Showing posts with label Artists. Show all posts
Showing posts with label Artists. Show all posts

22 September 2022

Mario Berrino - painter

Artist who was also a popular entrepreneur 

Berrino captured many scenes from life on the coast of Liguria in and near his home in Alassio
Berrino captured many scenes from life on the
coast of Liguria in and near his home in Alassio
The painter and entrepreneur Mario Berrino was born on this day in 1920 in Alassio, the coastal town in Liguria where he spent almost all his life.

Berrino took up painting full time in his 50s and his simple yet atmospheric and evocative works became sought after by collectors, often selling for hundreds of euros at auction.

Alassio has a gallery dedicated entirely to his work, as does the jet set playground of Monte Carlo, about 100km (62 miles) along the riviera coastline to the west, not far from Italy’s border with France.

Before that, Berrino had lived a colourful life in and around his home town, his entrepreneurial spirit shining through in many projects that left a lasting impression on Alassio.

As a young man, he helped his father and brothers run a bar and restaurant in Alassio, the Caffè Roma, which earned fame in the years between the First and Second World Wars as a hang-out for writers, artists, and musicians, among them the American novelist Ernest Hemingway, who was a frequent visitor to Italy and became a close friend of Berrino.

It was when Hemingway was in Alassio in 1953 that Berrino hatched the idea of attaching brightly coloured tiles to the low wall of a public garden opposite the Caffè Roma bearing the signatures of artists who had visited the restaurant.

Il Muretto di Alassio, which Berrino created on a wall outside the Caffè Roma, still attracts visitors
Il Muretto di Alassio, which Berrino created on a
wall outside the Caffè Roma, still attracts visitors
He asked a ceramicist to create some tiles and he and Hemingway crossed the road between the Caffè Roma and the garden one evening, using cement to attach the first three - one bearing Hemingway’s own signature and a second with the signature of a guitarist Cosimo de Ceciglie. The third carried all four signatures of a singing group, Il Quartetto Cetra.

The wall became known as Il Muretto di Alassio and remains a tourist attraction today, with close to 1,000 tiles, the criteria for inclusion expanded to include personalities from cinema, television, fashion, entertainment and sport.

In the same year as the wall came into being, Berrino launched a beauty contest, Miss Muretto, which was held every year until 2013. The winners include several women who have gone on to achieve a degree of fame, including the TV presenters Simona Ventura, Maria Teresa Ruta, Elisa Isoardi and Melissa Satta.

Berrino launched himself with enthusiasm into several other entrepreneurial ideas, cashing in on Alassion’s reputation for invigorating sea air by selling l’Aria Pura di Alassio in 500 litre jars, for which he received orders from all over Europe.

Berrino on the occasion of a 90th birthday celebration in Alassio
Berrino on the occasion of a 90th
birthday celebration in Alassio
He also successfully organised the Sciaccagiara, in which Formula One racing drivers including world champion James Hunt and the popular Swiss-Italian Clay Regazzoni, raced each other on steamrollers.

He was a popular figure in Alassio, usually seen driving his red Fiat Ghia 500 Jolly, a specially adapted Fiat 500 with a removable canopy top and wicker seats that was favoured by celebrities and VIPs ranging from the Greek shipping magnate Aristotle Onassis to Italian Communist leader Enrico Berlinguer.

Berrino set aside a wall of the Caffè Roma, called La buca del Muretto, to allow artists to exhibit, which was his inspiration to take up painting himself. Using watercolour, tempera, encaustic and oil techniques, he had become an established painter in the 1960s and from 1976 onwards devoted himself to painting full time.

Two years earlier, he had survived the ordeal of being kidnapped by a gang who demanded 300 million lire be paid for his release. Berrino managed to escape from captivity to the safety of a Carabinieri station.

Berrino remains a personality held in deep affection by the town of Alassio, who staged a celebration of his life on the 100th anniversary of his birth in 2020, nine years after his death in Alassio in August 2011.

A painting by Berrino that captures the beauty of Alassio's location on the coast of Liguria
A painting by Berrino that captures the beauty
of Alassio's location on the coast of Liguria
Travel tip:

Alassio is an attractive town on the Riviera di Ponente, the stretch of coastline that stretches southwest of the Ligurian capital of Genoa to the town of Ventimiglia, close to the French border. Renowned for its sandy beaches and blue seas, Alassio is popular for bathing in the summer and as a health resort in the winter.  It is a tourist-friendly town not least for having a narrow, pedestrianised street known as Il Budello which runs the length of the town just a few steps away from the beach. The English composer Edward Elgar is said to have written an overture while staying in Alassio during the winter of 1903-04, having been drawn to the area by its reputation for mild winters.  Read more...

The Caffè Roma remains a thriving business in Alassio today
The Caffè Roma remains a thriving
business in Alassio today
Travel tip:

The Caffè Roma, in Via Dante Alighieri, remains a thriving part of the life of Alassio, a symbolic monument to the town and its history as one of the resorts most favoured by writers, artists and musicians. The Muretto di Alassio remains a draw for visitors, who often spend many minutes trying to decipher the signatures on the ceramic tiles. The restaurant and cafe itself is housed in an attractive building in the Italian variant of Art Nouveau known as Stile Liberty.



Also on this day:

1929: The birth of motorcycle world champion Carlo Ubbiali

1955: The birth of Mafia ‘pentito’ Leonardo Messina

1958: The birth of tenor Andrea Bocelli

1979: The birth of writer Roberto Saviano


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10 February 2022

Francesco Hayez - painter

Artist who pushed boundaries of sensuality

Francesco Hayez, as he appeared in an 1820s self-portrait
Francesco Hayez, as he appeared
in an 1820s self-portrait
The painter Francesco Hayez, regarded as the father of the Milanese Romanticism movement in the mid-19th century and an artist renowned for his depictions of historical events and for his political allegories, was born on this day in 1791 in Venice.

His father, a fisherman, was French in origin and married a girl from Murano called Chiara Torcello, although they were a relatively poor family and Francesco was largely brought up by his wife’s sister, who had the good fortune to marry Giovanni Binasco, a wealthy ship-owner who dealt in antiques and collected art.

It was Binasco who fostered in Hayez his love of painting and after initially beginning an apprenticeship as an art restorer became a pupil in the studio of the Venetian painter Francesco Maggiotto. He was admitted to the New Academy of Fine Arts in Venice in 1806.

Hayez moved to Rome in 1809 after winning a one-year scholarship at the Accademia di San Luca.  In the event, he stayed in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat, the  French military commander and statesman who was King of Naples under Napoleonic rule, to paint a major work. 

By the mid-1830s, Hayez had become interested in the growing Risorgimento movement, the proponents of which foresaw an Italy liberated from foreign control in which artistic expression could thrive. He moved to Milan, where he met like-minded painters and writers at the Salotto Maffei, the salon hosted by Clara Maffei, whose portrait Maffei's husband commissioned Hayez to paint. 

Hayez's 1867 painting, The destruction of the Temple of Jerusalem
Hayez's 1867 painting, The destruction
of the Temple of Jerusalem
It was in Milan that he established himself at the centre of intellectual life, being held in such high regard that in 1850 he was appointed director of the Brera Academy, where he remained for the rest of his working life. His pupils included Alessandro Focosi, Angelo Pietrasanta and Francesco Valaperta.

Hayez’s output was substantial and varied throughout his career, from biblical themes to grand works depicting key contemporary political and social figures in settings from Italian history. 

He had a particular penchant for paintings involving semi-clothed Odalisques, a favorite topic of Romantic painters. These women were female attendants in Turkish harems under Ottoman rule but the term came to mean a concubine in western usage, and their depiction in historical works allowed artists the ability to paint scenes that otherwise would not be deemed acceptable in 19th century society.

Later, Hayez focussed more and more on allegorical themes, often with strong patriotic or political connotations.

The allegorical painting, Il bacio, is seen by some as Hayez's finest work
The allegorical painting, Il bacio, is seen
by some as Hayez's finest work
It was during this phase that he produced one of his most famous works, and one that many of his contemporaries regarded as his best, Il bacio - The Kiss - painted in 1859.

Il bacio is notable first for the passion with which the male figure kisses the woman, one hand at the back of her head while the other caresses her face, a sensual echo of his much earlier work, L'ultimo bacio di Romeo e Giulietta - The Last Kiss of Romeo and Juliet - painted in 1823, in Romeo’s hand on Juliet’s lower back, pulling her closer to him, was seen as somewhat risqué at the time.

It was seen as having a political message, too. Painted at a time when Milan and much of northern Italy was under the control of the Austrian Empire and the Habsburgs, Il bacio was interpreted as showing a young Italian soldier kissing goodbye to his lover before going off to fight for Italy against the Austro-Hungarians. 

This was reinforced in a later version - Hayez is thought to have painted five versions in total - in which the red and green in the male figure’s costume, juxtaposed to a white shawl that has fallen on to some nearby steps, is seen to represent the Italian tricolore, and the blue and white of the woman’s clothing, next to the red of the man’s tights, is taken to represent the French flag, symbolising the alliance between Italy and France that ultimately brought about Italian unification.

Hayez was in demand also for his portraits, often commissioned by the nobility but also by his fellow artists and musicians. In the late stages of his career, he was known to have made use of photographs, sparing his subjects the need to pose for long periods. 

He died in Milan in 1892 at the age of 91.

A canal in Murano, flanked by the examples of the island's characteristic coloured houses
A canal in Murano, flanked by the examples of
the island's characteristic coloured houses
Travel tip:

Murano, the home of Francesco Hayez’s mother, is a group of islands in the Venetian lagoon about a kilometre across the water from Venice’s northern shore. Like its neighbour, it has a network of canals. Historically a fishing port and a centre for salt production, nowadays it is famous for its multi-coloured houses and glass factories and attracts crowds of tourists, although this does not detract from its charm. The island is proud of its glass-making history, which can be studied at the Museo del Vetro, on Fondamenta Giustinian, but aggressive sales techniques and cheap imports masquerading as Murano glass have sullied its reputation in recent years.

Hotels in Murano by Booking.com

The Palazzo Brera is home to the Milan's renowned Accademia di Belle Arti
The Palazzo Brera is home to the Milan's
renowned Accademia di Belle Arti
Travel tip:

The Accademia di Belle Arti di Brera, sometimes shortened to Accademia di Brera, where Francesco Hayez was the director, is now a state-run tertiary public academy of fine arts in Via Brera in Milan, in a building it shares with the Pinacoteca di Brera, Milan's main public museum for art, which houses the original version of Il bacio. The academy was founded in 1776 by Maria Theresa of Austria and shared its premises with other cultural and scientific institutions, including an astronomical observatory, botanical garden, school of philosophy and law, laboratories for physics and chemistry, and a library. The main building, the Palazzo Brera, was built in about 1615 to designs by Francesco Maria Richini.

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More reading:

How Giovanni Mazzini inspired the Risorgimento movement

Baldassare Verazzi, the painter who captured the Five Days of Milan uprising

The 18th century master of frescoes who became court painter to Napoleon

Also on this day:

1482: The death of sculptor Luca della Robbia

1821: The birth of painter Roberto Bompiani

1918: The death of Nobel Prize-winning peace activist Ernesto Teodoro Moneta

1944: The birth of writer and politician Raffaele Lauro

1953: The founding of oil and gas company ENI

1966: The birth of footballer Andrea Silenzi

(Paintings: Hayez's Self-Portrait in a Group of Friends (1824), Museo Poldi Pezzoli, Milan; The Destruction of The Temple of Jerusalem (1867), Gallerie dell'Accademia, Venice; Il bacio (1859), Pinacoteca di Brera, Milan)

(Picture credits: Palazzo Brera by MarkusMark via Wikimedia Commons)





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24 May 2020

Jacopo Carucci da Pontormo – artist

Painter’s expressive style was the start of Mannerism


Jacopo Pontormo's masterpiece, The Deposition from the Cross
Jacopo Pontormo's masterpiece, The
Deposition from the Cross
Painter Jacopo Carucci, often referred to simply as Pontormo, was born on this day in 1494 in Pontorme near Empoli in Tuscany.

Pontormo is considered to be the founder of the Mannerist style of painting in the later years of the Italian high renaissance, as he was capable of blending Michelangelo’s use of colour and monumental figures with the metallic rigidity of northern painters such as Albrecht Dürer. His work represents a distinct stylistic shift from the art typical of the Florentine Renaissance.

According to Giorgio Vasari in his book, The Lives of the Artists, Pontormo’s father was also a painter but he became an orphan at the age of ten. As a young art apprentice he moved around a lot, staying with Leonardo da Vinci, Mariotto Albertinelli, Piero di Cosimo and Andrea del Sarto.

Pope Leo X, passing through Florence in 1515 on a journey, commissioned the young Pontormo to fresco the Pope’s Chapel in the church of Santa Maria Novella.

Pontormo also participated in the decoration of the nuptial chamber of Pierfrancesco Borgherini with his Stories of Joseph, four paintings that are now in the National Gallery in London.

According to Vasari, the model for the boy seated on the step in one of the pictures was Pontormo’s young apprentice, Bronzino.

In 1522, when the plague broke out in Florence, Pontormo went to stay at a cloistered Carthusian monastery, the Certosa di Galluzzo, where he painted a series of frescoes on the passion and resurrection of Christ, but sadly these have been damaged over the years.

Pontormo’s surviving masterpiece is considered to be The Deposition from the Cross, a large altarpiece canvas in the church of Santa Felicità in Florence.

Pontormo's portrait, The Halberdier, was once
the most expensive painting in the world
In the last few years of his life, Pontormo worked on frescoes for the choir of the Basilica of San Lorenzo in Florence, but only the drawings for these have survived. The artist died, aged 62, in January 1557 before completing this work.

According to Vasari, Pontormo ‘was buried in the first cloister of the Church of the Servite friars under the scene he had previously painted there of the Visitation.’ This is the church of Santissima Annunziata in Piazza della Santissima Annunziata in Florence.

His body was moved in 1562 to the chapel devoted to artists and placed under the Trinity, which had been painted by his pupil, Bronzino.

Vasari portrays Pontormo as withdrawn, neurotic and miserly, but subsequent art historians have pointed out that the two were rivals for Medici commissions, which might have influenced Vasari’s judgment.

Pontormo’s work was out of fashion for centuries, but there has recently been renewed interest in him from art historians. Between 1989 and 2002, Pontormo’s portrait of The Halberdier held the title of the world’s most expensive painting by an Old Master.

The church of San Michele in Pontorme, Empoli, is just a few steps from the house in which Pontormo was born
The church of San Michele in Pontorme, Empoli, is just
a few steps from the house in which Pontormo was born
Travel tip:

The village of Pontorme, where Jacopo Carucci was born, is now a district of the town of Empoli, which can be found 20km (12 miles) southwest of Florence. Pontorme is essentially the network of streets around the church of San Michele Arcangelo. The house where Carucci spent his early years is now a museum in which visitors can see objects and artworks that include preparatory sketches for the altarpiece depicting Saints John the Evangelist and the Archangel Michael from the church of San Michele, a page from the painter’s diary and pieces of ceramic cookware uncovered during the building’s restoration.  The house is close to the church of San Michele in Via Pontorme, who can arrange visits.

The loggia facade of the Basilica della Santissima  Annunziata in Florence, where Carucci was buried
The loggia facade of the Basilica della Santissima
Annunziata in Florence, where Carucci was buried
Travel tip:

The Basilica della Santissima Annunziata, where Carucci was buried, is a Renaissance-style basilica in Florence. Considered the mother church of the Servite Order, it is located at the northeastern side of the Piazza Santissima Annunziata near the city centre. The facade of the church is by the architect Giovanni Battista Caccini, added in 1601 to imitate the Renaissance-style loggia of Brunelleschi's facade of the Foundling Hospital, which defines the eastern side of the piazza. The building opposite the Foundling Hospital, designed by Sangallo the Elder, was also given a Brunelleschian facade in the 1520s.

Also on this day:

1671: The birth of Gian Gastone de’ Medici, the last Medici to rule Florence

1751: The birth of Charles Emmanuel IV, King of Sardinia

1981: The birth of celebrity chef Simone Rugiati


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23 February 2020

Corrado Cagli - painter

Jewish artist who fought in World War II as a US soldier


Corrado Cagli, pictured in his studio in Rome in around 1969
Corrado Cagli, pictured in his studio in Rome
in around 1969
The painter Corrado Cagli, one of the outstanding figures in the New Roman school that emerged in the early part of the 20th century, was born in Ancona on this day in 1910. 

He moved with his family to Rome in 1915 at the age of five and by the age of 17 had created his first significant work, a mural painted on a building in Via Sistina, the street that links Piazza Barberini with the Spanish Steps in the historic centre of the city.

The following year he painted another mural inside a palazzo on the Via del Vantaggio, not far from Piazza del Popolo.  In 1932, he held his first personal exhibition at Rome’s Galleria d’Arte Moderna.

At this stage, despite being both Jewish and gay, Cagli had the support of the Fascist government, who commissioned him and others to produce mosaics and murals for public buildings.

Although he would go on to experiment in neo-Cubist style and metaphysical styles, the aim of the Scuola Romana he sought to establish with fellow artists such as Giuseppe Capogrossi and Emanuele Cavalli was to reaffirm the principles of classical and Renaissance art.

However, in 1938, when the Fascist dictator Benito Mussolini stepped up his persecution of Jews and other minorities, Cagli sought refuge in Paris and later fled to New York.

A detail from Cagli's 1936 painting, The Battle of San Martino, the final battle of the Second Italian War of Independence
A detail from Cagli's 1936 painting, The Battle of San Martino,
the final battle of the Second Italian War of Independence
Not knowing when or if he might return to Italy, Cagli became an American  citizen, even enlisting in the US Army. He went back to Europe as a soldier, taking part in the 1944 Normandy landings and seeing frontline combat fought in Belgium and Germany.

In fact, in an episode in his tour of duty that would have a profound effect on his life, he was part of a battalion that liberated Jewish prisoners from the Buchenwald concentration camp, near Weimar, in 1945. While he was there, Cagli made a series of dramatic drawings.

In 1948, Cagli finally returned to Rome to take up permanent residence again. At that time, he began to experiment in various abstract and non-figurative techniques, including metaphysical and neo-Cubist.

The recipient in 1946 of a Guggenheim award, in 1954 he was recognised with a Marzotto award, made by the Marzotto fashion company in Valdagno, in the Veneto between 1951 and 1968 to artists and thinkers who contributed to the cultural rebirth of Italy after the war.

In later life, he was the official banner painter for the Palio di Siena, the twice-yearly horse race around Siena’s Piazza del Campo, for which he had a particular fascination.

Corrado’s younger sister, Ebe, was a writer who also moved to the United States to escape Mussolini’s race laws.  She married an academic, Abraham Seidenberg, and did not return to Italy.

Cagli died in Rome in 1976.

Ancona's Cathedral of San Ciriaco, which occupies an elevated position on the site of a former acropolis
Ancona's Cathedral of San Ciriaco, which occupies an
elevated position on the site of a former acropolis
Travel tip:

Ancona, where Cagli lived until he was five years old, is a bustling port with a population of almost 102,000, situated on the Adriatic coast in the Marche region. Although the area around the port has an industrial feel, there are some notable beaches nearby of which the Passetto is the best known.  There is a good deal of history in the older part of the city,  some of it bearing witness to its Greek and Roman past, as well as the Cathedral of San Ciriaco, which has mixed Romanesque-Byzantine and Gothic elements, and stands on a hill on the site of the former acropolis of the Greek city.  The 18m-high Arch of Trajan, built in honour of the emperor who built the city’s harbour, is regarded as one of the finest Roman monuments in the Marche region. The harbour contains the Lazzaretto, a pentagonal building constructed on an artificial island in the 18th century as a quarantine station designed to protect the city from diseases carried by infected travellers.

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Siena's beautiful Piazza del Campo, where the Palio di Siena horse race is staged on tow dates every summer
Siena's beautiful Piazza del Campo, where the Palio di Siena
horse race is staged on tow dates every summer
Travel tip:

The shell-shaped Piazza del Campo, established in the 13th century as an open marketplace on a sloping site between the three communities that eventually merged to form Siena, is regarded as one of Europe's finest medieval squares, looked over by the Palazzo Pubblico and the Torre del Mangia.  The red brick paving, fanning out from the centre in nine sections, was put down in 1349.  The Palio, which features 10 horses, each representing one of Siena's 17 contrade, or wards, ridden bareback by riders wearing the colours of the contrada they represent, was first contested in 1656 and is now staged on July 2 and August 16 each year.


More reading:



29 April 2018

Giovanni Antonio Pellegrini - painter

Venetian artist who made mark in England


Giovanni Antonio Pellegrini's self-portrait,  painted in about 1717
Giovanni Antonio Pellegrini's self-portrait,
painted in about 1717
The painter Giovanni Antonio Pellegrini, who is regarded as one of the most important Venetian painters of the early 18th century, was born on this day in 1675 in Venice. 

He played a major part in the spread of the Venetian style of large-scale decorative painting in northern Europe, working in Austria, England, France, Germany, and the Netherlands.

With a style that had influences of Renaissance artist Paolo Veronese and the Baroque painters Pietro da Cortona and Luca Giordano, he is considered an important predecessor of Giovanni Battista Tiepolo in the development of Venetian art.

A pupil of the Milanese painter Paolo Pagani, Pellegrini began travelling while still a teenager, accompanying Pagano to Moravia and Vienna.

After a period studying in Rome, he returned to Venice and married Angela Carriera, the sister of the portraitist Rosalba Carriera.

Soon afterwards, he accepted the commission to decorate the dome above the staircase at the Scuola Grande di San Rocco in 1709.

Pellegrini spent a significant part of his career in England, where he was invited, along with Marco Ricci, the nephew of Sebastiano Ricci, by Charles Montagu, the future Duke of Manchester.  He and Ricci were the first Venetians to work in England.

A copy of Pellegrini's original work in the reconstructed dome of Castle Howard in Yorkshire
A copy of Pellegrini's original work in the reconstructed
dome of Castle Howard in Yorkshire
Pellegrini made his mark in England by painting murals in a number of English country houses, including at Kimbolton Castle for the Montagu, Castle Howard, and Narford Hall, Norfolk, for Sir Andrew Fontaine.

His paintings in the dome at Castle Howard in Yorkshire were unfortunately largely destroyed in a fire in 1940.

In London he worked at 31 St James's Square for the Duke of Portland, and became a director of Sir Godfrey Kneller's Academy in London in 1711.

He submitted designs for decorating the interior dome of the new St Paul's Cathedral, and is said to have been Christopher Wren's favourite painter. However, he did not win the commission, losing out to Sir James Thornhill.

Pellegrini subsequently travelled through Germany and the Netherlands on his way back to Italy.

He completed works in many European cities, including Düsseldorf, The Hague, Prague, Dresden, Vienna and Paris.

Pellegrini died in Venice in November 1741.

The Ospedale degli Incurabili, which houses the  Accademia di Belle Arti in Venice
The Ospedale degli Incurabili, which houses the
 Accademia di Belle Arti in Venice
Travel tip:

Pellegrini is thought to have lived in the Dorsodoro sestriere of Venice, in which the Accademia di Belle Arti di Venezia was founded in September 1750. Giovanni Battista Tiepolo became the first president. The academy was at first housed in a room on the upper floor of the Fonteghetto della Farina, a flour warehouse and market on the Grand Canal, close to Piazza San Marco.



The facade of the historic Scuola Grande di San Rocco
The facade of the historic Scuola Grande di San Rocco
Travel tip:

The Scuola Grande di San Rocco is a lay confraternity founded in 1478, named after San Rocco, who was popularly regarded as offering protection against the plague. It quickly became the richest Scuola of the city.  Jacopo Tintoretto was engaged to produce a large number of paintings to decorate the walls and ceilings, which included what is regarded as his celebrated pictorial cycle illustrating episodes from the New and Old Testaments.  More than over 60 paintings are preserved in their original setting in a building that has undergone very little alteration since its construction.



More reading:

The brilliant miniatures of Rosalba Carriera

Pietro da Cortona - outstanding exponent of Baroque

Why Luca Giordano was renowned as a fast worker

Also on this day:

1945: Brazilian soldiers liberate an Italian town

1987: The birth of tennis champion Sara Errani


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