Pope Innocent X

Political pontiff dominated by sister-in-law

The portrait of Innocent X by the Spanish artist Diego
Velázquez, notable for a terse facial expression

A politically charged and controversial period in papal history ended on this day in 1655 with the death in Rome of Pope Innocent X.

Described by some historians as a scheming and bitter pontiff, Innocent X’s tenure was notable for his malicious attack on a rival family, his destruction of the ancient city of Castro, a squabble with France that almost ended in war, his interference in the English Civil War and his refusal to recognise the independence of Portugal.

It was also overshadowed by rumours of an immoral relationship with his sister-in-law, Olimpia Maidalchini, the widow of his late brother. Historians generally agree that these were unfounded, yet Innocent X was dominated by her to the extent that she became the most powerful figure in his court, her influence so strong that ambassadors, cardinals and bishops knew that the pope would defer to her before making any decision and consequently would address any issues directly to her.

Born in Rome in 1574 and baptised as Giovanni Battista Pamphili, he came from a wealthy and well-established family who originally came from Gubbio in Umbria.

His parents, Camillo Pamphili and Flaminia de Bubalis, groomed him from an early age with the ambition that he would one day become pope.

Innocent X's predecessor, Urban VIII, as
depicted by Caravaggio in 1598

He studied jurisprudence at the Collegio Romano and succeeded his uncle, Girolamo Pamphili, as auditor (judge) of the Roman Rota, the most important court in the ecclesiastical legal system.

Under Pope Gregory XV, he became nuncio (ambassador) to the court of the Kingdom of Naples, and was sent by Urban VIII to accompany his nephew, Francesco Barberini, whom he had accredited as nuncio, first to France and then Spain.

In May 1626, he was made apostolic nuncio to the court of Philip IV of Spain, an appointment that led to a lifelong association with the Spaniards. He was made a cardinal in 1627 at the age of 53.

He was elected pope in 1644 after a long and stormy conclave to find a successor to Urban VIII, undermined by the difficult relations between the Spanish and the French.  Pamphili was put forward as a compromise candidate, despite his sympathies towards Spain.  Cardinal Jules Mazarin, the de facto ruler of France, travelled to Rome to veto the appointment but arrived too late.

Soon after his accession, having given himself the name of  Innocent X, he began a legal action against the Barberini family, long-time rivals of the Pamphili, for alleged misappropriation of public funds.

It led the brothers, Francesco, Antonio and Taddeo Barberini, to flee to Paris, where they found a powerful protector in Cardinal Mazarin.  Innocent X confiscated their property and issued a bull (decree) that all cardinals who might leave the Papal States for six months without express papal permission would be deprived of their benefices and eventually cease to be cardinals.

A painting by an unknown artist believed
to show Olimpia Maidalchini

France refused to recognise the papal ordinance but it was only when Mazarin prepared to send troops to Italy that Innocent X yielded. Papal policy towards France became softer and in time the Barberini brothers were rehabilitated.

Innocent X’s destruction of the ancient city of Castro in Lazio seems to have been an act of revenge against Odoardo Farnese, Duke of Parma, over a defeat suffered by Urban VIII and the humiliation that seemed to hasten his demise.

His intervention in the English Civil War was to send the archbishop of Fermo, Giovanni Battista Rinuccini, to Ireland as nuncio extraordinary, along with a large quantity of arms, gunpowder and money, to support the foundation of an independent Catholic-ruled Ireland, only for Oliver Cromwell to hold sway and restore Ireland to his side.

Innocent X's decision to side with Spain over Portugal’s bid for independence was consistent with his general policy of supporting Spanish ambitions and, as an extension of that position, opposing France.

Although his papacy was dominated by political matters, he did not entirely neglect ecclesiastical issues. The most important in his time concerned the condemnation of Jansenism, an interpretation of the teachings of St. Augustine about grace and free will that he decreed was heretical.

He was cautious financially, although he did commission the completion of the interior of St. Peter’s as well as the transformation of Piazza Navona into the artistic masterpiece we see today, and the restoration of Palazzo Pamphili, the home of Pope Urban VIII, which looks out on the piazza.

Innocent X was pope for 11 years until his death in Rome at the age of 80. Religious historians are divided on his legacy, some believing he weakened the papacy, others that he increased its power. He was succeeded by Alexander VII, from the Chigi family.

Bernini's Fontana dei Quattro Fiumi

Travel tip:

Built on the site of the Roman Stadium of Domitian, Piazza Navona became a public open space in the 15^th century, when Rome’s main market moved there from Campidoglio. It already contained the Fontana del Moro (Moors Foutain) and the Fontana del Nettuno (Fountain of Neptune), sculpted by Giacomo della Porta between 1574 and 1575, but Innocent X commissioned Gian Lorenzo Bernini to create its magnificent centrepiece, the Fontana dei Quattro Fiumi (Fountain of the Four Rivers) in 1651, which is topped by the Obelisk of Domitian, moved from the Circus of Maxentius.

A typical staircase in medieval Gubbio

Travel tip:

Gubbio, the town in Umbria from which Innocent X’s family originated, is one of the best-preserved medieval towns in Italy, partly because, perched on the side of Monte Ingino, it is not accessible easily enough to attract hordes of visitors.  Full of narrow streets, alleyways and staircases, most of them dramatically steep, it has been dubbed La Città del Silenzio – the City of Silence – for its sometimes eerie serenity and calm. 

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Antonio Cifrondi – painter

Artist who has preserved images of everyday life for us

Cifrondi's painting of An Old Woman with
a Stick can be seen at the Civic Museum
 of Art and History in Brescia

Baroque artist Antonio Cifrondi was born on this day in 1655 in Clusone, just north of Bergamo, in Lombardy.

He is known for his religious works and his genre paintings of old men and women and of people at work, in which he depicts their clothing in great detail. 

Some of his work is on display in the Accademia Carrara in Bergamo. A self-portrait can be seen in the church of Sant' Alessandro della Croce in Via Pignolo in Bergamo.

Cifrondi was born into a poor family in Clusone, the main town in Val Seriana to the north east of Bergamo.

After training as a painter locally he moved to Bologna, and then to Turin and to Rome, where he stayed for about five years. He also worked briefly at the Palace of Versailles near Paris.

He came back to live in the Bergamo area in the 1680s, after which he painted many of his major works. He lived for the last years of his life in a convent near Brescia, the city where he died in 1730.

Travel tip:

Bergamo in Lombardy is a beautiful city with an upper and lower town that are separated by impressive fortifications. The magical upper town has gems of medieval and Renaissance architecture surrounded by the impressive 16th century walls, which were built by the Venetians who ruled at the time. Outside the walls, the lower town has art galleries, churches and theatres and a wealth of good restaurants and smart shops to enjoy. For more information visit www.bestofbergamo.com

The Accademia Carrara in Bergamo has a number of
paintings by the artist Antonio Cifrondi

Travel tip:

One of the biggest jewels in Bergamo’s crown, the prestigious art gallery Accademia Carrara, was reopened to the public in 2015 after having had extensive renovation work. It is the only museum in Italy to be entirely stocked with donations and bequests from private collectors and has many works by Venetian and Lombardian Renaissance artists. The gallery is located in Piazza Giacomo Carrara just outside the walls of the upper town, a short walk from Porta Sant’Agostino. For more information visit www.lacarrara.it

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Bartolomeo Cristofori - inventor of the piano

Instrument maker adapted harpsichord to play soft and loud notes

Bartolomeo Cristofori in a 1726 portrait

Bartolomeo Cristofori, the man widely credited with inventing the piano, was born on this day in 1655 in Padua.

He came up with the idea while working for the Grand Prince Ferdinando de' Medici in Florence, who had hired him to look after his collection of harpsichords and other instruments.

It is thought that Cristofori, who was assumed to have been an established maker of musical instruments when Ferdinando invited him to Florence in around 1690, wanted to create a keyboard instrument similar to a harpsichord but capable of playing notes of varying loudness.

An inventory of Medici instruments from 1700 described an "arpicimbalo", which resembled a harpsichord but which created sounds through hammers and dampers rather than the plucking mechanism employed by the harpsichord. It was said to be "newly invented by Bartolomeo Cristofori".

In 1711, Scipione Maffei, a poet and journalist, referred to Cristofori's "gravicembalo col piano, e forte" (harpsichord with soft and loud), the first time it was called by its eventual name, pianoforte. A Florentine court musician, Federigo Meccoli, noted that the "arpi cimbalo del piano e forte" was first made by Cristofori in 1700, which is regarded as the birth date for the piano.

An early model was dismissed by the German composer Johann Sebastian Bach as possessing too heavy a touch and too weak a treble.  Cristofori made further modifications over time and by 1726 his instrument had many of the characteristics of a modern piano, albeit with fewer keys.

In Germany, meanwhile, the organ designer Gottfried Silbermann, using Cristofori's blueprint, began making pianos of his own in 1730, which met with Bach's approval.

Three Cristofori pianos survive, the oldest a 1720 model at the Metropolitan Museum of Art in New York City.  The Museo Strumenti Musicali in Rome has one dated at 1722 and the Musikinstrumenten-Museum of Leipzig University has one made in 1726.

Cristofori’s invention was initially slow to catch on in Italy, but records show that Queen Maria Barbara de Braganza of Spain, patron and student of the composer Domenico Scarlatti, bought five. It is thought that hundreds of Scarlatti’s single-movement keyboard sonatas, of which there were more than 500, may have been intended for piano, rather than harpsichord.

By the late 18th century, thanks to its range and versatility, the pianoforte had become a leading instrument of Western music. By the end of the 19th century, many wealthier households in Europe and North America possessed a piano and almost every major Western composer from Mozart onwards had played it and put it at the heart of their musical output.

Cristofori remained in Florence following the death of Ferdinando in 1713 and continued to work for the Medici court until his health declined.  There is evidence that his assistants were Giovanni Ferrini and Domenico dal Mela, who both went on to establish notable careers of their own.  Dal Mela is said to have made the first upright piano.  Cristofori died in Florence in January 1731.

The Basilica of St Anthony in Padua

Travel tip:

The city of Padua - or Padova - in the Veneto region of northern Italy is best known for the frescoes by Giotto that adorn the Scrovegni Chapel and for the vast 13th-century Basilica of St. Anthony, notable for its Byzantine-style domes. The old part of the town has arcaded streets and many cafes. The University of Padua, established in 1222, is one of the oldest in the world.

Travel tip:

Florence is said to be the birthplace of opera, a form of entertainment that evolved after musicians, dancers and actors began performing light-hearted scenes known as intermezzi to keep audiences entertained between acts of Roman plays.  Noble Florentine families began to enthuse more about the intermezzi than the plays themselves and in 1600 the first complete opera - Euridice, by Jacopo Peri - was performed at the Pitti Palace at the royal wedding of Maria de' Medici and Henry IV of France.

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