Alfonso II - King of Naples

Ruler forced to abdicate after one year

Alfonso II became King on the 
death of his father in 1494

Alfonso II, who became King of Naples in 1494 but was forced to abdicate after just one year, was born on this day in 1448 in Naples.

Also known as Alfonso II of Aragon, as heir to Ferdinand I he had the title Duke of Calabia from the age of 10. Blessed with a natural flair for leadership and military strategy, he spent much of his life as a condottiero, leading the army of Naples in a number of conflicts.

He contributed to the Renaissance culture of his father’s court, building the splendid palaces of La Duchesca and Poggio Reale, although neither survived to be appreciated today.

Alfonso II also introduced improvements to the urban infrastructure of Naples, building new churches, tree-lined straight roads, and a sophisticated hydraulic system to supply the city’s fountains. 

He became King of Naples with the death of his father in January 1494 but stepped down in favour of his son, Ferdinand II, in January the following year as the powerful army of Charles VIII of France, who had launched an invasion of the Italian peninsula in September, 1494, prepared to take the city.

Alfonso fled to Sicily, seeking refuge in a monastery at Mazara del Vallo on the southwestern coast, about 25km (15 miles) from Marsala in the province of Trapani.  He died there in December 1495 at the age of 47.

The eldest son of Isabella de Clermont, the first wife of King Ferdinand I, Alfonso II inherited the title of King of Jerusalem on his mother’s death. After being given a humanist education from tutors in his father’s court, he became a career soldier.

A drawing depicting the scene of Alfonso's
abdication in favour of his son, Ferdinand II

His battlefield skills were praised when in 1467, still only 19 years old, he helped the Florentines against Venice. 

Other notable campaigns included the war waged by the Kingdom of Naples and Pope Sixtus IV against Florence following the attempt by the Pazzi family to assassinate Lorenzo de’ Medici in 1478, the reversal of the Ottoman invasion of Otranto in 1481, and a major intervention against Venice in the War of Ferrara, also known as the Salt War, between 1482 and 1484.

Closer to home, he advised his father to impose severe repressive measures to crush the so-called Conspiracy of the Barons in 1485, which made him many enemies. 

By the time Alfonso ascended to the throne in Naples with the death of his father, the Kingdom’s coffers were exhausted and the chances of repelling the armies of Charles VIII were much reduced.  The French king had been encouraged to attack Naples by Alfonso’s brother-in-law, Ludovico Sforza, who saw a chance to reassert his power in Milan. 

Pope Alexander VI tried to persuade Charles VIII to use his resources against the Turks instead but without success. By early 1495, Charles was approaching Naples, having defeated Florence and the Neapolitan fleet under Alfonso's brother, Frederick, at Porto Venere, at which point Alfonso took flight, handing power to his son, Ferdinand II, who offered no resistance as Charles VIII seized the crown on behalf of his father, Louis XI, who had inherited the Angevin claim to Naples.

A bust at the Victoria and Albert Museum in
London, said to be of Ippolita Maria Sforza

Notorious for a somewhat debauched lifestyle and innumerable lovers, Alfonso II had three legitimate children by his one marriage, to Ippolita Maria Sforza, and two out of wedlock by Trogia Gazzella, a noblewoman.

Of Alfonso’s two major villas in Naples - La Duchesca and Poggio Reale - the latter, a complex said to have been designed by the architect Giuliano da Maiano, was said to be so beautiful that Charles VIII described it as an “earthly paradise”. 

Located in a district now known as Poggioreale, the Poggio Reale complex fell into disrepair after Charles had left, taking many of its treasures back to France. In the 17th century, an attempt was made to restore it under King Philip III of Spain but a resurgence of bubonic plague put paid to that, and part of the grounds became a burial place for lepers. Ultimately, a cemetery was built on top of the ruins.

After his death in Sicily, Alfonso’s remains were buried at the Duomo di Messina, the Cathedral Basilica of Santa Maria Assunta.

The Norman church of San Nicolò Regale in
Mazaro del Vallo, built in 1124

Travel tip:

Mazara del Vallo, where Alfonso II sheltered after fleeing Naples, is a port and resort at the mouth of the Mazara river on the southwest coast of Sicily, 25km (15 miles) from Marsala and just over 130km (80 miles) from the island’s capital, Palermo. Founded by the Phoenicians in the ninth century BC, it has passed under the control of the Greeks, Carthaginians, Romans, Vandals, Ostrogoths, Byzantines, Arabs, Normans, Angevins, Catalans, Savoys, Habsburgs and Bourbons before being conquered by Giuseppe Garibaldi in 1860 and joining the newly-formed Kingdom of Italy. Attractions include the remains of a Norman Castle built in 1073 and demolished in 1880, the church of San Nicolò Regale, which is a rare example of Norman architecture, built in 1124, and the simple church of San Vito a Mare, built in 1776 on the site of old Norman remains on the edge of the water. Arab influences can be enjoyed in the historic Kasbah Mazara del Vallo district, while the Museo del Satiro Danzante houses a bronze statue of a dancing satyr believed to have been sculpted by Greek artist Praxiteles, which was found at a depth of 500m (1,600 ft) in the Strait of Sicily by a fishing boat in 1998. 

The triumphal arch that forms the gate of the Castel
Nuovo in Naples, home of the Aragonese court

Travel tip:

The Aragonese court in Naples was based at Castel Nuovo, often known as the Maschio Angioino, the imposing castle that stands on the water’s edge in Naples, overlooking the Piazza Municipio. Alfonso of Aragon, who had conquered the throne of Naples in 1443, had the fortress completely rebuilt in its present form, entrusting the renovation of the old Angevin palace-fortress to an Aragonese architect, Guillem Sagrera. The five round towers, four of which were part of the square Angevin structure, reaffirmed the defensive role of the castle, while the castle’s status as a centre of royal power was underlined by the construction at the entrance, between the two western towers, of a triumphal arch, a masterpiece of Neapolitan Renaissance architecture which was the work of Francesco Laurana and others. It was built in 1470 and commemorates Alfonso of Aragon's entry into Naples in 1443.

Also on this day:

1333 and 1966: Devastating floods in Florence

1575: The birth of Bolognese painter Guido Reni

1737: The inauguration of Teatro di San Carlo

1964: The birth of crime writer Sandrone Dazieri

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3 November

Monica Vitti - actress

Star of Antonioni classics also excelled in comedy roles

The actress Monica Vitti, who became famous as the star of several films directed by Michelangelo Antonioni during the early 1960s, was born on this day in 1931 in Rome.  Antonioni, with whom she had a romantic relationship that lasted a decade, cast her as his female lead in L'avventura (1960), La notte (1961), and L'eclisse (1962), three enigmatically moody films once described as a "trilogy on modernity and its discontents".  She also starred for him in his first colour film, Il deserto rosso (1964), which continued in a similar vein.  Her performance earned her a second of four Golden Grail awards. Vitti was also honoured with five David di Donatello awards as Best Actress from the Italian Film Academy.  After splitting with Antonioni, Vitti excelled in comedy, working with directors such as Mario Monicelli, Dino Risi, Alberto Sordi and Ettore Scola.  Her performances in movies such as Monicelli’s The Girl With the Pistol (1968) and I Know That You Know That I Know (1982) saw her spoken of as one of the great actors of the commedia all’italiana genre alongside Sordi himself, Ugo Tognazzi, Vittorio Gassman and Nino Manfredi.  Read more…

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Vincenzo Bellini - opera composer

Short but successful career of Sicilian musical genius

The talented composer of the celebrated opera, Norma, was born Vincenzo Salvatore Carmelo Francesco Bellini on this day in 1801 in Catania in Sicily. Bellini became known for his long, flowing, melodic lines, which earned him the nickname, ‘The Swan of Catania’. He enjoyed great success during the bel canto era of Italian opera in the early part of the 19th century and many of his operas are still regularly performed today.  Born into a musical family, Bellini showed early talent. It was claimed he could sing an aria at 18 months and could play the piano by the age of five. Although some writers have said these are exaggerations, Bellini is known to have already begun composing music by his teens.  He was given financial support by the city of Catania to study music at a college in Naples and while he was there he was profoundly influenced by meeting the composer Gaetano Donizetti, having heard his opera, La zingara, performed at Teatro di San Carlo.  Bellini then wrote his first opera, Adelson e Salvini, which his fellow students performed to great acclaim.  In 1825, Bellini began work on what was to be his first professionally-produced opera, Bianca e Fernando. Read more…

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Annibale Carracci - painter

Bolognese master produced his most influential work in Rome

The Baroque painter Annibale Carracci was born on this day in 1560 in Bologna.  Annibale and his followers were to become highly influential in the development of Roman painting, bringing back the classical tradition of the High Renaissance.  He was probably apprenticed as a painter with members of his own family in Bologna. But his talents began to develop during a tour of northern Italy in the 1580s. He lodged in Venice with the painter Jacopo Bassano, whose style of painting influenced him for a time.  Annibale has been credited with rediscovering the early 16th century painter Correggio, who had almost been forgotten outside Parma. Annibale’s Baptism of Christ, painted in 1585 for the Church of San Gregorio in Bologna, is a brilliant tribute to him.  In 1582 Annibale opened a studio in Bologna with his brother, Agostino Carraci, and his older cousin, Ludovico Carracci. While working there, Annibale painted The Enthroned Madonna with St Matthew in 1588 for the Church of San Prospero in Reggio.  Annibale collaborated with the other two Carracci on frescoes in the Palazzo Magnani (now the Palazzo Salem) and two other noble houses in Bologna.  Read more…

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La cambiale di matrimonio - opera

Rossini’s first professional work premieres in Venice

La cambiale di matrimonio - the first opera by Gioachino Rossini to be performed before a paying audience - premiered at the Teatro San Moisè in Venice on this day in 1810.  Although the Pesaro-born composer, who would go on to write 39 operas including Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), had tried his hand at the genre earlier, La cambiale di matrimonio was the first to be staged in public. Rossini had written the one-act farce - translated in English as The Bill of Marriage or The Marriage Contract - in the space of just a few days while he was an 18-year-old student at the Liceo Musicale in Bologna. Based on a play of the same name by Camillo Federici, an 18th century dramatist from Piedmont, La cambiale di matrimonio revolves around the attempts by a London merchant, Tobias Mill, to marry off his daughter, Fanny, to a somewhat mature Canadian businessman by the name of Slook.  Mill makes this arrangement, which is designed primarily for his own financial gain, without knowing that Fanny has a lover, Edward Milfort, whose existence she has kept secret from her father on account of his lowly financial status.  Read more…

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Villa Giusti armistice

Talks held at villa in Padua ended First World War in Italy

An armistice signed between Italy and Austria-Hungary at Villa Giusti near Padua ended World War I on the Italian front on this day in 1918.  After the Allied troops were victorious in the Battle of Vittorio Veneto, the Austria-Hungary commanding officers asked for a ceasefire and for peace talks. They were invited to Villa Giusti at Mandria just outside Padua, which was owned by Count Giusti del Giardino, a former mayor of Padua and an Italian senator. The principal signatories on the Italian side were Tenente Generale Pietro Badoglio and Maggior Generale Scipione Scipioni. Leading the Austria-Hungary delegation was General Viktor Weber Edler von Webenau. During the war, the Villa Giusti had been the temporary residence of King Victor Emmanuel III when he was away from the front. The armistice signed on 3 November ended the fighting and was seen by many Italians as the final phase of the Risorgimento, the movement started in 1815 to unify Italy. The bells of a nearby church rang out when news came from the villa that the armistice had been agreed.  Read more…

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Giovanni Leone - controversial politician

First president to resign over a scandal

The politician Giovanni Leone, who served both as prime minister of Italy and president during a career that spanned seven decades but which was ultimately overshadowed by scandal, was born on this day in 1908 in Naples.  A co-founder, with his father, Mauro, of the Christian Democracy in 1943, Leone was elected to the Chamber of Deputies in 1948, served as prime minister for brief periods in 1963 and 1968 and was elected president in 1971.  He occupied the Palazzo Quirinale, the main Rome residence of the president, for seven years but was forced to resign after being implicated in the Lockheed bribery scandal, the first president to step down over such an impropriety.  The accusation levelled at him was that he accepted payment from the American aircraft manufacturer in connection with the purchase of Hercules military transport planes. The allegations originated from the United States and were published in Italy by the news magazine L’Espresso.  Other politicians were said also to have accepted bribes but Leone was accused directly after documents unearthed in the US referenced an Italian prime minister given the codename Antelope Gobbler, which was taken to mean Leone - lion.  Read more…

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Book of the Day: The Films of Michelangelo Antonioni, by Peter Brunette

The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work, and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in colour. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of his maturity. Rather than emphasizing the stress and alienation of Antonioni's characters, in this book Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom, and demonstrates also how they are formal exercises that depend on painterly abstraction for their expressive effects.

Peter Brunette was an American film critic and film historian. He was the author of several books, including biographies of Italian directors Roberto Rossellini and Michelangelo Antonioni. Brunette’s last book was about Austrian director Michael Haneke, published in February 2010, a few months before he died in Sicily at the age of 66.

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2 November

Luchino Visconti – director and writer

The aristocrat of Italian cinema

Luchino Visconti, who most aficionados of Italian cinema would place among the top five directors of all time, was born in Milan on this day in 1906.  Visconti’s movies include Ossessione, Rocco and His Brothers, The Leopard, Death in Venice and The Innocent.  One of the pioneers of neorealism – arguably the first to make a movie that could be so defined – Visconti was also known as the aristocrat of Italian cinema, figuratively but also literally.   He was born Count Don Luchino Visconti di Modrone, the seventh child of a family descendant from a branch of the House of Visconti, the family that ruled Milan from the late 13th century until the early Renaissance.  Paradoxically, although he maintained a lavish lifestyle, Visconti’s politics were of the left. During the First World War he joined the Italian Communist Party, and many of his films reflected his political leanings, featuring poor or working class people struggling for their rights.  He enraged Mussolini with his grim portrayal of Italy's poverty in Ossessione (1943), based on James M Cain’s novel The Postman Always Rings Twice.  Read more…

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Bartolomeo Colleoni - soldier

Death of an ‘honourable’ Italian military leader

Bergamo soldier Bartolomeo Colleoni, who became known for using his wealth to benefit people, died on this day in 1475.  Colleoni spent most of his life in the pay of the republic of Venice defending the city of Bergamo against invaders.  But he is remembered as one of the most decent condottieri of his era, carrying out charitable works and agricultural improvements in Bergamo and the surrounding area when he was not involved in military campaigns.  Condottieri were the leaders of troops, who worked for the powerful ruling factions, often for high payments.   Bergamo’s Bartolomeo Colleoni was unusual because he remained steadfast to one employer, the republic of Venice, for most of his career.  During a period of peace between Venice and Milan he worked briefly for Milan but the rulers never fully trusted him and eventually he was arrested and imprisoned. On his release, he returned to work for Venice and subsequently stayed faithful to them.  Towards the end of his life he lived with his family at his castle in Malpaga, to the south of Bergamo and turned his attention to designing a building to house his own tomb.   Read more…

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Battista 'Pinin' Farina - car designer

Family's 'smallest brother' became giant of automobile history

Battista 'Pinin' Farina, arguably the greatest of Italy's long roll call of outstanding automobile designers, was born on this day in 1893 in the village of Cortanze in Piedmont.  His coachbuilding company Carrozzeria Pininfarina became synonymous with Italian sports cars and influenced the design of countless luxury and family cars thanks to the partnerships he forged with Alfa Romeo, Fiat, Lancia, Nash, Peugeot, Rolls Royce and others - most notably Ferrari, with whom his company has had a continuous relationship since 1951.  Among the many iconic marques that Pinin and his designers created are the Alfa Romeo Giulietta Spider, the Ferrari Dino 206 and the Cisitalia 202.  Battista was the 10th of 11 children raised by his parents in Cortanze, a small community in the province of Asti, situated about 30km (19 miles) east of Turin.  He was always known as 'Pinin', a word from Piemontese dialect meaning 'smallest brother'.  In 1961, he had his name legally changed to Pininfarina.  He acquired his love of cars at a young age and from 12 years old he spent every spare moment working at his brother Giovanni’s body shop, Stabilimenti Industriali Farina, learning about bodywork and design.  Read more…

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Gaspare Nadi - builder and diarist

Craftsmen kept chronicle for 50 years

Gaspare Nadi, a builder who became famous for the insight into life in 15th century Italy provided by a diary he maintained for half a century, was born on this day in 1418 in Bologna.  Nadi worked on several important buildings in Bologna, including the bell tower of the Palazzo d’Accursio and several churches. He built the library of the Basilica of San Domenico.  He attained the position of Master Mason in the local guild of bricklayers, whom he also served for many terms as guild manager and other official positions.  Yet it was the diary he began to compile in 1452 that became his legacy. Written in idiomatic Bolognese, it proved to be an extraordinary document, a source for historians seeking to understand how families and society functioned in the Italy of Nadi’s lifetime.  As well as detailing family issues,the diary explained much about the construction industry of the time, with entries about clients and remuneration, injuries suffered by workers, the times demanded to turn around projects and the workings of the guilds, even down to the taverns in which members met and the vineyards that supplied their wine.  Read more…

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San Giusto of Trieste - martyr

Patron saint of maritime city 

San Giusto of Trieste - also known as Saint Justus of Trieste - died on this day in 293 after being found guilty of being a Christian, which was illegal under Roman law at the time.  His death occurred during the reign of the Emperor Diocletian, who was notable for his persecution of Christians.  After his trial, he was given the opportunity to renounce his faith and make a sacrifice to the Roman gods.  He refused to do so and was condemned to death by drowning. The story handed down over the centuries was that weights were attached to his ankles before he was thrown from a small boat into the Gulf of Trieste, off the shore of the area known today as Sant'Andrea.  The legend has it that on the night of San Giusto’s death, his friend Sebastian, said to have been a bishop or priest, was told in a dream that the body had broken free of the weights and been washed ashore.  When he woke from his sleep, Sebastian assembled a group of fellow Christians to search for the body, which they discovered near what is now the Riva Grumula, less than a kilometre from Piazza Unità d’Italia, Trieste’s elegant sea-facing main square.   Read more…

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Book of the Day: Visconti: Explorations of Beauty and Decay, by Henry Bacon

In this study, the first in the English lanugauge to consider director Luchino Visconti's entire works, Henry Bacon examines the films of one of Italy's pre-eminent filmmakers against the cultural, historical, and biographical contexts in which they were made. Through analysis of his achievements, Visconti also emerges as a 20th-century inheritor and renewer of the 19th-century narrative tradition, especially that of the novel and the opera.  Visconti: Explorations of Beauty and Decay is a rich study of  Visconti's 14 feature and three short film. Shrewdly attuned to the range of cinematic expression, especially the effects of music, Bacon provides the best study to date of this major stylist, who uniquely extended 19th-century narrative traditions of opera and the novel into the new aesthetics of cinema and the radical disintegrations of the 20th century. 

Henry Bacon is Associate Professor of Film and Television at the University of Helsinki in Finland.

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1 November

Sistine Chapel ceiling revealed

All Saints’ Day chosen to show off Michelangelo’s work

Michelangelo’s ceiling frescoes in the Sistine Chapel were unveiled for public viewing for the first time on this day in 1512.  The date of All Saints’ Day was chosen by Pope Julius II, who had commissioned Michelangelo, because he felt it appropriate to show off the frescoes on a significant festival in the Catholic Church year.  The frescoes, the central nine panels of which depict stories from the Book of Genesis, have become one of the most famous works of art in the world, the image of  The Creation of Adam rivalled only perhaps by Leonardo da Vinci’s Mona Lisa for iconic status.  Yet Michelangelo was reluctant initially to take on the project, which was first mooted in 1506 as part of a general programme of rebuilding of St Peter’s Basilica being undertaken by Julius II, who felt that the Sistine Chapel, which had restored by his uncle, Pope Sixtus IV, ought to have a ceiling that carried more meaningful decoration than the gold stars on a blue background of his uncle’s design.  Michelangelo, only 31 or 32 at the time, regarded himself as a sculptor rather than a painter.  Read more…

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Pietro da Cortona – painter and architect

Outstanding exponent of Baroque style

Artist Pietro da Cortona was born Pietro Berrettini on this day in 1596 in Cortona in Tuscany.  Widely known by the name of his birthplace, Cortona became the leading Italian Baroque painter of his time and contributed to the emergence of Baroque architecture in Rome.  Having been born into a family of artisans and masons, Cortona went to Florence to train as a painter before moving to Rome, where he was involved in painting frescoes at the Palazzo Mattei by 1622.  His talent was recognised and he was encouraged by prominent people in Rome at the time. He was commissioned to paint a fresco in the church of Santa Bibiana that was being renovated under the direction of Gian Lorenzo Bernini in 1624.  Then, in 1633, Pope Urban VIII commissioned Cortona to paint a large fresco on the ceiling of the Grand Salon at Palazzo Barberini, his family’s palace. Cortona’s huge Allegory of Divine Providence and Barberini Power marked a watershed in Baroque painting as he created an illusion of an open, airy architectural framework against which figures were situated, creating spatial extension through the medium of paint.  Read more…

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Annibale Bergonzoli - soldier

Commander who was both decorated and imprisoned by the British

The military commander Annibale Bergonzoli, who served the Italian army in both world wars and led an Italian expeditionary force supporting General Francisco Franco’s nationalists in the Spanish Civil War, was born on this day in 1884 in Cannobio, a town on the shore of Lago Maggiore. Bergonzoli had the distinction of being awarded a medal for bravery by the British during World War One only to be held by them as a prisoner of war after being captured during World War Two. As a boy, Bergonzoli always had a taste for adventure. He completed a 1.5 mile (2.4km) swim across Lago Maggiore at the age of seven. He enrolled at the Military Academy of Modena, graduating with the rank of sub-lieutenant in 1907. He joined the Royal Italian Army in 1911 and was immediately sent to take part in the Italo-Turkish War, helping to take control of the areas of the Ottoman Empire in Libya that became known as Italian Tripolitania and Cyrenaica, as well as some islands in the Aegean Sea.  He remained in Libya for some years after the conflict. Read more…

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Antonio Canova - sculptor

Genius who could bring marble to life 

Sculptor Antonio Canova was born on this day in 1757 in Possagno in the hills near Asolo in the Veneto.  He became famous for creating lifelike figures, possessing the ability to make the marble he worked with resemble nude flesh. One of his masterpieces is the group, The Three Graces, now in the Victoria and Albert museum in London.  Canova’s father and grandfather were both stone cutters and his grandfather taught him to draw at an early age.  The noble Falier family of Venice took an interest in Canova’s talent and brought him to the city to learn his trade in the workshop of Giuseppe Bernardi.  Canova also studied anatomy, history and languages and later moved to work in Rome. His first big success was his funerary monument to Clement XIV, which was inaugurated in the Basilica dei Santi Apostoli.  The sculptor travelled to France and England and when he returned to Italy was made Marquis of Ischia and given an annual pension.  He died in Venice at the age of 64 and was buried in Tempio Canova in Possagno, the town of his birth.  Canova’s heart was interred in a marble pyramid he had designed as a mausoleum for the painter, Titian, in the Frari church in Venice.  Read more…

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Giulio Romano – artist and architect

Painter from Rome left his mark on Mantua

Giulio Romano, who was the principal heir to the artist Raphael and one of the most important initiators of the Mannerist style of painting, died on this day in 1546 in Mantua.  He is most remembered for his masterpiece, the Palazzo del Te, built on the outskirts of Mantua as a pleasure palace for the Gonzaga family, which was designed, constructed and decorated entirely by him and his pupils.  The artist had been born in Rome some time in the 1490s and was given the name Giulio di Pietro di Filippo de’ Gianuzzi. He was known originally as Giulio Pippi, but later was referred to as Giulio Romano because of where he was born.  Giulio was apprenticed to Raphael when still a child and worked on the frescos in the Vatican loggias to designs by Raphael. He also collaborated with him on the decoration of the ceiling in the Villa Farnesina.  He became so important in the workshop that on Raphael’s death in 1520 he was named as one of the master’s chief heirs and he also became his principal artistic executor, completing a number of Raphael’s works, including the Transfiguration.  His own works from this time, such as the Madonna and Saints and the Stoning of St Stephen, both completed in 1523, show he had developed a highly personal style of painting.  Read more…

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Book of the Day: Michelangelo: His Epic Life, by Martin Gayford

There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and The Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo: His Epic Life, Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.

Martin Gayford has been art critic for the Spectator and the Sunday Times, and Chief European Art Critic for Bloomberg.  Artists he has written about included David Hockney, Lucian Freud, Constable, Van Gogh and Gauguin.  He lives in Cambridge, England.

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