Showing posts with label Clusone. Show all posts
Showing posts with label Clusone. Show all posts

12 August 2024

Giovanni Legrenzi – composer

Maestro’s Baroque music is still played today by enthusiasts

Giovanni Legrenzi came from a musical family in Clusone, near Bergamo
Giovanni Legrenzi came from a musical
family in Clusone, near Bergamo
Organist and composer Giovanni Legrenzi, who was influential in the development of late Baroque music in Italy, was baptised on this day in 1626 at Clusone, near Bergamo, which was at the time part of the Republic of Venice.

Legrenzi was to become one of the most prominent composers of opera, vocal, and instrumental music working in Venice in the late 17th century.

His father, Giovanni Maria Legrenzi, had been a professional violinist and composer. One of his brothers, Marco, was also a talented musician. The brothers are believed to have been taught music at home and they became used to performing in their local church.

Giovanni Legrenzi became organist at the Basilica of Santa Maria Maggiore in Bergamo and was ordained as a priest in 1651. He became resident chaplain at the church, but continued to be involved in music and was given the title of first organist in 1653. The music he composed for Mass and Vespers was published in 1654.

Legrenzi is believed to have been involved in a gambling scandal and his appointment as organist was not reconfirmed the following year, but the offence was not considered to be serious and he had been reinstated by February 1655.

However, towards the end of that year, Legrenzi had resigned from his position in Bergamo and in 1656 he became maestro di cappella at the Academy of the Holy Spirit in Ferrara.

The Ospedaletto, where Legrenzi worked during his time in Venice
The Ospedaletto, where Legrenzi
worked during his time in Venice
The Academy was founded by a fraternity of laymen who presented services with music for members of aristocratic circles in Ferrara.

Legrenzi’s position at the Academy gave him time to compose his own music and by the early 1660s he had published eight volumes of his work and had broken into the world of opera.

He ended his association with the Academy and supported himself with the proceeds of his published music and with his income from the land he owned in his native Clusone.

By 1670, he had settled in Venice, where he took up a position as a music teacher at Santa Maria dei Derelitti, more commonly known as the Ospedaletto, where he received commissions to compose oratorios.

He was a finalist for the appointment of maestro di cappella the Basilica of San Marco in 1676, losing by one vote, but later in the year he became maestro di coro at the Ospedale dei Mendicanti.

He became vice maestro at San Marco in 1682 and, by this time, he was one of the leading opera composers of his day. Among his students were Francesco Gasparini and Tomaso Albinoni.

Legrenzi finally became maestro di cappella at San Marco in 1685 but by this time his health was beginning to fail. He died in 1690, probably due to kidney stones, which caused him a lot of pain in his last few months.

His great nephew inherited his music and his books and produced four publications of Legrenzi’s work posthumously. Some of the composer’s unpublished work still survives in manuscript form.

Legrenzi composed 19 operas between 1662 and 1685, which were very popular in their day, but only a few have survived. Early music groups still perform his instrumental music and some of his surviving operas are performed at festivals.

The frescoed exterior of the Torre dell'orologio is one of the attractions of Clusone
The frescoed exterior of the Torre dell'orologio
is one of the attractions of Clusone
Travel tip:

Clusone, a town in Val Seriana, just outside Bergamo, where Legrenzi was born, has been chosen as one of I borghi piu belli d’Italia - the most beautiful villages in Italy. It was founded around 1300 BC.  Situated about 35km (22 miles) northeast of Bergamo, it nestles on a plain against the backdrop of the Alpi Orobie - the Orobic Alps - which is an area that attracts visitors all year round. Apart from its proximity to ski resorts, Clusone is famous for the frescoes that decorate some of its most significant buildings, such as the Municipio (Town Hall), the Torre dell'orologio (Clock Tower) and the Oratorio dei Disciplini (Oratory of the Disciplines), which has a macabre offering entitled The Triumph of Death. Clusone also hosts a prestigious annual jazz festival.


The Basilica of Santa Maria Maggiore in Bergamo
The Basilica of Santa Maria
Maggiore in Bergamo
Travel tip:

The Basilica di Santa Maria Maggiore in Piazza Duomo in Bergamo, where Legrenzi served as organist, dates back to the 12th century. It is one of the most prestigious buildings in Lombardy and has a richly decorated cupola from the 16th century and some fine Flemish and Florentine tapestries and works of art. At the back of the church is an elaborate white marble monument designed by Vincenzo Vela, marking the tomb of opera composer Gaetano Donizetti, who was born in Bergamo and returned to die in his native city. Nearby there is a monument to his teacher Simon Mayr, who was once maestro di cappella in the basilica. There is also an elaborately carved wooden confessional designed by Andrea Fantoni in 1704 and an altar rail with wood carvings following designs by the Renaissance artist Lorenzo Lotto.

Also on this day:

1612: The death of composer Giovanni Gabrieli

1861: The death of anarchist Luigi Galleani

1901: The death of politician Francesco Crispi

1943: The death of mountain photographer Vittorio Sella

1990: The birth of footballer Mario Balotelli


28 August 2023

Giovanni Maria Benzoni - sculptor

Roman collectors called him the ‘new Canova’

Benzoni's self-portrait bust is in the Biblioteca Angelo Mai in Bergamo
Benzoni's self-portrait bust is in the
Biblioteca Angelo Mai in Bergamo
The sculptor Giovanni Maria Benzoni, who earned such fame in Rome in the mid-19th century that collectors and arts patrons in the city dubbed him the “new Canova” after the great Neoclassical sculptor Antonio Canova, was born on this day in 1809 in Songavazzo, a small mountain village in northern Lombardy.

Benzoni sculpted many allegorical and mythological scenes, but also busts and funerary monuments.  

Songavazzo being just outside Clusone in the province of Bergamo, Benzoni was regarded as a bergamasco - a native of the ancient city - even though he spent much of his life in Rome.

As such he was held in similar regard to celebrated bergamaschi such as the composer Gaetano Donizetti, the philologist Cardinal Angelo Mai and the painter Francesco Coghetti, all of whom lived in Rome during Benzoni’s time there.

He was later commissioned to sculpt a monumental tomb for Cardinal Mai in the Basilica of Sant’Anastasia al Palatino in the centre of Rome.

Benzoni’s parents, Giuseppe and Margherita, were farmers of modest means. Giovanni Maria worked briefly as a shepherd, but his father died when he was around 11 years old, after which he was sent to work in his uncle’s small carpentry shop at Riva di Solto, on the western shore of Lago d’Iseo, about 25km (16 miles) away.

Benzoni's Flight from Pompeii is notable for its extraordinary realism
Benzoni's Flight from Pompeii is
notable for its extraordinary realism
He began to show a talent for carving religious statues which came to the attention of a wealthy patron called Giuseppe Fontana, who was impressed enough to speak about him to Count Luigi Tadini, who would later open the Tadini Academy of Fine Arts in Lovere, another town on Lago d’Iseo.

Tadini asked Benzoni to make a copy of the Stele Tadini, the sculpture made for him by Antonio Canova in memory of the count’s son Faustino, who had died at a young age.

He was so impressed by Benzoni’s attention to detail and the accuracy of the reproduction that he arranged for the young man, who had never had a formal education, to attend a college in Lovere. 

When he reached the age of 18 or 19, Tadini took Benzoni to Rome, where he would work in the workshop of Giuseppe Fabris - an artist who would later became director general of the Vatican museums - and attend the prestigious Accademia di San Luca, where his fees were paid by Count Tadini.

Benzoni’s elegant marble sculptures had echoes of Canova’s work, which he greatly admired. One of his earliest pieces sculpted at the Academy, entitled Silent Love, attracted the approval of wealthy buyers in Rome, who soon began to speak of him as “il novello Canova” - the new Canova. 

After winning several competitions at San Luca, Benzoni began to earn money for his work and opened a small studio in Via Sant'Isidoro, in the centre of Rome, off the street now called Via Vittorio Veneto. Demand for his work grew so rapidly that he was obliged to find bigger premises, first in Via del Borghetto and later in Via del Babuino, between the Spanish Steps and Piazza del Popolo.

Benzoni's bust of his former patron, Count Luigi Tadini, in Lovere
Benzoni's bust of his former patron,
Count Luigi Tadini, in Lovere
At the peak of his fame, he employed more than 50 assistants, making multiple versions of his most popular works. His Cupid and Psyche (1845) and Veiled Rebecca (1863) are considered to be two of his greatest triumphs.  Benzoni had clients in Holland, France, England and Ireland as well as in Italy.  

One of his later works, Flight from Pompeii or The Last Days of Pompeii (1868), was inspired by his visits to the Naples region in the 1850s and 1860s, when he was moved by the capacity for destruction of the volcano Vesuvius. The sculpture depicts with notable realism a man, his wife and their baby child, the man holding a cloak above his head to try to protect the trio as they seek refuge from the falling ashes.

The original was made for the wife of a wealthy New York hotelier. Among the many copies Benzoni produced, one is housed in a museum in Australia, another in the Neoclassical-style Town Hall at Todmorden, in the English county of Yorkshire.

Benzoni, who married into a noble Roman family and had six children, always lived in Rome but returned regularly to Bergamo, where he became a member of the city’s university and donated busts of famous citizens. His own self-portrait bust is in the Biblioteca Civica Angelo Mai on Piazza Vecchia in Bergamo’s mediaeval Città Alta.

He sculpted a statue of his former patron, Count Tadini, which stands on a plinth in a lakeside garden opposite the Tadini Academy in Lovere.

After his death in 1873, the popularity of Benzoni’s work declined, in common with the Neoclassical style as the newlly unified-Italy began to look forward. It has enjoyed a revival in recent years, however. Among his most famous works, his 1861 sculpture Innocenza difesa dalla fedeltà (Innocence Defended by Loyalty), which shows a young girl removing a thorn from the paw of her faithful pet dog, sold at Sotheby’s in New York in 2001 for more than $84,000 (€77,800; £66,800) and was presented as a gift to the Metropolitan Museum of Art.

The Torre dell'orologio is one of several notable buildings in the town of Clusone
The Torre dell'orologio is one of several
notable buildings in the town of Clusone
Travel tip:

Benzoni’s birthplace, Songavazzo, is just outside the town of Clusone, about 35km (22 miles) northeast of Bergamo, a beautiful small town nestling on a plain against the backdrop of the Alpi Orobie - sometimes translated as the Orobic Alps - which attracts visitors all year round. Apart from its proximity to ski resorts, Clusone is famous for the frescoes that decorate some of its most significant buildings, such as the Municipio (Town Hall), the Torre dell'orologio (Clock Tower) and the Oratorio dei Disciplini (Oratory of the Disciplines), which has a macabre offering entitled The Triumph of Death. Clusone is also home to a prestigious annual jazz festival.

The Palazzo Tadini in Lovere on Lago d'Iseo is home of the Accademia di Belle Arti Tadini
The Palazzo Tadini in Lovere on Lago d'Iseo is
home of the Accademia di Belle Arti Tadini
Travel tip:

Lovere, where Benzoni received his first formal education, is the largest town on the western shore of Lago d’Iseo  and has wonderful views of the top of the lake with its dramatic backdrop of mountains. Benzoni’s patron, Count Luigi Tadini of Crema, established the Accademia di Belle Arti Tadini in the lakefront Palazzo Tadini in 1829 and it has become one of the most important art galleries in Italy. The church of Santa Maria in Valvendra has some 16th century frescoes and the church of San Giorgio, which is built into a mediaeval tower, contains an important work by Palma il Giovane. A pleasant boat ride connects Lovere with Pisogne on the eastern shore of the lake, which has a railway line linking the lake with the city of Brescia. The landing stage adjoins Piazza XIII Martiri.

Also on this day:

1665: The death of painter and printmaker Elisabetta Sirani

1909: The birth of Lamberto Maggiorani, star of classic movie Bicycle Thieves

1938: The birth of journalist and talk show host Maurizio Costanza


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