Antoninus Pius - Roman Emperor

Hadrian’s adopted son presided over 23 years of peace

History has judged Antoninus
Pius to be a benevolent leader

Antoninus Pius, the fourth of the so-called Five Good Emperors who ruled the Roman Empire between 96 and 180AD, assumed power on this day in 138 following the death of Hadrian at his villa outside Naples the previous day.

As well as being notable for peace and stability, his reign was one of well-run administration, support for education and public works projects including expanded free access to drinking water in all parts of the empire.

He was seen as a wise and benevolent ruler who made the well-being of his subjects a priority, an example being the attention he gave to ensuring freed slaves were given the full rights of citizenship.

Antoninus instigated legal reforms, built temples and theatres, was an active promoter of the arts and sciences, and rewarded the teachers of rhetoric and philosophy in particular with honours and financial incentives.

Despite a number of disturbances in different parts of the empire during his time, he was reluctant to commit to any aggressive military action. Revolts in Mauretania, Germany, Dacia and Egypt were successfully contained by his armies with no recourse to escalation.

Only in response to an uprising of the Brigantes, who controlled large parts of northern Britain, did Antoninus take a more aggressive approach.

He appointed a new governor, Quintus Lollius Urbicus, who had previously governed Germania Inferior. Antoninus ordered Lollius to invade southern Scotland, driving the Brigantes back and constructing a new wall, the Antonine Wall across the Scottish territory 100 miles (62km) north of Hadrian’s Wall, from the Firth of Forth to the Firth of Clyde. 

The map of the Roman Empire as it looked during
the 23-year reign of Antoninus Pius

Unlike Hadrian’s Wall, the Antonine Wall was not maintained and had been abandoned by the time Antoninus died in 161.

Antoninus Pius was born Aurelius Fulvus Boionius Antoninus near Lanuvium, on the site of modern-day Lanuvio, about 38km (24 miles) south of Rome. His father, Titus Aurelius Fulvus, was a consul, whose father had been a senator of the same name. 

Titus Aurelius Fulvus died when Antoninus was a child and he was raised instead by his maternal grandfather, Gnaeus Arrius Antoninus, who was a friend of Pliny the Younger and had a reputation as a man of integrity. 

Antoninus held a number of official roles during the reign of Emperor Hadrian, including consul and proconsul, impressing Hadrian with his performance in these roles in Etruria and Asia. He married Hadrian's niece, Faustina, and following the death of Hadrian's first adopted son, Lucius Aelius Caesar, was adopted as Hadrian’s son and successor.

His own adoption by Hadrian was conditional on adopting future emperors Marcus Aurelius and Lucius Verus as his own successors. 

On taking over from Hadrian, Antoninus persuaded the senate to convey divine honours on his predecessor. They in turn gave Antoninus the surname Pius.

A coin from the reign of Antoninus Pius. The head
on the reverse is that of his son, Marcus Aurelius 

When Faustina died in 141, Antoninus asked the senate to deify her as a goddess. He authorised the construction of a temple to be built in the Roman Forum in her name and in her memory founded the Puellae Faustinianae, a charitable institution for the daughters of the poor.

Much of Antoninus’s popularity stemmed from his skill as an administrator and his generosity.

Free access for Roman citizens to drinking water was expanded with the construction of aqueducts, not only in Rome but throughout the Empire. He also built bridges and roads, yet still managed to reach the end of his reign with a substantial treasury surplus. 

He suspended the collection of taxes from multiple cities affected by natural disasters such as the fires and floods and offered large financial grants for rebuilding and recovery of Greek cities after two serious earthquakes.

The health of Antoninus declined as he approached 70 years of age. He found it difficult to stand and often fell asleep during official meetings. Anticipating his death after contracting a fever at his ancestral estate at Lorium, about 19 km (12 miles) west of Rome, he summoned the imperial council and passed the state to Marcus Aurelius.

Antoninus's body was buried in Hadrian's mausoleum. Marcus and Lucius nominated their father for deification, a request granted readily by the senate.  A column dedicated to Antoninus on the Campus Martius and the temple he had built in the Forum in 141 to his deified wife Faustina was rededicated to Faustina and Antoninus.

The term Good Emperors was coined by the political philosopher Niccolò Machiavelli, who noted that while most emperors to succeed to the throne by birth were “bad” in his view, there was a run of five - Nerva, Trajan, Hadrian, Antoninus Pius and Marcus Aurelius, all of whom succeeded by adoption - who enjoyed the reputation as benevolent dictators, governing by earning the good will of their subjects.

The Torre Medievale was built in the ninth century
to protect Lanuvio against Saracen attacks

Travel tip:

The ancient Lanuvium, over which the present day town of Lanuvio is built, was a prosperous town under the Roman Empire but was destroyed by the Barbarians. Rebuilt in the 11th century, it was enriched by noble families such as the Cesarini and the Colonna. Situated in the Castelli Romani area south of Rome, Lanuvio has among its main visitor attractions the Collegiate Church of Santa Maria Maggiore, which has a rich history dating back to the 13th century and contains the Colonna family tombs. Lanuvio’s civic museum contains more than 2,000 artefacts from prehistoric, pre-Roman, Roman, and Mediaeval periods. Look out also for the Torre Medievale, a cylindrical tower in two graduated sections with an encircling walkway, thought to have been erected in the ninth century to protect against Saracen attacks. Today the tower is home to the Consortium Vini Colli Lanuvini, with a tasting room and information on the vintages.  Lanuvio is host to an annual Festa della Musica every June, and the Festa del Vino in September.

The Pantheon is the most notable survivor of the
buildings that covered the Campus Martius

Travel tip:

Campus Martius in Roman times was a floodplain of the Tiber river, covering the land to the east of the curve in the river that begins south of Piazza del Popolo and loops round to the Isola Tiberina. It was the site of the altar of Mars and the temple of Apollo in the 5th century BC, later being drained and used as a military exercise. From the first century BC, it became covered with large public buildings, including baths, an amphitheatre, theatres, a gymnasium, crematorium and many temples, of which The Pantheon is the most notable surviving structure. The district of Rome called Campo Marzio covers part of the area. Like many of the structures of ancient Rome, the Column of Antoninus Pius ultimately collapsed and became buried. The remains were discovered in 1703, when some buildings were demolished in the area of Montecitorio. The marble base was restored between 1706 and 1708 and erected in the centre of Piazza di Montecitorio in 1741, before being taken to the Vatican Museums in 1787. Today it occupies a space in the courtyard outside the entrance to the Vatican Pinacoteca.

Also on this day: 

1576: The murder of noblewoman Eleonora di Garzia di Toledo

1593: The death of artist Giuseppe Arcimboldo

1934: The birth of fashion designer Giorgio Armani

Home

Mario Castelnuovo-Tedesco – composer

Versatile musician wrote for stringed instruments and for films

Mario Castelnuovo-Tedesco began composing music for the
piano when he was a boy, growing up in Siena

One of the most admired composers of the 20th century, Mario Castelnuovo-Tedesco, was born on this day in 1895 in Florence.

He composed more than 100 pieces of music for the guitar, many of them written for the Spanish guitarist Andrés Segovia.

Because of anti-semitism in Europe, Mario emigrated to the United States in 1939 where he went to work for Metro-Goldwyn-Mayer, composing music for about 200 films.

Mario was descended from a family of bankers that had lived in Siena since the Jews were expelled from Spain in the 16th century.

He was introduced to the piano by his mother and was composing music by the time he was nine years old. His mother recognised his musical talent and encouraged him to study the piano and composition under well-regarded musicians.

Mario came to the attention of the composer and pianist Alfredo Casella, who included some of his work in his repertoire and promoted him throughout Europe as an up-and-coming young composer.

Castelnuovo-Tedesco recognised the potential
of the guitar after meeting Segovia in 1932

In 1926, Mario’s first opera, La mandragola, was premiered. Based on a play by Niccolò Machiavelli, it was the first of his many works inspired by great literature.

Another source of inspiration for his music was his Jewish heritage. His violin concerto No 2, written in 1931 at the request of violinist Jascha Heifetz, showed his pride in his origins in the face of increasing anti-semitism in Europe.

Mario first met Segovia at the 1932 festival of the International Society of Contemporary Music in Venice, which prompted him to start writing for the guitar.

He went on to write about 100 compositions for the guitar, some dedicated to Segovia. He also composed concertos specifically for the cellist Gregor Piatigorsky.

By the 1930s, Mario was not only one of Italy’s leading contemporary composers, but also a sought-after pianist and an insightful critic.

But even before the Italian Racial Laws were introduced in 1938, Mario was banned from the radio and had performances of his works cancelled.

Listen to Castelnuovo-Tedesco's Opus 129 for guitar, played by the Tuscan guitarist Martina Barlotta

Conductor Arturo Toscanini and Heifetz both supported him in his bid to emigrate to the US and Mario left Italy with his wife and two sons on a ship from Trieste in July 1939 before the Second World War started.

Arturo Toscanini, who supported Castelnuovo-
Tedesco in his bid to reach the United States

He made his American debut performing his second piano concerto with the New York Philharmonic.

Mario went to Los Angeles to work as a composer of film music for Metro-Goldwyn-Mayer. He was also asked by Rita Hayworth to write the music for her 1948 film The Loves of Carmen released by Columbia pictures.

He taught many other film composers, including John Williams, Henry Mancini, Jerry Goldsmith, Nelson Riddle and Andre Previn.

Mario became a US citizen in 1946 but frequently visited Italy after the war.

In 1958 he won the Concorso Campari with his opera The Merchant of Venice, which was first performed in 1961 at the Maggio Musicale Fiorentino under the baton of Gianandrea Gavazzeni.

Mario Castelnuovo-Tedesco died in 1968 at the age of 72 in Beverly Hills. He is buried at Westwood Village Memorial Park cemetery.

A collection of his manuscripts was donated to the Library of Congress in Washington by his family in 2000. The Mario Castelnuovo-Tedesco Collection is now accessible online.

A tree-lined avenue within Florence's Parco delle Cascine.
which was once a hunting estate owned by the Medici

Travel tip:

Florence, where Mario Castelnuovo-Tedesco was born, has named a road after the composer. Fittingly it joins up with Via Arturo Toscanini, who was one of his close friends. The road is near Parco delle Cascine, a park on the north bank of the River Arno.  The origins of the park can be traced to 1563, when it was developed as a farming and hunting estate for the Medici family. It became a public park in the early 19th century.

The Piazza Unità d'Italia in the centre of Trieste, which was
Castlenuovo-Tedesco's starting point on his voyage to America

Travel tip:

Mario Castelnuovo-Tedesco left Italy in 1939 on board the SS Saturnia, which set sail from Trieste, a seaport that is the capital city of the Friuli-Venezia-Giulia region. Trieste lies in the northernmost part of the high Adriatic near the border with Slovenia and 30 kilometres north of Croatia. Over the centuries it has been ruled by the Romans, Venetians, French, Austrians, Germans and Yugoslavians. It officially became part of the Italian republic in 1954. Today, Trieste is a lively and cosmopolitan city and a major centre for trade and ship building. In 2012, Lonely Planet called Trieste ‘the world’s most underrated travel destination’. It is a fascinating place to visit because of the Venetian, Slovenian, Austrian and Hungarian influences in the architecture, culture and cuisine.

Also on this day:

1639: The birth of composer Alessandro Stradella

1881: The birth of politician Alcide De Gasperi

1899: The birth of supercentenarian Maria Redaelli

(Picture credits: Parco delle Cascine by Sailko; Piazza Unità by Diego Delso)


Home

Rosanna Schiaffino – actress

Dramatic life of Italian sex goddess

Rosanna Schiaffino became a movie goddess in
the mould of Sophia Loren and Gina Lollobrigida

Film star Rosanna Schiaffino, who for more than 20 years, between the 1950s and the 1970s, starred opposite the most famous actors of the period, was born on this day in 1939 in Genoa in Liguria.

Schiaffino worked for some of Italian cinema’s greatest directors, but in the 1980s turned her back on the cinema world to marry the playboy and steel industry heir, Giorgio Falck, entering a relationship that descended into acrimony after she was diagnosed with breast cancer.

Born into a wealthy family, Schiaffino was encouraged in her acting ambitions by her mother, who paid for her to go to a drama school.  She entered beauty contests and won the title of Miss Liguria when she was just 14.

She also took some modelling jobs and her photograph appeared in many magazines. She was spotted by the film producer Franco Cristaldi, who paired her with Marcello Mastroianni in Un ettaro di cielo (Piece of the Sky) in 1959.

Schiaffino made her name in her second film for Cristaldi, La Sfida (The Challenge), directed by Francesco Rosi, in which she gave a powerful, but sensitive performance as a Neapolitan girl, inspired by the real life character of Pupetta Maresca, a former beauty queen who became a famous Camorra figure after killing the murderer of her husband in revenge.  The film won acclaim at the 1958 Venice film festival.

She  won an award for her performance as Lucrezia in the film La Mandragola (The Mandrake), an adaptation of a play by Niccolò Machiavelli.

Schiaffino and Marcello Mastroianni in a
scene from A Piece of the Sky

Schiaffino was often referred to as ‘the Italian Hedy Lamarr’ but she was more of a sex goddess in the style of Sophia Loren and Gina Lollobrigida.

In 1966 she married the film producer Alfredo Bini, with whom she had a daughter, Antonella. They would divorce in 1976.

After making more than 40 films, working with directors including Pier Paolo Pasolini, Roberto Rossellini and Jean-Luc Godard, Rosanna gave up acting to enjoy a new life mixing with the jet set, her activities often featuring in gossip magazines all over the world.

During the summer of 1980 in Portofino, she met Giorgio Falck, who was newly divorced, and they had a well publicised affair. They had a son, Guido, in 1981 and were married in 1982.

In 1991 she was diagnosed with breast cancer and the marriage then went into decline. They divorced after unpleasant disputes over the custody of their son and the allocation of money.

She died of the illness in 2009, aged 69, in Milan.

The maritime city of Genoa is the capital of Liguria and
the sixth largest city in Italy

Travel tip:

Genoa, where Rosanna Schiaffino was born, is the capital city of the region of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.

The picturesque fishing village of Portofino has become
a draw for artists and celebrities

Travel tip:

The region of Liguria in northwest Italy is also known as the Italian Riviera. It runs along a section of the Mediterranean coastline between France and Tuscany and is dotted with pretty seaside villages, with houses painted in different pastel colours.  The fishing village of Portofino, about an hour’s drive southeast along the coast from Genoa, has become famous for its picturesque harbour and for its associations with artists and celebrities. A novel published in 1922 is credited with making Portofino famous. The Enchanted April by Elizabeth von Arnim was inspired by the author’s stay in Portofino and was made into a film in 1991 with a cast including Joan Plowright, Miranda Richardson and Alfred Molina. The film was nominated for three Oscars.

Also on this day:

1343: Amalfi is destroyed by a tsunami

1881: The birth of Pope John XXIII

1950: The birth of writer and entertainer Giorgio Faletti

1955: The birth of choreographer and dancer Bruno Tonioli



Home

Castruccio Castracani - condottiero

Castruccio Castracani was a career
soldier who ruled Lucca for 12 years

Mercenary soldier who ruled Lucca 

Castruccio Castracani, a condottiero who ruled his home city of Lucca from 1316 to 1328, was born on this day in 1281.

His relatively short life - he died at the age of 47 - was taken up with a series of battles, some fought on behalf of others, but latterly for his own ends in the conflict between the Guelphs and the Ghibellines that dominated medieval Italy as part of the power struggle between the Papacy and the Holy Roman Empire.

Castruccio's story inspired a biography by Niccolò Machiavelli and later a novel by Mary Shelley.

Born Castruccio Castracani degli Antelminelli, he was from a Ghibelline family and therefore a supporter of the Holy Roman Emperor in opposition to the Guelphs. He was exiled from Lucca at an early age with his parents and others by the Guelphs, then in the ascendancy.

Orphaned at 19, he lived initially in Pisa before moving to England, where he lived for some years and displayed a skill in the use of weapons that earned him victory in some tournaments and won the favour of King Edward I.

A scene from the important Battle of Montecatini in 1315,
in which Castruccio masterminded a Ghibelline victory

However, after committing a murder, even though it was for reasons of honour, he was forced to leave England and went to France.

There he served as a condottiero - a kind of mercenary military leader - under Philip of France in Flanders. As commander of the cavalry, he distinguished himself in the clash of Arras and in the defence of Thérouanne in the Flanders War.

After a few years he returned to Italy, where he stayed in Verona and Venice. Later, he fought for the Visconti in Lombardy, and in 1313 under the Ghibelline chief, Uguccione della Faggiuola, Lord of Pisa.

When the German king Henry VII entered Italy to be crowned Holy Roman Emperor, Castruccio supported him alongside Uguccione and in 1314 led the Ghibelline forces back to Lucca, over which Uguccione was given power.

He fought as commander of a part of the Ghibelline army at the Battle of Montecatini in 1315, in which, with the help of the emperor's soldiers, he was the main architect of the victory over the Florentine Guelph League.

A drawing of Castruccio, kept at the
Biblioteca Statale in Lucca

A rivalry developed between the two leaders, however, which at one point saw Castruccio imprisoned by Uguccione, pending execution. However, following a popular uprising in Lucca and Pisa, Uguccione had to flee, Castruccio was freed and in 1316 acclaimed Captain General of the city of Lucca.

In 1320 the emperor Frederick III appointed Castruccio imperial vicar of Lucca, Versilia, and Lunigiana. When the emperor Louis IV entered Italy to be crowned in Rome, Castruccio became one of his most active advisors.

In 1325 he defeated the Florentines at Altopascio, and was appointed by the emperor Duke of Lucca, Pistoia, Volterra and Luni. Two years later he captured Pisa, of which he was also made imperial vicar. He was by now one of the most powerful men in Italy.

Louis appointed him Count of Latran, Duke of Lucca, in 1324 with rights of succession for his heirs, and a senator of Rome.

But, subsequently, his relations with Louis became less friendly and he was afterwards excommunicated by Pope John XXII in the interests of the Guelphs.

The title page from Mary Shelley's
novel, published in 1923

Castruccio died in Lucca on September 3, 1328, stricken with a sudden malarial fever as he prepared to take up arms against Florence. His left his empire disorganized and easy prey for the Florentines, who soon recaptured most of his holdings.

The story of Castruccio is said to have inspired Machiavelli, who published his biography, entitled La vita di Castruccio Castracani da Lucca, in 1520.

Three centuries later, the English writer Mary Shelley published a novel, in 1823, called Valperga: The Life and Adventures of Castruccio, Prince of Lucca, in which the condottiere’s armies threaten the fictional fortress of Valperga, governed by Countess Euthanasia, the woman he loves, who faces a dilemma over whether to choose him or political liberty.

It was taken at the time to be a love story but was later recognised as a sophisticated commentary on the right of autonomously governed communities to political liberty in the face of imperialistic encroachment.

More than four kilometres of walls, upon which work
began in 1513, surround the city of Lucca

Travel tip:

Lucca is situated in western Tuscany, just 30km (19 miles) inland from Viareggio on the coast and barely 20km (12 miles) from Pisa, with its international airport.  It is often overlooked by travellers to the area in favour of Pisa’s Leaning Tower and the art treasures of Florence, 80km (50 miles) to the east, yet has much to recommend within its majestic walls, where visitors can stroll along narrow cobbled streets into a number of beautiful squares, with lots of cafes and restaurants for those content to soak up the ambiance, but also a wealth of churches, museums and galleries for those seeking a fix of history and culture.   The Renaissance walls, still intact, are an attraction in their own right, providing a complete 4.2km (2.6 miles) circuit of the city popular with walkers and cyclists.

The Rocca Ariostesca at Castelnuovo di Garfagnana in
Tuscany, about 50km (31 miles) north of Lucca 

Travel tip:

Today, there remain many historical relics, especially fortifications and castles, that are linked with Castruccio Castracani. These include the Rocca Ariostesca at Castelnuovo di Garfagnana in the Lunigiana area, which Castruccio had substantially enlarged in the early 14th century, the fortress at Serravalle Pistoiese, the fortress of Sarzanello, near Sarzana, the Tower and Arch of Castruccio Castracani at Montopoli in Val d’Arno and the Rocca Arrighina, named after his son Arrigo, in Pietrasanta. The Augusta Fortress he built in Lucca in 1322, which had 29 towers and four access gates, with one side attached to the city walls, was demolished in 1370 on the orders of the Council of Elders. The Palazzo degli Anziani was built in its place.

More reading:

Federico da Montefeltro - the art-loving condottiero

Giovanni dalle Bande Nere, last of the great condottieri

How the Battle of Meloria sparked the decline of Pisa

Also on this day:

1825: The birth of the blessed Francesco Faà di Bruno, advocate for poor

1888: The birth of aviation pioneer Enea Bossi

1939: The birth of actor Terence Hill, star of hit TV show Don Matteo

(Picture credit: Rocca Ariostesca by Sailko; via Wikimedia Commons)


Home

Monica Vitti - actress

Star of Antonioni classics also excelled in comedy roles

Monica Vitti made her name playing
enigmatic characters in Antonioni films

The actress Monica Vitti, who became famous as the star of several films directed by Michelangelo Antonioni during the early 1960s, was born on this day in 1931 in Rome.

Antonioni, with whom she had a romantic relationship that lasted a decade, cast her as his female lead in L'avventura (1960), La notte (1961), and L'eclisse (1962), three enigmatically moody films once described as a "trilogy on modernity and its discontents".

She also starred for him in his first colour film, Il deserto rosso (1964), which continued in a similar vein.  Her performance earned her a second of four Golden Grail awards. Vitti was also honoured with five David di Donatello awards as Best Actress from the Italian Film Academy.

After splitting with Antonioni, Vitti excelled in comedy, working with directors such as Mario Monicelli, Dino Risi, Alberto Sordi and Ettore Scola.

Her performances in movies such as Monicelli’s The Girl With the Pistol (1968) and I Know That You Know That I Know (1982) saw her spoken of as one of the great actors of the Commedia all’Italiana genre alongside Sordi himself, Ugo Tognazzi, Vittorio Gassman and Nino Manfredi.

Monica Vitti made her screen debut in
1954 after honing her skills in the theatre

Although born in Rome - her real name was Maria Luisa Ceciarelli - Vitti spent eight of her childhood years in Messina in Sicily and returned to Rome after her brothers had left to seek their fortune in America.

She acted in amateur productions as a teenager before securing a place at the National Academy of Dramatic Arts in Rome, where she graduated in 1953. She toured Germany with an Italian acting troupe and made her first stage appearance in Rome in a production of Niccolò Machiavelli's La Mandragola.

Her first small film role came 1954 but her performance of note was in Mario Amendola's Le dritte (1958). By then, she had joined Michelangelo Antonioni's company at the Teatro Nuovo di Milano, which is where her association with the director began.

Vitti’s acting brilliance came to the fore in Antonioni’s films, in which her characters were inevitably complex, tormented, mysterious sometimes neurotic young women, who she was able to portray with incredible empathy.

Yet, after Monicelli suggested to her that she could turn her talent to comedy, she quickly proved her versatility with a string of successes.

Monica Vitti now lives in Rome with her
husband, director Roberto Russo

A woman of natural beauty, Vitti was much-photographed and her private life subject to close scrutiny.  Politically left-wing, she was part of the guard of honour at the funeral of the Communist leader Enrico Berlinguer in 1984.

Her last movie was Secret Scandal (1990), which she also wrote and directed, and for a few years thereafter she worked in television. At the Venice Film Festival in 1995 she received the Golden Lion for Lifetime Achievement.

In 2000, Vitti took part in the celebrations for the 80th birthday of Alberto Sordi and was a guest, along with many personalities from the entertainment world, at the Jubilee celebrations at the Basilica of San Pietro in the Vatican in December of the same year.

However, after 2002 she was not seen again in public and rumours began to circulate about her health. After some time her husband, the former director Roberto Russo, confirmed that she was alive and living in Rome but was suffering from Alzheimer’s Disease.

The cathedral at Messina had to be rebuilt twice in the 20th
century because of earthquake and war damage

Travel tip:

Messina is a city in the northeast of Sicily, separated from mainland Italy by the Strait of Messina. It is the third largest city on the island and is home to a large Greek-speaking community. The 12th century cathedral in Messina has a bell tower which houses one of the largest astronomical clocks in the world, built in 1933.  Originally built by the Normans, the cathedral, which still contains the remains of King Conrad, ruler of Germany and Sicily in the 13th century, had to be almost entirely rebuilt following a catastrophic earthquake in 1908, and again in 1943, after a fire triggered by Allied bombings.

The auditorium of the Teatro Nuovo di Milano, where
Monica Vitti appeared in the 1950s

Travel tip:

The Teatro Nuovo theatre in Milan, located on the Piazza San Babila in the lower level of the Palazzo del Toro, was designed by architect Emilio Lancia and was the project of the impresario Remigio Paone. It was inaugurated on in December 1938 with a performance of Eduardo De Filippo's comedy Ditegli sempre di sì. Piazza San Babila is characterized by the presence of a fountain built in 1997 by the architect Luigi Caccia Dominioni in conjunction with the Ente Fiera Milano.

More reading:

Michelangelo Antonioni - the 'last great' of post-War Italian cinema

Why Mario Monicelli is called the 'father of Commedia all'Italiana'

The comic genius of Alberto Sordi

Also on this day:

1560: The birth of painter Annibale Carracci

1801: The birth of opera composer Vincenzo Bellini

1918: Armistice ends First World War in Italy


Home

Lorenzo II de’ Medici – Duke of Urbino

Short rule of the grandson of Lorenzo Il Magnifico

Lorenzo II de' Medici ruled Florence from
1513 to 1519 but died aged only 26

Lorenzo di Piero de’ Medici, Duke of Urbino, was born on this day in 1492 in Florence.  The grandson of Lorenzo the Magnificent, Lorenzo II ruled Florence from 1513 to 1519.

Niccolò Machiavelli addressed his work, The Prince, to Lorenzo II, advising him to accomplish the unification of Italy under Florentine rule by arming the whole nation and expelling its foreign invaders.

When Lorenzo was two years old, his father, who became known as Piero the Unfortunate, was driven out of Florence by Republicans with the help of the French.

The Papal-led Holy League, aided by the Spanish, finally defeated the rebels in 1512 and the Medici family was restored to Florence.

Lorenzo II’s uncle, Giuliano, ruled Florence for a year and then made way for his nephew. Another uncle, Pope Leo X, made Lorenzo the Duke of Urbino after expelling the legitimate ruler of the duchy, Francesco Maria della Rovere.

Niccolo Machiavelli's The
Prince was written for Lorenzo

When Francesco Maria returned to Urbino he was welcomed by his subjects. Lorenzo II regained possession of the duchy only after a protracted war in which he was wounded. In 1519 Lorenzo II died at the age of just 26 and the duchy reverted to the della Rovere family.

He was succeeded as ruler of Florence by his cousin, Giulio de’ Medici.

By Lorenzo II’s marriage with Madeleine de la Tour d’Auvergne, he had one daughter, Caterina de’ Medici, who was born three weeks before he died.

She married Henry, Duc d’Orleans in 1533, who went on to become King Henry II of France, making her the Queen Consort of France.

Lorenzo II’s illegitimate son, Alessandro, became the first Duke of Florence.

Michelangelo designed his sculpture Pensieroso as a monument
 for Lorenzo II's tomb at the Basilica of San Lorenzo

Travel tip:

Lorenzo II was buried in the Medici Chapel in the Basilica of San Lorenzo in Florence. His tomb is adorned by Michelangelo’s sculpture, Pensieroso, which was meant to represent him. The Basilica is in the centre of the market district and is one of the biggest churches in the city. Designed by Brunelleschi and Michelangelo, it replaced an older structure dating back to the fourth century.

The Renaissance Ducal Palace at Urbino is listed as a
Unesco World Heritage site

Travel tip:

Urbino, which Lorenzo II ruled over briefly, is inland from the Adriatic resort of Pesaro, in the Marche region. A majestic city on a steep hill, it was once a centre of learning and culture, known not just in Italy but also, in its glory days, throughout Europe. The Ducal Palace, a Renaissance building made famous by Castiglione’s The Book of the Courtier, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

More reading:

Giovanni dalle Bande Nere - 16th century condottiero who served Pope Leo X

How Piero the Unfortunate acquired his name

Niccolò Machiavelli - the man whose name became part of the language of power

Also on this day:

1937: The birth of tragic actress Daniela Rocca

1943: The Nazis free Mussolini in daring mountain raid



Home

Federico II Gonzaga – Duke of Mantua

Ruler received a valuable education at the papal court

Federico Gonzaga, aged about 10, painted
by Francesco Francia

Federico Gonzaga, who became the ruler of Mantua and Montferrat, was born on this day in 1500 in Mantua.

He spent his childhood living as a political hostage, first at the court of Pope Julius II in Rome and then at the court of Francis I of France.

It wasn’t perhaps an ideal start in life, but historians believe the political, social and cultural education he received in the company of popes, cardinals, and kings helped shape him as a future ruler.

Federico was the son of Francesco II Gonzaga and Isabella d’Este. His godfather was Cesare Borgia, Machiavelli’s model for the ideal Renaissance Prince.

His father, Francesco, was captured by the Venetians during battle and held hostage for several months. While he was absent, his wife, Isabella, ruled Mantua.

Francesco managed to secure his own release only by agreeing to send his son, Federico, to be a hostage at the papal court.

After the death of Pope Julius II in 1513, Federico was sent to the court of the new King of France, Francis I, where he became a favourite, as he had interests in common with the King.

Titian's 1525 portrait of Federico as an adult
can be seen at the Prado museum in Madrid

After the death of his father in 1519, Federico returned to rule Mantua and established Isabella Boschetti as his mistress there.

He was later created Duke of Mantua by the Emperor Charles V and did not intervene when the Imperial Troops passed through his territory in 1527 on their way to lay siege to Rome.

He married Margaret of Montferrat in 1531 and when the last male heir to Montferrat died, Federico became Marquess of Montferrat, a title his descendants held until the 18th century.

He commissioned Palazzo Te to be built as a summer palace just outside Mantua.

Federico had long suffered from syphilis and died of the disease in 1540.

His son, Francesco, briefly held the title of Duke of Mantua before dying while still a teenager. His second son, Guglielmo, became Duke of Mantua and Marquess of Montferrat and carried on the line.

The Palazzo Ducale was the seat of the Gonzaga family

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico III Gonzaga and his family, who ruled Mantua for 34 years in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The Palazzo Te was designed for Federico as a summer
residence just outside the walls of Mantua

Travel tip:

Palazzo Te, designed for Federico as a summer residence, is a fine example of the Mannerist school of architecture and is the masterpiece of the architect Giulio Romano. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

Also on this day:

1510: The death of Renaissance artist Sandro Botticelli

1963: The birth of motorcycle world champion Luca Cadalora

Home

Battle of Agnadello

The day Venice lost most of its territory

The French painter Pierre-Jules Jollivet's
depiction of the Battle of Agnadello

Venetian forces were defeated by troops fighting on behalf of France, Spain and the Pope on this day in 1509 at Agnadello in Lombardy.

As a result, the Republic of Venice was forced to withdraw from much of its territory on the mainland of Italy. The writer Niccolò Machiavelli later wrote in his book, The Prince, that in one day the Venetians had ‘lost what it had taken them 800 years of exertion to conquer.’

Louis XII of France, the Emperor Maximilian, Ferdinand II of Aragon and Pope Julius II had formed the League of Cambrai with the aim of dismantling the mainland empire of Venice as they all had their own claims to areas held by the Venetians.

The French army left Milan on April 15 and invaded Venetian territory. Venice had organised a mercenary army near Bergamo commanded by the Orsini cousins, Bartolomeo d’Alviano and Niccolò di Pitigliano, who had been ordered to avoid direct confrontation with the advancing French but just to engage them in light skirmishes.

By May 9 Louis had crossed the Adda river at Cassano d’Adda and the Orsini cousins decided to move south towards the River Po in search of better positions.

On May 14, as the Venetian army was making its move, the section commanded by Alviano was attacked by a French detachment commanded by Charles II d’Amboise, who had massed his troops around the village of Agnadello.

Bartlomeo d'Alviano's troops suffered
a heavy defeat, losing 4,000 men

Pitigliano was several miles ahead when the French began their attack and, in reply to Alviano’s request for help, sent a note suggesting that a pitched battle should be avoided and continued his move south.

Louis reached Agnadello with the rest of the French army who surrounded Alviano on three sides and proceeded to attack his troops. Alviano was wounded and captured and more than 4,000 of his men were killed.

When news of the battle reached the rest of the Venetian army, many soldiers deserted. Pitigliano retreated to Treviso and Louis then occupied the rest of Lombardy.

Venice rapidly withdrew from Bergamo, Brescia, Crema and Cremona, all of which were taken by the French. Their possessions in the Romagna were taken over by the Pope and Verona, Vicenza and Padua were allowed to surrender to representatives of the Emperor Maximilian.

The Santuario of Santa Maria delle Grazie
is a 17th century church in Crema

Travel tip:

Agnadello, where the battle took place, is a village in the province of Cremona in Lombardy. It is close to the historic town of Crema, where there are many beautiful old buildings and churches to see. In Via delle Grazie is the 17th century church of Santa Maria delle Grazie, which was built to house an ancient painting of the Madonna and a short distance away in Via XX Settembre is the beautiful baroque church of Santa Trinita. The Duomo was completed in 1341 on the site of an earlier church and although changes were made over the years, it has been restored back to its original Gothic design and still contains some 14th century frescoes.

The Borromeo Castle at Cassano d'Adda

Travel tip:

Cassano d’Adda, where Louis XII crossed into Venetian territory before the battle, lies between Milan and Bergamo. Due to its strategic position at a crossing of the River Adda it has been the site of many historic battles over the centuries. The most important sight in the town is the Borromeo Castle which was built in about 1000 AD but was expanded and redesigned in the 15th century by Bartolomeo Gadio, who also worked on Milan’s Cathedral and Sforza Castle.

Also on this day:

1916: The birth of architect and designer Marco Zanuso

1934: The birth of '60s football star Aurelio Milani

Home

The death of Hadrian

Legacy of emperor famous for wall across Britain

A bust of Hadrian from the Farnese
Collection in Naples

The Roman emperor Hadrian, famous for ordering the construction of a wall to keep barbarians from entering Roman Britain, died on this day in 138 AD.

Aged about 62, he is thought to have been suffering from heart failure and passed away at his villa at Baiae – now Baia – on the northern shore of the Bay of Naples.

Hadrian was regarded as the third of the five so-called "Good Emperors", a term coined by the political philosopher Niccolò Machiavelli, who noted that while most emperors to succeed to the throne by birth were “bad” in his view, there was a run of five - Nerva, Trajan, Hadrian, Antoninus Pius and Marcus Aurelius – who all succeeded by adoption, who enjoyed the reputation as benevolent dictators. They governed by earning the good will of their subjects.

It is accepted that Hadrian came from a family with its roots in Hispania. His birthplace is thought to have been the city of Italica Hispania – on the site of what is now Seville.

His predecessor, Trajan, a maternal cousin of Hadrian's father, did not designate an heir officially and it is thought that his wife, Plotina, signed the papers of succession, claiming that Trajan had named Hadrian emperor immediately before his death.

Hadrian’s rule was just and largely peaceful. Immediately on his succession he withdrew from Trajan's conquests in Mesopotamia, Assyria and Armenia. Paradoxically, he spent a lot of time with his soldiers, usually dressed in military attire and ordered rigorous military training.

Although much of Hadrian's Wall has been dismantled
over the years, some sections remain.

During his reign, Hadrian travelled to almost every corner of the empire but was a particular admirer of Greece. He wanted Athens to be the cultural capital of the empire and constructed many opulent temples in the city.

In 138, shortly before his death, Hadrian adopted Antoninus Pius and named him as his heir on the condition that he in turn adopt Marcus Aurelius and Lucius Verus as his own heirs.

Hadrian’s building projects are perhaps his most enduring legacy. He established cities throughout the Balkan Peninsula, Egypt, Asia Minor, and Greece.  The city of Antinopolis in Egypt was founded in memory of Hadrian’s gay lover, a young Greek man called Antinous, who drowned in the River Nile.

In Rome he rebuilt the Pantheon, which had been destroyed in a fire, and Trajan’s Forum as well as funding the construction of other buildings, baths, and villas. He commissioned the construction of Hadrian’s Wall in 122 AD following a major rebellion against Roman occupation that lasted two years.

The ruins of the imperial complex at Baia, where Hadrian
was probably living at the time of his death

The wall was originally three metres (10 feet) wide and 6m (20 ft) high, stretching 120km (73 miles) from east to west, from Wallsend in Newcastle to Bowness-on-Solway, just west of Carlisle. Linking 14 forts, it formed a barrier between the northern limits of Britannia and the barbarian lands of Scotland. The Roman legions stationed in Britain took six years to build it and it became the most famous Roman defensive fortification in the world.

Hadrian’s foreign policy was “peace through strength” and the wall, alongside which was a ditch 6m wide and 3m deep, symbolised the might of the Roman Empire.

After his death, Hadrian was buried first at Puteoli, near Baiae, on an estate that had once belonged to Cicero. Not long afterwards, his remains were transferred to Rome and buried in the Gardens of Domitia. On completion of the Tomb of Hadrian by his successor Antoninus Pius, his body was cremated, and his ashes were placed there together with those of his wife Vibia Sabina and his first adopted son, Lucius Aelius, who also died in 138.

A submerged Roman statue at Baia 

Travel tip:

For many years, Baiae – now Baia – was something of a party capital for the rich and powerful Roman elite. It was famous for its healing medicinal hot springs and the emperors Nero, Cicero, and Caesar had holiday villas there.  Sacked by the Saracens in the eighth century it fell into disrepair and the abandoned remains were gradually submerged as water rose through the volcanic vents that were the source of its springs. Today, those ancient remains can be visited in one of the world’s few underwater archeological parks. Visitors can view the crumbled structures and statuary of the city through glass-bottomed boats and scuba divers can actually swim among the ruins.

Castel Sant'Angelo - the Mausoleaum of Hadrian - viewed
from the Ponte Sant'Angelo at night

Travel tip:

The Mausoleum of Hadrian is better known as Castel Sant'Angelo, the towering cylindrical building in Parco Adriano, on the banks of the Tiber. Commissioned by the Hadrian as a mausoleum for himself and his family, the building was later used by the popes as a fortress and castle, and is now a museum. It was once the tallest building in Rome.  Hadrian also built the Pons Aelius – now Ponte Sant’Angelo – which provides a scenic approach to the mausoleum from the centre of Rome across the Tiber. Baroque statues of angels were later added, lining each side of the bridge.

Home