Showing posts with label La Dolce Vita. Show all posts
Showing posts with label La Dolce Vita. Show all posts

16 September 2023

Terror attack on Café de Paris

Grenades thrown into iconic meeting place

A bloodstained pavement and upturned tables and chairs after the attack
A bloodstained pavement and upturned
tables and chairs after the attack

The Café de Paris, a hang-out for Rome’s rich and famous during the 1950s and ‘60s and a symbol of the era encapsulated in Fellini’s classic film La dolce vita, was attacked by terrorists on this day in 1985.

Tables outside the iconic venue, on the city’s fashionable Via Veneto, were packed with tourists on a busy evening when two grenades were thrown from a passing car or motorcycle.

One of the devices, of the classic type known as pineapple grenades, failed to explode, but the other did go off, injuring up to 39 people.

Although 20 were taken to hospital, thankfully most were released quickly after treatment for minor wounds. There were no fatalities and only one of those hospitalised, a chef who happened to be waiting on tables at the time of the attack, suffered serious injuries, from which he recovered.

Most of the victims were reported to be American, Argentine, West German or British tourists enjoying a late evening drink while taking in the atmosphere of Roman nightlife on a street lined with shops, cafés, airline offices and luxury hotels.

It was thought that three individuals carried out the attack but only one was apprehended and charged. While two of the attackers drove away at speed, Ahmad Hassan Abu Alì Sereya fled the scene on foot and was arrested by a policeman near Piazza Fiume, just under a kilometre away. 

A 27-year-old born in Lebanon, Sereya claimed to be in Rome to buy clothes to resell on a market stall in Beirut.

The tree-lined Via Veneto was a symbol of wealth and luxury the mid-20th century Rome
The tree-lined Via Veneto was a symbol of wealth
and luxury the mid-20th century Rome
He said he was in Via Veneto at the time of the attack purely by chance. But Italian secret service agents found in his possession a telephone number registered to an office of the Palestinian Abu Nidal militant group, which was enough evidence for a court to find him guilty and hand down a 17-year prison sentence.

The motive for the attack was never fully established but it is thought the Café de Paris was chosen because of its proximity to the American Embassy in Rome. The date of the attack coincided with the third anniversary of the massacre of up to 3,000 Palestinians and Lebanese Shiites by Israeli-backed military and militia groups on the outskirts of Beirut in 1982.

The Café de Paris incident was one in a long sequence of Arab-linked terror attacks or planned attacks in Rome during the 1970s and ‘80s, the deadliest of which both occurred at the city’s Fiumicino airport.

In 1973, an attack carried out by five terrorists claimed 34 lives, including 29 passengers on a Pan American Airways plane that was stormed as it was waiting to take off.

In December 1985, just nine weeks after the Café de Paris incident, four attackers threw grenades and opened fire at the check-in desks of Israel's El Al Airline and the United States carrier Trans World Airlines, killing 12 travellers and an Israeli security officer.

Fellini's classic movie La dolce vita was filmed in the area around Via Veneto
Fellini's classic movie La dolce vita was
filmed in the area around Via Veneto
Travel tip:

Via Veneto, once one of Rome’s most elegant and expensive thoroughfares, is actually called Via Vittorio Veneto, named after the Battle of Vittorio Veneto, a decisive Italian victory of World War I, although the full name is rarely used.  Among many exclusive shops, luxury hotels and bars, the Café de Paris was probably the most famous venue. The place to see and be seen in the 1950s and ‘60s, it was a magnet for visitors hoping to catch a glimpse of the film stars, models and other jet-setters who often occupied its tables. The bar was immortalised in Federico Fellini’s movie La dolce vita, starring Anita Ekberg, Anouk Aimée and Marcello Mastroianni, with many shots filmed there. 

The shutters across the entrances to the Cafè de Paris remain permanently closed
The shutters across the entrances to the Cafè
de Paris remain permanently closed
Travel tip

Anyone wanting to pay a nostalgic visit to the Café de Paris today will be disappointed. Although the beautiful wood and coloured glass of its frontage are still in place, and the Liberty framed glass display cases still contain black and white photographs of its famous ‘60s clientele, the doors are permanently shuttered up. The business went into decline in the later years of the 20th century and fell into the hands of mafia groups in the early part of this century, after which it was closed as part of a crackdown on money laundering. Located at No. 90 Via Veneto, close to the United States Embassy, it was revived by an anti-mafia co-operative, who served wine and food produced on land confiscated from crime gangs in southern Italy, but closed permanently in 2014 after the interior was destroyed in an arson attack. 

Also on this day:

1797: The birth of British Museum librarian Sir Anthony Panizzi

1841: The birth of politician Alessandro Fortis

1866: The Sette e Mezzo Revolt in Palermo

2005: Camorra boss Paolo Di Lauro arrested


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5 February 2022

La dolce vita - cinematic masterpiece

Commentary on decadence of 1950s Rome saw Fellini hailed as a genius

Marcello Mastroianni and Anita Ekberg in the most famous scene from Fellini's classic
Marcello Mastroianni and Anita Ekberg in the
most famous scene from Fellini's classic
La dolce vita, a film still regarded as one of the greatest in cinema history, was screened in front of a paying audience for the first time on this day in 1960.

After a preview before invited guests and media at the Fiamma cinema in Rome, the Capitol Cinema in Milan was chosen for its public premiere. The movie went on general release in Italy the day afterwards and made its London debut on 8 February.  It was shown in America for the first time in April of the following year.

Directed by Federico Fellini, the film won the Palme d'Or, the highest award presented at the Cannes Film Festival in 1960 and was nominated for four Academy Awards, including Best Director for Fellini, although ultimately the production team had to be content with the Oscar for Best Costumes.

It won numerous awards in Italy, while the brilliant Nino Rota’s soundtrack was nominated for a Grammy.  In America, the National Board of Review and the New York Film Critics Circle made it their best foreign film of 1961.

Federico Fellini is remembered by many as the greatest of all Italian film-makers
Federico Fellini is remembered by many as
the greatest of all Italian film-makers
The film is episodic rather than having a conventional plot, following the life of Marcello Rubini, a somewhat jaded magazine gossip columnist portrayed by Marcello Mastroianni, over seven days and nights in the Rome of the late 1950s.

It is a decade in which the city, desperate to forget the shame of Fascism and the devastation inflicted on the country by World War Two, revels in everything modern and exciting about what feels like a reborn Italy.  The stars created by the country’s renascent movie industry, now joined by an influx of Americans and others, are the new gods and goddesses. Rubini, accompanied by his photographer friend Paparazzo, follows their every move.

Immersing himself in the glitzy nightlife around the capitol’s fashionable Via Veneto, the handsome, sharply-dressed Rubini himself indulges in the hedonistic pleasures on offer with only occasional restraint, much to the annoyance of his girlfriend, Emma.

But in Fellini’s story he is struggling with an inner conflict, at once chastising himself for the shallowness of his profession and his failure to make the most of his writing talent, but unable to resist the temptations of alcohol, easy sex and opportunities to behave outrageously that seem to present themselves each day.

Mastroianni became one of Italy's biggest stars
Mastroianni became one
of Italy's biggest stars
Fellini conveys this, and delivers a critique on the state of an Italian society he is willing to see as in moral decline, through what is essentially a series of parables, in which the characters are sharply drawn and the scenes resonantly symbolic.

The episode in which Anita Ekberg, cast as a visiting Swedish starlet, lures Mastroianni to follow her, fully clothed, into the Trevi Fountain, is the one for which the film is most remembered, while the name of Paparazzo has entered the language to describe any photographer who pursues the rich and famous.

Yet it has a complexity that continues to intrigue, its near three-hour duration demanding that viewers return again and again to appreciate it in all its subtlety. Fellini’s fellow director Pier Paolo Pasolini wrote that "La dolce vita is too important to be discussed as one would normally discuss a film.”

More than 13.5 million Italians paid to watch the film, attracted not least by its controversial nature.  Its opening sequence, in which a gathering of bikini-clad girls interrupt their sunbathing to wave as a helicopter towing a statue of Jesus passes overhead, was condemned by the Catholic church as a parody of a second coming of Christ. In countries including Spain and Portugal it was banned for several years.

Fellini once said that the original germ of the idea for La dolce vita came from the fashion in the 50s for the so-called sack dress, a waistless garment that was tapered at the hemline but billowed out in the middle, which he imagined to represent a way in which a physically beautiful woman might conceal her moral shortcomings from view.

Others have speculated that he might have been influenced by the Montesi scandal that had reached its conclusion only two years before he began shooting.  The film ends when Rubini and others are partying on a beach at dawn when fishermen haul ashore a huge, ray-like fish that had become caught in their net and died.  The Montesi scandal, which linked Rome society figures to drug-fuelled orgies at a luxurious beachside villa, began when the body of Wilma Montesi, a 21-year-old woman who had gone missing in Rome the day before, was discovered lying face down at the water’s edge on a beach near the capital.

Nicola Salvi's Trevi Fountain, with the statue of Oceanus by Pietro Bracci in the centre
Nicola Salvi's Trevi Fountain, with the statue of
Oceanus by Pietro Bracci in the centre
Travel tip:

The Trevi Fountain, which was symbolically turned off and draped in black after Marcello Mastroianni died, was officially opened by Pope Clement XIII in 1762. Standing at more than 26m (85 feet) high and 49m (161 feet) wide, it is the largest Baroque fountain in Rome and probably the most famous fountain in the world. It was designed by a Roman architect, Nicola Salvi, but he died when it was only half finished. Made from Travertine stone quarried in Tivoli near Rome, the fountain was completed by Giuseppe Pannini, with Oceanus (god of all water), designed by Pietro Bracci, set in the central niche. Coins are traditionally thrown into the fountain by visitors, using the right hand over the left shoulder. It was once estimated about 3000 euros were thrown into the fountain each day, money that helped feed the city’s poorest citizens.


A picture postcard from Milan showing the
Capitol Cinema building 
Travel tip:

Milan’s former Capitol Cinema was located on the corner of Via Croce Rossa and Via dei Giardini, not far from Via Manzoni and Via Monte Napoleone.  Designed in the late 1930s, it was part of an imposing building that combined shops, offices and apartments. With seats for 1,350 people, it screened its first film in September 1949 and hosted many premieres, often attended by the directors and stars. The debut of La dolce vita attracted such a large crowd that windows were reportedly broken in the crush.  The film was so successful it continued to be shown at the Capitol for several months. Other famous Italian films to make their public debut there included Luchino Visconti’s Rocco and His Brothers (Rocco e i suoi fratelli) and Vittorio De Sica’s La ciociara, released outside Italy as Two Women, which featured an Oscar-winning performance by Sophia Loren.  Sadly, the Capitol’s popularity declined in the 1980s and it was closed permanently in 1984. Today the building houses a large clothes shop. 

Also on this day:

1578: The death of portrait painter Giovanni Battista Moroni

1932: The birth of football coach Cesare Maldini

1964: The birth of football coach Carolina Morace

The Festival of Saint Agatha of Sicily


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8 February 2018

Nicola Salvi – architect

Creator of Rome’s iconic Trevi Fountain


The Trevi Fountain was Nicola Salvi's masterpiece
The Trevi Fountain was Nicola Salvi's masterpiece
The architect Nicola Salvi, famous as the designer of the Fontana di Trevi – known in English as the Trevi Fountain and one of the most famous and most visited monuments in Rome – died on this day in 1751.

He was working on the Trevi when he passed away, having been engaged on the project since 1732. It had to be finished by Giuseppe Pannini and the giant statue of Oceanus – the Titan God of the Sea in Greek mythology – set in the central niche, was completed by Pietro Bracci, yet Salvi takes credit as the lead architect.

Salvi ran a workshop in Rome that he had taken over when his master, Antonio Canevari, left the city in 1727 to take up a position working as architectural consultant to the king of Portugal in Lisbon.

He completed a number of commissions on behalf of Canevari but spent a good deal of his time tutoring others and might have made very little impression on architectural history had he not submitted entries for two design competitions run by Pope Clement XII in 1732.

One was for a new façade for the church of San Giovanni in Laterano, for which his design was commended and in which he did have some input along with Alessandro Galilei – the winner – and Luigi Vanvitelli.

Floodlights illuminate the fountain at night
Floodlights illuminate the fountain at night
The other was to revive a project started and then abandoned by Gian Lorenzo Bernini one hundred years earlier to design a new fountain at the end of the former Aqua Virgo Roman aqueduct, in front of the Palazzo Poli.

Accounts of the outcome vary, but there is agreement that Salvi’s design did not win, with plans submitted by either Galilei or Ferdinando Fuga preferred. However, both of those architects were from Florence and there was a public view that the job should go to a Roman and, after considering this, the pope decided to give it to Salvi.

Salvi imagined a fountain composed of a large central basin, surrounded by a rough-hewn cliff from which the Palazzo Poli appears almost to have been carved, the whole composition dominated by the statue of Oceanus, set into the central arched niche of the palace, standing directly above the point at which the water emerges.

The monumental façade of the Palazzo Poli was designed by Vanvitelli to provide the fountain with a suitably dramatic backdrop.

The end product, which takes its names from its location at the convergence of tre vie – three roads, represented a classic of Roman Baroque, the largest Baroque fountain in the city and the most significant building built in Rome in the 18th century.

The Via Nicola Salvi in Rome skirts the Colosseum
The Via Nicola Salvi in Rome skirts the Colosseum
It defined the career of Salvi, who had been born in Rome in 1697 to a wealthy family thought to have been from Abruzzo originally. Precociously intelligent, he studied mathematics and philosophy before turning to architecture.

Until the Trevi, after a decline in the number of major structures commissioned across the city compared with the previous century, Salvi’s work had been relatively inconsequential, consisting for the most part of small, decorative projects.

He did build a baptistery at the Basilica of St Paul Outside the Walls but that was destroyed in a fire of 1823, while his reconstructed Chiesa di Santa Maria a Gradi in Viterbo was flattened by bombing during the Second World War.

Salvi died at his home in Via della Colonna in Rome at the age of 53, having developed bronchial problems as a result of many hours spent working in the damp tunnels of the aqueduct.

Large crowds flock to the Trevi at all hours of the day
Large crowds flock to the Trevi at all hours of the day
Travel tip:

The ritual of throwing coins over their shoulders into the Trevi Fountain is followed by thousands of visitors each day.  They used to be stolen regularly by gangs of thieves but a law was introduced making it a crime to fish coins out of the basin. Nowadays, the coins are collected by teams of municipal workers every night and given to a charity called Caritas, which converts the money into shopping vouchers for Romans who have fallen on hard times. The coins collected add up to around €3,000 each day.


Marcello Mastroianni and Anita Ekberg in La Dolce Vita
Marcello Mastroianni and Anita Ekberg in La Dolce Vita
Travel tip:

Part of the Trevi Fountain’s fame around the world is down to the starring role it has played in a number of movies, most notably Federico Fellini’s La Dolce Vita, in which Anita Ekberg jumped into the fountain fully clothed, to be followed by Marcello Mastroianni. The monument also featured in Roman Holiday, Three Coins in the Fountain and Disney comedy The Lizzie McGuire Movie. When the revered Mastroianni died in 1996, the fountain was turned off and draped in black crepe as the city’s tribute.


28 September 2017

Marcello Mastroianni – actor

Film star who immortalised the Trevi Fountain


Marcello Mastroianni was an icon of Italian cinema for more than 45 years
Marcello Mastroianni was an star of
Italian cinema for more than 45 years
Marcello Vincenzo Domenico Mastroianni, who grew up to star in some of the most iconic Italian films of the 20th century, was born on this day in 1924 in Fontana Liri, in the province of Frosinone in Lazio.

He was the son of Ida Irolle and Ottone Mastroianni, who ran a carpentry shop. His uncle, Umberto Mastroianni, was a sculptor.

At the age of 14, Marcello Mastroianni made his screen debut as an extra in a 1939 film called Marionette.

His career was interrupted by the Second World War, during which he was interned in a German prison camp until he managed to escape and go into hiding in Venice.

He made several minor film appearances after the war until he landed his first big role in Atto d’accusa, directed by Giacomo Gentilomo, in 1951.

Ten years later, Mastroianni had become an international celebrity, having starred in Federico Fellini’s La dolce vita opposite Anita Ekberg. He played a disillusioned tabloid journalist who spends his days and nights exploring Rome’s high society. The film is most famous for the scene in which Ekberg's character, Sylvia, wades into the Trevi Fountain.

Mastroianni followed this with a starring role in Fellini’s   - Otto e mezzo - in which he played a film director who suffers from creative block while making a movie.

Mastroianni's famous Trevi Fountain scene with Anita Ekberg in Federico Fellini's La dolce vita
Mastroianni's famous Trevi Fountain scene with Anita
Ekberg in Federico Fellini's La dolce vita
He was nominated for the Academy Award for Best Actor three times, for Pietro Germi's Divorce, Italian-style, Ettore Scola's A Special Day and Dark Eyes, directed by Nikita Mikhalkov. He is one of only three actors to have twice been awarded the Best Actor award at the Cannes film festival.

A Special Day was one of 11 films in which he starred opposite Sophia Loren, his on-screen partnership with whom was a feature of Italian cinema in the 1960s and ‘70s.

Mastroianni married Flora Carabella in 1950 and they had a daughter, Barbara. After they separated, he had a relationship with the actress Faye Dunaway. He later lived with French actress Catherine Deneuve and they had a daughter, Chiara Mastroianni.

Mastroianni in Divorce, Italian-style
Mastroianni in Divorce, Italian-style
He was rumoured to have had affairs with other actresses until, in 1976, he became involved with Anna Maria Tato, an author and film maker.

Mastroianni died from pancreatic cancer in 1996 at the age of 72. Both of his daughters, as well as Deneuve and Tato, were at his bedside.

The Trevi Fountain was turned off and draped in black as a tribute to him.

Travel tip:

Fontana Liri, where Marcello Mastroianni was born, is a small village in the Apennines, about 90km (56 miles) southeast of Rome and about 15km (9 miles) east of Frosinone. It falls within the remote hilly part of Lazio known as the Ciociaria, which is south of Rome and north of Naples and is named after the ciocie, sandals, traditionally worn by local people.

The Trevi Fountain is the largest Baroque fountain in Rome
The Trevi Fountain is the largest Baroque fountain in Rome
Travel tip:

The Trevi Fountain in Rome, where Marcello Mastroianni paddled with Anita Ekberg in La dolce vita, was symbolically turned off and draped in black as a tribute to the actor after he died. The fountain was officially opened by Pope Clement XIII in 1762. Standing at more than 26m (85 feet) high and 49m (161 feet) wide, it is the largest Baroque fountain in Rome and probably the most famous fountain in the world. It was designed by a Roman architect, Nicola Salvi, but he died when it was only half finished. Made from Travertine stone quarried in Tivoli near Rome, the fountain was completed by Giuseppe Pannini, with Oceanus (god of all water), designed by Pietro Bracci, set in the central niche. Coins are traditionally thrown into the fountain by visitors, using the right hand over the left shoulder. It is estimated about 3000 euros are thrown into the fountain each day, money which is used to subsidise a supermarket for the poor in Rome.





22 May 2017

Trevi Fountain inaugurated

Famous fountain now helps raise money for the poor


The Trevi Fountain was opened by Pope Clement XIII
The Trevi Fountain was opened by Pope Clement XIII
Rome’s iconic Trevi Fountain, Fontana di Trevi, was officially opened by Pope Clement XIII on this day in 1762.

Standing at more than 26 metres high and 49 metres wide it is the largest Baroque fountain in Rome and probably the most famous fountain in the world.

It has featured in films such as La Dolce Vita and Three Coins in the Fountain.

For more than 400 years a fountain served Rome at the junction of three roads, tre vie, using water from one of Ancient Rome’s aqueducts.

In 1629 Pope Urban VIII asked Gian Lorenzo Bernini to draw up possible renovations but the project was abandoned when the pope died.

In 1730 Pope Clement XII organised a contest to design a new fountain. The Florentine Alessandro Galilei originally won but there was such an outcry in Rome that the commission was eventually awarded to a Roman, Nicola Salvi.

Marcello Mastroianni and Anita Ekberg in the  fountain scene in Fellini's La Dolce Vita
Marcello Mastroianni and Anita Ekberg in the
fountain scene in Fellini's La Dolce Vita
Work on the fountain began in 1732 but Salvi died in 1751 when it was only half finished. Made from Travertine stone quarried in Tivoli near Rome, the fountain was completed by Giuseppe Pannini, with Oceanus (god of all water), designed by Pietro Bracci, set in the central niche.

Coins are traditionally thrown into the fountain using the right hand over the left shoulder. This was the theme of the 1954 film Three Coins in the Fountain and the award-winning song of that name.

An estimated 3000 euros are now thrown into the fountain each day and the money is used to subsidise a supermarket for needy people in Rome.

Travel tip:

One of Gian Lorenzo Bernini’s most spectacular works in Rome is the fountain of the Four Rivers, Fontana dei Quattro Fiumi, in Piazza Navona, with four marble figures symbolising the four major rivers of the world. It was designed in 1651 for Pope Innocent X.

The Fontana del Tritone in Piazza Barberini
The Fontana del Tritone in Piazza Barberini
Travel tip:

The Fountain of the Tritons, Fontana del Tritone, in Piazza Barberini in Rome was designed and built by Bernini near the entrance to Palazzo Barberini, the home of Pope Urban VIII’s family.



14 February 2017

Otto e mezzo - Fellini's masterpiece

Creative crisis spawned director's tour de force



The original publicity poster for the Fellini movie 8½
The original publicity poster for the
Fellini movie 8½
The film Otto e mezzo (8½), regarded by some critics as the director Federico Fellini's greatest work, was released in Italy on this day in 1963.

It was categorised as an avant-garde comedy drama but the description hardly does it justice given its extraordinary individuality, evolving from conception to completion as an interweaving of fantasy and reality in which life not so much imitates art as becomes one and the same thing.

By the early 60s, Fellini was already a three-times Oscar winner following the success of La strada, Nights of Cabiria and La dolce vita, the last-named having also won the Palme d'Or at Cannes.

La dolce vita had signalled Fellini's move away from the neo-realism that characterised cinema in Italy in the immediate post-war years towards the surreal interpretations of life and human nature that became popular with later directors and came to define Fellini's art.

While that movie was generating millions of dollars at the box office and turning Marcello Mastroianni and Anita Ekberg into international stars, Fellini was under pressure from his producers to come up with a sequel.

Fellini was under pressure to deliver a sequel to La Dolce Vita
Fellini was under pressure to deliver
a sequel to La dolce vita
He had an idea but it was little more than a vague outline, a story about a man suffering from creative block.  He knew it would be about the internal conflicts thrown up by artistic and marital difficulties and the opportunity to reflect brought about by a period at a health spa recovering from what might today be interpreted as nervous exhaustion, but he had no clear vision of the script, could not decide the profession of his main character and did not even have a working title.

Pressed by the producers to sign off on a deal, it is said that he chose Otto e mezzo on the basis that he had directed six feature films, worked jointly on another and made two shorts, each of which he considered to be worth 'half a feature' and that therefore his latest would be film number eight and a half in his directing career.

He had still not developed a coherent idea when he was ordered to start production in the spring of 1962 yet the wheels were in motion.  Filming dates were agreed, sets were constructed and actors were hired, including Mastroianni for the male lead, yet other than coming up with a name, Guido Anselmi, for his main character, Fellini was scarcely closer to any clarity of thought.

Claudia Cardinale played lead character Guido Anselmi's  'Ideal Woman' in Fellini's Otto e mezzo
Claudia Cardinale played lead character Guido Anselmi's
 'Ideal Woman' in Fellini's Otto e mezzo
In fact, he would have told Angelo Rizzoli, his producer, that he was abandoning the project had he not been summoned to join the crew in celebrating its launch just as he was drafting a letter to that effect.

Fellini later admitted that as he raised his glass to toast the film he "felt overwhelmed by shame" but that the moment of despair then became one of inspiration.

"I was in a no-exit situation," he said. "I was a director who wanted to make a film he no longer remembers. And lo and behold, at that very moment everything fell into place.

"I got straight to the heart of the film. I would narrate everything that had been happening to me. I would make a film telling the story of a director who no longer knows what film he wanted to make".

The result was a film that blended the storyline such as it was with fantastic dream sequences as the characters moved between reality and Guido's imagination, Fellini so often indulging in impulsive improvisations that essentially he was making up the movie as he went along.  As was the way with Italian films at the time, the dialogue was overdubbed afterwards, which from the point of view of the actors trying to keep up was probably just as well.

Marcello Mastroianni and Anouk Aimée also starred in Fellini's La Dolce Vita
Marcello Mastroianni and Anouk Aimée
also starred in Fellini's La Dolce Vita
Yet the end result, starring Mastroianni as Guido, the French actress Anouk Aimée as his wife, and two Tunisian-Italians, Sandra Milo and Claudia Cardinale, respectively as his mistress and the Ideal Woman of his fantasies, was received with almost universal acclaim.

Critics conceded that audiences might find it challenging in its complexity but generally hailed it as a triumph.  One wrote that it had advanced avant-garde cinema "by 20 years in one fell swoop because it both integrates and surpasses all the discoveries of experimental cinema".

Another praised its "fantastic liberality, total absence of precaution and hypocrisy, absolute dispassionate sincerity, artistic and financial courage".

won two Academy Awards, for best foreign language film and best costume design (black-and-white) as well as nominations for best director, best original screenplay and best art direction (black-and-white).

The New York Film Critics Circle also named best foreign language film while the Italian National Syndicate of Film Journalists awarded the movie seven prizes for director, producer, original story, screenplay, music - by Nino Rota - cinematography (Gianni di Vananzo) and best supporting actress (Sandra Milo).

At the Saint Vincent Film Festival, it was awarded the Grand Prize over Luchino Visconti's Il gattopardo (The Leopard) but had to be passed over for an award after its screening at the 1963 Cannes Film Festival because it had been shown outside the competition.

It also won the Grand Prize at the 3rd Moscow International Film Festival.

Travel tip:

Fellini was born in 1920 in Rimini, on the Adriatic coast, which with 15km (nine miles) of sandy beaches is the largest resort in Italy and famous across Europe as a holiday destination.  It is said to have more than 1,000 hotels.  Away from the sea front there is an older part of the town with relics that reflect its Roman origins.  Rimini is proud of its heritage and a Federico Fellini Museum can be found in Via Clementini in the historic centre, covering everything related to his life and career.


A commemorative plaque celebrating Fellini's career can be found in the Via Veneto in Rome, backcloth to La Dolce Vita
A commemorative plaque celebrating Fellini's career can be
found in the Via Veneto in Rome, backcloth to La dolce vita
Travel tip:

Although Fellini's body was returned to Rimini after his death in Rome at the age of 73, and is buried near the main entrance to the Cemetery of Rimini in a tomb designed by Arnaldo Pomodoro, Fellini is also commemorated in Rome, including a plaque on the Via Veneto celebrating the street's central role in La dolce vita.


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(Picture credits: Fellini plaque by Peter Clarke via Wikmedia Commons)

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