Great work of art was created by a desperate painter wanted for murder
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| Caravaggio's The Burial of Saint Lucy can be viewed free of charge |
A magnificent altarpiece by Caravaggio depicting The Burial of Saint Lucy, was displayed for the first time on this day in 1608 at the Santuario Santa Lucia al Sepolcro in Siracusa - Syracuse - in Sicily.
The largest known work by Caravaggio, The Burial of Saint Lucy was painted by the artist while he was on the run accused of murder and in fear of arrest and execution. He created this important work of art in a few precious weeks while he was afforded some protection from the church authorities who had commissioned it.
The altarpiece measures 408 by 300 centimetres and is his largest known canvas painted in oils. It depicts the fragile body of Santa Lucia - Saint Lucy - bearing the wounds she had suffered during her execution, about to be interred in the Roman catacombs on which the Sanctuary now stands.
After arriving in Sicily from Malta in October 1608, having escaped from prison there, Caravaggio had taken a circuitous route to Siracusa to seek help from a former apprentice, Mario Minniti, who he knew had a thriving studio in the city.
At the time there was a programme of renovation taking place in churches in Siracusa and the city authorities were commissioning new altarpieces and trying to boost the cults of their local saints.
Minniti succeeded in convincing the church authorities to commission Caravaggio to paint the altarpiece at the Santuario Santa Lucia al Sepolcro, arguing that his former master was considered the best painter In Italy.
The subject of the painting, Saint Lucy - Santa Lucia - was a young girl who had lived in 4th century Siracusa. She had converted to Christianity during the period of persecution of Christians by the Emperor Diocletian. She had taken a vow of chastity and decided not to marry. But the man lined up to be her future husband had suspected her of being unfaithful rather than devout and had exacted his revenge by denouncing her as a Christian to the authorities.
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| Caravaggio was on the run when he arrived in Sicily |
A statue had been erected to Saint Lucy in Siracusa and it had been agreed to purchase a silver reliquary to house her remains, which the authorities were hoping to retrieve from Venice who had taken them. An altarpiece depicting her death in the catacombs on which the church was built was to be their next purchase.
Caravaggio’s picture is considered remarkable for the way he shows Santa Lucia’s frail body framed by two burly gravediggers, who tower over her, their veins bulging in their muscly arms. Watching the burial are a group of mourners, whose faces Caravaggio modelled on people he met while he was working on the painting at the church, one of which is believed to have been the sexton of the church. Among the faces in the background, it is also thought there may be a self-portrait of Caravaggio.
Experts think Caravaggio would have seen hasty burials in real life during an outbreak of the plague in Milan in 1576. The background for the painting was modelled on the actual catacombs in Siracusa where Santa Lucia had been put in the ground originally, which had been visited by Caravaggio during his stay in the city.
To complete the painting in time for the deadline of the Saint’s Feast Day on December 13, Caravaggio had to work at a fast pace, despite being distracted by his own problems and having to be armed with a dagger day and night for his own protection.
But he did not feel safe enough to stay in Siracusa for the unveiling of the painting and slipped away before the big day. Within 18 months, he had died himself in mysterious circumstances at Porto Ercole in Tuscany, where it is thought he was buried without ceremony in a mass grave.
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| The Santuario Santa Lucia al Sepolcro is the home of Caravaggio's altarpiece |
Caravaggio’s magnificent painting of The Burial of Saint Lucy still hangs proudly over the altar of the Santuario Santa Lucia al Sepolcro and can be seen free of charge by visitors to the church - one of just a small number of Caravaggio paintings on free public display in their original settings, rather than in a museum or gallery. Visitors to the Santuario can pay a small amount for a light to come on for a few minutes to illuminate the painting. The church staff and volunteers will explain the history of the painting to visitors and they have information booklets and Santa Lucia souvenirs available. The Santuario is in Piazza Santa Lucia in Siracusa in a part of the city known as Borga Santa Lucia.
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| The Duomo di Siracusa is one of the main attractions of the island of Ortigia |
Siracusa is situated on the south east corner of Sicily next to the gulf of Siracusa and beside the Ionian Sea. It is famous for its Greek and Roman ruins and amphitheatres, and as the birthplace of the Greek mathematician and engineer Archimedes. It is now listed by UNESCO as a World Heritage Site. The patron saint of Siracusa is Saint Lucy (Santa Lucia) who died there in about 304. She is also the patron saint of virgins. Her feast day is celebrated worldwide on December 13 each year. The historic centre of Siracusa - the Città Vecchia (Old City) - is the part of the city that occupies the island of Ortigia. The central attraction of Ortigia is the magnificent cathedral, built in the seventh century but rebuilt in High Sicilian Baroque style after the 1693 earthquake that destroyed much of Sicily’s southeastern corner.
Also on this day:
1466: The death of sculptor Donatello
1521: The birth of Pope Sixtus V
1720: The birth of playwright Carlo Gozzi
1931: The death of juggler Enrico Rastelli
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