16 July

Andrea del Sarto – painter

The brief career of an artist ‘senza errori’

Renaissance artist Andrea del Sarto was born Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore on July 16, 1486 in Florence.  He had a brilliant career but died at the age of 43 during an outbreak of plague and afterwards his achievements were eclipsed by the talents of Da Vinci, Michelangelo and Raphael.  Andrea’s father, Agnolo, was a tailor and therefore the child became known as del Sarto, meaning son of the tailor.  As a young boy del Sarto was apprenticed to a goldsmith and then a woodcarver before being sent to learn to be an artist.  He decided to open a joint studio with an older friend, Franciabigio, and from 1509 onwards they were employed to paint a series of frescoes at Basilica della Santissima Annunziata in Florence. Del Sarto also painted a Procession of the Magi, in which he included a self-portrait, and a Nativity of the Virgin for the entrance to the church.  Read more...

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The first Coppa Italia football tournament

Tiny club from Liguria emerged the winners

The first final of the Coppa Italia, which was to become Italian football’s equivalent of England’s celebrated FA Cup knock-out competition, took place on July 16, 1922.  It was won by Vado Foot-Ball Club, from Vado Ligure, a commercial and industrial port in the province of Savona in Liguria.  Vado, who defeated Udinese in the final to lift the trophy, have not won any major honours in 101 years since their famous triumph and currently play in Serie D, the fourth tier in the Italian football pyramid.  The circumstances of their victory would look quite bizarre in the context of modern-day football.  The competition itself existed only because of a major schism in the Italian championship that had taken place the year before, when 24 of the country’s major clubs broke away from the Italian Football Federation (FIGC) to form their own championship after a demand for a reduction in the number of teams in the Prima Categoria - the forerunner of Serie A - was rejected.  Read more…

Vincenzo Gemito - sculptor

Neapolitan who preserved figures from local street life

Vincenzo Gemito, one of the sculptors responsible for eight statues of former kings that adorn the western façade of the Royal Palace in Naples, was born on July 16, 1852.  The statues are in niches along the side of the palace that fronts on to the Piazza del Plebiscito, displayed in chronological order beginning with Roger the Norman, also known as Roger II of Sicily, who ruled in the 12th century, and ends with Vittorio Emanuele II, who was on the throne when his kingdom became part of the united Italy in 1861.  Gemito sculpted the fifth statue in the sequence, that of Charles V, who was the Holy Roman Emperor from 1519 to 1556 and, by virtue of being king of Spain from 1516 to 1556, also the king of Naples. Gemito was known for the outstanding realism in his work, as can be seen in his sculpture Il giocatore di carte – The Card Player - which he created when he was only 16.  Read more…

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St Clare of Assisi

Birth of the founder of the Poor Clares

St Clare was born on July 16, 1194 in Assisi as Chiara Offreduccio, the beautiful daughter of a Count.  As a young girl Clare was extremely devout and at the age of 18 she was inspired by hearing Francis of Assisi preach and went to see him to ask for help to live her life according to the Gospel.  In 1212, Clare left her father’s home and went to the chapel of Porziuncola to meet Francis. Her hair was cut off and she was given a plain robe and veil in exchange for her rich gown.  Clare joined a convent of Benedictine nuns and when her father tracked her down refused to leave it to return home.  Francis sent her to another monastery, where she was later joined by her sister. Over the years other women came to be with them who also wanted to serve Jesus and live with no money. They became known as the Poor Ladies of San Damiano because of the austere lifestyle they lived.  Read more…

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Book of the Day: Earthly Delights: A History of the Renaissance, by Jonathan Jones

What was the 'Renaissance'? In the 19th century this flowering of creativity and thought was celebrated as the birth of the modern world. Today many historians are sceptical about its very existence. Earthly Delights rekindles the Renaissance as a seismic change in European mentalities, in a panoramic history that encompasses Florence and Bruges, London and Nuremberg. Artists from northern as well as southern Europe, including Leonardo, Bosch, Bruegel and Titian, star in a captivating and beautifully illustrated narrative. Earthly Delights tells the story of Renaissance artists as pioneers, adventurers and ‘geniuses’, a Renaissance concept. Albrecht Dürer gazes with wonder on Aztec art in Brussels in 1520, Leonardo da Vinci tries to perfect a flying machine, Hieronymus Bosch finds inspiration in West African ivory carvings imported by the Portuguese to Antwerp. A then unknown Netherlandish painter, Pieter Bruegel, arrives in 1550s Rome just as Michelangelo is striving in the same city to raise the new St Peter’s Basilica towards heaven. This was an age when people dared to experiment: to think and create new worlds.

Jonathan Jones is a British art critic who has written for The Guardian since 1999. He has appeared in the BBC television series Private Life of a Masterpiece and in 2009 was a judge for the Turner Prize.

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