary approach where works by Castigione, Aretino, Bandello, and Veronica Franco are analysed in order to emphasise the terminological proximity between the legal and the literary languages, and the evolution of the term «courtesan» with its attribute «honest»; a third - visual - approach looks at prints of women’s clothing, made by 16th and 17th century artists.

Eugenio Giusti is Associate Professor of Italian at Vassar College in New York State. He received a PhD in Medieval Italian Literature from New York University. 

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