Showing posts with label 1578. Show all posts
Showing posts with label 1578. Show all posts

3 March 2018

Sebastiano Venier – Doge of Venice


Victorious naval commander briefly ruled La Serenissima


Jacopo Tintoretto's portrait of Sebastiano Venier at the Battle of Lepanto
Jacopo Tintoretto's portrait of Sebastiano
Venier at the Battle of Lepanto
Sebastiano Venier, who successfully commanded the Venetian contingent at the Battle of Lepanto, died on this day in 1578 in Venice.

He had been Doge of Venice for less than a year when fire badly damaged the Doge’s Palace. He died soon afterwards, supposedly as a result of the distress it had caused him.

Venier was born in Venice around 1496, the son of Moisè Venier and Elena Donà. He was descended from Pietro Venier, who governed Cerigo, one of the main Ionian islands off the coast of Greece, which was also known as Kythira.

Venier worked as a lawyer, although he had no formal qualifications, and he went on to become an administrator for the Government of the Republic of Venice. He was married to Cecilia Contarini, who bore him two sons and a daughter.

Venier was listed as procurator of St Mark’s in 1570, but by December of the same year, he was capitano generale da mar, the Admiral of the Venetian fleet, in the new war against the Ottoman Turks.

As the commander of the Venetian contingent at the Battle of Lepanto in 1571, he helped the Christian League decisively defeat the Turks.

The plaque to Sebastiano Venier at his house in Campo Santa Maria Formosa in Venice
The plaque to Sebastiano Venier at his house in Campo
Santa Maria Formosa in Venice
The battle took place in the Gulf of Patras when Ottoman forces sailing westwards from their naval station in Lepanto encountered the fleet of the Holy League sailing east from Messina in Sicily. The Holy League was a coalition of European Catholic maritime states, largely financed by Phillip II of Spain.

The Battle of Lepanto was the last major naval engagement to be fought almost entirely by rowing vessels and the victory of the Holy League was of great importance in the future defence of Europe against Ottoman military expansion.

Venier returned to Venice a hero and, as a popular figure, was unanimously elected Doge in 1577 at the age of 81.

The Doge’s Palace was in the process of being refurbished in the aftermath of a fire in 1547 when another fire broke out, damaging the Great Council Chamber and many works of art.

A heartbroken Venier died a few weeks later on March 3, 1578 and was interred in the Basilica di Santi Giovanni e Paolo, a traditional burial place of the doges.

There is a plaque commemorating his memory on the wall of the Palazzetto Venier in Campo Santa Maria Formosa, not far from St Mark’s.


The monument to Sebastiano Venier outside the Basilica of SS Giovanni e Paolo in Venice
The monument to Sebastiano Venier outside the
Basilica of SS Giovanni e Paolo in Venice
Travel tip:

The Doge’s Palace, where Sebastiano Venier lived during his brief reign, was the seat of the Government of Venice and the home of the Doge from the early days of the republic. For centuries this was the only building in Venice entitled to the name palazzo. The others were merely called Cà, short for Casa. The current palazzo was built in the 12th century in Venetian Gothic style, one side looking out over the lagoon, the other side looking out over the piazzetta that links St Mark’s Square with the waterfront. It opened as a museum in 1923 and is now run by Fondazione Musei Civici di Venezia.

Travel tip:

The Basilica di Santi Giovanni e Paolo, where Sebastiano Venier is buried, is referred to by Venetians as San Zanipolo. The church, in Campo Santi Giovanni e Paolo in the Castello district, is one of the largest in Venice. It has the status of a minor basilica and a total of 25 of Venice’s Doges are buried there.


5 February 2016

Giovanni Battista Moroni – artist

Portrait painter left visual record of a changing society


Moroni's portrait of Bernardo Spini, a nobleman from his home town of Albino
Moroni's portrait of Bernardo
Spini, a nobleman from his
home town of Albino
Giovanni Battista Moroni, who was considered one of the greatest portrait painters of the 16th century, died on this day in 1578 while working on a painting at a church just outside Bergamo in the northern region of Lombardy.

His wonderful legacy of portraits provides an illuminating insight into life in Italy in the 16th century, as he received commissions from merchants trying to climb the social ladder as well as from rich noblemen.

Moroni was born at Albino near Bergamo somewhere between 1510 and 1522 and went on to train under a religious painter from Brescia, Alessandro Bonvicino.

Although Moroni painted many acclaimed religious works, he became known much more for the vitality and realism of his portraits, for which he was once praised by Titian.

Some of Moroni’s work is in the Uffizi Gallery in Florence and the National Gallery in London but there are fine examples of Moroni’s work in the collection of the Accademia Carrara in Bergamo, such as The Old Man Sitting Down and the Portrait of Bernardo Spini.

One of Moroni’s finest religious works, the Coronation of the Virgin, can be seen in the church of Sant'Alessandro della Croce in Via Pignolo in Bergamo’s lower town.

Moroni’s unfinished painting of the Last Judgment can be seen in the church at Gorlago, just outside Bergamo, where he was working until just before his death on February 5, 1578.

Travel tip:

Bergamo is a fascinating historic city with two distinct centres. From the lower town you can see the beautiful upper town, the Città Alta, silhouetted against the sky. The upper town still has medieval buildings and towers, but the Venetians later built the impressive city walls and elegant palaces and fountains. At the heart of the upper town is Piazza Vecchia, said to be the most beautiful square in Italy, with the Colleoni Chapel, a stunning Renaissance building, nearby. There are plenty of interesting shops  and many excellent restaurants.


The magnificent facade of Bergamo's Accademia Carrara, which houses a number of Moroni portraits
The magnificent facade of Bergamo's Accademia
Carrara, which houses a number of Moroni portraits
Travel tip:

You can see portraits by Moroni in Bergamo’s prestigious art gallery, Accademia Carrara. The magnificent palace just outside the Città Alta was built in the 18th century to house one of the richest private collections in Italy. It is the only Italian museum to be entirely stocked with donations and bequests from private collectors. Visitors can view works by the masters of the Venetian, Lombard and Tuscan Renaissances as well as great artists who came later, such as Lotto, Titian, Moroni, Rubens, Tiepolo, Guardi and Canaletto. Accademia Carrara, in Piazza Giacomo Carrara, is open Monday, Wednesday and Thursday from 10 am to 7 pm ; Friday from 10 am to 12 pm and Saturday and Sunday from 10 am to 8 pm . For more details visit www.lacarrara.it.

More reading:

Why Titian was a giant of Renaissance art

Cosimo I de' Medici and the origins of the Uffizi

How Bergamo painter Antonio Cifrondi captured images of 17th century life

Also on this day:

The Festival of Saint Agatha of Sicily

1964: The birth of footballer and coach Carolina Morace





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