23 July

Francesco Cilea – opera composer

Calabrian remembered for beautiful aria Lamento di Federico 

Composer Francesco Cilea was born on this day in 1866 in Palmi near Reggio di Calabria.  He is particularly admired for two of his operas, L’arlesiana and Adriana Lecouvreur.  Cilea loved music from an early age. It is said that when he was just four years old he heard music from Vincenzo Bellini’s opera, Norma, and was moved by it.  When he became old enough, he was sent to study music in Naples and at the end of his course of study there he submitted an opera he had written, Gina, as part of his final examination. When this was performed for the first time it attracted the attention of a music publisher who arranged for it to be performed again.  Cilea was then commissioned to produce a three-act opera, meant to be along the lines of Pietro Mascagni's Cavalleria rusticana, by the same publisher.  The resulting work, La Tilda, was performed in several Italian theatres, but the orchestral score has been lost, which has prevented it from enjoying a modern revival.  In 1897, Cilea’s third opera, L’arlesiana was premiered at the Teatro Lirico in Milan.  In the cast was the young Enrico Caruso, who performed, to great acclaim, the famous Lamento di Federico, often known by its opening line, È la solita storia del pastore.  Read more…

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Zàini - Milan chocolate manufacturer

First factory opened in Via Carlo de Cristoforis

The Milan chocolate producer Zàini was founded on this day in 1913 when the company’s first factory opened in the Porta Garibaldi district of the city. The plant, opened by Luigi Zàini, a young entrepreneur, in Via Carlo de Cristoforis, was advertised as a ‘Factory of Chocolate, Cocoa, Candies, Jams and Similar’.   Zàini, who had experience in the confectionery business as an importer of biscuits, jams and other sweet products from northern Europe, had noted the rapidly growing popularity of chocolate and thought the time was right to move on from his role as middleman and become a producer in his own right.  In Milan at the time there were around 15 chocolate factories, so competition was keen, but Luigi had a unique selling point in mind. His dream was to be able to satisfy any wish for something sweet, reportedly saying: “Everyone is different, so why aren’t we creating lots of different chocolates and sweets for each different person?”. Luigi flavoured his bars with rum, mandarin, vanilla and aniseed among other things and made them stand out by wrapping them in coverings inspired by the fashion for Stile Liberty design in architecture, furniture and decorative art.  Read more…

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Licia Albanese – soprano

Butterfly had a long career

Operatic soprano Licia Albanese, whose portrayal of Verdi and Puccini heroines delighted audiences all over the world during the last century, was born on this day in 1909 in Bari in the region of Puglia.  She made her operatic debut unexpectedly in 1934 at the Teatro Lirico in Milan during a performance of Giacomo Puccini's Madama Butterfly. Albanese was understudying the title role and when the soprano became ill during Act One, she was hustled on to the stage to take over in Act Two.  She was a great success and during the next 40 years sang more than 300 performances in the role of Cio-Cio-San, the geisha who is better known as Madama Butterfly.  Her connection with the opera began early when she was studying with the singer, Giuseppina Baldassare-Tedeschi, who was a contemporary of  Puccini, and had been the greatest Butterfly of her day.  Albanese went on to appear at La Scala, Covent Garden and many other European houses, also winning praise for her portrayals of Mimi, Violetta and Manon Lescaut.  She was fortunate to have as tenor partners, singers of the calibre of Tito Schipa, Beniamino Gigli and Giacomo Lauri-Volpi.  Read more…

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Damiano Damiani – screenwriter and director

Filmmaker behind the hit Mafia drama series La piovra

Damiano Damiani, who directed the famous Italian television series La piovra, which was about the Mafia and its involvement in Italian politics, was born on this day in 1922 in Pasiano di Pordenone in Friuli.  Damiani also made a number of Mafia-themed films and he was particularly acclaimed for his 1966 film, A Bullet for the General, starring Gian Maria Volontè, which came at the beginning of the golden age of Italian westerns.  Damiani studied at the Accademia di Brera in Milan and made his debut in 1947 with the documentary, La banda d’affari. After working as a screenwriter, he directed his first feature film, Il rossetto, in 1960.  His 1962 film, Arturo’s Island, won the Golden Shell at the San Sebastian International film festival.  During the 1960s, Damiani was praised by the critics and his films were box office successes.  A Bullet for the General is regarded as one of the first, and one of the most notable, political spaghetti westerns. Its theme was the radicalisation of bandits and other criminals into revolutionaries.  Damiani’s 1968 film, Il giorno della civetta - The Day of the Owl - starring Claudia Cardinale, Franco Nero and Lee J Cobb, started a series of films that blended social criticism with spectacular plots.  Read more…

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Sergio Mattarella – President of Italy

Anti-Mafia former Christian Democrat is Italy's 12th President

The first Sicilian to become President of Italy, Sergio Mattarella, was born on this day in 1941 in Palermo.  Mattarella, who has occupied the office since 2015, went into politics after the assassination of his brother, Piersanti, by the Mafia in 1980. His brother had been killed while holding the position of President of the Regional Government of Sicily.  Their father, Bernardo Mattarella, was an anti-Fascist, who with other prominent Catholic politicians helped found the Christian Democrat (Democrazia Cristiana) party. They dominated the Italian political scene for almost 50 years, with Bernardo serving as a minister several times. Piersanti Mattarella was also a Christian Democrat politician.  Sergio Mattarella graduated in Law from the Sapienza University of Rome and  a few years later started teaching parliamentary procedure at the University of Palermo.  His parliamentary career began in 1983 when he was elected a member of the Chamber of Deputies in a left-leaning faction of the DC that had supported an agreement with the Italian Communist Party led by Enrico Berlinguer. The following year he was entrusted with cleansing the Sicilian faction of the party from Mafia control.  Read more…

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Book of the Day: The Autumn of Italian Opera: From Verismo to Modernism, 1890-1915, by Alan Mallach

With the passing of giants like Rossini, Bellini, and Donizetti, and with Verdi in decline, Italian opera at the end of the 19th century appeared to be on the wane. Then, suddenly, with the legendary premiere of Mascagni's Cavalleria rusticana in 1890, Italian opera entered into a period of enormous artistic creativity and commercial success. In The Autumn of Italian Opera, Alan Mallach chronicles the last years of Verdi and Catalani and the emergence of the Giovane Scuola (young school) of Italian composers led by the superstar composers Puccini and Mascagni, and including such lesser-known but important figures as Giordano, Cilèa, and Leoncavallo. Mallach carries their story through to the first World War and a new generation of composers, including Zandonai and Wolf-Ferrari, through the rise of musical modernism in Italy early in the 20th century. In doing so he offers opera scholars and aficionados a detailed and richly textured perspective on an important but widely misunderstood period in Italian opera. Mallach places the emergence of the Giovane Scuola firmly within the great social and political upheavals of the time, which brought previously unexplored themes and exotic settings into the Opera House. Their works expressed an intensity of passion, sentimentality, and violence, which appealed to a new generation of operagoers. While the author's principal emphasis is on operas and composers, he also provides portraits of the outstanding operatic singers and conductors of the time, and the developments that transformed the opera industry toward the end of the 19th century.

Alan Mallach is a pianist, composer, and independent scholar living in New Jersey. He is also the author of Pietro Mascagni and His Operas.

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