Showing posts with label Capua. Show all posts
Showing posts with label Capua. Show all posts

11 September 2018

Manrico Ducceschi - partisan

Brave freedom fighter whose death is unsolved mystery


Manrico Ducceschi operated under the codename Pippo as he fought as an Italian partisan
Manrico Ducceschi operated under the codename
Pippo as he fought as an Italian partisan
Manrico ‘Pippo’ Ducceschi, who led one of the most successful brigades of Italian partisans fighting against the Fascists and the Nazis in the Second World War, was born on this day in 1920 in Capua, a town in Campania about 25km (16 miles) north of Naples.

Ducceschi’s battalion, known as the XI Zona Patrioti, are credited with killing 140 enemy soldiers and capturing more than 8,000. They operated essentially in the western Tuscan Apennines, between the Garfagnana area north of Lucca, the Valdinievole southwest of Pistoia, and the Pistoiese mountains.

He operated under the name of Pippo in honour of his hero, the patriot and revolutionary Giuseppe Mazzini.

Ducceschi's success in partisan operations led to him being placed at the top of the Germans' ‘most wanted’ list. Even his relatives were forced to go into hiding.

After the war, he was honoured by the Allies for the help he provided in the Italian campaign but oddly his deeds were never recognised by the post-war Italian government, nor even by his own comrades in the National Association of Italian Partisans (Anpi).

Moreover, he died in mysterious circumstances in 1948 when he was found hanged in his house in Lucca. His family refused to accept the official verdict of suicide delivered by magistrates investigating his death, believing he was murdered, although a new inquiry opened in the 1970s could not find any evidence to contradict the original verdict.

Manrico Ducceschi's battalion is credited with killing more than 140 enemy soldiers
Manrico Ducceschi's battalion is credited with
killing more than 140 enemy soldiers
Although born in Capua after his mother went into premature labour while travelling, Ducceschi was brought up in Pistoia, where the family lived. He went to high school there and after attending a liceo classico in Lucca he enrolled to study literature and philosophy at the University of Florence, although the outbreak of war meant he never graduated.

He was serving with the Alpini Corps of the Italian Army in Tarquinia in Lazio when Italy formally surrendered to the Allies on September 8, 1943, but managed to evade capture by the Germans and made his way back to Pistoia - a distance of 250km (155 miles) - mainly on foot.

There he became involved with resistance groups. His organisational skills and training with the Alpini saw him quickly assume leadership roles and by March 1944 he was head of the XI Zona Patrioti. Many of his fellow freedom fighters were political activists but Ducceschi insisted that his group was not aligned with any particular party.

In addition to regular engagements with the enemy, the group scored a major success when they intercepted, at the Abetone Pass in the mountains above Pistoia, a Rear Admiral of the Japanese navy. They seized documents that proved highly useful for the subsequent war operations of the Allies in the Pacific.

This led to closer ties with the Allies, who supplied them with uniforms and equipment, and entrusted them with a 40km (25 miles) stretch of the Gothic Line, the line of German defensive positions from the Tuscan coast to the Adriatic for control of which the Allies fought between October 1944 and the following spring. Ducceschi’s partisans participated in the liberation of Modena, Reggio Emilia, Parma, Piacenza and Lodi, and were among the first soldiers to arrive in Milan on April 25, 1945.

The terrain around the Abetone Pass. north of Pistoia, where Duccesci's brigade made a noteworthy capture
The terrain around the Abetone Pass. north of Pistoia,
where Duccesci's brigade made a noteworthy capture
At the end of the war, Ducceschi was awarded the Bronze Star Medal for military valour by the Allies, but had no recognition either from the partisan organisations or from the Italian State.

Family members have since offered a number of hypotheses as to why this might have been and why they believed his death in 1948 was not suicide, but rather a murder made to look like one, with several potential suspects.

These include fellow partisans who opposed his continuing co-operation with the Americans after the war, mainly because he supplied them with information about their political activities. The Americans were concerned about the growth of the Italian Communist Party and Ducceschi, having helped achieve the fall of one dictator in Benito Mussolini, feared an Italy run by the Communists would simply be another dictatorship.

Others they believed had a motive to kill him were those who he discovered to be secretly selling impounded weapons to foreign regimes, including the newly formed state of Israel. They included Franco Corelli, a former partisan colleague and a neighbour in Lucca, who he also suspected of having romantic designs on his wife, Renata.

The inquiry into Ducceschi’s death discovered that Corelli visited him at his home in Lucca shortly before his body was discovered, as did his former right-hand man in XI Zona Patrioti, Giuliano Brancolini.  Both men left Italy before the investigation into the death was concluded, Corelli fleeing to Brazil.

At the time of his death, Renata and the couple’s baby daughter, Roberta, were staying at the family’s holiday home in the mountains. When Ducceschi failed to join them at an appointed time, his father, Fernando, went to the house in Lucca and discovered his body.

In his testimony, Fernando said he heard footsteps on the stairs in the house soon after he found his son’s body. He also claimed that his son’s clothes were soiled in a way that suggested his body had been dragged from somewhere else. Yet the investigation, conducted jointly by Italian, British and American authorities, still reached a verdict of suicide.

The octagonal Baptistry of San Giovanni in Corte in
Pistoia's Piazza del Duomo
Travel tip:

Pistoia, where Manrico Ducceschi grew up, is a pretty medieval walled city in Tuscany, about 40km (25 miles) northwest of Florence. The city developed a reputation for intrigue in the 13th century and assassinations in the narrow alleyways were common, using a tiny dagger called the pistole, made by the city’s ironworkers, who also specialised in manufacturing surgical instruments. At the centre of the town is the Piazza del Duomo, where the Cathedral of San Zeno, which has a silver altar, adjoins the octagonal Battistero di San Giovanni in Corte baptistery. On the same square is the 11th century Palazzo dei Vescovi.

The Piazza dell'Antifeatro, on the site of a former  amphitheatre, is part of the charm of Lucca
The Piazza dell'Antifeatro, on the site of a former
amphitheatre, is part of the charm of Lucca
Travel tip:

Lucca, where Ducceschi settled at the end of the Second World War, is situated in western Tuscany, just 20km (12 miles) from Pisa, and 80km (50 miles) from Florence. Its majestic Renaissance walls are still intact, providing a complete 4.2km (2.6 miles) circuit of the city popular with walkers and cyclists.  The city has many charming cobbled streets and a number of beautiful squares, plus a wealth of churches, museums and galleries and a notable musical tradition, being the home of composers Alfredo Catalani, Luigi Boccherini and the opera giant, Giacomo Puccini.

More reading:

How trade union leader Teresa Noce led a secret partisan unit in France

Mysterious death of partisan who helped capture Mussolini

Alcide de Gasperi - prime minister who rebuilt Italy

Also on this day:

1555: The birth of naturalist Ulisse Aldrovandi

1871: The birth of adventurer Scipione Borghese



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21 February 2017

Giuseppe Abbati - painter and revolutionary

Early death robbed Italian art of bright new talent


Giovanni Boldini's portrait of  Giuseppe Abbati in 1865
Giovanni Boldini's portrait of
Giuseppe Abbati in 1865
Italy lost a great artistic talent tragically young when the painter and patriot Giuseppe Abbati died on this day in 1868.

Only 32 years old, Abbati passed away in the hospital of Santa Maria Nuova in Florence, having contracted rabies as a result of being bitten by a dog.

Abbati was a leading figure in the Macchiaioli movement, a school of painting advanced by a small group of artists who began to meet at the Caffè Michelangiolo in Florence in the late 1850s.

The group, in which Giovanni Fattori, Silvestro Lega and Cristiano Banti were other prominent members, were also for the most part revolutionaries, many of whom had taken part in the uprisings that occurred at different places in the still-to-be-united Italian peninsula in 1848.

Abbati, born in Naples, had joined Giuseppe Garibaldi's Expedition of the Thousand, losing his right eye in the Battle of the Volturno in 1860, when around 24,000 partisans were confronted by a 50,000-strong Bourbon army at Capua, north of Naples.

The son of Vincenzo Abbati, also a painter, Abbati was taken to live in Florence when he was six and to Venice before he was 10.  The family stayed in Venice for 12 years, Abbati attending the Accademia di Belle Arti, where he met future Macchiaioli painters Vito D'Ancona and Telemaco Signorini.

Abbati's painting Il lattaio di Piagentina, which was completed in Florence in 1864 (Museo Civico, Naples)
Abbati's painting Il lattaio di Piagentina, which was
completed in Florence in 1864 (Museo Civico, Naples)
It was there that he witnessed the uprising against the Austrians led by Daniele Manin, future president of the short-lived Republic of San Marco.

Abbati returned to Naples in 1858, exhibiting at the Royal Bourbon Museum, before moving again to Florence in 1860 and making the acquaintance at the Caffè Michelangiolo of the Macchiaioli group.

They were a group who favoured political renewal but wanted also to establish a new Italian national pictorial culture, breaking away from the conventions taught by the established academies.  They believed that spots - macchie, in Italian - of light and shade were the chief components of works of art and were also advocates of painting outdoors - often referred to by the French expression en plein air - in order to capture the way scenes appeared at the time of execution, and how they are affected by light and weather conditions.

Abbati's La Fenestra, which is housed
in the Pitti Palace in Florence
Comparisons were made with the Impressionist movement in France but the Macchiaioli were less bold in their pursuit of optical effects and their outlines and figures were generally more sharply defined.

Abbati was seen as one of the most talented in the group and enjoyed a period of high productivity between 1860 and 1866 with a series of street or countryside scenes, sometimes painting a scene through the frame of a window or an archway, emphasising the contrasts of light and shade.

He tasted military action again in 1866, joining up to fight in the Third Italian War of Independence on the side of the new Kingdom of Italy against the Austrians.  He was captured during the Battle of Custoza and imprisoned in Croatia.

On his return to Italy, he lived on the estate owned by Diego Martelli, a patron and critic he met in Florence, in Castelnuovo della Misericordia, in the hills above Livorno, on the Tuscan coast.

It was there, however, that Abbati was bitten by one of Martelli's dogs, which turned out to be rabid.  He was treated in hospital for almost six weeks before the disease finally took him.

The facade of the 11th century Basilica of Sant' Angelo in Formis was built over a Roman temple
The facade of the 11th century Basilica of Sant'
Angelo in Formis was built over a Roman temple 
Travel tip:


Capua, where Abbati fought alongside Garibaldi in the Expedition of the Thousand, developed as a town around the point at which the Volturno river crosses the Via Appia, the Roman road linking Rome with Brindisi, and therefore was always strategically important.  There are many Roman relics including the remains of the second largest amphitheatre of the Roman empire.  Only the Colosseum in Rome has larger dimensions.  The 11th century Basilica of Sant'Angelo in Formis and the Cathedral of Capua, some of which dates back to the ninth century and which contains painting by Domenico Vaccaro, are also worth visiting.




The plaque outside 21 Via Cavour in Florence marks the site of the Caffè Michelangiolo
The plaque outside 21 Via Cavour in Florence marks
the site of the Caffè Michelangiolo 
Travel tip:

The Caffè Michelangiolo was a literary cafe that could be found in what was then Via Largo (now Via Cavour) in Florence, a short distance from the centre of the city going towards the university.  The building at 21 Via Cavour has a plaque to commemorate its history as a meeting place of the Macchiaioli artists. Today it is a centre for events and exhibitions celebrating their work.


More reading:

How Carlo Carra and the Futurists turned their art into a political movement

Marcello Piacentini: designer whose buildings symbolised Fascist ideals

Giuseppe Mazzini - hero of the Risorgimento

Also on this day:




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