Pietro Tacca - sculptor

Pupil of Giambologna became major figure in own right

Tacca's equestrian sculpture of Philip IV 
of Spain broke new ground in statuary

The sculptor Pietro Tacca, who succeeded his master, Giambologna, as court sculptor to the Medici Grand Dukes of Tuscany, was born on this day in 1577 in Carrara.

Tacca, who initially produced work in the Mannerist style, later made a significant contribution to the advance of Baroque and helped preserve Florence’s pre-eminence in bronze casting.

As well as his work for the Medici family, Tacca achieved something never before attempted with his marble equestrian statue of King Philip IV of Spain in Madrid’s Plaza de Oriente. 

The sculpture, considered to be a masterpiece, is notable for depicting the monarch on a rearing horse with its front legs off the ground and the entire weight of the statue supported by its hind legs and tail. 

Tacca began attending the Florence workshop of Giambologna in 1592 at the age of 15. Giambologna was the most important sculptor of his time in Florence, not only for his relationship with the Medici but also for his bronze statue of Neptune above the Fontana di Nettuno in Bologna.

When Giambologna’s first assistant, Pietro Francavilla, left for Paris in 1601, Tacca was chosen to fill his role. On the death of the master in 1608 at the age of 79, Tacca inherited both his studio and his house in Borgo Pinti. A year later, the Medici family appointed him as Giambologna’s successor as the grand-ducal sculptor.

Tacca's i Quattro Mori sculptures in Livorno
showed his embrace of the drama of Baroque

Among Tacca's earliest tasks in his prestigious new position were the completion of some of Giambologna’s unfinished works, including the equestrian statues of Ferdinando I de' Medici in Piazza Santissima Annunziata in Florence, of Henry IV of France, which was sent to Paris but later destroyed during the revolution in 1793, and of Philip III of Spain, which is still located in the Madrid’s Plaza Mayor.

The statue of Ferdinando I de’ Medici was cast with bronze melted from the cannons of captured Barbary and Ottoman galleys, taken by the Order of Saint Stephen, of which Ferdinando was Grand Master.

As his own career progressed, Tacca began to embrace the Baroque aesthetic. His work became characterised by a sense of the theatrical, conveying dramatic movement and exaggerated emotion. While his sculptures often depicted religious subjects, such as saints and biblical figures, he also created secular works, including fountains and allegorical figures.

Between 1623 and 1626 he executed what is considered his masterpiece, i Quattri Mori - the Four Moors - which shows four Saracen pirates chained at the base of Giovanni Bandini's monument to Ferdinando I de' Medici in Piazza della Darsena in Livorno. The pirates were supposedly taken prisoner by the Order of St. Stephen and imprisoned in Livorno. Tacca used some of them as models, posing them in accentuated twists and depicting grimaces of pain on their faces.

Tacca's Porcellino Fountain, a bronze of a wild
boar, is now in a museum in Florence

Two bronze fountains by Tacca originally destined for Livorno, notable for their intricate grotesque masks and shellwork textures, were set up instead in Piazza Santissima Annunziata in Florence.

In 1634, Tacco created his famous Fontana del Porcellino, a bronze fountain statue of a wild boar originally planned for the gardens - the Giardino di Boboli - behind Palazzo Pitti, the main Medici residence in Florence, but subsequently placed in the recently built Loggia del Mercato Nuovo, where a copy is currently on display. The original is in the Museo Stefano Bardini in Palazzo Mozzi.

The colossal equestrian bronze of Philip IV in Madrid was Tacca's last public commission.

Based on a design by Diego Velázquez, it was started in 1634 and shipped to Madrid in 1640, the year of Tacca’s death. The sculpture, set on top of a fountain composition, forms the centrepiece of the façade of the Royal Palace. 

Tacca consulted the scientist Galileo Galilei for advice on how he might make the statue stable, despite its entire weight being supported by the two hind legs and the tip of the tail, shown as brushing the ground as the horse rears. The feat had never been attempted successfully in a statue of such scale. 

Towards the end of his life, Pietro Tacca was assisted by his son, Ferdinando, who almost certainly completed some of his father’s unfinished projects. After the death of Ferdinando Tacca, the studio and foundry in Borgo Pinti were taken over by Giovanni Battista Foggini.

Foggini specialised in small bronze statuary. His reproductions of Tacca’s Moors figures in bronze and ceramic were still selling well on the connoisseur market in the early to mid-18th century.

The Giambologna coat of arms
identifies his former workshop

Travel tip:

Borgo Pinti is an historic street in the heart of Florence, which runs from Via Sant’Egidio to Piazzale Donatello. It has several notable landmarks along its path, including the Chiesa di Santa Maria Maddalena dei Pazzi, a church dating back to around 1250 on a site that was previously occupied by the Monastery of the Women of Penance, a house of refuge for repentant women known as the Repentite, to which some ascribe the origin of the name Pinti, although others claim it was the name of an ancient family. The street, which forms a north-south axis of the historic centre, is lined with many notable palaces, as well as houses occupied by the painter Perugino and the sculptor Lorenzo Bartolini.  The house and workshops where Giambologna and Pietro Tacca created so much of their art were at numbers 24-26 in a building now called Palazzo Bellini delle Stelle, identifiable by the Giambologna coat of arms over the door.

The white of Carrara's marble makes the Apuan
Alps seemed snow-covered even in the summer

Travel tip:

Pietro Tacca’s town of birth, Carrara, famous for its blue and white marble, sits just inland from the Ligurian Sea coastline, in a valley that descends from the Alpi Apuane in Tuscany. The natural white of the peaks often convinces visitors they are covered with snow even in the summer. Marble has been quarried in the area for more than 2,000 years. Michelangelo was said to have been so taken with the purity of the stone that he spent eight months there choosing blocks for specific projects.  The Pantheon and Trajan's Column were both constructed using Carrara marble, which was also the material used for many Renaissance sculptures.  Carrara, nowadays a city of around 70,000 inhabitants, is home to many academies of sculpture and fine arts and a museum of statuary and antiquities.  The exterior of the city's own 12th century duomo is almost entirely marble.

Also on this day:

1797: The birth of revolutionary-turned-librarian Sir Anthony Panizzi

1841: The birth of politician Alessandro Fortis

1866: Sette e mezzo revolt breaks out in Palermo

1985: Terrorists attack Rome’s iconic Café de Paris

2005: Camorra boss Paolo Di Lauro captured in Naples

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