27 May

Giuseppe Tornatore - writer and director

Oscar winner for Cinema Paradiso

The screenwriter and director Giuseppe Tornatore, the creator of the Oscar-winning classic movie Cinema Paradiso, was born on this day in 1956 in Bagheria, a small town a few kilometres along the coast from the Sicilian capital Palermo.  Known as Nuovo Cinema Paradiso in Italy, Tornatore’s best-known work won the award for Best Foreign Language Film at the 62nd Academy Awards following its release in 1988.  The movie, written by Tornatore, tells the story of Salvatore, a successful film director based in Rome who returns to his native Sicily after hearing of the death of the man who kindled his love of the cinema, the projectionist at the picture house in his local village, who became a father figure to him after his own father was killed on wartime national service.  Much of the film consists of flashbacks to Salvatore’s life as a child in the immediate post-war years. Read more…

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Lucrezia Crivelli – lady in waiting

Mystery of the beautiful woman in painting by Leonardo

Lucrezia Crivelli, mistress of Ludovico Sforza, Duke of Milan, who was for a long time believed to be the subject of a painting by Leonardo da Vinci, died on this day in 1508 in Canneto sull’Oglio in Lombardy.  Crivelli served as a lady in waiting to Ludovico Sforza’s wife, Beatrice d’Este, from 1475 until Beatrice’s death in 1497.  She also became the Duke’s mistress and gave birth to his son, Giovanni Paolo, who went on to become the first Marquess of Caravaggio and a celebrated condottiero.  Crivelli lived for many years in the Castello of Canneto near Mantua under the protection of Isabella d’Este, the elder sister of Beatrice, until her death in 1508.  Coincidentally, her former lover, Ludovico Sforza, is believed to have died on the same day in 1508 while being kept prisoner in the dungeons of the castle of Loches en Touraine in France. Read more…

Giovanni Battista Beccaria - physicist and mathematician

Monk who explained how lightning conductors work

The physicist, mathematician and Piarist monk Giovanni Battista Beccaria, whose work with electricity confirmed and expanded upon the discoveries of the American polymath and Founding Father Benjamin Franklin, died in Turin on this day in 1781.  At the age of 64 he had been ill and in pain for some years but was working right up to his death on a treatise on meteors.  For much of his life, Beccaria had been occupied in the study of electricity with particular focus on the discoveries made by Franklin, with whom he corresponded regularly.  He successfully explained such things as the workings of the Leyden Jar and the Franklin square, two devices in which static electricity could be captured and stored, and why pointed objects could discharge electrified objects at a distance.  He was also able to explain why lightning rods, or lightning conductors, protect a building. Read more…

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Bruno Vespa – television journalist

TV host opened the door to late night political debate

Bruno Vespa, the founding host of the television programme Porta a Porta, was born on this day in 1944 in L’Aquila in Abruzzo.  Vespa has fronted the late night television talk show, which literally means ‘Door to Door’ in English, since Italy's state broadcaster Rai launched the programme in 1996.  Vespa became a radio announcer with Rai when he was 18 and began hosting the news programme Telegiornale Rai a few years later.  He had begun his career in journalism by writing sports features for the L’Aquila edition of the newspaper, Il Tempo, when he was just 16 years old.  On television, he became well known for interviewing influential world figures just before they became famous, an example being his programme featuring Cardinal Karol Wojtyla, the year before he was elected as Pope John Paul II.  Read more…

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Book of the Day: Giuseppe Tornatore: Emotion, Cognition, Cinema, by William Hope

The nature of the spectator’s emotional and intellectual engagement with films has attracted increasing critical scrutiny over the past decade, and theoretical frameworks have been elaborated to analyse how and why viewers are moved by what they see on screen. Viewer responses are influenced by factors including genre expectations, involuntary physiological reactions to what is seen and heard, shifting attachments towards screen characters, and by specific devices within a film’s mise-en-scène, such as lighting and colour. Giuseppe Tornatore: Emotion, Cognition, Cinema is a film-by-film analysis of the work of the Oscar-winning director, a study that examines the nature of the strong affective charge that characterizes his films, and which also explores the cognitive and intellectual appeal of Tornatore’s cinema. The volume illustrates the ways in which an affective and intellectual synergy can develop between a film’s aesthetics and its conceptual agenda, as instantiated by films such as the celebrated Cinema Paradiso. The affective power that characterizes Tornatore’s work has long been acknowledged by critics, and while analysing the configurations of visual, aural, and narrative devices that generate such intensely poignant viewing experiences, the volume also elucidates the ways in which the director’s stylistic approach intensifies the significance of a range of social and cultural questions affecting Western society, issues that lie at the heart of his films.

William Hope is a lecturer in Italian language and film at the University of Salford, and his main research area is Italian cinema from the 1970s to the present day. 

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