Pietro Nardini – violinist

Brilliant musician inspired the young Mozart

Violinist Pietro Nardini was praised for
the beauty and emotion of his playing

Pietro Nardini, who was one of the most celebrated violinists of the 18th century and was also a talented composer of violin music, died on this day in 1793 in Florence.

Nardini’s playing was praised by his contemporaries for its beauty and emotional power and his violin and flute compositions are still valued for their melodious qualities and technical skill.

He was a friend of Johann Georg Leopold Mozart, the father and teacher of the composer Wolfgang Amadeus Mozart. When the young composer first visited Italy with his father, he performed alongside Nardini in Tuscany.

Pietro Nardini was born in Livorno in 1722. At the age of 12 he became a pupil of the violinist and composer Giuseppe Tartini. 

By the time he was 14, he was already playing the violin at festivals in Lucca, but he continued working with Tartini until 1740, when he became head instrumentalist in Lucca.

In 1762, Nardini moved to Stuttgart, where he joined the court of Charles Eugene, Duke of Wurtemberg as a violinist. He was later appointed orchestra conductor, succeeding Niccolo Jomelli in the post.

After moving back to Italy to support the ailing Tartini, Nardini was appointed as maestro di cappella in Florence and he remained at the court of Leopold II Grand Duke of Tuscany for the rest of his life, although he also sometimes performed in Pisa, Rome and Naples.

Nardini also had many successful pupils, including Thomas Linley Junior, who was a highly talented violinist and is sometimes referred to as ’the English Mozart.’

The young Mozart performed with Nardini
at the Villa Medicea di Poggio Imperiale

When the teenage Mozart visited Tuscany with his father in 1770, he performed alongside Nardini at the Grand Duke Leopold’s summer palace, the Villa Medicea di Poggio Imperiale.

The Mozart family had first met Nardini in Augsburg in 1763. Pietro Nardini was intrigued to meet the young Mozart again, because his student,  Thomas Linley, was almost exactly the same age. 

The next days the boys met for the first time at the home of the Medici court’s official poetess, who was known as Corilla Olimpica, and was herself a pupil of Nardini on the violin and often held musical evenings.

In 1768, Thomas Linley, at the age of 12, had been sent to Florence to study with Nardini. The Tommasino, as he was known, and the little Mozart, were both talked of in Italy as the most promising musicians of the age. 

That evening in Tuscany, they performed one after another,  constantly embracing each other between pieces of music

The boys spent the next day together as well and the following evening performed together at the home of the court finance minister. The Mozart family party were to leave Tuscany the next day and plans were discussed for a reunion, but sadly, Linley and Mozart were never to see each other again. 

The Mozart family were unable to go back to Florence, and Linley, who also became a promising composer, returned to England. He died eight years later at the age of 22 in a boating accident in Lincolnshire.

Manuscripts of Nardini’s compositions are preserved in many Italian cities and abroad. Much of his work has been recorded in the 20th and 21st centuries and is available on disc. 

Probably the best known among Nardini’s highly regarded compositions are his Sonata in D Major and Concerto in E Minor.

The canal district in the Quartiere Venezia is
one of Livorno's attractions
(Image by danielmanastireanu from Pixabay)

Travel tip:

Livorno, where Pietro Nardini was born, is a lively Tuscan port city dating back to the Renaissance, which features Medici fortresses and canal districts among its attractions. Planned by the Medici as an ideal Renaissance port, its cosmopolitan past as a free port created a tolerant, multicultural atmosphere that remains part of its identity.  The city’s most elegant promenade is the Terrazza Mascagni, a sweeping checkerboard terrace overlooking the Ligurian Sea.  The Livorno Aquarium sits at one end, while historic bathing establishments line the shore.  At the heart of the older part of the town lies Quartiere Venezia, a 17th‑century canal district of bridges, warehouses, and pastel façades. Nearby stands the city’s emblem, the Monumento dei Quattro Mori, a dramatic 1620s sculpture of four chained bronze figures supporting the statue of Grand Duke Ferdinando I.  Livorno has two major fortresses. The Fortezza Vecchia, guarding the Medici port, preserves medieval towers and later Renaissance additions.  Inland, the Fortezza Nuova rises above a green moat and park, offering peaceful walks amid red‑brick ramparts.  For a taste of daily life, the Mercato Centrale is one of Italy’s largest indoor markets, with stalls selling fish, bread and pastries, and many local specialties. 

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The Villa Medicea di Poggio Imperiale, where Mozart
and Nardini performed, now houses a girls' school
(Picture by Sailko via Wikimedia Commons)

Travel tip:

The Villa Medicea di Poggio Imperiale, where Pietro Nardini performed with the young Mozart, is a grand, predominantly neoclassical Medici residence in Arcetri, in the hills just south of Florence.  The villa was originally the Baroncelli family’s country house and passed to the Pandolfini and Salviati families before being seized in 1565 by Cosimo I de’ Medici, who gave it to his daughter Isabella de’ Medici. Isabella transformed it into a refined retreat, hosting an intellectual court and enriching the interiors with art. In 1622, it was bought by Grand Duchess Maria Maddalena of Austria, who commissioned architect Giulio Parigi to double its size, create the monumental façade, and link the villa to Florence via a long, tree‑lined avenue. It was she who gave it the name Poggio Imperiale, reflecting her imperial Habsburg lineage. After further expansions followed under Vittoria Della Rovere, in the 18th century, Grand Duke Leopold II adopted the villa as a principal residence.  The villa’s present neoclassical appearance is largely down to Maria Luisa of Spain, Elisa Baciocchi (Napoleon’s sister), and Ferdinando III, who refined the façade and interiors into the elegant, symmetrical form seen today.  Today the building houses a prestigious girls’ boarding school, but guided tours can be booked.

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More reading:

Giuseppe Tartini, 18th century composer who changed technique of violin playing

Why Italian composer Antonio Salieri was dogged by Mozart murder rumours 

Opera composer Pietro Mascagni, another of Livorno’s famous musical sons

Also on this day: 

1917: The birth of cardinal and composer Domenico Bartolucci

1922: The birth of actor and TV host Raimondo Vianello

1976: The birth of rugby star Andrea Lo Cicero

1983: The birth of Olympic champion archer Marco Galiazzo

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Bianca Cappello – noblewoman

Tragic end for the mistress who earned promotion to Grand Duchess 

Bianca Cappello became the
mistress of Francesco I

Bianca Cappello, the mistress of Francesco I Grand Duke of Tuscany, who became his Grand Duchess after he married her in the face of widespread criticism, died on this day in 1587 in Poggio a Caiano.

Grand Duchess Bianca died just one day after her husband, and historians are still divided between the theories that either they were both poisoned, or that they each died of malarial fever.

Bianca had been born in Venice in 1548, the only daughter of a Venetian nobleman, and as she grew up, she was acknowledged to be a great beauty.

At the age of 15, Bianca fell in love with a young Florentine clerk and she eloped with him to Florence, where they were married. She gave birth to a daughter one year later.

The Venetian government tried to have Bianca arrested and brought back to Venice, but Cosimo I, the Grand Duke of Tuscany, intervened on her behalf and she was allowed to stay in Florence. However, she found that she did not get on well with her husband’s family, who, because they had little money, made Bianca do menial work. 

Because of her beauty, Bianca attracted the attention of the Grand Prince Francesco, the son and heir apparent of Tuscany’s Grand Duke Cosimo I.

Even though Francesco was married to Joanna of Austria, he seduced Bianca, and as a reward, he gave her money and jewellery as presents. Bianca’s own husband was given employment at the Medici court for a while, until he was murdered in a street in Florence in 1572.

After Francesco became Grand Duke on the death of his father in 1574, he installed Bianca in her own palace, which is now known as Palazzo Bianca Cappello, and he flaunted his mistress in front of his wife.

Francesco I de' Medici succeeded
Cosimo I as Grand Duke of Tuscany

Francesco had no legitimate son to inherit the Duchy from him and he thought that a child by Bianca could be a potential heir for him, even though it would be illegitimate.

But after Bianca gave birth to his son, Antonio, in 1576, Francesco refused to acknowledge him, because he was still hoping to have a legitimate heir with his wife, Joanna.

Joanna succeeded in producing a son, Grand Prince Philip de’ Medici, in 1577, crushing Bianca’s hopes of becoming anything more than a mistress who was favoured by Francesco.

However, after Joanna’s death in 1578, Francesco secretly married Bianca, only a few months later.

The marriage was announced publicly in 1579 and Bianca’s son, Antonio, was finally acknowledged as the Duke’s son. Two days later, Bianca was crowned Grand Duchess of Tuscany at Palazzo Vecchio in Florence.

The Venetian government sent a representative to the magnificent, official wedding festivities that were held, because they realised that Bianca Cappello could be useful to them as an instrument for cementing good relations with Tuscany.

But Bianca’s position was still insecure because her son, Antonio, was illegitimate, and he was therefore barred from inheriting the Duchy. She was also aware that if her husband died before she did, she would be lost, because his family all disliked her and regarded her as an interloper.

Bianca and Francesco's son,
Antonio, was born in 1576

Then, in 1582, Francesco’s heir, Grand Prince Philip, died, and so Francesco had Antonio legitimised, and declared him to be the heir apparent to the Duchy, making Bianca’s position stronger. In the event, Antonio never succeeded his father, whose title was instead taken by his brother, Ferdinando.

But on 19 October that year, at the Villa Medicea in Poggio a Caiano, Francesco died. The following day, Bianca also died. Both deaths were believed to be either the result of poisoning, or of malarial fever.

Francesco’s brother did not allow Bianca to be buried in the Medici family tomb, and it is thought that she may have been buried in an unmarked, mass grave under the church of San Lorenzo in Florence.

Bianca’s sad story was used as the basis for a tragic drama, Women Beware Women, written  by Thomas Middleton, which was staged for the first time in 1621. She has also been used as a main character in three different novels. 

The historic figure of Bianca Cappello was also a main protagonist in The Venetian, a play written by Clifford Vax, which opened in London’s West End in 1931, before moving on to be staged in venues in America. 

The Palazzo Bianca Cappello can be
found in Via Maggio in Florence

Travel tip:

The Palazzo Bianca Cappello in Florence's Via Maggio was renovated by Bernardo Buontalenti between 1570 and 1574 at the direction of Grand Duke Francesco I in order to install his lover, Bianca Cappello, in a location close to the Grand Ducal residence of Palazzo Pitti, which was less than 200m (220 yards) away. After Bianca had become Grand Duchess and moved permanently to the Palazzo Pitti, she ceded the palace to the Hospital of Santa Maria Nuova.  The palace was linked to the Palazzo Pitti by an underground corridor so that Bianca and Francesco could meet secretly during the time they were lovers. Thanks to this corridor, numerous artworks in the Vasari corridor, the elevated enclosed passageway connecting the Palazzo Vecchio with the Palazzo Pitti, were kept out of the hands of German occupiers in World War Two. Notable for a facade decorated using the sgraffito technique, with images scratched into layers of different coloured plaster, the palace today houses an hotel.

The Ponte Leopoldo was one of the earliest 
suspension bridges to be built in Italy

Travel tip:

A settlement since Roman times, Poggio a Caiano is a town of almost 10,000 residents on the banks of the river Ombrone in the Montalbano area northwest of Florence. First the Strozzi and then the Medici families populated the area, an important point of reference for trade and communication. The town is home to the magnificent Villa Medicea, the mansion commissioned by Lorenzo the Magnificent. Built between the 15th and 16th centuries by the architect Giuliano da Sangallo, the Villa Medicea is considered a masterpiece and is a UNESCO World Heritage Site. The villa was the scene of the sudden and mysterious death of Francesco I de' Medici and his second wife Bianca Cappello. Between Poggio and neighbouring Poggetto, the Torrente Ombrone river is crossed by the Ponte Leopoldo, built in 1833 and one of Italy's first suspension bridges.

Also on this day:

1438: The death of sculptor Jacopo della Quercia

1950: The birth of television presenter Mara Venier

1951: The birth of football manager Claudio Ranieri

1962: The birth of jazz musician Dado Moroni

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